
Landmark exhibition Yolngu power comes to the Art Gallery of NSW
The exhibition, Yolngu Power: the art of the Yirrkala, features almost 300 works by 98 Aboriginal artists connected to Yirrkala in the Northern Territory's Arnhem Land.
The collection traces the history of art from the world-renowned community and showcases the continuation of and diversity within practice from the 1940s to today.
Coinciding with Yolngu Power, The Mulka Project is also premiering a major new commission in the Art Gallery's Nelson Packer Tank.
The first look has been given to Yalu, an immersive light and sound experience designed to bring the colours and songs of Yolngu country to the former wartime oil bunker underneath the gallery.
The exhibition opened today, June 21, and will run until October.
The Art Gallery of NSW said: 'The exhibition is presented in partnership with the Aboriginal-owned art centre, Buku-Larrŋgay Mulka Centre located in Yirrkala.
'The art centre was established as an act of Yolngu self-determination in the 1970s, in the midst of the land rights movement.
'Decades earlier, artists at Yirrkala were among the first Indigenous Australians to employ art as a political tool, most notably through the Yirrkala Bark Petitions of 1963, which were sent to the Australian Parliament to assert Yolngu custodianship of Country.
'Yolngu people have painted sacred designs on the body and objects since time immemorial.
'Known as miny'tji these designs are not merely decorative, they are important patterns that denote the interconnection between Yolŋu people, law and Country.
'Through these visual languages, artists from Yirrkala have shared art as a means of cultural diplomacy — as a respectful assertion of power in its diverse forms, from sovereignty to influence, authority and control, to energy, strength and pride.'
NSW Arts Minister John Graham said the exhibition was an incredible opportunity for both NSW locals and tourists.
'This exhibition will be a rare opportunity in Sydney to experience the power and generosity of the artists of Yirrkala, one of Australia's most revered arts communities,' he said.
'I urge locals and visitors to make their way to the Art Gallery of New South Wales this winter for this exceptional exhibition that celebrates the artists of Yirrkala whose contribution to both Australian and international art, is profound.'
Art Gallery of NSW director Maud Page said she was 'immensely proud' of the gallery's history with the Yirrkala community.
'We are delighted to come together again to present our major winter exhibition, Yolngu power: the art of Yirrkala,' she said.
Yolngu power: the art of Yirrkala spotlights Yirrkala artists spanning multiple generations and art forms including bark paintings, drawings, prints, and sculpture in both wood and metal, alongside video works and immersive digital installations.
Exhibition curator and Art Gallery of New South Wales head of First Nations, Cara Pinchbeck said: 'Yolngu power explores the distinct shifts in practice instigated by artists as a means of asserting power through art over time.
'This power takes diverse forms, from the power inherent in the sacred designs of miny'tji and the cultural inheritance of artists, to the transformation of natural and reclaimed materials into exceptional artworks and the sentience of Country as it is enlivened by seasonal change.'
Yolngu power: the art of Yirrkala will be on display at the Art Gallery of NSW, in the Ainsworth Family Gallery in Naala Badu from June 21 to October 6, 2025.
Tickets are now on sale alongside tickets for the Archibald, Wynne and Sulman Prizes 2025 exhibition.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

ABC News
3 days ago
- ABC News
Drifting Clouds will play at the NIMAs in 2025
This week's Feature Artist doubles up as our 2025 NIMAs Competition winner. Taking out the Unearthed competition winning spot to play at the National Indigenous Music Awards (NIMAs), put your hands together for… Drifting Clouds Meet the artist who only has one song out, but hundreds of thousands of views online, tens of thousands of monthly listeners on streaming services, multiple triple j staff five star reviews on the Unearthed website and a follow from the Troye Sivan (!!!) Project of Yolngu musician Terry Guyula, this force of nature first caught our attention through his debut upload just a few weeks ago. Singing in his first language, Liyawulma'mirr-Djambarrpuyngu his song 'Bawuypawuy' is not only closely aligned to who he is as an artist but ultimately, who he is as a person. Blowing us away with its uniqueness, character and charm, it rained in multiple glowing reviews on the triple j Unearthed website amongst plenty of stars also. It's a project rooted in intentionalism. Creating music for his background and story 'who I am, where I come from,' Drifting Clouds exists to 'make people feel love, power, spiritual' and above all… 'happy'. With plenty of live experience under his belt, Drifting Clouds is more than ready to enchant the NIMAs audience with his magic. It's the event that brought Thelma Plum to tears in 2023; 11 years after winning the triple j Unearthed competition to play at the event, she won the award for Album Of The Year . Who knows, maybe Drifting Clouds could be at the start of writing a similar story? We can't wait to watch history in the making! For more info about the NIMAS head here.

The Age
3 days ago
- The Age
Olympics, boxing and justice: Don't miss this remarkable feat of live storytelling
THEATRE My Cousin Frank ★★★ Arts Centre Melbourne, until July 12 Step into the ring with Rhoda Roberts this NAIDOC week, and you'll see the proud Widjabul Wia-bal woman onstage, ducking and weaving through family history. My Cousin Frank is a free-flowing solo show, and a remarkable feat of live storytelling, tied to the history of Aboriginal boxing and the much bigger fight for Aboriginal justice. It celebrates the life of Frank Roberts, dubbed 'Honest Frank'. Almost four decades before Cathy Freeman lit the flame in Sydney and blazed her way to Olympic gold, Frank was the first Indigenous Olympian signed to represent Australia, at the 1964 Olympic Games in Tokyo. Aboriginal people weren't regarded as Australian citizens at the time and the young boxer was thrown onto bureaucratic ropes, including the insult of having to obtain a British passport to compete. Sobering reminders of racism and discrimination shadow Frank's story, but the spotlight is squarely on remembrance and respect, and the resilience and resistance of Aboriginal leaders who punched above their weight in a fight rigged against them. Indigenous contribution to the sport of boxing was significant. Aboriginal athletes constituted an estimated 15 per cent of national champions in the early 20th century, and the Roberts clan itself counted many professional boxers among its ranks. Preachers provided the other main career path in the family. Rhoda freely admits having inherited that line. Her father and grandfather were both pastors, and the performer's charisma and rhetorical skills can't be denied. There's something moving and deeply impressive about a spirituality that connected and reconciled Aboriginal lore with Christian belief. Religion met political and practical action in the founding of Cubawee, the self-governing Aboriginal reserve on the outskirts of Lismore where 'Honest Frank' grew up.

Sydney Morning Herald
3 days ago
- Sydney Morning Herald
Olympics, boxing and justice: Don't miss this remarkable feat of live storytelling
THEATRE My Cousin Frank ★★★ Arts Centre Melbourne, until July 12 Step into the ring with Rhoda Roberts this NAIDOC week, and you'll see the proud Widjabul Wia-bal woman onstage, ducking and weaving through family history. My Cousin Frank is a free-flowing solo show, and a remarkable feat of live storytelling, tied to the history of Aboriginal boxing and the much bigger fight for Aboriginal justice. It celebrates the life of Frank Roberts, dubbed 'Honest Frank'. Almost four decades before Cathy Freeman lit the flame in Sydney and blazed her way to Olympic gold, Frank was the first Indigenous Olympian signed to represent Australia, at the 1964 Olympic Games in Tokyo. Aboriginal people weren't regarded as Australian citizens at the time and the young boxer was thrown onto bureaucratic ropes, including the insult of having to obtain a British passport to compete. Sobering reminders of racism and discrimination shadow Frank's story, but the spotlight is squarely on remembrance and respect, and the resilience and resistance of Aboriginal leaders who punched above their weight in a fight rigged against them. Indigenous contribution to the sport of boxing was significant. Aboriginal athletes constituted an estimated 15 per cent of national champions in the early 20th century, and the Roberts clan itself counted many professional boxers among its ranks. Preachers provided the other main career path in the family. Rhoda freely admits having inherited that line. Her father and grandfather were both pastors, and the performer's charisma and rhetorical skills can't be denied. There's something moving and deeply impressive about a spirituality that connected and reconciled Aboriginal lore with Christian belief. Religion met political and practical action in the founding of Cubawee, the self-governing Aboriginal reserve on the outskirts of Lismore where 'Honest Frank' grew up.