logo
'80s Hitmaker Dead at 72

'80s Hitmaker Dead at 72

Yahoo24-06-2025
'80s Hitmaker Dead at 72 originally appeared on Parade.
Cavin Yarbrough, one-half of the R&B duo Yarbrough & Peoples, died last week, his wife and musical partner Alisa Peoples confirmed late last week. He was 72.
The musician and producer died on Thursday, June 19, as a result of complications of heart disease, LATF USA announced. 'He was the love of my life, my protector. Now he's my guardian angel,'Peoples told the publication.
Michele Elyzabeth, the publisher of LATF USA and a longtime friend and rep for the couple, added, 'Cavin was not only an extraordinary talent, but a kind man with a great heart. His legacy will live on in the music, in our memories, and in the hearts of everyone who knew him.'
Yarbrough is credited with a significant role in shaping the R&B and funk genres in the '80s, having scored a number one hit with Peoples in 1981 that helped skyrocket them to fame: "Don't Stop the Music." According to Billboard, it spent five weeks at No. 1 on the Hot R&B/Hip-Hop Songs, reaching No. 19 on the Billboard Hot 100 chart.
The single also earned gold status and a Grammy nomination and preceded several other successful tracks and a revered touring history around the world throughout their career.
The musician also served as a mentor and collaborator to many of his industry colleagues, with his rep emphasizing, "Cavin's impact went beyond performance...he brought deep musicality to his work and...helped pave the way for future generations of R&B artists."'80s Hitmaker Dead at 72 first appeared on Parade on Jun 23, 2025
This story was originally reported by Parade on Jun 23, 2025, where it first appeared.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Country star Zac Brown ‘going into debt' to fund expensive Las Vegas Sphere residency
Country star Zac Brown ‘going into debt' to fund expensive Las Vegas Sphere residency

New York Post

time3 hours ago

  • New York Post

Country star Zac Brown ‘going into debt' to fund expensive Las Vegas Sphere residency

You get what you give. Zac Brown has revealed that he is taking on debt to fund his highly anticipated four-show residency at the Las Vegas Sphere later this year. 'Just going into debt to make it happen,' the 'Knee Deep' country star, 46, told Us Weekly in an interview published Friday, July 25. Advertisement 7 Zac Brown attends the 2025 American Music Awards at Fontainebleau Las Vegas on May 26, 2025, in Las Vegas, Nevada. Getty Images 7 The Zac Brown Band performs after the NASCAR Xfinity Series The Loop 110 at Chicago Street Course on July 5, 2025. Getty Images Brown's four-concert run at the iconic Sin City venue is scheduled to kick off in December, and the first night will coincide with the release of the Zac Brown Band's next album, 'Love & Fear,' on Friday, Dec. 5. Advertisement But despite taking on debt to make the performances happen, the 'Chicken Fried' crooner is still looking forward to what he and his band have planned for their countless fans. 'It's a big moment in time,' Brown continued. 'I want to be among the names of the Grateful Dead and the Rolling Stones and the bands that take that lifelong career impact fan journey to be able to do that.' 7 Zac Brown visits 'Fox & Friends' at Fox News Channel Studios on July 24, 2025, in New York City. Getty Images 'This is our statement to try to step into that,' he added. Advertisement The Grammy-winning singer-songwriter is also ready to take on the difficulty that comes with pulling off a concert series at the 20,000-capacity Sphere. 'Whatever adversity, I'm just like, 'Okay, bring it,'' Brown said as he prepares for the shows. 'There are lots of forces that are always trying to distract you from what you're doing, and you just got to keep plowing, keep going.' 7 Zac Brown performs at The Pinnacle on April 1, 2025, in Nashville, Tennessee. Getty Images Unlike most music venues, the Las Vegas Sphere includes a visual element that immerses the audience in a multi-sensory experience. Advertisement Besides collecting images and clips to play alongside his songs, Brown revealed that he is also putting together a unique story for his fans. 'I hope they feel wonder,' he said. 'Unpredictability is something we use in our live shows a lot. I love pulling out covers that no one would ever expect us to play; that's super fun. This is the same thing visually, sonically – everything we're doing.' 7 The Zac Brown Band performs on NBC's 'Today' at Rockefeller Plaza on July 25, 2025, in New York City. Getty Images 'We have all the audio finished. We're putting the video pieces together, stitching it together. I'm finishing the story,' he continued. 'I'm telling a lot of personal things about my life that I've never shared before.' 'Everything hard that we go through as human beings always ends up making us better in some way,' Brown added. Plus, Brown teased a 'theme of redemption' throughout each of the four upcoming shows. 7 Zac Brown performs during the Zac Brown Band Special New Year's Eve Show at State Farm Arena on December 31, 2024, in Atlanta, Georgia. Getty Images 'Taking people on a journey through things that are uncomfortable and then creating that dissonance and then that tension and release is really the art of what we're doing,' he shared. Advertisement 'I haven't seen anything like what we're doing there,' Brown concluded. 'So, it's really exciting.' Shortly before opening up about his four-show residency at the Sphere, the country music icon revealed that he and his girlfriend, Kendra Scott, got engaged. 7 Kendra Scott and Zac Brown make their red carpet debut at the American Music Awards in Las Vegas, Nevada on May 26, 2025. Xavier Collin/Image Press Agency/MEGA 'We are so happy and grateful that we found each other,' Brown told People on Thursday, July 24. Advertisement The 'Old Love Song' singer's engagement to Scott, 51, comes less than two years after his contentious divorce from ex-wife Kelly Yazdi. 'I feel great,' Brown said after proposing to Scott. 'I got her good.'

Justin Bieber Is Here to Save a Summer of Strangeness
Justin Bieber Is Here to Save a Summer of Strangeness

Atlantic

time3 hours ago

  • Atlantic

Justin Bieber Is Here to Save a Summer of Strangeness

Can this really be the song of the summer? For seven weeks now, the most popular tune in the country has been Alex Warren's 'Ordinary'—a solemn ballad that has all of the warm-weather appropriateness of a fur coat. Ideally, the song of the summer is a buoyant one, giving you a beat to bob a flamingo floatie to. 'Ordinary,' instead, is made for stomping, moping, and forgetting. The top reaches of the Billboard Hot 100 have otherwise mostly been stale and flukey, filled with songs that were popular last summer (Teddy Swims's 'Lose Control'), replacement-level efforts by the streaming behemoths Drake and Morgan Wallen, and tie-ins from the Netflix cartoon show KPop Demon Hunters. Then, just last week, a welcome bit of warmth and novelty emerged at No. 2—'Daisies' by Justin Bieber, the unlikely emblem of our obviously fragile national mood. Perhaps you aren't inclined to check out new music by a formerly chirpy child star who lately has been best known for his surreal interactions with paparazzi. But earlier this month, the 31-year-old Bieber suddenly released a new album, Swag, that made headlines for being rather good. Not 'good for Bieber'; good for a modern pop release. Swag filled a void in the summer-listening landscape by meeting listeners where they so clearly seem to be—less in need of a party-fueling energy drink than a soothing slather of aloe. The album is Bieber's first since parting ways with manager Scooter Braun, the record-business kingpin who recently seemed to suffer a catastrophic collapse in support from the celebrity class. The music departs from the pert poppiness of Bieber's past to indulge the singer's well-documented fascination with hip-hop and R&B. In one interlude, the comedian Druski tells Bieber 'your soul is Black'; the assertion is cringey, but the album's music is significantly more subtle than that. Bieber never really raps. Rather, he uses his ever-yearning, creamy-soft voice to do what great rappers and R&B singers often do: find a pocket within a beat, and then let emotions be his guide. What's really fascinating about the album, though, is that it sounds like it's wrapped in gauze. The production is aqueous and rippling, rather than shiny and laminated as one might expect from Bieber. Swag is heavily influenced by the indie producer-artists Dijon (who collaborated on a few of the album's songs) and (a producer on 'Daisies'). They have risen to prominence by swirling bygone rock and pop signifiers into a comforting yet complex stew of sound. Swag 's songs similarly hit the listener with a sense of gentle intrigue, like a minor recovered memory. The instant hit 'Daisies' exemplifies the approach. Its twanging guitars and pounding drums scan as countrified classic rock, but every element seems muffled, as if emanating from an iPhone lost in a couch. The verses steadily build energy and excitement—but then disperse in a gentle puff of feeling. In a lullaby whisper, Bieber sings of pining for his girl and sticking with her through good times and bad. 'Hold on, hold on,' goes one refrain: a statement of desire for safety and stability, not passion and heat. But my personal song-of-the-summer nomination would be Swag 's opening track, 'All I Can Take.' It opens in a tenor of pure cheese, with keyboard tones that were last fashionable when Steve Winwood and Boyz II Men were soundtracking school dances. A lightly pumping beat comes to the fore, setting the stage for a parade of different-sounding Biebers to perform. In one moment, he's a panting Michael Jackson impersonator. In another, he's an electronically distorted hyperpop sprite. The song is serene, and pretty, and ever so sad—yet it's also wiggling with details that suggest there's more to the story than initially meets the ear. The lyrics thread together sex talk with hints of stresses that must be escaped; 'It's all I can take in this moment,' Bieber sings, hinting at a burnout whose cause the listener is left to imagine. Swag 's approach—downtempo yet bustling, melancholic yet awake—is on trend emotionally as much as it is musically. Though the year has brought no shortage of bright, upbeat pop albums from the likes of Lady Gaga and Kesha, the music that's sticking around has a reserved, simmering quality. The biggest Wallen song of the moment is 'What I Want,' a collaboration with the whisper-singing diva Tate McRae; it builds suspense for a full minute before any percussion enters. One rising hit, Ravyn Lenae's 'Love Me Not,' has a neo-soul arrangement that fidgets enough to keep the ear occupied without demanding active attention. A dreary technological reason probably explains why this kind of music is popular: Streaming rewards background fare more than it rewards jolting dynamism. But even looking at my own recent playlists, downtempo seems in. The best song by Addison Rae, the TikTok phenom turned pop mastermind, is 'Headphones On,' a chill-out track laden with tolling bells and jazz keyboards. I have kept returning to the album Choke Enough by Oklou, a French singer who makes electronic pop that's so skeletal and frail-seeming, you worry you're despoiling the songs merely by listening to them. Other recent highlights: the mumbled and dreamy indie rock of Alex G's Headlights, the depressive easy listening of Haim's I quit, and 'Shapeshifter,' the wintry-sounding standout from Lorde's Virgin. It's hard to avoid psychoanalyzing this season's musical offerings and concluding that the culture is suffering from malaise, or at least a hangover. After all, just a year ago we had ' Brat summer,' named for the hedonistic Charli XCX album. The songs of that summer were irrepressible: Sabrina Carpenter's sarcastic 'Espresso,' Kendrick Lamar's taunting 'Not Like Us,' and Shaboozey's thumping 'A Bar Song (Tipsy).' But this year, Charli XCX's biggest song is 'Party 4 U'—a pandemic-doldrums ballad released in 2020 that recently blew up thanks to a TikTok trend of people sharing emo stories about their lives. The track captures a bleary feeling of trying to have fun but getting pulled into melancholy. That's a feeling lots of Americans surely can relate to. Every era brings its own reasons to fret about the state of the world, but the headline-news topics of late—wars, deportations, layoffs—are upending lives in profound ways at mass scale. Swag isn't about any of that, but great pop always works to make small and personal emotions echo broad, communal ones. Bieber's highly publicized experiences navigating mental health, drug use, and physical maladies have long served up a cautionary tale about life in the internet era. In the months leading up to Swag 's release, he posted angry, inscrutable messages online and confronted reporters on the streets. Pundits have taken to asking Is he okay? The cooling, noncommittal, lightly distressed sound of Swag is an answer of sorts. Like many of us, he's doing as well as can be, given the circumstances.

Taylor Swift's Surprise Album Reaches A Major Milestone
Taylor Swift's Surprise Album Reaches A Major Milestone

Forbes

time3 hours ago

  • Forbes

Taylor Swift's Surprise Album Reaches A Major Milestone

Taylor Swift's Folklore celebrates 260 weeks on the Billboard 200, marking five years on the chart ... More and climbing to No. 68 as it hits half a decade. BEVERLY HILLS, CALIFORNIA - JANUARY 05: Taylor Swift attends the 77th Annual Golden Globe Awards at The Beverly Hilton Hotel on January 05, 2020 in Beverly Hills, California. (Photo by) Taylor Swift shocked the world in the summer of 2020 when she surprise-released her album Folklore in the middle of the COVID-19 pandemic. Nobody was expecting a brand new full-length from one of the world's biggest artists, especially as she had recently been promoting her pop set Lover, which had its campaign interrupted by the global shutdown. Folklore was immediately welcomed as both a critical and commercial behemoth, and it went on to win her another Album of the Year Grammy. Half a decade later, the title remains present on several Billboard rankings, and it even reaches a special milestone this time around. Folklore Reaches Half a Decade on the Billboard 200 Folklore advances on the Billboard 200, pushing from No. 77 to No. 68 at the moment. This week marks its two-hundred-and-sixtieth frame on the most competitive albums tally in the United States, which means it has now lived on the roster for exactly five years. Luminate reports that as Folklore reaches the milestone, it moves another 14,000 equivalent units, almost all of which come from streaming activity. Taylor Swift's Sixth Time Hitting This Milestone Five years on the Billboard 200 is a major accomplishment, one that most artists will never approach…but it's something Swift has managed before. Folklore is her sixth project to rack up 260 stays somewhere on the tally. It follows 1989, Reputation, Lover, her self-titled full-length, and Fearless, which have all previously made it to that landmark. Folklore Nearly Ties Fearless At present, Folklore sits just one week behind Fearless in terms of lifespan on the Billboard 200. Fearless is nowhere to be found at the moment, while Folklore continues to live inside the upper half of the list. There's a good chance that next week, Folklore will tie Fearless as Swift's fifth-longest-running success on the Billboard 200. Then, just days later, it also seems plausible that Folklore will pass Fearless — perhaps for good — and continue to add to its cumulative total. Taylor Swift's Cross-Chart Success Folklore reaches 260 weeks not just on the Billboard 200, but also on the Top Alternative Albums chart, where this week it sits at No. 9. The project also climbs a few spots on the Top Rock & Alternative Albums list, jumping from No. 19 to No. 16. Swift's first pivot into the alternative space lags behind in terms of the number of weeks spent on that ranking, as it is almost exactly 100 frames behind its tenure on both the Billboard 200 and Top Alternative Albums rosters.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store