logo
Bruce Springsteen 'Tracks II: The Lost Albums' is expansive and remarkable: Review

Bruce Springsteen 'Tracks II: The Lost Albums' is expansive and remarkable: Review

Yahoo26-06-2025
Bruce Springsteen has a broken heart.
You can hear it in his expressive voice on the 'Twilight Hours' and 'The Streets of Philadelphia Sessions' LPs, part of the expansive and remarkable 'Tracks II: The Lost Albums,' available Friday, June 27.
Now we don't think the Boss really has a broken heart, but the broad material on 'Tracks II' lets Springsteen delve into the sweet subject of heartache — and it's a joy. The Boss, like Al Jolson, can sing with a tear in his voice.
'Blind Spot' from 'The Streets of Philadelphia' finds the protagonist looking for redemption in love, and Springsteen's voice finds the space between yearning, lust and fatalism. The gorgeous 'Late in the Evening' from 'Twilight Hours' is a soaring ballad of late-night solitude for which Springsteen unloads a magnificent vocal performance with sustained notes, tremolos and the aforementioned Jolson teardrop.
The Springsteen love songs have been, to this point, largely about lovers about to consummate their relationship. Think of the couples of 'Thunder Road' and 'Fire.' On 'Tracks II,' we get glimpses of what happens after the initial spark.
There is a lot to unpack on 'Tracks II,' ostensibly a sequel to 1998's 'Tracks.' On 'Tracks II,' there are 83 songs on seven full albums recorded between 1983 to 2018, and it's quite a lot more than relationship songs.
There's an atmospheric soundtrack to an unmade spiritual Western movie called 'Faithless,' recorded in 2005 and 2006; a sparse and evocative collection of border songs called 'Inyo,' named after the California county and inspired by 1995's 'The Ghost of Tom Joad'; 'LA Garage Session '83,' a collection of lo-fi rockers and atmospheric ballads recorded 'Nebraska' style in 1983 that is a treasure trove; and 'Somewhere North of Nashville,' recorded in 1995, filled with rocking Texas country songs.
'Perfect World' is a rocker sparked by Joe Grushecky co-compositions. The tracks date back to 1994. 'The Streets of Philadelphia Sessions,' a meditation on the meaning of trust in a relationship, was recorded in 1994, and is as close as we'll get to the album by Springsteen and his 'Other Band,' who played more than 100 shows with the Boss in 1992 and '93 when the E Street Band was disbanded.
Zack Alford, Tommy Sims and Shane Fontayne all appear on 'Philadelphia Sessions,' which has wrongly been referred to as a 'hip-hop' album.
'Twilight Hours,' the strongest album in the collection, is a companion to 2019's 'Western Stars,' according to the 'Tracks II' liner notes, and was recorded in a 1960s orchestra pop style in 2010 and '11 as a nod to the repertoire of the Burt Bacharach and Hal David classics.
'Because I love Burt Bacharach and I love those kinds of songs and those kinds of songwriters,' says Springsteen in the liner notes. 'I took a swing at it because the chordal structures and everything are much more complicated, which was fun for me to pull off.'
So why seven albums now? Each work has its Bruce-ian reason for not being previously released. 'The Street of Philadelphia Sessions' was too much of a 'relationship' album to come after the similarly-themed 'Tunnel of Love,' 'Human Touch' and 'Lucky Town.'
'LA Garage Sessions' was held back for another record: 'Born in the USA.'
'I've always released my records with great care, making sure my narratives built upon one another,' Springsteen says in the liner notes. 'I'm glad I did, as it usually assured the best of what I had came out, weaving a clear picture in my fans' minds of who I was and where I was going in my work life at that moment. The records in this collection did not comfortably fit into that narrative, my creative arc.'
There is so much here, such variety and quality, that new narratives will be born on June 27. The Boss goes back to rock 'n' roll roots on 'LA Garage Sessions' with 'Little Girl Like You,' a Buddy Holly homage and, and 'Don't Back Down,' which echoes early Beach Boys.
A pre-''Born in the USA' 'My Hometown' is here, sung in a higher key than the 1984 version. It's one of several songs on 'Tracks II' that have been released in different versions elsewhere.
'The Klansman' from 'LA Garage Sessions' is a compelling and driving rocker, unsettling in lyrical content and more than 40 years later more topical than ever.
Marty Rifkin, a member of the Seeger Session Bands, lights up 'Somewhere North of Nashville' on his steel guitar, sizzling on 'Repo Man' with E Street (and Seeger Sessions) keyboardist Charles Giordano. Rifkin also gives a warm prairie echo to a cover of the Johnny Rivers classic 'Poor Side of Town.'
First heard on 'Western Stars,' the song 'Somewhere North of Nashville' is given the Rifkin and Giordano treatment, and it sweetly aches.
The stark 'Inyo' has several gems, including 'The Lost Charro,' which evokes Marty Robbins when trumpets ring in glory as fatal circumstances befall a noble hero.
In 'Ciudad Juarez,' a daughter vanishes into the streets as told in this haunting ballad. 'Inyo' is set on the borders of California and Texas with one exception: 'Our Lady of Monroe.' The song takes place in Monroe, about 15 miles west of Springsteen's Freehold hometown, and it's a testament to Springsteen's eyes and ears as an artist that he gets it exactly right.
Yes, it's very plausible that a retired Newark cop would come to live in one the senior communities in Monroe to try 'to lose some of what he'd seen' on duty.
'Another Thin Line,' co-written with 'Grushecky' from 'Perfect World,' is rocker that hits the mark with authority. "Cutting Knife' features a Springsteen rarity: a near-falsetto Boss on the chorus. The trusty E Street glockenspiel chimes in, this time played by co-producer Ron Aniello, and it's at once familiar and enticingly fatalistic.
Like fellow Jerseyan Walt Whitman, the Boss contains multitudes.
Prices for 'Tracks II: The Lost Albums' range from $14.98 for the companion CD, 'Lost And Found: Selections from The Lost Albums,' to $349.98 for the box set in vinyl format. Visit thelostalbums.net for more information.
Follow That Dream
Don't Back Down On Our Love
Little Girl Like You
Johnny Bye Bye
Sugarland
Seven Tears
Fugitive's Dream
Black Mountain Ballad
Jim Deer
County Fair
My Hometown
One Love
Don't Back Down
Richfield Whistle
The Klansman
Unsatisfied Heart
Shut Out The Light
Fugitive's Dream (Ballad)
Blind Spot
Maybe I Don't Know You
Something In The Well
Waiting On The End Of The World
The Little Things
We Fell Down
One Beautiful Morning
Between Heaven and Earth
Secret Garden
The Farewell Party
Faithless
The Desert (Instrumental)
Where You Goin', Where You From
All God's Children
A Prayer By The River (Instrumental)
God Sent You
Goin' To California
The Western Sea (Instrumental)
My Master's Hand
Let Me Ride
My Master's Hand (Theme)
Repo Man
Tiger Rose
Poor Side of Town
Delivery Man
Under A Big Sky
Detail Man
Silver Mountain
Janey Don't You Lose Heart
You're Gonna Miss Me When I'm Gone
Stand On It
Blue Highway
Somewhere North of Nashville
Inyo
Indian Town
Adelita
The Aztec Dance
The Lost Charro
Our Lady of Monroe
El Jardinero (Upon the Death of Ramona)
One False Move
Ciudad Juarez
When I Build My Beautiful House
Sunday Love
Late in the Evening
Two of Us
Lonely Town
September Kisses
Twilight Hours
I'll Stand By You
High Sierra
Sunliner
Another You
Dinner at Eight
Follow The Sun
I'm Not Sleeping
Idiot's Delight
Another Thin Line
The Great Depression
Blind Man
Rain In The River
If I Could Only Be Your Lover
Cutting Knife
You Lifted Me Up
Perfect World
Subscribe to app.com for the latest on the New Jersey music scene.
Chris Jordan, a Jersey Shore native, covers entertainment and features for the USA Today Network New Jersey. Contact him at cjordan@app.com
This article originally appeared on Asbury Park Press: Bruce Springsteen 'Tracks II: The Lost Albums' review
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

'Bend It Like Beckham' sequel in the works more than 20 years after the original
'Bend It Like Beckham' sequel in the works more than 20 years after the original

Yahoo

time6 minutes ago

  • Yahoo

'Bend It Like Beckham' sequel in the works more than 20 years after the original

'I'm pretty certain that everyone's going to want to come back," director Gurinder Chadha said. Goal! Gurinder Chadha is working on a prequel to Bend It Like Beckham, the 2003 sports cult classic about a young Indian woman (Parminder Nagra) whose dreams of playing pro soccer clash with her strict immigrant parents' ideals. In the comedy, Nagra starred as Jess Bhamra, a teenager who goes against her parents' wishes and competes in matches in secret once she's enlisted by fellow player Jules Paxton (Keira Knightley) for a semi-pro team. Jonathan Rhys Meyers also starred as Jess' coach, Joe, whom she takes a liking to. Stars Nagra and Knightley, as well as Archie Panjabi (who played Pinky) and Juliet Stevenson (Paula), are "aware that a sequel is being developed," Chadha told Deadline, but "want to see a script before they commit." "I'm pretty certain that everyone's going to want to come back," Chadha said. "Everything hinges on the script and if the original cast likes it. I am working really hard to make sure every character I bring back has a decent arc." No plot details yet, but Chadha intends to once again co-write the screenplay with husband Paul Mayeda Berges. She also collaborated with Emma Hayes, head coach of the U.S. women's national soccer team, to help shape the script. The goal is a 2027 release to coincide with the 25th anniversary of the film's U.K. 2002 premiere. The original film, its title a nod to none other than former soccer player David Beckham, was a box office hit, grossing $76.6 million against a budget of roughly $6 million. It even inspired a 2015 West End production. 'I think people underestimated the power of girls wanting to see films where they were empowered,' Chadha told Entertainment Weekly of the film's enduring success in a retrospective in 2018 ,alongside stars Nagra and Panjabi. 'Those hardly ever existed.'"People love a story about an underdog," Nagra added. "Billy Elliot did it. Rocky. Somebody who has to struggle and is going up against everybody else's version of what they think that person should be. And I think that's what resonates with people: If you put the hard work in and the persistence, eventually it'll pay off." Read the original article on Entertainment Weekly

From Mop To Musical: Lorin Latarro Finds The Heart In ‘Joy'
From Mop To Musical: Lorin Latarro Finds The Heart In ‘Joy'

Forbes

time8 minutes ago

  • Forbes

From Mop To Musical: Lorin Latarro Finds The Heart In ‘Joy'

Betsy Wolfe plays the title role in the new musical Joy Lorin Latarro was on her way to the first rehearsal for the musical Joy when her seven-year-old daughter came down with a fever. Between arranging babysitters and calling the doctor, she was also preparing to direct the show and bring a musical to life. For Latarro, that kind of whirlwind morning felt uncannily like the opening scene of the show—Joy Mangano trying to get her family out the door before heading off to make her dreams take flight. 'All the mothers in our rehearsal room would laugh at how familiar the choreographed chaos is,' says Latarro. 'It's a chaotic but also deeply satisfying.' Lorin Latarro That mix of chaos and purpose drew Latarro to Joy, A True New Musical. The story centers on the real-life inventor and entrepreneur whose unstoppable tenacity transformed her life—and the lives of those around her. After reading Mangano's book and speaking with her on the phone, Latarro was deeply moved by the story of the single mother and inventor who turned a mop into a multimillion-dollar empire. Directing the show now playing at the Laura Pels Theater wasn't just about telling the story of a woman who created a self-wringing mop. It was about showing the strength it takes to build something from nothing—especially when no one believes in you at first. Latarro, who began her career as a Broadway dancer in 14 shows and ultimately became a director/choreographer, was drawn to the honesty of the story. She found inspiration from the complicated family dynamics, the financial pressures, the vulnerability and resilience it takes to keep going. Betsy Wolfe in the title role leads the talented cast which includes Jill Abramovitz, Honor Blue Savage, Adam Grupper, Brandon Espinoza, Paul Whitty, Charl Brown, Jaygee Macapugay, and Gabriela Carrillo. Joy is a story about believing in yourself, even when the odds say otherwise. Also, Latarro hopes that audiences see Joy and feel empowered to take charge of their lives. 'My hope is audiences walk out of the theater and finally listen to their inner voice and begin a new project, idea, or business,' she says. 'Or they push forward through whatever obstacles are currently in their way toward their goal, whether that goal is personal or business related.' Jeryl Brunner: Can you share more about how you got inspired to direct Joy? Lorin Latarro: I met with Ken Davenport, who is a prolific producer and one of the writers of Joy, along with AnnMarie Milazzo. I also read Joy's book, then spoke to Joy on the phone and fell head over heels in love with her determination, grit, kindness, and exuberance. Brunner: Joy is about much more than inventing a mop. It explores family, ambition, and perseverance. How did you build that journey onstage?Latarro: Joy's onstage family is imperfect, as is every family, in their own way. Joy manages to love them and keep them together, even through the messiness of their mistakes and shortcomings. Through Joy's determination, she shifts a generationally learned behavior for her daughter, which is not an easy thing to What was one of the messiest or most magical rehearsal moments you will never forget?Latarro: We all wanted to pour liquid onstage so the audience could see the mops actually work. It's notoriously difficult onstage to deal with watery substances because actors can slip, and it's messy to clean up. We tried many different substances for the various things that we spill onstage, including orange slushies, motor oil, and chocolate syrup. We ended up with an oobleck-type substance. After much messy trial and error, we were all happy we found a solution! Brunner: You are a choreographer and a director. How does each skill fulfill you?Latarro: Choreographing is more surgical. When choreographing, you live inside bars of music, and no matter the libretto, you can structure a song and dance number well. Each song is almost its own little musical with its own beginning, middle, and end. Alternatively, directing is like shooting an arrow through Jell-O. You can be fully prepared and have all these ideas walking in the room, but it all changes based on writers, actors, and collaborators, and 'what works' as you read down a scene. Directing feels more irised out than choreography, and a more holistic experience of the show and its dramaturgical needs. Directing is deeply satisfying in a new way. Communication is key so everyone is stylistically creating the same show. Brunner: How did you know that Betsy Wolfe was your Joy?Latarro: Betsy and I had the pleasure of working together on Waitress. I am a big fan. She's incredibly smart and has genius comic timing. Betsy is also a great leader in the room who works hard and always has a smile on her face. She loves the work. Her vocal chops are truly astonishing too! Brunner: You have directed revivals, brand-new musicals, and now a show based on a living inventor. What tells you a project is worth the time and energy?Latarro: If I am moved by a story, I want to work on it. I don't want to get pigeonholed doing the same thing over and over. It was one of the reasons I wanted to collaborate with choreographer Josh Bergasse on Joy. I wanted to focus completely on directing and feel the collaborative experience from another point of view. Also, I like all kinds of styles of musical theater. Sometimes I spend time inside dark shows like Tommy or Assassins, sometimes comedies like Heart of Rock and Roll, and sometimes I love finding new ways into revivals like Into the Woods. At the end of the day, I believe great theater makes people feel big feelings. I look for shows that have a lot of heart and soul. Theatre can change minds and open hearts. Brunner: When you begin dreaming up a scene, what is your starting point?Latarro: I always start by reading the script and lyrics without listening to the songs. I don't want to be seduced by the music before I experience the story. Then once I understand the story, I go back and reread the script with the interpolated song demos. Then I listen to the music over and over again. Brunner: What kind of creative environment do you try to cultivate?Latarro: I love the art of collaboration. It excites me endlessly. I like being in a room with people who also love the work. I am into the 'yes and' mentality. Someone has an idea, and we work on it until it grows and grows. I work hard because if I'm going to be away from my family, then I'm going to make it count. From left: Jill Abramovitz, Honor Blue Savage, Brandon Espinoza, Jaygee Macapugay, Brandon Espinoza, ... More and Adam Grupper

Google Photos Introduces New AI Tools: Fun, Free, And Very Limited
Google Photos Introduces New AI Tools: Fun, Free, And Very Limited

Forbes

time8 minutes ago

  • Forbes

Google Photos Introduces New AI Tools: Fun, Free, And Very Limited

Google is adding new generative AI tools to Google Photos, shifting the app away from its original ... More purpose. Key Takeaways Google Photos could be at the start of a radical transformation. In a major update rolling out now, Google is introducing what could be the most significant Google Photos AI upgrade yet, allowing you to turn static images into animated video clips and stylized art with just a few taps. The tools are free and fun, but are deliberately and severely limited -- and in many ways, that's a good thing. Google's Remix feature turns still images into fun videos with AI. The Big Update: Photo To Video — Fun But Deliberately Nerfed As I previously reported, Google Photos is introducing a game-changing new feature that transforms still photos into short video clips with a single tap. It's a powerful, but significantly cut-down version of the photo-to-video features already available to paying Google AI Pro and Ultra subscribers in Gemini. You can select any picture in your Google Photos library, choose between the vague 'Subtle movement' or slot-machine-like 'I'm feeling lucky' options, and wait for about a minute for the video animation to generate. FEATURED | Frase ByForbes™ Unscramble The Anagram To Reveal The Phrase Pinpoint By Linkedin Guess The Category Queens By Linkedin Crown Each Region Crossclimb By Linkedin Unlock A Trivia Ladder Google's demos show once static people now celebrating by throwing handfuls of confetti in the air before it tumbles back down from above. These were both generated in 'I'm feeling lucky,' mode. I presume additional video effects will be available at launch and more added in the future. If you don't like the results, you can hit the Regenerate button to try again, but that's about it for user control. You can also tap on thumbs-up or thumbs-down icons to send feedback to Google. It would be great to see a few more preset options available, beyond just subtle movements or a random effect. Even adding just a few more emotions would make these clips useful as fun reactions for messaging apps, etc, in place of emojis or pre-made GIFs. The process takes up to a minute to complete, and you The focus here is clearly on fun rather than unbridled creativity. Where Gemini utilizes Google's powerful Veo3 video AI model to create animations of anything you want, Google Photos employs the older Veo 2 model, offering very little user control over what happens in the animation, except for repeatedly hitting the 'Regenerate' button. Furthermore, Veo 2 cannot generate audio, one of the standout features of Veo 3. Remix Your Photos — Too Little, Too Late? First discovered in May of this year, the new 'Remix' feature allows you to select a photo and transform it into a range of artistic styles, including cartoons, pencil sketches, and paintings. Google Photos Remix feature lets you transform photos into a range of artistic styles. As with the Photo to Video feature above, you can hit Regenerate to re-try any pictures you don't like and tap one of the thumb icons to provide feedback. Remix is clearly aimed at having fun and sharing moments in new ways, and there's nothing wrong with that. The results are Google's answer to the viral 'Ghliblified' images and action figure pictures you've probably seen taking over social media. However, unlike powerful tools like ChatGPT or Midjourney where you can simply type in any style imaginable, Remix forces you to pick from a small menu of pre-selected styles. The approach helps keep generated output safe for consumption, but also prevents any real creativity. Google will need to update the library of styles frequently or the novelty will wear off quickly. A New Direction For Google Photos — The Create Tab To make Google Photos' new generative tools easier to find, Google is introducing a new 'Create' tab, accessible by clicking an icon at the bottom of the app on both Android and iOS. Here, you'll be able to find all of Google Photos' creative tools gathered in one place, effectively separating the newer creative side of Google Photos from its original library functions. Google Photos introduces a new "Create" tab to house all of its new generative AI tools. This marks the beginning of a significant shift in purpose for Google Photos, as Google notes, it's now 'more than an archive, it's a canvas.' Personally, that's not what I want from Google Photos; I use it as a place to store and revisit memories rather than as a tool to create new content. The app's existing Animated slide shows and collages use AI to enhance memories, but these new tools alter them into something entirely new, creating video clips of events that never really happened. Google Photos Now Creates, But Is It Safe? Google appears to be exercising considerable caution with these new features, not least by severely limiting the scope of what can be created with these new Google Photos tools. However, the company acknowledges that the results may be 'inaccurate or unexpected' and displays a warning before use, along with a link to its GenAI prohibited use policy. Furthermore, all images and videos generated by Google Photos using AI contain invisible SynthID watermarks that reveal their synthetic origins. The Big Issue: US-Only Rollout Alienates Global Users Photo to Video and Remix are now rolling out on Android and iOS, but are currently only available in the US. The Create tab will then roll out in August, but once again, only in the US. This will be disappointing for international users, who may have to wait a considerable amount of time to access the new features. Remember, Google Photos users outside the US are still waiting for access to the AI-powered 'Ask Photos' feature nine months after launch. Google Photos has a massive worldwide user base, with billions of photos and videos uploaded each week, and runs the risk of frustrating a colossal number of customers if non-US customers remain excluded from its best features. Follow @paul_monckton on Instagram.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store