
Win a copy of Private Lives by Emily Edwards in this week's Fabulous book competition terms and conditions
T&CS
Open to United Kingdom and Republic of Ireland residents aged 18 or over only, except employees of the Promoter, News Corp UK & Ireland Limited, and their associated, affiliated or subsidiary companies, their families, agents or any other person(s) connected with the competition, including third party promotional partners.
Competition closes at 11.59pm on July 5, 2025 (the 'Closing Date'). Entries received after the Closing Date will not be counted.
One entry per person. Bulk, automatically generated or third party entries are void.
To enter you must click the 'click to enter' link on Private Lives page before the Closing Date.
There will be 10 winners.
The winners will be selected at random from all valid entries for this competition received before the Closing Date.
Winners will be notified by email or phone or using the other contact details provided by the winner within fourteen days after the Closing Date. All reasonable endeavours will be made to contact the winner during the specified time. If a winner cannot be contacted or is not available, the Promoter reserves the right to re-draw another winner from the valid/correct entries that were received before the Closing Date.
The prize is a copy of Private Lives in hardcover, paperback or e-book format, at the discretion of the Promoter.
The prize is non-transferable and there are no cash alternatives to the prize in whole or in part.
The promoter of this competition is News Group Newspapers Ltd (publishers of The Sun) (the 'Promoter').
General terms and conditions for competitions apply*.
*GENERAL TERMS AND CONDITIONS FOR COMPETITIONS
These terms and conditions apply to all competitions (unless and to the extent that) the competition states otherwise.
The winner is responsible for ensuring they are able to accept the prize as set out and in accordance with these terms and conditions, in the event they are unable to do so then the Promoter reserves the right to redraw the prize.
Entry is free but entrants should be aware that they may be subject to data charges depending on their own individual arrangements for Internet access if entry is online or by email.
An eligible entrant must be an individual, must enter on their own behalf, and must submit an entry in the form requested by the Promoter under this promotion including their name, address and e-mail address.
By entering, all eligible entrants agree to abide by each and all these terms and conditions. Misrepresentative or fraudulent entries will invalidate an entry. Where a competition involves a voting process: offering or receiving any incentive for voting is not permitted and will invalidate the vote, and may disqualify the recipient of the vote. The Promoter reserves the right, with or without cause, to exclude entrants and withhold prizes for violating any of these terms and conditions. The Promoter reserves the right to amend these terms and conditions. Any amendments will be published on the Promoter's website (the 'Website').
The Promoter reserves the right to publish entries (including parts of entries) other than the winning entry and publication does not necessarily mean the entrant has won a prize.
Entrants will retain copyright in their submitted entries, however, by entering, all entrants licence the Promoter a worldwide royalty-free perpetual licence to edit, publish and use each entry in any and all media (including print and online) for publicity and news purposes. The Promoter reserves the right to publish entries (including parts of entries) although publication does not necessarily mean the entrant has won a prize.
There is no cash or other alternative to the prize stated and the prize is not transferable and no part or parts of the prize may be substituted for other benefits, items or additions.
Winners may be required to submit valid identification before receiving their prize.
The Promoter's decision is final and binding on the entrants. No correspondence will be entered into.
The Promoter will not be liable for technical, hardware, or software failures of any kind or lost or unavailable network connections that may limit or prohibit an eligible entrant's ability to participate in the competition. Other than death or personal injury arising from the acts or omissions of the Promoter or its employees, the Promoter will not be liable for any loss or damage arising out of the winner's (or their guest's) enjoyment of the prize.
By entering, any subsequent prize winners agree to allow the free use of their names, photographs and general locations for publicity and news purposes during this and future promotions by the Promoter or any associated or subsidiary company of News Corp UK & Ireland Limited.
Uses of personal data received by the Promoter in the course of the promotion are subject to the privacy policy found on the Website. Winners' names may be published on the Website.
Completion and submission of a registration slip or e-mail will be deemed acceptance of these terms and conditions.
The Promoter reserves the right at any time to cancel, modify or supersede the competition (including altering prizes) if, in our sole discretion, a competition is not capable of being conducted as specified. The Promoter reserves the right to substitute a prize of equal value in the event that circumstances beyond their control make this unavoidable.
For a list of winners please send a stamped envelope to News UK, Competitions Department, 1 London Bridge Street, London, SE1 9GF stating for which competition you would like winners' details.
Competition rules published in publications of the Promoter (including social media if applicable) or on the Website form part of these rules.
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The Sun
33 minutes ago
- The Sun
The night I tried to reunite Liam & Noel with their estranged dad & why it's still one of my biggest regrets 29 years on
SOME might say I have zero chance of ever being granted forgiveness by Liam and Noel Gallagher. I don't deserve it but, for a very long time, I've wanted to tell them: 'I'm sorry.' 7 7 Looking back, I now completely understand why Liam was furious. He was so angry that he tried to punch me in the face. But at the time, I really didn't know the truth about what I'd been dragged into. The summer of 2025 will be the summer of Oasis — the comeback fans have patiently waited years for. But their reunion is a stark reminder of a particularly dark night in my past. The night I accompanied their father, Tommy Gallagher, to the Westbury Hotel in Dublin on Saturday, March 23, 1996. I was a junior reporter based in Yorkshire who, weeks earlier, after just turning 21, was asked to go to Tommy's home in Manchester to see if he'd talk about his world-famous sons. I was polite, he was friendly. We built up a rapport. He told me he hadn't seen his three sons since the day his wife left him. Lonely Tommy often said how much he adored and missed them and was desperate to be back in their lives. I felt sorry for him. He would get emotional showing me family photos and the guitar he said he had taught them their first chords on. When I relayed this to bosses in London, they told me I had to play a Cilla Black Surprise Surprise-type role — bringing the family back together. So, the plan was to accompany Tommy to Ireland, and to stay at the same fancy hotel the band were at while performing in the city. I was told to stay at Tommy's house the night before the trip to guarantee he made the early-morning flight. I knew better than to argue, so spent the night where Noel used to sleep. I say 'spent' — not 'slept' — because, believe me, you don't do much sleeping when in a house with a much older man you barely know. I was naive, young and inexperienced. It was my first ever solo job for the paper. 7 I was eager to impress my bosses in the tough newsroom down south. After checking into the hotel, Tommy wrote a letter explaining why he was there, which was handed to Liam. Minutes later, Liam rang Tommy's hotel room and barked at him: 'If I catch you round . . . walking round the lobby in this hotel . . . you're going to get your legs f***ing broke. Right? See ya later.' Reign of terror Tommy appeared devastated and said his heart was 'broken'. But Liam hadn't minced his words — and there would be no tear-jerker Cilla reunion role for me. We were told to head home in the morning, and the photographer who was on standby for the reunion snaps was told to leave. It was done. But Tommy wouldn't listen. At 2am, my hotel room phone rang. Tommy shouted: 'If you want a decent story, you'd better get down to the bar, NOW.' I begged him to calm down, to go to bed, to stop being ridiculous. He wouldn't listen. I was bleary-eyed but will never, ever forget the extraordinary scenario I raced into. There was Tommy, sitting in one corner of the bar, staring forcefully at the band who were at the other side. He refused to leave. In an instant, all hell broke loose. Liam swaggered over, bouncing up and down, and screamed: 'I told you I'd break your legs.' He lunged for his dad first, and then tried to punch me. Bouncers held him back, but Liam snarled: 'I'll break that tart's f***ing legs, too.'' Noel watched on, ready to wade in. Liam told his dad he was a 'loser', while he was a 'millionaire' who 'can afford bail now'. Tommy made jibes about Liam's then partner, Patsy Kensit, and called Liam a 'silly boy'. I sat there trembling. Finally, Tommy stormed off and one of the huge but kindly Oasis security guards 'escorted' me and my luggage out of the hotel, as I fought back tears. Liam and Noel have since, rightly, spoken out about how appalling this incident was. What they knew at the time, and I didn't, is that Tommy was a shocking, vile, evil father. And a liar. Just six months after that night, their mum Peggy set the record straight, revealing she had fled from Tommy because he was a womaniser and a drunk who beat her, Noel and their eldest son Paul. She said they were all left scarred by his reign of terror. When I read her words, I felt physically sick. That terrifying night now fully made sense to mje. I had been fed a pack of lies. And used. I have felt remorse for my part in what happened ever since. And if Noel and Liam still look back in anger at that night, I really don't blame them. I do, too. And I'm sorry. Don't hound Royals 7 THE charity folk at Peta – People For The Ethical Treatment Of Animals – have slammed William and Kate for allowing their cocker spaniel, Orla, to have puppies instead of adopting one amid an 'animal homelessness crisis'. They even said the royals were 'staggeringly out of touch' for 'churning out a litter'. How ridiculous – and nasty. They went on to openly praise Charles and Camilla, who have 'chosen to adopt from a shelter rather than contribute to the problem'. Adopting a dog doesn't suit every family. Sometimes a family really needs the focus and joy of seeing new life come into this world. Like, for example, when three young children have seen their mum go through an agonising cancer battle. One of the pups is staying with them, the rest will be guaranteed good homes. You wouldn't find a children's charity chastising people who have a bouncing baby instead of adopting, would you? Even though there are thousands of desperate kids in this country who need homes. Surely Peta must realise Kate and William actually do more for charities in this country than most. And I hope that they stop for a moment to think about how 'stag-geringly out of touch' they are for thinking it acceptable to attack a family in this way. Brazen Bezos 7 BILLIONAIRE Jeff Bezos either has very thick skin or zero self-awareness. On Thursday, as protests around his lavish wedding to Lauren Sanchez hit fever pitch, he gushed to anybody that listened: 'We love Venice.' Clearly not grasping the fact that Venice really doesn't love him. Kim's classy collab 7 KIM KARDASHIAN shows off a new bikini for her collection – a collab between her Skims brand and Roberto Cavalli. She said the lucrative partnership came about because she looked through old holiday photos and saw she was wearing Cavalli, which prompted her to contact the brand's creative director. Which, to the rest of us, is like contacting the boss at M&S, Primark or Next. But getting absolutely zero response. Crumby queues 7 FANCY trying that M&S strawberry-and-cream sarnie? Yes, me too. They couldn't have pushed it or hyped it up any more than they have, could they? I burst into my local Marksy's with full enthusiasm on Friday to be told that they only receive 'a few' packets each morning and are 'selling out by lunchtime'. 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The Guardian
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- The Guardian
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In one of the most anticipated performances of the weekend so far, Northern Irish rap trio took to a very full West Holts amid controversy after the BBC refused to broadcast their show live


Telegraph
2 hours ago
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Kneecap, Glastonbury Festival review: Irish provocateurs make their critics look like out-of-touch killjoys
'Glastonbury, I'm a free man!' yelled Kneecap's beleaguered rapper Mo Chara, inspiring a mass chant of ' Free Mo Chara ' that turned into several rounds of 'Free, free Palestine!' How can you hobble a band called Kneecap? The controversy around Irish punk-rap trio Kneecap's rebellious political position is self-defeating. They are contrarian by design. On their own musical merits, they would be a marginal local gang chanting in an obscure language. But the bravery / foolhardiness / provocation (delete according to opinion) of their political posturing has catapulted them to the frontline of pop culture, and one of Glastonbury's most oversubscribed and enthusiastically received headline sets, which took place at the West Holts stage on Saturday afternoon. Ironically, every time one of Kneecap's critics speaks out, they are effectively shooting themselves in the foot. Before people started calling for them to be banned, the mischievous Irish trio were making a small but potent stir telling funny tales about modern life on the post-peace streets of Belfast. Condemnation for their support of the Palestinian cause has accelerated them into a whole other league. They have become the accidental poster boys for Palestine – and Glastonbury came out in force to show their support. The Palestinian cause is close to Irish hearts, finding synchronicity in the small nation's own history of colonialism. Two other popular young Irish artists – singer-songwriter CMAT and rock group Inhaler (led by Bono's son Elijah Hewson) – led chants of 'Free Palestine' yesterday, possibly as much in solidarity with their fellow Irishmen as the Palestinian cause. None of that caused even the remotest flurry at a festival that had its origins in the hippy era of peace and love. It is Kneecap's adoption of paraphernalia associated with historical terrorism in Northern Ireland that raises suspicions and goads their critics. Their logos and balaclavas mimic apparel worn by paramilitaries during the Northern Irish conflict. The trio themselves are in their mid-to-late 20's and have grown up in the state of peace and reconciliation that followed the 1998 Good Friday agreement. Their sense of Irish nationalism may be deeply felt, but Kneecap's take on the Troubles has a playfulness and mischief that comes at safe remove from the grimmest realities. One of the trio, Mo Chara, is on bail charged with a terrorism offence after allegedly displaying a flag representing Hezbollah, a proscribed organisation, at a gig in November last year. In the Saturday gig, rapper Móglaí Bap called for fans to gather st the next court hearing and stage a riot but was soon walking that back with a disclaimer. 'No riots, just love and support, and more support for Palestine.' This led to the first of several loud chants of 'F--- Kier Starmer!' which proved an even more popular chant amongst the young audience than 'Free Palestine'. 'But are they any good?' poor Nick Robinson wailed on the Today programme, like a doddery old coot trying to comprehend what his grandkids see in the latest brash pop sensation. Well, yes and no, Nick. What Kneecap do is quite basic, even primitive: thudding electro beats with bog standard drum patterns and bass deep enough to vibrate your inner organs, topped with shouty rap lyrics tackling political issues with provocative wit. You might think of it as a cross between the Sex Pistols and the Beastie Boys, albeit with the musical chops of neither. But they deliver it with a passion, panache and humour that is irresistible, and in doing so they give space and focus for a young audience to express solidarity with the suffering of a beleaguered nation they might otherwise feel powerless to help. There was so much joy and emotion in the dancing in the densely packed crowd it was impossible to resist. On some level, the most dangerous thing Kneecap did at Glastonbury was wear balaclavas and scarves in a heatwave. But their political passion makes every other band here look like makeweights. Condemning them just makes you look like a killjoy out of touch with the mood of a generation.