Former Israeli hostage slams Pulitzer board for awarding prize to 'modern-day Holocaust denier'
"You claim to honor journalism that upholds truth, democracy, and human dignity. And yet you have chosen to elevate a voice that denies truth, erases victims, and desecrates the memory of the murdered," Damari posted on X.
Palestinian poet Mosab Abu Toha was granted the Pulitzer Prize for his "essays on the physical and emotional carnage in Gaza," the board announced Monday. The award came with a $15,000 prize.
Toha has frequently disparaged Israeli hostages in numerous posts on social media, including Damari.
New Pulitzer Prize Winner Disparaged Israelis Kidnapped By Hamas On Oct 7, Questioned Their 'Hostage' Status
"How on earth is this girl called a hostage? (And this is the case of most 'hostages'). This is Emily Damari, a 28 UK-Israeli soldier that Hamas detailed on 10/7… So this girl is called a 'hostage?' This soldier who was close to the border with a city that she and her country have been occupying is called a 'hostage?'" Toha posted about Damari on January 24, 2025.
Read On The Fox News App
Damari, 29, who lost two fingers in her left hand when she was dragged out of her home by Hamas terrorists during their Oct. 7 terrorist attacks on Israel, detailed her excruciating ordeal in her response addressed to members of the Pulitzer Prizes board.
"On the morning of October 7, I was at home in my small studio apartment in Kibbutz Kfar Aza when Hamas terrorists burst in, shot me and dragged me across the border into Gaza. I was one of 251 men, women, children, and elderly people kidnapped that day from their beds, their homes, and a music festival," she wrote.
"For almost 500 days I lived in terror. I was starved, abused, and treated like I was less than human. I watched friends suffer. I watched hope dim. And even now, after returning home, I carry that darkness with me - because my best friends, Gali and Ziv Berman are still being held in the Hamas terror tunnels."
Damari, who was freed from captivity on Jan. 19, wrote that the Pulitzer board's decision to grant the award to Toha caused her "shock and pain." She accused the Palestinian poet of "outright denials of documented atrocities" for his inflammatory posts which denied the murder of the Bibas family and that she and fellow Israeli captive Agam Berger were true hostages.
"The Israeli 'hostage' Agam Berger, who was released days ago participates in her sister's graduation from an Israeli Air Force officers' course. These are the ones the world wants to share sympathy for, killers who join the army and have family in the army! These are the ones whom CNN, BBC and the likes humanize in articles and TV programs and news bulletins," Toha posted on Feb. 3, 2025.
President Trump Gave Me Back My Life After 471 Days Of Hamas Captivity — Please Save The Remaining Hostages
Berger, 28, is an Israeli violinist and former Gaza border scout at base Nahal Oz who was held captive in Gaza for 482 days. She revealed how she found ways to observe the Jewish Sabbath and Passover even as her captors tried to force her to convert her to Islam and how she and a fellow scout, Liri Albag, were kept in a "small room with no natural light." She was released from captivity on Jan. 30.
Damari and Berger declined to comment.
Toha has also denied evidence that showed the two Bibas children, 9-month-old Kfir and Ariel, 4, were killed by their captors "bare hands." He also spread the disproven claim that Israel was behind the bombing of the Al-Ahli Hospital in Gaza in Oct. 2023 and appeared to deny that Israeli hostages had been tortured. Numerous Israeli hostages have testified that they were victims of or witnessed torture, including sexual assault.
"Mosab Abu Toha is not a courageous writer. He is the modern-day equivalent of a Holocaust denier. And by honoring him, you have joined him in the shadows of denial," Damari told the Pulitzer board.
"This is not a question of politics. This is a question of humanity. And today, you have failed it," she concluded.
A Pulitzer Prize representative did not directly address Toha's award when reached for comment.
"The Pulitzer Prizes for reporting, commentary, literature, and the arts are based on a review of works that have been formally submitted for consideration," a Pulitzer Prize representative told Fox News Digital.
The New Yorker and Toha did not respond to Fox News Digital's request for comment in time for publication.Original article source: Former Israeli hostage slams Pulitzer board for awarding prize to 'modern-day Holocaust denier'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Miami Herald
9 hours ago
- Miami Herald
Gaza starvation: Like that meme, we're all trying to find out who did this
As it turns out, humans, even Palestinians, need food to live. But before we discuss such a lofty dispensation 21 months into a near-total blockade of humanitarian aid, a brief bit of levity: For my money, the best sketch comedy show out isn't 'Saturday Night Live,' but former 'SNL' writer Tim Robinson's 'I Think You Should Leave.' Robinson specializes in constructing surrealist, cringe-inducing social nightmares, then extracting side-splitting comedy with an extremely committed performance with a flawless, unforgettable one-liner. One of the show's most memorable sketches, 'Hot Dog Car,' starts with a mysterious hot dog-shaped car crashing into a clothing store. The whodunit is solved within seconds as Robinson emerges with a series of excessive and absurd denials that the car is not his — all while wearing a hot dog costume. 'Now, we're all trying to find the guy who did this,' he claims, rejecting his obvious culpability while clumsily portraying himself as someone zealous to find the real culprit. Epitomizing the Shakespearean embarrassment of a man who 'doth protest too much,' nobody at the store is convinced. Anyway, fun's over. Back to the genocide. Roughly 2.1 million people remain in Gaza, and according to the UN World Food Programme, a third of those have gone multiple days in a row without food. Doctors Without Borders says 100,000 women and children are suffering severe acute malnutrition. Gazans do not have food for the same reason they do not have medicine; for the same reason they do not have homes or hospitals or schools or mosques or churches. It's the same reason they do not have electricity or fuel (which means they do not have water), the same reason they don't have journalists on the ground able to tell you what happened to these things they used to have. While I appreciate those who have acknowledged that no children should have their ribcages poking through their skin — an ideological spectrum that stretches from Bernie Sanders to Donald Trump — this reality was obvious to many millions of Americans who took to the streets and student halls in protest months and years ago. As Jewish Currents writer David Klion notes, a larger consensus around the atrocities of the war would have been far more useful then than now. The Biden administration dismissed lawmakers who called for an immediate ceasefire as 'repugnant' and 'disgraceful.' Those who protested the governments responsible for restricting the safe passage of food — including the Palestinians watching their people go hungry and the Jews who bore witness — were collectively characterized as antisemites. As the bombs fell and the food dwindled, then-President Joe Biden insisted Israel 'wants to do all it can to ensure civilian protection.' Some who begrudgingly admit that Gazans are starving lay the blame primarily at the feet of Hamas militants who provoked Israel's ongoing siege when they killed about 1,200 Israelis and took about 250 hostages. If only Hamas would simply release the hostages, then everyone else (including the hostages) would have food, the argument goes. Even assuming most spoken and implied false premises about the nature of this conflict were correct — such as the charge that Hamas won't agree to ceasefire proposals or that Israel does not itself have thousands of Palestinian prisoners, many of them held without charges — it operates under the fundamental logic of collective punishment, a notion that civilians should suffer for the choices made by their government. Consider the implications anywhere else. If you happen to read this on or in our print edition, chances are high that your governor pardoned a white supremacist murderer and agreed to build literal concentration camps. Vile acts of discrimination and tacit support for terrorism at best. Systemic stripping of human rights at worst. All escalations towards lethal violence we all decry. I personally would not like to be punished in any regard for the decisions of any elected official, even one as charming as Greg Abbott. Palestinians deserve that, too. There is no lone culprit or solitary super villain. But since November, Israeli Prime Minister Benjamin Netanyahu has been wanted for arrest by the International Criminal Court, a judicial body representing 125 countries on charges of, among others, 'starvation as a method of warfare.' None of those accusations stopped a bipartisan group of senators, some of whom mourned the fatally malnourished on social media, from meeting with Bibi and, naturally, posing for the 'gram. Our valiant detectives are assuredly, to quote Hot Dog Guy, 'trying to find the guy who did this.' I wish them well on their chase.


San Francisco Chronicle
19 hours ago
- San Francisco Chronicle
For two Palestinian artists, making S.F. theater is resistance
Hend Ayoub and Hanna Eady's plays might not seem to have much in common. Ayoub's 'Home? A Palestinian Woman's Pursuit of Life, Liberty & Happiness' is an autobiographical solo show about becoming an actor in a world where you're always too Arab, too Israeli or just simply too foreign. Eady and Edward Mast's 'The Return' is a mysterious two-hander set in an auto body shop in which an Israeli Jewish customer keeps peppering a Palestinian mechanic with intrusive questions most of us wouldn't ask strangers. But when two Palestinian Israeli artists make theater in San Francisco in the same month, as mass starvation threatens Gaza, perhaps it's inevitable that commonalities emerge. San Francisco Playhouse's 'Home?' runs through Aug. 16, at Z Below, and Golden Thread Productions and Art2Action Inc.'s 'The Return' begins performances Aug. 7 at the Garret at ACT's Toni Rembe Theater. In advance of both runs, the Chronicle spoke to Ayoub and Eady about their relationship to the news, their homeland and their art. This conversation has been edited for length and clarity. Eady: Where we are in the north, in the Galilee — Gaza is in the south — we could hear the ground rumbling and the air force 24 hours a day in the skies. When they started the war against Iran, a siren would go, and you have to find a bomb shelter. Most people in Palestinian villages don't have bomb shelters, and we'd just sit and say, 'Well, let's hope it's not going to land on my house.' Q: Hend, 'home' is a loaded term for you, since it's the title of your play, but when's the last time you were back in your native Haifa? Ayoub: A few months ago. Actually, I was in shelters as well — not this time, a few months before, when Hezbollah was still in play. Over there, there are apps (where) you get the sirens. You just hear that sound, and you just start running. For me, I felt better being there with my family instead of being here worrying about them. More Information 'Home? A Palestinian Woman's Pursuit of Life, Liberty & Happiness': Written and performed by Hend Ayoub. Directed by Carey Perloff. Through Aug. 16. $40. Z Below, 470 Florida St., S.F. 415-677-9596. 'The Return': Written by Hanna Eady and Edward Mast. Directed by Eady. Performances start Aug. 7. Through Aug. 24. $20-$130. The Garret at ACT's Toni Rembe Theater, 415 Geary St., S.F. 415-626-4061. Ayoub: To me, the news was very different after Oct. 7 happened. In the beginning, I was watching the news and just crying for the Israelis because I was in shock. Like, how could they do this? But then when Gaza happened, and it shifted, and you see the number of deaths, and you're crying for Palestinians in Gaza, but you're not seeing any of it on the news. It explains, I think, why Israelis don't care for the people in Gaza, because they don't see any of the images at all. Eady: I'm going to say the forbidden word: It's a genocide. And if you're not watching it and not seeing the images, it's still faraway land. Even if it's on the news, it's their news. And it might not be true, because they lie. Ayoub: When you're saying (Americans and Israelis) don't see images, they don't get exposed to other stories, other narratives, how are they going to know the other? In Israel, they don't know any Arabs. We don't even mix. Eady: You're back to back. Ayoub: Arabs go to Arab schools. Jews go to Jewish schools. All they see is awful coverage in TV and film, the way we're portrayed as the enemy, the villain, the terrorist. Eady: On Oct. 7, 2023, I was supposed to go to D.C. to work with Ari Roth, (the Jewish artistic director of Voices Festival Productions), on a play that I wrote before Oct. 7, called 'Almonds Blossom in Deir Yassin.' Deir Yassin is the site of the first massacre in 1948. (Roth) called. He said, 'What do you think? Should we do it?' I said, 'There is no better time.' If the war is going to stop us from creating and putting (on) this kind of important work, then we would never do theater. There's always a war. 'Deir Yassin' is a forbidden word to utter, but if we don't, then what? It's a wound that never healed. Q: Do you feel you have certain expectations placed on you as Palestinian artists about what kind of art you're allowed to or supposed to make? Ayoub: We have so many different Palestinians. You have the Palestinians who stayed on the land in 1948 and became Israeli citizens and didn't flee. You have the Palestinians that fled at gunpoint and stayed out when Israel closed the borders. You have Palestinians who you see here in America, the Palestinians who got stuck in Lebanon and Jordan refugee camps and in the West Bank and Gaza. Because we have so many stories and perspectives, some might say, 'Why aren't you writing about what's happening in Gaza and the occupation?' For me, I'm just writing my personal story and my perspective as someone who was born and raised there. Eady: A lot of the stories were not told to us because there's so much shame. It's not a heroic story. We ran away. We didn't put (up) a good fight in 1948. My job, to tell the story, it's an obligation. It's part of who I am. I have to continue to bang at the door until my story is heard. Q: For the Arab characters in your plays, what is home? Eady: (In 'The Return'), for him (an unnamed character played by Nick Musleh) to free himself from the oppressive system and the racism, it's going to require a full expression of who he is. For a long time in the play, he's having a hard time to say, 'I'm a Palestinian.' We grew up brainwashed by the Israeli system to say we're Israelis. The word 'Palestine' was never uttered in my house. Ayoub: It wasn't allowed. Eady: In (my) play, home for him is really (that) first he has to say who he is and then be able to have enough courage, although he's going to be punished, to say 'I'm going home,' and his home (is) most likely a destroyed village. Home is to be able, not that they have to live in Palestine, but to have the right to come. Just like any Jewish American, they have this birthright. Some of them go; some of them don't. They choose. We don't. Ayoub: Home is something that most people, I think, take for granted because they were born in a place where they belong, where they're part of the whole. For us, we don't really belong anywhere. If we're talking specifically about people like us, Palestinian Israelis, home is taken away from you, even if you want to claim it. Even if you want to see yourself as Israeli, you can't, because you're reminded every time that you're not one of us: 'This is the land of the Jews, and you're not Jewish. You're a second-class citizen.' Home is like when you belong, you're embraced, you're welcomed, you don't have to whisper your language in Arabic.


Time Magazine
a day ago
- Time Magazine
Hamas Releases Video of Israeli Hostage Evyatar David
Hamas has released a propaganda video showing a severely emaciated Israeli hostage being held in what appears to be an underground tunnel in Gaza, the first video of its kind in months. Evyatar David, 24, was kidnapped at the Nova Music Festival on Oct. 7, 2023, during the terrorist attack by Hamas in which 1,200 people were killed and 250 taken hostage. The video shows David looking visibly gaunt as he ticks off days on a calendar in a narrow tunnel. Another section of the video shows him being forced to dig a hole in the ground that he says will be his grave. The Hamas propaganda video is interspersed with images of starving Palestinian children. David, a guitar and piano player who comes from a musical family, is one of an estimated 20 living hostages still being held by Hamas and other militants. Of the estimated 250 people taken during the Hamas terror attack on October 7, 140 have been released during negotiations, 8 have been rescued, and the bodies of 57 who died in captivity or during rescue attempts have been recovered. Read More: The Tragedy Unfolding in Gaza David's family, who asked for the video not to be published, said in a statement that he had been 'deliberately and cynically starved in Hamas's tunnels in Gaza,' describing him as 'a living skeleton, buried alive.' 'The deliberate starvation of our son as part of a propaganda campaign is one of the most horrifying acts the world has seen. He is being starved purely to serve Hamas's propaganda,' they added. The video release comes a day after Palestinian Islamic Jihad, another militant group with ties to Hamas, also released a video of another Israeli hostage, Rom Braslavski. President Donald Trump's Middle East envoy Steve Witkoff met with the families of the hostages in Tel Aviv on Saturday, where he told them that Trump and he believe they will be 'successful' in negotiating a deal to bring all of the hostages home. 'Now we have to get all the 20 [live hostages] at the same time... we think that we have to shift this negotiation to all or nothing so that everybody comes home. We think it is going to be successful and we have a plan around it,' Witkoff said, according to Axios. 'President Trump now believes that everybody ought to come home at once - no piecemeal deals. That doesn't work.' Ceasefire talks have continued to stall between Hamas and Israel as a starvation crisis spreads in Gaza, with a United Nations (UN)-backed international food security body warning that there is a 'worst-case famine scenario' unfolding in the region. The UN said this week that humanitarian access to Gaza 'remains severely restricted,' and the UN World Food Programme (WFP) director of emergencies said the level of starvation was 'unlike anything we have seen in this century.' It added that Israel is now allowing 'humanitarian pauses' with more than 100 aid trucks allowed to enter Gaza on Sunday. Witkoff and the U.S. ambassador to Israel, Mike Huckabee, visited an aid site in Gaza run by the controversial Israel and U.S.-backed Gaza Humanitarian Foundation (GHF) on Friday, as the United Nations said that over 1,373 Palestinians have been killed while seeking food since the end of May, including 859 at GHF sites. The Israel Defense Forces (IDF) said in response that reports of civilian casualties near distribution sites are under review. 'The IDF allows the American civilian organization (GHF) to operate independently in distributing aid to the residents of Gaza, and operates in proximity to the new distribution areas in order to enable the orderly delivery of food,' it said in a statement to TIME. 'IDF forces are conducting systematic review processes in order to improve the operational response in the area and minimize, as much as possible, any friction between the civilian population and IDF forces,' it continued.