
Lewis Capaldi poses with music legend Dolly Parton
The snap, which shows the pair beaming, was shared on Instagram with the caption 'Good golly, miss Dolly'.
Fans expressed their excitement in the comments.
READ NEXT: Former Rangers star engaged after popping the question on holiday
One person said: 'I don't know whether I am more jealous of Lewis or Dolly.'
A second added: 'The crossover I didn't know I needed.'
Meanwhile, a third commented: 'Iconic.'
READ NEXT: Popular English rock band announce show in Glasgow
Lewis, who was born in Glasgow, also shared an image of his name on the door of a dressing room at The Tonight Show.
The 28-year-old captioned the snap, 'tonight'.
(Image: Lewis Capaldi/Instagram)
The Tonight Show is a TV talk show hosted by Jimmy Fallon and broadcast live from the Rockefeller Center in New York.

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Powys County Times
an hour ago
- Powys County Times
Focus on Gregg Wallace, Glastonbury and Gaza as BBC releases annual report
The BBC is to face questions on Gregg Wallace, its Glastonbury Festival coverage and the Gaza: How To Survive A Warzone documentary as it prepares to release its 2024/2025 annual report. The corporation will highlight its successes over the past year and disclose the pay of its top talent, but focus is likely to be on a storm of stories about the BBC's shows and coverage of live events. It comes after Ofcom announced it would investigate the BBC's Gaza: How To Survive A Warzone documentary after a review found it had breached the corporation's editorial guidelines on accuracy. The regulator said it had examined the BBC report and would be investigating under its broadcasting code, which states factual programmes 'must not materially mislead the audience'. The programme was removed from BBC iPlayer in February after it emerged that the child narrator, Abdullah, is the son of Ayman Alyazouri, who has worked as Hamas's deputy minister of agriculture. An Ofcom spokesperson said: 'Having examined the BBC's findings, we are launching an investigation under our rule which states that factual programmes must not materially mislead the audience.' The review, conducted by Peter Johnston, the director of editorial complaints and reviews, which is independent of BBC News, said the programme was in breach of accuracy for 'failing to disclose information about the child narrator's father's position within the Hamas-run government'. But the review found no other breaches of editorial guidelines, including breaches of impartiality, and also found no evidence that outside interests 'inappropriately impacted on the programme'. The BBC will also face scrutiny after a total of 45 out of the 83 allegations of misconduct made against former MasterChef presenter Wallace during his time on the show were substantiated, including one allegation of 'unwelcome physical contact', in a report following an investigation into his behaviour. On Monday, Wallace's MasterChef co-host John Torode confirmed he had a standalone allegation of racist language upheld in the same report. He said had 'no recollection of the incident' and was 'shocked and saddened' by the allegation in an Instagram post. In November 2024 the show's production company, Banijay UK, announced Wallace would step away from his role on the BBC cooking show while historical allegations of misconduct were investigated. The report concluded that the 'majority of the substantiated allegations against Mr Wallace related to inappropriate sexual language and humour', adding that 'a smaller number of allegations of other inappropriate language and being in a state of undress were also substantiated'. Also expected to be on the agenda is coverage of Glastonbury, which saw the broadcaster livestream a set by punk duo Bob Vylan, during which singer Bobby Vylan, whose real name is reportedly Pascal Robinson-Foster, led crowds in chants of 'death, death to the IDF (Israel Defence Forces)'. Director-general Tim Davie confirmed on Monday that staff at the festival had the authority to cut the stream Avon and Somerset Police have since launched an investigation into the group's set with the BBC issuing an apology for the live stream, and promising to no longer broadcast live acts they deem 'high risk' as they had with Bob Vylan in a pre-festival assessment. The Ipswich-formed duo, who are completed by drummer Bobbie Vylan, are also being investigated by the Met Police for alleged comments in a video of their performance supporting Iggy Pop at Alexandra Palace in May. In the video, Vylan appears to say: 'Death to every single IDF soldier out there as an agent of terror for Israel. Death to the IDF.' According to reports in The Times, the BBC's director of music Lorna Clarke was among a group of senior staff who have stepped back from their day-to-day roles after the broadcaster's decision to show Bob Vylan's set live. The salary of former Match Of The Day host Gary Lineker is expected to be included in the report, after he left his presenting role early following a social media row after he shared a post about Zionism which featured a depiction of a rat, historically an antisemitic insult. Lineker, who issued an unreserved apology, was the BBC's highest-paid presenter until his departure, with the annual report for 2023/24 showing his salary to be to around £1.35 million a year. The presenter will no longer front the BBC's coverage of the 2026 World Cup or the FA Cup next season, with his final appearance on Match Of The Day at the end of the last Premier League season. It comes as it was announced that Mr Davie and BBC chairman Samir Shah will face questions from MPs over the documentary, Wallace, and its Glastonbury coverage.


Wales Online
an hour ago
- Wales Online
John Torode confirms he is man accused of racism in Gregg Wallace report
John Torode confirms he is man accused of racism in Gregg Wallace report The Wallace investigation found an allegation was made against another person, said to have used racist language John Torode attends the ITV Palooza 2022 on November 15, 2022 in London, England (Photo by Dave) MasterChef presenter John Torode has confirmed he is the subject of an allegation of using racist language that was upheld as part of a review into the behaviour of co-presenter Gregg Wallace. The report, commissioned by MasterChef production company Banijay UK and led by law firm Lewis Silkin, found 45 out of 83 allegations against Wallace were substantiated, alongside two standalone allegations made against other people, including one for using racist language. In a post on Instagram, Torode confirmed he was the person alleged to have used racist language but said he had 'no recollection of the incident' and was 'shocked and saddened' by the allegation. His statement said: 'Following publication of the Executive Summary of the investigation into Gregg Wallace while working on MasterChef, I am aware of speculation that I am one of the two other individuals against whom an allegation has been upheld. 'For the sake of transparency, I confirm that I am the individual who is alleged to have used racial language on one occasion. The allegation is that I did so sometime in 2018 or 2019, in a social situation, and that the person I was speaking with did not believe that it was intended in a malicious way and that I apologised immediately afterwards. 'I have absolutely no recollection of any of this, and I do not believe that it happened. However, I want to be clear that I've always had the view that any racial language is wholly unacceptable in any environment. I'm shocked and saddened by the allegation as I would never wish to cause anyone any offence.' Reports in The Sun said Torode had been asked to leave the show and claim he had mental health issues following the allegation. A BBC insider said they do not recognise this. It comes after Wallace said he was 'deeply sorry for any distress caused' and that he 'never set out to harm or humiliate' in the wake of the report, which included one allegation of 'unwelcome physical contact' that was upheld. In November 2024, the show's production company, Banijay UK, announced that Wallace, 60, would step away from his role on MasterChef while historical allegations of misconduct were investigated. Article continues below In a statement to the PA news agency, he said: 'For eight months, my family and I have lived under a cloud. Trial by media, fuelled by rumour and clickbait. None of the serious allegations against me were upheld. I challenged the remaining issue of unwanted touching but have had to accept a difference in perception, and I am deeply sorry for any distress caused. It was never intended.' The report found that the 'majority of the allegations against Mr Wallace (94%) related to behaviour which is said to have occurred between 2005 and 2018', with only one allegation substantiated after 2018. It also concluded that the 'majority of the substantiated allegations against Mr Wallace related to inappropriate sexual language and humour', adding that 'a smaller number of allegations of other inappropriate language and being in a state of undress were also substantiated'. The report noted that during the course of the investigation, which was over a seven-month period, Wallace was diagnosed with autism spectrum disorder, and said that the findings should be viewed in the context of his neurodiversity. In his statement, Wallace added: 'I'm relieved that the Banijay report fully recognises that my behaviour changed profoundly in 2018. Some of my humour and language missed the mark. I never set out to harm or humiliate. I always tried to bring warmth and support to MasterChef, on screen and off. 'After nearly 20 years on the show, I now see that certain patterns, shaped by traits I've only recently begun to understand, may have been misread. I also accept that more could have been done, by others and by myself, to address concerns earlier. 'A late autism diagnosis has helped me understand how I communicate and how I'm perceived. I'm still learning.' He praised the show's production company, Banijay, saying they had 'given me great support, and I thank them'. The former greengrocer added: 'There will be more casualties if the BBC continues down this path, where protecting its legacy matters more than protecting people. For my part, with full legal support, I will consider my next move.' Banijay UK said that 'Wallace's return to MasterChef (is) untenable' following the number of sustained allegations. Patrick Holland, chief executive of Banijay UK, said that while the report 'makes for uncomfortable reading', it also provided 'valuable insight to ensure that going forward everyone working on our productions feels safe and supported, and that inappropriate behaviour is quickly and professionally dealt with'. The BBC also said it has 'informed' Wallace that it has 'no plans to work with him in future', adding in a statement: 'This behaviour falls below the values of the BBC and the expectations we have for anyone who works with or for us. Although the full extent of these issues were not known at the relevant time, opportunities were missed to address this behaviour, both by the production companies running MasterChef and the BBC. We accept more could and should have been done sooner.' Article continues below The BBC also addressed the future of a series of MasterChef filmed last year which has not yet been aired, saying it had not made a final decision on broadcasting it. Last year, a BBC News investigation revealed a string of allegations of inappropriate sexual comments and alleged inappropriate behaviour against Wallace by 13 people who worked with him across a range of shows over a 17-year period, including former Newsnight host Kirsty Wark. A statement from Wallace's lawyers at the time said that it 'is entirely false that he engages in behaviour of a sexually harassing nature', as reported by BBC News. Ahead of the official publishing of the external review, Wallace claimed in an Instagram post on July 8, which appears to have been taken down, that he had been cleared of the 'most serious and sensational accusations' against him.


Spectator
2 hours ago
- Spectator
Meghan Markle's rosé-tinted reality
Rosé, like a lot of wine, is not much good. And yet people love it, for the simple fact that it is pink. This reminds them of all nice things – and especially of warm summer evenings somewhere non-grotty. Like the south of France. Or… the Napa Valley. That is where the new branded rosé of Meghan Markle comes from – the latest in a carousel of celebrity rosés. The output of 'As Ever', her lifestyle brand, the wine is a 'thoughtfully curated' vintage. The former Suits star is pleased to offer 'a roundness and depth of flavour' that 'invites you to celebrate warm summer moments with the ones you love'. It sold out immediately – something that usually happens to a new iPhone or sports bra, not bottles of probably quite plonky plonk. (Most rosé is plonk and we all know it.) The magnetism of rosé for business-curious celebs bears examining. Angelina Jolie and Brad Pitt started the trend by buying the vineyard Château Miraval in Provence in 2006 (and fighting like cats over it long after their divorce). Miraval felt on-brand for them at the time. But then came Snoop Dogg, Cameron Diaz ('all about clean ingredients'), Jon Bon Jovi, Sarah Jessica Parker, Drew Barrymore, Graham Norton, Gordon Ramsay and, of course, Kylie Minogue – who has nine types, including an alcohol-free variety. Kylie Rosé, simply called Kylie, is the UK's best-selling rosé. Its label looks like a pre-teen has been let loose in a Claire's Accessories. And yet off the shelves it flies – perhaps justifiably, given its sub-£10 price tag. Rosé is cheap, but I can't say that I find it all that cheerful. Still, it must be the pinkness and indeterminateness of the wine that makes dollar signs flash in the eyes of all those celebrity vendors. Nobody seems much bothered by what rosé actually is: not-quite-red wine served at white-wine temperatures. It is made from red grapes and tinged by contact with the grape skins. We all think that dark red rosés – a suspect, magenta-adjacent lipstick hue – are inherently worse than the famous straw-tinted paler pinks. But the colour just comes down to maceration time, which is always short in rosé-world. That's rosé for you: skin-deep. This tart of wines barely macerates, and spends next to no time crouching boringly in cellars, which costs producers in space and time but gives wine depth and structure. Out it pops – cheap as chips – and we all love it. Rosé sales are soaring around the world. It's not just Provence or Napa that is wanted: English and Welsh rosés is up 200 per cent at Majestic Wines, and 160 per cent at Aldi. But the romance of wine – and especially rosé – is basically France. In France, people sit in heat and eat duck confit and baguette and get in the mood for love. The imagery is as far removed from the neon lights of mass production as possible. Meghan wants a world where everything is hand-picked and bespoke, and who has publicised her own detailed involvement in tasting and testing, using her own handwriting on the label. Yet even she is hawking a rosé made from Fairwinds Estate grapes, which is anything but a romantic producer. Devastated by wildfires, Meghan chose them as a show of support – but they are huge and dreary. They make wine for Barry Manilow, the TV show Yellowstone, and sports teams – and their website has a section devoted to work specifically with college fraternities. I get it. When you substitute out red or white and replace it with the colour pink and the promise of sunsets in the south of France, of course it'll be popular – even though it's more likely to be drunk at a barbecue in Greater Manchester or suburban New Jersey. What I will never cease to find surprising is that the girly scrawl of Kylie or Meghan turns people on, not off. Still, there is nothing wrong with this utter vulgarisation of a dubious-at-worst, sphinx-like-at-best type of wine. Good business is good business. And if celebrity rosés entrench the escapist appeal of rosé to a nation that goes mad when the temperature gets to what retailers now call the 'rosé tipping point' (20 degrees, when sales jump by 150 per cent), then fine by me. But a word about rosés that aren't stamped with Meghan's macabre, perpetual invitation to take flight into love and light through her products. I've tried only a few rosés that ask for the glass to be finished. One was from Chêne Bleu – the winery run by Nicole Rolet, wife of Xavier Rolet, former head of the London Stock Exchange – and the other, oddly, is Whispering Angel, the (vulgar-looking) £25 stuff available at Waitrose from Château d'Esclans, which is now owned by LVMH, who is credited with reviving interest in rosé at a luxury level. Both are not only that straw-salmon colour; they also hold back their strawberry notes, while the mouth fills with something more tart and buttery. Still, if both of these were on offer, I'd go for a good fizz – boring old white, boring old bubbles, but genuinely effervescent. Not just pretty.