
The best theatre to stream this month: Stereophonic's suite of addictive songs
'Queen Lear' was playwright Tanika Gupta's pitch for her 2024 drama about a British Bengali restaurateur and mother of three who is diagnosed with early onset dementia. Meera Syal plays the lead role. Available on National Theatre at Home from 8 July.
A chance to look (or listen) to Lear itself. Richard Wilson as the king is reason enough to tune in but this Drama on 4 BBC radio production of Shakespeare's towering tragedy also boasts David Tennant, Greta Scacchi, Tamsin Greig and Toby Jones.
'She had the thing that you can't teach,' runs one accolade for Liza Minnelli in this documentary that takes in her illustrious lineage and the highs and lows of her personal life while also showcasing her electrifying performances. On BBC iPlayer.
Jon Fosse won the Nobel prize in literature in 2023, praised by the committee for expressing 'the most powerful human emotions of anxiety and powerlessness in the simplest everyday terms'. Philadelphia's Wilma theatre presents A Summer Day, his meditation on memory, available 7-27 July.
A tribute to blazing singer-songwriter featuring her tracks, her influences and a piece of her heart. Mary Bridget Davies dons the round glasses for the musical, filmed at the Peacock theatre in London in 2024. On Marquee TV from 4 July.
In this 1973 play, Terence Rattigan 'came as close as he ever did to exposing his own emotional defensiveness', wrote Michael Billington. The Orange Tree's revival runs at the theatre until 5 July and is then available on demand, 8-11 July.
From Sadler's Wells, here is a trio of short films that reimagine classic works. Folu Odimayo's The Lions are Coming draws on The Rite of Spring, Mythili Prakash's Mollika is inspired by Rabindranath Tagore and Aṁṁonia, choreographed by Emma Farnell-Watson and Kieran Lai, pays homage to Pina Bausch.
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Daily Mail
27 minutes ago
- Daily Mail
I just realised Australians are some of the only people in the world who use the word 'eisteddfod'
If you grew up in Australia and ever spent weekends in a scratchy leotard and hair slicked back into a bun so tight it could cut off circulation, there's one word you probably used without ever questioning it: eisteddfod. To Australians, it's used to describe a dance or band/music competition and is mentioned almost daily throughout the school week. It stems from Welsh culture and roughly translates to 'sitting together'. While most Aussies assume it's a universal term, those who utter the word in front of almost anyone overseas or expats are often met with instant confusion. Why? The answer lies in a history lesson that stretches back to 19th century Wales. An eisteddfod in its original form is a centuries‑old festival of poetry, music and performance, with roots that date back to at least the 12th century. In Wales, these events are still about celebrating the Welsh language, culture, and music - with competitions in singing, harp playing, and poetry recitation. When Welsh immigrants arrived in Australia in the 1800s, particularly in areas linked to mining and wool industries, they brought the tradition with them. At first, the Australian versions followed the Welsh format: singing competitions, a bit of poetry, and perhaps some instrumental music. But somewhere along the way, something changed. Someone slipped a dance routine into the programme, and before long, the word eisteddfod had been redefined here. What was once a cultural celebration became, in Australia, a catch‑all term for performing arts competitions - and eventually, almost exclusively for dance contests. 'They aren't just for dance,' one Reddit user explained. 'I've been in them for singing and drama also - they are competitions for the performing arts, which is why they are called an eisteddfod.' 'The eisteddfod in Wales is usually a singing competition, with maybe a bit of poetry. That started early in Australia. Dance eisteddfods were named after that,' another wrote. In linguistic terms, it's what's known as a 'semantic shift' - a change in meaning that can happen when a word migrates across cultures. The Welsh diaspora kept the name, but as the decades passed, the content of the competitions in Australia evolved. Now, for generations of Aussie kids - and their long‑suffering parents - eisteddfod is synonymous with weekend marathons of costume changes, side‑stage pep talks, and the sound of tap shoes clattering down a high‑school hall. It's an institution that's spawned an entire subculture of sequin‑studded competitiveness. Meanwhile, in Wales, the word still means what it always has - a festival celebrating language and music - which explains why international friends might appear baffled by the sentence 'we've got three eisteddfods this term'. So while the rest of the world may have never heard of the word, in Australia it's part of the fabric of growing up - as familiar as school assemblies, meat pies at the tuckshop, and the smell of hairspray in the change room.


Daily Mail
27 minutes ago
- Daily Mail
Kimberley Garner stuns in a satin cream co-ord as she departs star-studded Materialists gala screening with handsome male friend
Kimberley Garner cut a stylish figure as she left the UK gala screening of Materialists at Picturehouse Central in London on Tuesday night. The former reality TV star, 34, looked sensational in a satin cream strapless bra top paired with a matching floor-length skirt as she departed the venue with a handsome companion. Layering a cream cardigan over her shoulders to fend off the evening chill, Kimberley completed her chic ensemble with bronze open-toe platform heels. She wore her blonde locks in an elegant half-up, half-down style, perfectly complementing her glamorous look. Meanwhile, her companion looked dapper in a black suit, teamed with a crisp white button-up shirt. Romantic comedy Materialists stars Dakota Johnson as a matchmaker in the enviable position of having to choose between leading men Chris Evans and Pedro Pascal. The film, written and directed by Celine Song, received a warm 87-percent rating from the critics at Rotten Tomatoes, and audiences responded with a heartfelt $12 million at the box office. Kimberley's outing comes after she stepped out with her partner William Claeyssens for the first time at the Chain of Hope Gala Ball in November. Speaking exclusively to the Mail on Sunday, Kimberley confirmed her relationship status, revealing the budding romance was going well, and she was happy. 'We met through friends just last week, so this is our second date,' she added at the time. William's Instagram says he divides his time between Marbella and London, and he appears to enjoy the high life - sailing, shooting, and attending events like the Goodwood Festival of Speed. Her date reveal came after she recently revealed that she had 'just broken up with someone'. Kimberley's last known romance began in the summer of 2023 when it was revealed that she was going out with financier Andreas Anthis. The pair broke up in April last year, with Kimberley calling it the 'right decision'. The reality star previously dated her MIC co-star Richard Dinan. Kimberley has also bought a new house in Belgravia, London, and is 'excited' to live back in the UK after putting her Miami beach house on the market. She said it was a decision which was not driven by the presidential race because she was 'happy' with the result. 'I just bought a new property in Belgravia, so I have been working for the last two months and had my head down,' she said. 'This is my first night out in two months. 'I am selling my flat in America, so I am actually moving my money from the US to London.


Daily Mail
27 minutes ago
- Daily Mail
Katie Price left feeling 'isolated and disregarded amid growing rift with daughter Princess and admits she feels like Brooklyn Beckham'
Katie Price has reportedly been left feeling 'isolated and disregarded' amid a growing rift with her daughter Princess. The former glamour model, 46, was banned from appearing on the 18-year-olds fly-on-the-wall ITV television series which aired this week. And now The Sun had revealed their relationship is strained after Princess was told to distance herself from Katie. The star has reportedly even gone as far as to liken her feeling with those of Brooklyn Beckham amid the bitter feud between himself and wife Nicola Peltz and the rest of his family. A source told the publication: 'Katie feels isolated and disregarded. She loves Princess so much and is supremely proud of the young woman she is becoming.' The TV star was hoping to help Princess in her budding TV career and support her in her journey to fame, however ITV2 executives have reportedly made it clear they don't want Katie involved. They continued: 'Princess told her mum that she needed to distance herself publicly and yet chats to her all the time behind closed doors.' Amid the personal/professional divide forming in their relationship they added: 'She feels a bit like Brooklyn Beckham, with no one in the Andre family really speaking to her.' Daily Mail have contacted Katie and Princess' representatives for comment. Katie previously hit out on Instagram after she was banned from her daughter Princess' 18th birthday celebrations. One post showed a sky full of pink clouds with words reading 'I love my daughters' while another read 'my daughters will always be my little princesses' written in the sand. Daily Mail revealed that Katie was unable to attend Princess' celebrations because the event was being filmed for her forthcoming fly-on-the-wall ITV television series - which Katie has been banned from appearing on. Katie also had an awkward gaffe after she was forced to delete her 18th birthday tribute to Princess on Friday - having shared it 48 hours too early. Princess' television show focuses on her home life with her father Peter, his wife Emily and big brother Junior, as well as her career as an influencer, and is being made by Pete's management company, Can Associates. The star has reportedly even gone as far as to liken her feeling with those of Brooklyn Beckham amid the bitter feud between himself and wife Nicola Peltz and the rest of his family Meanwhile Princess has revealed she 'wished she had a happier childhood' as she opened up about the 'dark times' she faced while growing up in her documentary The firm memorably looked after Katie when she was with Pete from 2003 until 2009, the year they sensationally split. But this week, Katie blasted 'people who used to look after me', believed to be referring to Peter Andre 's management company, on the latest episode of her Katie Price Show podcast. Katie said: 'Princess is now officially an adult so mummy and Princess can now go out together. If certain people would let her be seen with me.' Sophie said: 'I noticed in her 18th birthday pictures she was wearing the shoes you bought her for Christmas,' with Katie replying: 'Oh did she? I love that.' Katie added: 'Everyone knows she's doing this documentary - and I'm not in it. Certain people don't think it's good for Princess to be seen with me. Certain people that used to look after me.' Meanwhile Princess has revealed she 'wished she had a happier childhood' as she opened up about the 'dark times' she faced while growing up in her documentary. The rising star addressed the traumatic memories during her childhood, including her mum's high-profile breakups. She candidly admitted: 'I did have a counsellor, I do still see her every now and then. 'But I don't feel like I can really talk, so I just write everything down in my notes. 'I do wish, like, I could have had a more happier childhood. In the sense of like, I had so many things on my plate at a young age.'