
Review: ‘Donkey Kong Bananza' trades manic platforming for unhurried exploring
TORONTO — Even a rampaging ape needs to take time to stop and smell the roses.
Or so it would seem in 'Donkey Kong Bananza,' the new game released Thursday starring Nintendo's well-known simian mascot and the company's second major release for its Switch 2 console.
The first original 'Donkey Kong' game in 11 years forgoes the difficult side-scrolling platform levels and manic boss battles of previous titles for a 3D world that players can explore at their own pace. It plays more like a sequel to 'Super Mario Odyssey,' a 2017 3D game starring another major Nintendo character, albeit with a lot more smashing.
'Donkey Kong Bananza' starts off with the titular hero searching for banana-shaped gems in a mine. He runs afoul of a villainous band of apes who steal the gems and make their way to the planet's core.
Donkey Kong gives chase and along the way befriends a young girl named Pauline, who can empower the ape through her singing. Pauline learns different 'Bananza' songs throughout the game and can use them to turn DK into a stronger gorilla, a sure-footed zebra or a flying ostrich, among others.
Things pick up once Donkey Kong moves on from the introductory level and the game's world opens up. Despite heading deeper into the planet's depths Donkey Kong and Pauline will encounter jungles, tropical beaches, deserts and more in the various substrata.
All levels can also be smashed to pieces. Donkey Kong can use his prodigious strength to punch his way through almost any terrain to avoid hazards, find short cuts or hunt for collectible items.
No matter how interesting the world looks on the surface, digging through rock is still digging through rock. Punching tunnels through the destructible environments to find collectibles and power-ups becomes repetitive after a time. The game's camera can also lose sight of Donkey Kong when he's underground, occasionally leading to misadventure as he emerges at the edge of a cliff or over a pit of lava.
Still, much of the indiscriminate digging can be avoided for those who are content to finish the game without seeking every collectible or secret. And the worlds in 'Donkey Kong Bananza' still offer plenty to discover for those less keen on spelunking.
The aforementioned banana-shaped diamonds can be recovered in a number of ways, from defeating a boss enemy to completing challenges scattered across the game to finding them in the wild. Donkey Kong can use these bananas to buy new powers or improve existing ones, adding a role-playing game element to his journey.
DK can also uncover fossils that can be used to buy new outfits for Pauline or himself, and hideouts can be found peppered throughout the game's various layers. Here DK and Pauline can rest to recover health, change outfits and listen to any records collected during the adventure. Find enough hideouts on a particular level and Donkey Kong will gain extra health when he rests and unlock a concierge who will facilitate his shopping needs.
The ability to casually explore and the game's lower difficulty — enemies are mostly placed as mere hindrances rather than serious obstacles, and even most boss battles are not challenging — marks a sharp contrast to DK's adventures in the 'Donkey Kong Country' series.
The last game in that long-running franchise, 'Donkey Kong Country: Tropical Freeze,' was a platformer with a hectic pace and tricky but rewarding battles. It was also well-liked by gamers, who might be in for a surprise if expecting more of the same in 'Donkey Kong Bananza.'
But the switch to a 3D sandbox gives players more agency over how they want to progress. And it unleashes Donkey Kong to smash up the place without many constraints. With his ability to punch through walls, surf on chunks of granite and throw boulders at enemies with ease, DK has arguably never been more fun to play.
After the Switch 2 launched last month with only 'Mario Kart World Tour' in its lineup, 'Donkey Kong Bananza' should give early adopters of the console more to sink their teeth into. Donkey Kong still smashes, but now he might take a minute to appreciate his surroundings before obliterating them.
'Donkey Kong Bananza: is rated E10+, meaning suitable for gamers aged 10 and up, and retails for $100.
A digital copy of the game was provided to The Canadian Press for the purposes of this review.
This report by The Canadian Press was first published July 17, 2025.
Curtis Withers, The Canadian Press
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CTV News
an hour ago
- CTV News
‘Fantastic Four: First Steps' scores Marvel's first $100 million box office opening of 2025
This image released by Disney shows Pedro Pascal in a scene from "The Fantastic Four: First Steps." (Marvel/Disney via AP) LOS ANGELES — Marvel's first family has finally found box office gold. 'The Fantastic Four: First Steps,' the first film about the superheroes made under the guidance of Kevin Feige and the Walt Disney Co., earned $118 million in its first weekend in 4,125 North American theaters, according to studio estimates Sunday. That makes it the fourth biggest opening of the year, behind 'A Minecraft Movie,' 'Lilo & Stitch' and 'Superman,' and the biggest Marvel opening since 'Deadpool & Wolverine' grossed $211 million out of the gate last summer. Internationally, 'Fantastic Four' made $100 million from 52 territories, adding up to a $218 million worldwide debut. The numbers were within the range the studio was expecting. The film arrived in the wake of another big superhero reboot, James Gunn's 'Superman,' which opened three weekends ago and has already crossed $500 million globally. That film, from the other main player in comic book films, DC Studios, took second place with $24.9 million domestically. 'First Steps' is the latest attempt at bringing the superhuman family to the big screen, following lackluster performances for other versions. The film, based on the original Marvel comics, is set during the 1960s in a retro-futuristic world led by the Fantastic Four, a family of astronauts-turned-superhuman from exposure to cosmic rays during a space mission. The family is made up of Reed Richards (Pedro Pascal), who can stretch his body to incredible lengths; Sue Storm (Vanessa Kirby), who can render herself invisible; Johnny Storm (Joseph Quinn), who transforms into a fiery human torch; and Ben Grimm (Ebon Moss-Bachrach), who possesses tremendous superhuman strength with his stone-like flesh. The movie takes place four years after the family gained powers, during which Reed's inventions have transformed technology, and Sue's diplomacy has led to global peace. Both audiences and critics responded positively to the film, which currently has an 88% on Rotten Tomatoes and promising exit poll responses from opening weekend ticket buyers. An estimated 46 per cent of audiences chose to see it on premium screens, including IMAX and other large formats. The once towering Marvel is working to rebuild audience enthusiasm for its films and characters. Its two previous offerings this year did not reach the cosmic box office heights of 'Deadpool & Wolverine,' which made over $1.3 billion, or those of the 'Avengers'-era. But critically, the films have been on an upswing since the poorly reviewed 'Captain America: Brave New World,' which ultimately grossed $415 million worldwide. 'Thunderbolts,' which jumpstarted the summer movie season, was better received critically but financially is capping out at just over $382 million globally. Like Deadpool and Wolverine, the Fantastic Four characters had been under the banner of 20th Century Fox for years. The studio produced two critically loathed, but decently profitable attempts in the mid-2000s with future Captain America Chris Evans as the Human Torch. In 2015, it tried again (unsuccessfully) with Michael B. Jordan and Miles Teller. They got another chance after Disney's $71 billion acquisition of Fox's entertainment assets in 2019. Top 10 movies by domestic box office With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 1. 'The Fantastic Four: First Steps,' $118 million. 2. 'Superman,' $24.9 million. 3. 'Jurassic World Rebirth,' $13 million. 4. 'F1: The Movie,' $6.2 million. 5. 'Smurfs,' $5.4 million. 6. 'I Know What You Did Last Summer,' $5.1 million. 7. 'How to Train Your Dragon,' $2.8 million. 8. 'Eddington,' $1.7 million. 9. 'Saiyaara,' $1.3 million. 10. 'Oh, Hi!,' $1.1 million. Lindsey Bahr And Itzel Luna, The Associated Press


CTV News
3 hours ago
- CTV News
Paul Brandt Not In My City fundraiser
Alberta country singer Paul Brandt headlined a fundraiser Friday in Calgary to raise awareness about human trafficking

CBC
4 hours ago
- CBC
Toronto's 'Starboy', aka The Weeknd, receives a key to the city
Toronto's very own Starboy has been awarded a key to the city ahead of his highly-anticipated concerts at Rogers Centre. Abel Tesfaye, a.k.a. the Weeknd, received the honour from Toronto Mayor Olivia Chow during a private ceremony on Saturday. "I'm deeply honored to receive the key to the city. It feels good to be home. Toronto is where I found my voice, and I'm committed to helping the next generation find theirs," he said in a statement. To mark the occasion, the singer and entertainment company Live Nation will be also partnering up to support the the Boys & Girls Club of West Scarborough and The Weeknd's alma mater of Birchmount Park Collegiate Institute "to create spaces for youth to connect, create and thrive," says a news release from the City of Toronto. Students from both institutions were present at the ceremony on Saturday. "Abel 'The Weeknd' Tesfaye represents the best of our city. From Scarborough to the global stage, he has reshaped modern music while using his platform to support health and humanitarian causes at home and around the world," said Chow in a statement. "I am proud to honour one of our city's greatest artists with a key to the city to celebrate his contributions to music, society and our culture." Chow also proclaimed the weekend of July 26 and 27 as "The Weeknd Weekend" in Toronto. The Diamond-certified artist has smashed through global chart records with hit songs like Call Out My Name and Can't Feel My Face. Born and raised in West Scarborough, he made history as the first Canadian solo artist to headline the Super Bowl halftime show in 2021.