logo
Labubu underground: Lafufu makers defy Chinese authorities to feed the world's appetite for viral doll

Labubu underground: Lafufu makers defy Chinese authorities to feed the world's appetite for viral doll

The Guardian3 days ago
Trolleys piled high with decapitated silicon monster heads, tattooed dealers lurking in alleyways, bin bags of contraband hidden behind shop counters: welcome to the world of Lafufus.
Fake Labubus, also known as Lafufus, are flooding the hidden market. As demand for the collectable furry keyrings soars, entrepreneurs in the southern trading hub of Shenzhen are wasting no time sourcing imitation versions to sell to eager Labubu hunters. But the Chinese authorities, keen to protect a rare soft-power success story, are cracking down on the counterfeits.
'Labubus have become very sensitive,' says one unofficial vendor, in her small, unmarked, fake designer goods shop hidden on the 17th floor of a bland office building in Shenzhen's Huaqiangbei district, an area known for cheap electronics. 'We don't dare to talk about it,' her colleague adds.
Labubus, a furry bunny-eared elf sold by Chinese toy company Pop Mart, have gone viral this year. Touted by celebrities from Rihanna to Blackpink's Lisa, the 'ugly-cute' dolls have been so in demand that in the UK Pop Mart pulled the grinning monsters from all stores because of the risk of fights breaking out between customers. In the UK they retail for £17.50, while official versions in China sell for between 99 and 399 yuan (£10.30 – £41.40), with resale prices soaring much higher.
The hype has been embraced by the Chinese authorities, who have hailed Pop Mart as the latest Chinese brand to gain popularity overseas, following the likes of the viral video game Black Myth: Wukong and AI company DeepSeek.
In June, People's Daily, the Chinese Communist party's official mouthpiece, praised Labubus as representing the shift from 'Made in China' to 'Created in China'. 'Labubu's rise fuses China's strong manufacturing base with creative innovation, tapping into the emotional needs of global consumers,' the article said.
Pop Mart's elevation to the status of national hero also appears to have motivated the authorities, in a country trying to shed its reputation for being a land of knock-offs, to aggressively crack down on fakes. In April, customs authorities in the eastern city of Ningbo intercepted a batch of 200,000 goods suspected of infringing Labubu's intellectual property, according to state media, with another sting last month catching over 2,000 fake goods.
About 40km (25 miles) across town from the Huaqiangbei store, 59-year-old Li Yang* has never heard of a 'Labubu'. But she spends hours each day sitting on a low plastic stool in her high-rise apartment building slicing apart hundreds of moulded silicon monster heads that will later become Lafufus.
Surrounded by piles of flesh-coloured components, Li and her neighbour, Wang Bi*, another stay-at-home grandmother engaged in the painstaking work, spilled out into the hallway of their apartments. 'Since we're staying at home, taking care of the kids, doing housework, we wanted to find some gig work,' Li says.
Li didn't know where the monster heads came from or were sent back to. The boss of a nearby factory reported by Chinese media to be producing Lafufus flatly denied any involvement, despite the presence of a pile of suspiciously Labubu-like heads piled high in the hallway.
'China has never been so determined to fix IP [intellectual property] thefts, thanks to Labubu's contribution not just as a global bestselling toy but as a soft power tool,' said Yaling Jiang, a Chinese consumer trends analyst. 'Defending Labubu's IP is no longer just about business interest, but [about] national interest.'
So the Lafufu market is going underground. Authorities in Shenzhen's Huaqiangbei recently said they would be inspecting vendors for 'counterfeit and shoddy' Labubus. But it doesn't take long to find a dealer.
After a quick phone call made by one of the street-side vendors hawking fake designer bags and watches, a slight, tattooed man, his canvas tote bag dripping in cutesy furry keyrings, appeared out of nowhere.
He led the Guardian into a busy shopping mall and over to a counter selling hairdryers and sunglasses. With a few furtive glances, the smartly dressed shop assistant whipped out a black plastic bag from behind the counter, full of Lafufus, for sale for 168 yuan (£17.40) each.
Fakes likely come from a range of sources. But Li's business model works like this: every few days, a courier wheels over a trolley piled with bags stuffed with hundreds of moulded monster heads to Li's apartment building. The heads are moulded by a machine, but the act of splitting them into two, so that they can be stuffed and reassembled into a finished toy, is fiddly. It requires cutting along the curved edge of the toy's head by hand, using a sharp knife.
So Li and her neighbours, all elderly women, are enlisted to slice the heads by hand, with the mystery factory paying them 0.04 yuan a piece. Every time the courier arrives, Li hauls down several large bags of split-open heads, and collects a new batch of elfin models, ready for dissection. One woman estimated she can cut through 800-1,000 heads a day, earning up to 40 yuan.
None of the workers interviewed by the Guardian had any idea what a Labubu was. Wang was shocked to hear that the finished products, fake or otherwise, sold for several hundred yuan. But one person in the home factory knew exactly what the toys were. As Li's young granddaughter wandered into the hallway to find her grandmother inspecting a finished toy, she screamed: 'Labubu!'.
*Name has been changed
Additional research by Lillian Yang
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Tokia Square
Tokia Square

Time Out

time44 minutes ago

  • Time Out

Tokia Square

Previous Next /10 Previous Next /10 Previous Next /10 Previous Next /10 Previous Next /10 Previous Next /10 Previous Next /10 Previous Next /10 Previous Next /10 Previous Next /10 Asia in One Bite -Discover Croydon's Newest Kept Secret!Sushi Train, Hotpot & BBQ, Fried Chicken, Dimsum, Chinese, Korean, Indian, Thai Tokia Square is Croydon's newest Asian food hall, bringing together 13 unique brands under one roof. From sushi trains to sizzling BBQs, and bold Korean flavours to fragrant Thai curries, it's a one-stop destination for authentic street food, comfort eats, and sweet treats – all at wallet-friendly prices. Tokia Square is located on Level One of the iconic Grants Entertainment Centre in the heart of Croydon (CR0 1QB). Just a 10-minute walk from East and West Croydon stations, it's easily accessible via train, tram, and bus. Ample parking is available at the Q-Park Grants car park on Surrey Street, with additional nearby car parks for convenience. Whether you're travelling by public transport or car, getting here is quick and hassle-free – making Tokia Square the perfect destination for your next food adventure.

The future of gardening looks bleak
The future of gardening looks bleak

Spectator

time16 hours ago

  • Spectator

The future of gardening looks bleak

Since 2005, a Chinese man called Zheng Guogu has been creating a garden inspired by the strategy game Age of Empires. The project is ongoing, so the garden is expanding. It currently covers 20,000 square metres but it may yet become larger, spreading over more of Yangjiang, where Guogu lives. It's not clear how he came by all this space. Nor is it immediately obvious how a garden can be inspired by a game in which you go to war with others. Perhaps he's particularly fond of invasive species. This is all quite intriguing and unusual, and most visitors to Garden Futures: Designing with Nature will have questions. Who is this guy? How does he handle his borders? Is his preference for perennials or annuals? Does he watch Gardener's World? Where does empire-building come in? These won't be answered, unfortunately. That's partly because a display that consists of a large reproduction of a sepia photograph and a minuscule screen showing footage of Age of Empires being played is no match for a large garden. But the more obvious, curatorially thorny reason is that gardens of the Age of Empires sort – in fact even garden-variety gardens – aren't well suited to exhibitions. The qualities that make them enjoyable and distinct – smell, colour and texture, as well as size, pattern and progression – are hard to capture and get across in sunless gallery spaces. Work has been done to overcome this difficulty: the first of the four sections has been designed to resemble the sort of pavilion found in a Persianate garden; little boxes containing scents of rose, jasmine and narcissus are distributed throughout the show; and the exhibits encompass all that can be construed as relating in some way to the words in the title. One might commend these efforts. They have, after all, been jointly made with the Vitra Design Museum, the Wüstenrot Foundation and the Nieuwe Instituut, all of which previously hosted Garden Futures. But they have not produced a good exhibition. The problem is that it is about everything, sort of, and therefore nothing, really: gardens, design, nature, plus a little bit about the history and future of each. So it is that one encounters – in what feels like no particular order – Kim Jones' Spring/Summer outfits for Dior, which are 'inspired by the story of Charleston'; a mid-17th-century Persian tile panel; photographs of the Maggie's Centre in Dundee; a pair of trainers that 'imagine how city dwellers can help rewild urban environments'; a Hepworth sculpture; a Wardian case; a wholesome-looking community space underneath power lines in Kuala Lumpur; a seaweed garden in Oban; and Piet Oudolf's pens (Sharpies, Faber-Castells and Winsor & Newtons, in case you're curious), which admittedly have the edge on the 'tools and materials similar to those used by Roberto Burle Marx' displayed nearby. There are more than 400 things on display, so the experience is a disorientating one – akin, perhaps, to the effects of inhaling the fumes of a rude pesticide. The fact that the themes meant to hold it all together – 'Paradise', 'Garden Politics', 'Testing Grounds' and 'The World as Garden' – fail to do so is a shame, since some of the work here is excellent. Andrew Buurman's portraits of allotment plot holders capture their pride and pragmatism, and there are extraordinary photographs from the first and second world wars, including one of a soldier growing celery in a trench and another of an impeccable garden in a bomb crater in London. There's a considered display about the Dutch landscape architect Mien Ruys, which includes some original designs for planting within the housing developments in Buitenveldert, a garden suburb in Amsterdam. Her drawings make a nice contrast with the freer sketches by Oudolf shown nearby, and would have been equally well placed in the part on the development of the garden city and the application of Ebenezer Howard's ideals in apartheid South Africa, Palestine, postcolonial Brazil and, less contentiously, Rosyth. Where things really go wrong is in the futures. Clever farming solutions aside, these look bleak. This impression is only deepened by oppressive optimism of the labelling. Should we look forward to such things as the 'Chia Chair', which 'is designed to entice us to take a seat but it is actually a bed for chia seeds'? The same applies to the 'Beatrix Chair', which is hung above and was designed by Gavin and Alice Munro, who 'literally grow furniture'. At least it is honestly displayed. It's not meant to be sat in, so why put it on the floor. The labelling is also big on the idea of gardens as therapeutic places, which is fair enough, as it's generally true. Gardens are worth spending time in. If you have one, you'll know; and if you don't, you can visit one (they're often free). That would be a better idea than going to this exhibition.

TikTokers go wild for the ‘NEXT Labubus' in new collectable toy wave – and it's a fraction of the price
TikTokers go wild for the ‘NEXT Labubus' in new collectable toy wave – and it's a fraction of the price

Scottish Sun

time17 hours ago

  • Scottish Sun

TikTokers go wild for the ‘NEXT Labubus' in new collectable toy wave – and it's a fraction of the price

After becoming a hit in China, the dolls have started to enter the global market TOY JOY TikTokers go wild for the 'NEXT Labubus' in new collectable toy wave – and it's a fraction of the price Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) TIKTOK is raving about a collection of new plush toys that have been dubbed the 'next Labubus'. Fans are eyeing up another brand strikingly similar to the cult collectable dolls seen dangling from the designer bags of Rihanna, Kim Kardashian and David Beckham. Sign up for Scottish Sun newsletter Sign up 4 Wakuku dolls are being compared to Labubus Credit: Instagram / @ 4 As is the case with Labubus, shoppers can buy a blind box of the dolls Credit: Walmart 4 Wakuku dolls are forest characters Credit: Instagram / @ Labubus have taken the internet by storm - with Chinese toymaker Pop Mart's valuation skyrocketing to £31.6bn. But now some TikTokers are calling the plushies designed by Hong Kong-born artist Kasing Lung old news. The latest craze, Wakuku, is a collection of playful plush dolls sold by Chinese retail chain Miniso Group Holding. As with Labubus, fans can buy the dolls in blind boxes - a clever marketing ploy to add an element of surprise to purchases. One Wakuku doll currently costs around £19.56 on the fast fashion retailer Shein, while a single Labubu can cost anywhere from £13.50 to £211 online and at stores, depending on the rarity of the design. A single blind box of six Wakuku dolls costs around £22 at the US retailer Walmart. On the other hand, a blind box of six Labubus will set you back around £105. Fans of the latest trend were quick to spot a key-chain of a Wakuku doll on TikTok shop. Besides their differences in price, the two brands' dolls differ in their appearance. Labubu is a character inspired by Nordic fairy tales, while Wakuku is described as a rebellious wild child roaming the forest. Dramatic moment crowds join massive queue to grab viral Labubu dolls as latest doll craze sweeps across the world Wakuku dolls have so far proven immensely popular in China, with long lines of people seen queuing at Miniso stores. It comes as parents in Wales were recently warned about fake Labubu dolls that that may pose a risk to children's safety. Rhondda Cynon Taf Council issued a warning after discovering the counterfeit toys in Pontypridd, prompting customs to seize over 32 keyrings and 95 boxes of the fake dolls. The toys were found to lack essential safety testing required to ensure compliance with regulations. Rhian Hope, Head of Public Protection and Regulatory Services at Rhondda Cynon Taf Council, told Wales Online: "Counterfeit toys can potentially pose significant dangers to young children such as chemical exposure and choking hazards. "These products routinely lack proper safety testing and we encourage anyone concerned about the safety of toys they've purchased to get in touch with us via Consumer Advice." Real Labubu dolls are stocked at various UK retailers, including stores at London's Oxford Street and Manchester's Chinatown district. The trending dolls are also sold on Amazon and Pop Mart's website.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store