logo
Netflix's 'Pride and Prejudice' cast revealed for new adaptation: See the full list

Netflix's 'Pride and Prejudice' cast revealed for new adaptation: See the full list

USA Today2 days ago
It is a truth universally acknowledged that a streaming service must be in want of its own "Pride and Prejudice" adaptation, and a star-studded one is coming to Netflix.
The streamer has announced the full cast list for a new six-part limited series based on the classic Jane Austen novel, which has started production in the U.K.
Rufus Sewell ("The Diplomat") has been tapped to play Mr. Bennet, while Freya Mavor ("Industry") will play Jane Bennet, Rhea Norwood ("Heartstopper") will play Lydia Bennet and Louis Partridge ("Enola Holmes") will play Mr. Wickham. Other cast members include Jamie Demetriou ("Fleabag") as Mr. Collins, Fiona Shaw ("Andor") as Lady Catherine de Bourg, and newcomers Hollie Avery and Hopey Parish as Kitty and Mary Bennet.
Emma Corrin ("The Crown") was previously announced to be starring as Elizabeth Bennet, with Jack Lowden ("Slow Horses") playing Mr. Darcy and Olivia Colman ("The Favourite") playing Mrs. Bennet.
In addition to unveiling the full cast list, Netflix released a first look photo featuring Corrin, Mavor, Colman, Parish, Norwood and Avery in their roles.
"Pride and Prejudice," directed by Euros Lyn ("Heartstopper") and written by author Dolly Alderton, is described as a "faithful, classic adaptation" of the original Austen novel. In addition to starring, Corrin is serving as executive producer.
"Once in a generation, a group of people get to retell this wonderful story and I feel very lucky that I get to be a part of it," Alderton previously said. "Jane Austen's 'Pride and Prejudice' is the blueprint for romantic comedy — it has been a joy to delve back into its pages to find both familiar and fresh ways of bringing this beloved book to life."
From Marvel to Mr. Darcy: Why actor Angourie Rice based debut novel on 'Pride & Prejudice'
Originally published in 1813, the book has been adapted into numerous films and TV series over the years, including a 2005 movie starring Keira Knightley and Matthew Macfadyen, as well as a 1995 limited series starring Jennifer Ehle and Colin Firth.
"Pride and Prejudice" is also the latest Austen novel to get the Netflix treatment. In 2022, the streamer released a film version of "Persuasion" starring Dakota Johnson, which earned largely negative reviews.
'I'm not dishy enough': Matthew Macfadyen felt 'miscast' as Mr. Darcy in 'Pride & Prejudice
Who will be in Netflix's 'Pride and Prejudice'?
The following stars have been set for roles in the Netflix version of "Pride and Prejudice":
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

'Leanne': Leanne Morgan brings menopause, heartbreak and big laughs to her Netflix sitcom
'Leanne': Leanne Morgan brings menopause, heartbreak and big laughs to her Netflix sitcom

Yahoo

time18 minutes ago

  • Yahoo

'Leanne': Leanne Morgan brings menopause, heartbreak and big laughs to her Netflix sitcom

The famed comedian takes her great storytelling into her new show with Kristen Johnston Comedian Leanne Morgan brought back the multi-camera sitcom with the release of her new show Leanne on Netflix, working with veterans Kristen Johnston, Ryan Stiles, Blake Clark and Celia Weston. Morgan's stand-up comedy proved that she's a fantastic storyteller, particularly about her family, all done with Southern charm, and Leanne feels like an extension of what fans already love about the star. Morgan plays the title character who's trying to cope with her new life after her husband of 33 years, Bill (Stile), left her for a younger woman. The person who proves to be her biggest ally, her rock during this time is her sister Carol (Johnston), who's already been through two divorces. You also have Leanne's son Tyler (Graham Rogers), the father of Leanne's grandchild, who works for his father, and her daughter Josie (Hannah Pilkes), who's the rebel child to Tyler's "golden boy" status. Leanne's parents, Margaret (Weston) and John (Blark) are a hysterical duo, but a bit more traditional when it comes to their initial thoughts about Leanne and Bill's divorce. "It had always been my dream, and I'd had deals before, but they didn't make it, and then when Chuck Lorre came to me, ... it went so fast. ... Casting and everything just fell into place. It was meant to be," Morgan told Yahoo Canada. "Every Monday, at the start of the week, she would come in and be like, 'I can't, there's so much to remember. I can't do it. This is going to be a failure.' And then by Friday, the audience would get there and ... she was just the pro," Johnston added. "And finally, after a couple weeks, every Monday, I'm like, 'Shut up. You've already said it. You're going to be perfect, because you are!'" But as Morgan described, Johnston had two jobs on the show, to play Carol and to "coach" her through the process of making a sitcom. "She helped me so much, because I didn't know the terminology. I didn't know anything," Morgan said. "Then I got settled into it and I want to keep doing it. ... It felt like home by the end of it." Menopause and sisterhood At 59 years old Morgan, who's also the co-creator and an executive producer on the series, really leans into the fact that Leanne is a woman in her late 50s having to reevaluate her life. That includes a particularly notable episode where, as Leanne starts dating, specifically Tim Dally's character Andrew, her menopause gets in the way as she has a hot flash in the middle of their date. "It wasn't hard, because I have gone through menopause and I have sweat and wake up in the middle of the night, and Chuck Morgan, my husband, has said, 'What is that?' And I go, 'Touch this!' And he's like, 'Ew!" Morgan said. "So that is all real and that came from an authentic place honey, because I have been through a rough menopause. Now I haven't had to date, thank the Lord, because that would be, ... I can't imagine. A jungle." But at the heart of show is the relationship between Leanne and Carol, with Morgan and Johnston being a particularly effective comedy pair. Johnston highlighted that a lot of it was informed by the off screen relationship between the stars. "Another thing that's so great about this writing team is they picked up on all that, and I think they bring that into the relationships," Johnston said. "I don't think there were like 30 scenes set in Leanne's bed between us until we started. They started realizing how great those scenes worked. ... A great writer watches the dynamic and builds on it, and takes what works. And I think our relationship definitely bled into the show a lot."

Paco Cabezas On Vision For ‘Gypsy Bride' Finale And Directing ‘Wednesday'
Paco Cabezas On Vision For ‘Gypsy Bride' Finale And Directing ‘Wednesday'

Forbes

time43 minutes ago

  • Forbes

Paco Cabezas On Vision For ‘Gypsy Bride' Finale And Directing ‘Wednesday'

Spanish filmmaker Paco Cabezas is a man in motion — moving between continents, genres, and creative worlds. He has just wrapped production on Atresmedia's La Nena, the final chapter of the acclaimed, dark thriller Gypsy Bride trilogy, and is now immersed in post-production, putting the finishing touches on the series. At the same time, he's eagerly awaiting the August premiere of Wednesday, excited for audiences to experience his dark and creative vision in the episodes of the Netflix hit that he directed. During an interview from Madrid, while still shooting scenes for La Nena, Cabezas reflected on his career path — a journey that has taken him from his native Seville to Hollywood and back to Spain, where he loves to work. He shared the source of his fascination with the macabre, his creative journey, his need for artistic freedom, and his commitment to bringing Spanish stories and locations to global audiences. ​How Early Exposure to Psychological Horror Shaped His Creative Path 'I watched The Silence of the Lambs when I was like 10, which was not a good idea,' he laughs. 'It was a shock for me watching that film.' But it sparked an interest in suspenseful and intense stories like David Fincher's Seven, planting the seeds for what would become his signature aesthetic — a love affair with darkness that permeates his work. His affinity for 'a good noir story' found its perfect match in Carmen Mola's Gypsy Bride novels, which Cabezas has adapted into a trilogy that's become increasingly his own. The project drew him to explore the underbelly of Madrid through the lens of gypsy culture, a world he felt uniquely positioned to interpret. 'It's hard to describe, but it has to do with flamenco, and it has a lot to do with flamenco music and the south of Spain,' says Cabezas. 'I'm from Seville, from southern Spain, and there's this thing about flamenco music and... something tragic about the way we see life, and the way that gypsy people see life. It's all about black and white. It's all about extremes — everything is either very funny or very tragic. There's not really a middle point, so when I read those books, I thought, okay, I think I can bring my vision into that.' Cabezas acknowledges that he has strayed from the source material, convinced that bringing his own style, sensitivity, and ideas has resulted in a more emotional storyline, enhanced by compelling visuals as the series evolved under his direction. 'The characters have grown so much, and the more they have grown, the more they separate themselves from the original novels. Some people have said that I went too far with La Red Púrpura, the second season of the show, and I'm so proud of it. Although I love La Novia Gitana (The Gypsy Bride), I think La Red Púrpura is even better. And I have the same feeling with La Nena. I think it's going to be even better,' he says. 'It's very different from the novel — very personal, very violent, very dark — but I'm very excited about the feminist story we're telling because the female characters are going to become even stronger.' He compares this evolution to the relationship between the Fargo film and television series — maintaining thematic DNA while creating something entirely new. Creative freedom is a recurring theme in Cabezas's work. In Spain, he's the architect of his universe, able to change scenes on the fly and rehearse with actors until the material feels alive. 'It's very refreshing and freeing to be able to create on the day with the actors,' he says. 'We're really going to miss each other when we finish this, because we created a family and we create together, and that's a beautiful feeling.' His style is hands-on — sometimes literally. 'I love the color of blood and I love to have a dark palette and then suddenly a splash of blood,' he says, gesturing to stage blood on his hands. 'I always tend to kind of put blood on the faces of the actors. I'm hands-on, like Picasso,' he laughs. His process is different in Hollywood. As one of three directors on the second season of Netflix's hit series Wednesday, Cabezas says he had to 'get into the mind of Tim Burton,' adapting to a world where 'every time you move a piece of the puzzle, seven different pieces move at the same time.' Still, he relished the challenge: 'I had to go back to my own teenage mind and connect with those things.' Cabezas's career has been defined by his refusal to compromise his vision. His breakthrough film, Neon Flesh, was 'very mature, very dark, very violent, very me,' he states. But when producers wanted to make it lighter, he pushed back. 'Although sometimes people will tell you you are wrong… I was always true to what I had to do with that film. And then the movie made it to the Tribeca Film Festival and I got an agent and a manager there.' That determination opened doors to a myriad of international film and television projects such as Penny Dreadful, The Alienist, The Umbrella Academy, and Into the Badlands. Whether working in English or Spanish, Cabezas brings his culture and love of Latin storytelling to every set. 'Every time that I can bring that to the table, it sort of flourishes,' he says. And while he's drawn to dark genres, Cabezas also values the element of surprise and suspense. 'Whether it's a movie or a TV show, I love to have the sensation as an audience that what I'm watching, I don't know what's going to happen next — the feeling that I'm not safe.' Beyond completing La Nena and his upcoming Wednesday season 3 commitments, Cabezas is developing La Línea, a film set in the drug-trafficking hub of southern Spain. 'It's a story about female characters, about a woman and her daughter,' he describes. 'It's like mixing Ocean's Eleven with The Sixth Sense. It's really original, and I'm in love with that script.' For Cabezas, success isn't measured in Hollywood clichés. 'To me, success is being able to tell the story that you want to tell and be creative and have the freedom to do whatever you think goes through your heart. That's success.' As he enters what he calls the 'second half' of his life, Cabezas is focused on meaning and connection. 'Now that I'm at a slightly higher level than I was a few years ago, I can help people out… That, to me, is success. That's being able to help people. That's the best.' You can watch the entire interview with Paco Cabezas here.

This Coen Brothers comedy is an underrated Netflix movie to watch this weekend (August 1-3)
This Coen Brothers comedy is an underrated Netflix movie to watch this weekend (August 1-3)

Digital Trends

timean hour ago

  • Digital Trends

This Coen Brothers comedy is an underrated Netflix movie to watch this weekend (August 1-3)

Opening Netflix in 2025 is a very different experience than it was 10 years ago. The movie selection is tilted much more toward movies that Netflix produced, and as a result, you're often served up a lot of pretty trashy titles. Don't get me wrong, Netflix has made some great original movies, but it's also made plenty of terrible ones. That's why picking what you want to watch from the service can be something of a challenge. This week, we've pulled together three underrated titles that are all worth your time for very different reasons: Recommended Videos We also have guides to the best new movies to stream, the best movies on Netflix, the best movies on Hulu, the best movies on Amazon Prime Video, the best movies on HBO Max, and the best movies on Disney+. Burn After Reading (2008) One of the Coen brothers' less celebrated films, in part because it came in the immediate wake of No Country for Old Men, Burn After Reading tells the farcical story of two gym employees who try to blackmail a former CIA analyst after they stumble upon classified information. Along the way, we see just how stupid many of the people who work in the government are and how their bumbling lives intersect with occasionally deadly consequences. Burn After Reading is deeply funny, but it's also a movie about the people who run our country and how fundamentally pathetic most of them are. You can watch Burn After Reading on Netflix. American Graffiti (1973) A movie made in 1973 that looks backward to an even earlier time, American Graffiti is one of the definitive teen movies, even if it's not George Lucas' crowning achievement. The film follows a group of friends who all have different adventures on the last night of summer vacation before they go off to school or to find gainful employment. The movie itself is mostly lighthearted, but it's also a wistful look at a particular moment in life when things don't feel totally real yet, and you can do anything you want. You can watch American Graffiti on Netflix. The Trial of the Chicago 7 (2020) Aaron Sorkin's directorial career has been fascinating and strange, but there's a lot to like in The Trial of the Chicago 7. Based on true events, the film follows the trial of seven defendants who were a part of countercultural protests at the 1968 Democratic National Convention in Chicago. The movie's at its best when it's exploring the tension between the various groups within this trial. The trial reminds us how close these events truly are to the present day. Although the writing is definitely flowery in an Aaron Sorkin way, the movie is compelling throughout, in part because courtroom dramas are such a sturdy formula. You can watch The Trial of the Chicago 7 on Netflix.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store