The hottest fashion and art happenings for an endless L.A. summer
Ready for summertime stomping, Venice brand ERL, designed by Eli Russell Linnetz. has launched its first line of flip-flops. The collection features three styles: Low'(1-inch sole, $185), Big (5-inch sole, $375), and the massive Huge (8-inch sole, $1250, made on request). Whether you're towering over surfers in Huge or shuffling along the beach in Low, ERL has created a flip-flop height for any occasion. Available in black and Sand colorways, the flip-flops are designed to blend technical craftsmanship with California understated style. Available on www.erl.store.
No city has sparked inspiration and myth quite like ours. 'Los Angeles, Revisited' dives into the relationship between L.A. and the artists who've helped shape its structural identity. Tracing back to the city's first skyscraper, the Braly Block completed in 1904, the exhibition reveals how L.A. has grown, been demolished and rebuilt again over decades. Among the greenery of the Huntington, you'll find displays of early Angeleno construction plans and neighborhood renewals that map the city as we know it today. Open through Dec. 1. huntington.org
Byredo is known for its signature mood-setting scents that take users from dry deserts to musky fur-lined lairs. The brand's newest perfume, Alto Astral, is inspired by Brazil's tropical flavor and vibrant cultural expression. The name refers to an elevated state of mind, expressed through creamy top notes of coconut with jasmine petals, incense and a woody base. Available now in Byredo stores and at byredo.com .
Architecture and race are intrinsically linked in architect J. Yolande Daniels' new exhibit, which explores the relationship between structure and discrimination in L.A.'s history. In 'To a Future Space-Time,' Daniels redefines Black architecture as a mode of reclaiming space and autonomy — with the work of Black Angelenos displayed through archival maps, atlases and glossaries in collaboration with the California African American Museum. Running through Sept. 6. artandpractice.org
L.A. artist Alex Israel is collaborating with Oliver Peoples for a limited edition pair of sunglasses, with all proceeds going to wildfire rebuilding efforts across the city. The brand's classic Oliver Sun frame was redone in three shades — black, tortoise and clear — to reflect a Southern California laid-back attitude. Accompanied by the artist's Fin symbol, representing progress and local surf culture, the frames are at once retro and optimistic for a rebuilt future. Available now. oliverpeoples.com
K-Swiss is getting a fresh perspective with Anwar Carrots as creative director of a new line. As the founder of the brand Carrots, the designer has made waves in the industry through his consistent collaborations with everyone from Crocs to 'One Piece.' Inspired by warm, orange-tinted memories of his father rocking K-Swiss in late '90s Orlando, Carrots hopes to bring back an old-school cool to the brand with the collection, K-Swiss Racquet Club. Carrots reworked familiar silhouettes from the heritage brand alongside new iterations from the designer's 'creative garden.' First drop available now. kswiss.com
In 1986, California-based norteño band Los Tigres del Norte released the song 'América,' with lyrics conveying that those born on the American continent are brothers. This sentiment is where the exhibit, 'America (Soy Yo!),' finds its place. Curated by gallery director Ever Velasquez, the show features artists from across the U.S., Mexico, Central America, South America and Canada, questioning the man-made borders, land ownership, and criminalization of migration that has defined the political landscape. Open through Aug. 30. cjamesgallery.com
Ever wondered what a teapot would look like if it was an octopus? Or a collection of sculpted screws? At Craft in America Center, a family of strange and imaginative teapots are on display in 'Tea for Two: The Teapots of Gloria and Sonny Kamm.' Hand-crafted from a range of materials, including ceramic and pistachio shells, the teapots reinterpret a classic household item with an 'Alice in Wonderland' charm. Tea lovers looking for a drop of whimsy will find it among this display of the world's largest private teapot collection. Open through Aug. 30. craftinamerica.org
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Yahoo
2 hours ago
- Yahoo
Netflix just added a gripping sci-fi thriller series with 100% on Rotten Tomatoes — and it's already cracked the top 10
When you buy through links on our articles, Future and its syndication partners may earn a commission. I've always loved movies and shows that incorporate time travel. As a dedicated thriller fan, I find the narrative hook ripe for shocking twists and highly memorable moments. And 'The Lazarus Project' is more proof that when used well, the narrative device creates practically unmissable TV. This British series originally aired on Sky Max in the summer of 2022 (and TNT in the U.S.), but now has found a new streaming home on Netflix. Subscribers hooked by the elevator pitch of a secret organization altering time to save the world will be pleased to know the streaming service hasn't just added a single season of the show either. Both seasons of "The Lazarus Project" have now landed on the big red streamer. At 16 episodes total, 'The Lazarus Project' is the perfect binge-watch this week. It's one of those rare shows that will have your finger hovering over the 'play next episode' button before the credits have even started rolling. With each new twist and turn, you'll be drawn further into its world of time loops, tricky moral questions and compelling characters. The show is already proving quite a hit on Netflix. Less than 48 hours after its arrival on the platform, and it's found its way into the Netflix top 10 most-watched shows list. It currently ranks No. 5 behind original series like "The Hunting Wives" and "Untamed," but as more subscribers get hooked by its many twists, it could even rise to No. 1. So, if you're on the hunt for your next Netflix binge, 'The Lazarus Project' makes a very compelling case for itself. Here's everything you need to know about this gripping sci-fi thriller series, and why critics were so impressed it managed to pull a rare 100% score on Rotten Tomatoes. What is 'The Lazarus Project' about? George (Paapa Essiedu) might be losing his grip on reality. Waking up on July 1, he lives out an eventful three months that include professional success; marrying his girlfriend, Sarah (Charly Clive); preparing for their first child; and facing a global pandemic. But then he awakens on the morning of July 1, with time having reset back to three months earlier. Stuck in a time loop, reliving the same events over and over again, nobody but George seems to be aware that time is resetting. But he's not going insane. Instead, he's one of a select group of people who can uniquely perceive the flow of time and remember the events of each timeline reset. Invited to join the Lazarus Project, he becomes part of an underground organization that works from the shadows to save the world from universe-ending threats, but the ability to rewrite the past and change the future comes with serious temptations. And George is soon forced to choose between the Lazarus Project's strict rules and saving a loved one. 'The Lazarus Project' reviews — here's why critics rate it 100% On review site Rotten Tomatoes, 'The Lazarus Project' season 1 holds a rare perfect 100% rating. This score comes from a relatively low sample size of 14 reviews, but it still speaks to the sci-fi thriller's quality and the way it managed to grip viewers across its run. 'It's all as fun to watch as it is compelling to consider,' said Judy Berman of TIME Magazine. While Cristina Escobar of praised the series for its 'thoughtful exploration of moral questions' and for packing 'plenty of suspense.' Metro's Sophie Laughton felt the show was 'a watch that's worth the ride,' and Brad Newsome of the Sydney Morning Herald said, 'This intelligent, imaginative sci-fi thriller series sets itself apart with complex, believable characters and dashes of incidental low-key humor.' "Affirming [creator] Joe Barton's status as one of the best screenwriters in the game, The Lazarus Project is exactly the kind of head-spinning, heart-pounding TV that you'll be left wanting to revisit time and again," said Jordan King of Empire Magazine in a four-star review. Dan Einav of the Financial Times was a little more mixed than some critics. 'The opening episode can feel off-puttingly clunky and déjà vu-inducing,' explained Einav. However, he noted that 'In subsequent episodes, thankfully, the eight-parter becomes more intriguing.' The show's second season, which originally debuted in November 2023, doesn't have enough reviews on Rotten Tomatoes for a rating, but the critical takes listed are universally positive. 'This twisty time-loop thriller gets even more dramatic in its second outing. Paapa Essiedu's George is a jittery joy in a smart, sharply scripted show that's lots of fun to watch,' said Leila Latif of the Guardian about 'The Lazarus Project's' second season. Should you stream 'The Lazarus Project' on Netflix? If you're looking for a compelling sci-fi series with intriguing twists and plenty of time-travel shenanigans, then 'The Lazarus Project' isn't just worthy of your watchlist — it should be right at the very top of your streaming pile. It's a compelling thriller that'll hook you instantly. Paapa Essiedu's performance is one of my favorite parts of the show, creating a character in George who is plenty likable, and with some conflicting emotions at play. Yes, he wants to save the world from global catastrophe, but he's got understandable personal desires as well, and these two goals conflict in a way that leads to seriously high-stakes drama. While much of 'The Lazarus Project' is dedicated to intense drama and universe-ending threats, there's just the right amount of humor in the mix. Like when Lazarus Project member Archie (Anjli Mohindra) explains George's abilities to him by describing him as a 'mutant,' but making a point of noting he's "not like Wolverine.' Of course, as a show about time loops and changing the past to alter the future, there is a degree of time travel jargon in 'The Lazarus Project,' and the timeline can get a bit knotty as the show progresses. But these are minor quibbles, and for the most part, 'The Lazarus Project' does a good job of keeping things flowing without the plot spinning out of control. However, before you commit to watching based on all the praise written above, there is one frustrating element I need to warn you about. Sadly, 'The Lazarus Project' was canceled after two seasons, and the season 2 finale ended on a massive cliffhanger — one that looks set to go forever unresolved. So be prepared to be left with lingering questions. This blemish aside, 'The Lazarus Project' is a must-watch series for sci-fi thriller fans, and I'm hoping it's enjoyed a deserved resurgence now that it's arrived on Netflix. In fact, maybe if it manages to make such a large splash on the world's biggest streaming service, then it could be revived for a third season. Or maybe that's just wishful thinking on my part. 'The Lazarus Project' is among the final few major additions to Netflix this month, but the streaming service has already confirmed its slate of new content for August. So, here's a guide to everything new on Netflix in August, if you want to start planning your streaming a little early. Watch "The Lazarus Project" season 1-2 on Netflix now Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button. More from Tom's Guide New on Netflix in August 2025 Netflix's new original looks like a mystery-laced revenge story 5 top new shows to stream this week
Indianapolis Star
9 hours ago
- Indianapolis Star
Ralph Lauren's Oak Bluffs collection celebrates historic Black beach community
Cricket sweaters, patchwork blanket, and distressed baseball caps. Each is part of the new collection called Polo Ralph Lauren for Oak Bluffs, celebrating the historically Black community of Oak Bluffs in Martha's Vineyard, Massachusetts. The collection is an evolution of the 2022 collection based on Historically Black Colleges Morehouse and Spelman, who are again partners in the Oak Bluffs collection, and is a part of the company's "Design with Intent" portfolio. "Ralph Lauren as a man, as a brand is sort of the world ambassador to Americana," James Jeter, Creative Director for Polo Men's at Ralph Lauren told USA TODAY. "With that comes this incredible responsibility for us to tell these incredible American stories as fully, as broadly, as accurately as possible." The collection deftly weaves HBCU campus style drawn from Morehouse and Spelman with resort wear that references the historic Black beach town and Black traditions. "It was just very important to tell that story, the multi-faceted, multi-dimensional experience that is the Black experience that also translates into the American experience," Dara Douglas, Product and Brand Lead for Design with Intent, told USA TODAY. It is accompanied by a documentary on the community directed by Cole Brown titled "A Portrait of the American Dream: Oak Bluffs" that debuted on the brand's YouTube page on July 24. "Oak Bluffs' unique history, traditions and sense of community deeply inspire me and speak to what we are all searching for – a place where you can be free, uncontrived, joyful and truly at home," Ralph Lauren, Executive Chairman and Chief Creative Officer of the eponymous preppy stalwart, said in a July 23 press release. Oak Bluffs was once a part of nearby Edgartown and was deemed to be the place "suitable" for Black workers at nearby resorts, according to the National Trust for Historic Preservation. The Oak Bluffs community envisioned by the collection started in earnest when Charles Shearer opened Shearer Cottage in 1912, according to The Root. The Black news outlet described the inn as, "an act of defiance in an America riddled with discrimination and racial segregation, where safe lodging for Black travelers was a rare luxury." "So by default really, Oak Bluffs becomes the place ... for young, educated, affluent African Americans—the politicians and the movie stars." Dr. Elaine Weintraub, historian and co-founder of the Martha's Vineyard African American Heritage Trail, told the Trust. At the heart of Oak Bluffs, according to the Root, is a beach called the Inkwell that served as a place where, "Black folks could swim, sunbathe, and just be, without getting side-eyed or harassed." Weintraub described vacationers to the Inkwell, Shearer Cottage, and Oak Bluffs throughout the decades as a "who's who" including Madame C.J. Walker, Dr. Martin Luther King Jr., actress Ethel Waters, and singer Lionel Richie. "Well, I think perhaps I should say what you I think are aware of. Our people are deeply mystical, you might say spiritual and we have a an appreciation for place," Dr. Lawrence E. Carter Sr., the Dean of the Martin Luther King Jr. International Chapel, said in the documentary. "How Martha's Vineyard became Martha's Vineyard has an awful lot to do with traffic, who came through here and by coming through here bequeathed something." Dorothy West, the youngest member of the Harlem Renaissance, said of Oak Bluffs, "I thought there was always summer here" in an interview published by the Martha's Vineyard Museum Oral History Channel. "I think historically it has represented a place where African Americans could be successful, could be around other African-Americans, could share in a culture and a place in the sun and that they'll own and that they'll belong," Weintraub said. Oak Bluffs still holds that same significance today. Netflix's show "Forever", released in March, showcased this on an episode titled "The Vineyard", allowing viewers to see the vibrance and richness that still exists in Oak Bluffs. The 2022 collection was described by Jeter as a "period piece" that drew from the ephemera of Morehouse and Spelman, of which Jeter and Douglas are alumni, from 1920's to the 1960's. "You'll notice that there's this kind of decorum (in the 2022 collection). We leaned a little bit into politics of respectability, which really started such an incredible conversation," Jeter said. He added that imagery for the collection's campaign was "intentionally less serious" and leaned into a multi-generational interpretation of summers on the shore. "Quite frequently people think of the output that comes from the Black experience, whether it's through entertainment, through sports. So you constantly see the Black body in motion, but this notion of rest and relaxation as a space that the black body could occupy I think is quite revolutionary," Douglas said. The collection comes as companies have backed away from concepts labeled DEI following pressure from the Trump administration and other right-wing forces. Jeter and Douglas both pointed to the collection as a part of the company's commitment to widening the brand's view of what is included in "Americana," with James saying "we intended to stick to that."
Atlantic
14 hours ago
- Atlantic
The ‘Slacker' Teen Who Was More Than Just a Punch Line
In the first episode of The Cosby Show, Cliff Huxtable (played by Bill Cosby) walks into his only son's messy room with a mission: getting him to care about improving his straight-D report card. But the teenager proves difficult to rattle. After his father makes a big show of giving him Monopoly money and then taking it all away bill by bill for hypothetical expenses, Theo (Malcolm-Jamal Warner) holds firm in his assertion that he doesn't need to emulate his parents in order to be happy. 'If you weren't a doctor,' he tells his father, 'I wouldn't love you less, because you're my dad.' Can't the same be true in reverse? For a moment, it seems as if Theo has gotten through. But instead, Cliff goes off, scolding his son for being 'afraid to try, because you're afraid that your brain is going to explode, and it's gonna ooze out of your ears.' The genius of the scene is that both characters are right. Theo is afraid to try, but he also recognizes one of his father's limitations: Cliff has a very specific idea of what success looks like, which can burden his children as they try to live up to it. It's a testament to Warner's skill as a performer that even when Theo isn't winning an argument with his dad, he evinces a complex vulnerability. Warner, who died last week, at the age of 54, struck a delicate balance while playing Theo: He's hubristic but not smug, clueless but not buffoonish. Nailing these nuances was key. Although today Cosby's name is inextricable from his tarnished legacy, The Cosby Show was nonetheless groundbreaking in its portrayal of a well-educated, middle-class Black family—and Theo's story bookends the series, starting with the Monopoly lesson and ending with his graduation from college. Cliff uses tough love to teach his son that hard work is instrumental to prospering in life. But Warner played Theo as the house jester, balancing the dramatic tension of his character's uncertain future with his impeccable ability to deliver a one-liner. Ultimately, Theo's development does not amount to simple 'success' or 'failure.' His arc comes into focus when he finds his sense of purpose—in part by challenging his parents' judgments and assumptions. As a high-school freshman at the start of the series, Theo isn't much for studying. Instead, he hopes to skate by on charisma alone—which rarely works—and aspires to land a variety of improbable dream jobs, such as tennis pro, pilot, and model. Theo's apathy serves as a counterpoint to Cliff's moralizing about the importance of education and family values to one's social mobility, which echoed Cosby's own. In retrospect, Cliff's fears about his son's future foreshadowed the comedian's public excoriations of Black youth, which drew national attention in the early 2000s—mainly, his charge that they were ' going nowhere.' The harshness that sometimes emerges in Cliff's approach to parenting lands with a more punitive thud in that context. And with Theo, we eventually see that the slacker persona his father has projected onto him is not the full picture. Theo's apparent lack of motivation occasionally drives his father to theatrical extremes. In one episode, Cliff enlists the entire family to simulate the 'real world' for his son; the exercise walks Theo through getting a job, renting an apartment, and surviving life's unpleasant realities for a day. Like the earlier Monopoly gambit, it doesn't really work. When his mother, Clair (Phylicia Rashad), suggests afterward that he's learned an important lesson, Theo clarifies for her. 'I learned that when I go into the real world,' he says, 'I don't want to do business with anyone in my family.' The episode's punch line reflects a common parent-child dynamic: Rather than attempting to find common ground, both sides put up a wall—in the Huxtables' case, through humor. The Cosby Show indulges in this again and again, as Theo's parents invent dramatic ways to school their son; they even go so far as to stage a mock trial to catch Theo in a lie. Their son, meanwhile, typically shrugs it all off with a joke. The show's early years often played the chasm between Theo's overconfidence and the outcomes of his actions for laughs too. For example, take a scene in which he tries to impress his older sister Denise's (Lisa Bonet) study buddy: Theo adopts a baritone voice, and then Denise manhandles him out the door. As with many adolescent boys, Theo's bravado is a mask for his still-developing identity. The relatability of his 'fake it 'til you make it' attitude renders him endearing, even when he's the butt of a joke. Still, Theo's self-mythology suggests a latent sadness, perhaps stemming from a suspicion that he might live out his adult life as a regular person, rather than the educated professional his parents expect him to become. But for as often as the show points out the teen's foibles, Warner never lets viewers dismiss Theo outright. For a while, he animates his character's puppyish demeanor with perfectly timed voice cracks and awkward body language. Yet the actor slowly recalibrates as both he and Theo age, shifting the fumbling swagger toward a more mature kind of self-assurance. Some of the show's most rewarding scenes arrive when Theo, as an older teen, earns his father's respect by showing up as his full self. On two separate occasions, Theo and his best friend, who goes by the nickname 'Cockroach' (Carl Anthony Payne II), write a rap for a class assignment. Both iterations include catchy lyrics that demonstrate an understanding of the material; teens like Theo and Cockroach can do great work, the show suggests, when they have room to be creative. It feels fitting, then, that Theo's emotional turning point comes from a diagnosis that upends his parents' skepticism about him. After he enrolls in college, Theo learns that he's dyslexic, which reframes his academic challenges, flighty aspirations, and self-doubts. (Charting a clear path forward is hard when you believe that you aren't smart enough to advance.) The revelation frees Theo from the 'failure' narrative that the adults in his life have pinned on him; he begins performing better academically as a result. More important, he invests his downtime in a meaningful, altruistic pursuit. As a volunteer at the local community center, Theo lights up while mentoring tweens who have struggles similar to his own, and not just because he's good at it. Working with a younger generation gives Theo a platform to draw upon his life experiences and learn as he goes, affirming his newfound sense of accomplishment. When one of his advisers tells him he's doing well but isn't 'there' yet, Theo agrees—a moment Warner underscores by smiling to himself as he murmurs, 'But I'm growing.' The pleasure Warner brings to the exchange reflects just how much his character has transformed from an aimless teen afraid to fail into an adult who recognizes that trial and error are part of life. The Cosby Show closes with the whole family gathering. Although Cliff reflects on the long, hard road his son faced to get here, Theo's real triumph is different, and more significant. He's no longer feigning confidence or struggling to understand why the things that come easily to others are so difficult for him. He won't become a doctor or a lawyer. After years of effort, he's defined what personal success means to him. A sense of direction is what his parents have wanted for him all along. And now he's found it for himself.
