logo
Meet UAE kids who recite call to prayer in mosques during summer break

Meet UAE kids who recite call to prayer in mosques during summer break

Khaleej Times3 days ago
While summer holidays are typically associated with fun and leisure, several Emirati children have chosen to dedicate part of their break to learning and performing the adhan (call to prayer) in mosques across the country, reflecting a deep-seated passion and spiritual connection.
Khaleej Times spoke to a group of children who raised the adhan (call to prayer) as part of the 'Mu'adhin Al-Farij' programme. The name 'Mu'adhin Al-Farij' literally means "the neighbourhood's caller to prayer of the neighbourhood". It aims to instil Islamic values in the next generation and foster children's connection to mosques.
Among the standout participants is nine-year-old Rashid Khalid Alketbi, a student at King's School in Dubai, whose love for the adhan started early. At just eight years old, he approached the imam at his local mosque and asked if he could perform the adhan himself. The imam agreed, and from that day, reciting the adhan became part of Rashid's daily routine.
Passion for adhan
"When I heard the imam making the adhan, I asked my mother if I could try. She agreed, and then I went to the imam and asked him. He let me call the Asr adhan, and I felt a sense of calm (like never before)," Alketbi said.
Rashid's passion only grew. With his soothing voice and a deep sense of dedication, he eventually joined the Mu'adhin Al-Farij programme. He also had the honour of performing the adhan in front of Sheikh Hamdan bin Mohammed bin Rashid Al Maktoum at Nad Al Sheba Palace.
A gifted poet as well, Rashid won first place in a Dubai-wide poetry contest among 1,000 students. His mother, who actively supports his pursuits — from Quran to public speaking to sports — says his enthusiasm for the adhan comes entirely from within. He now trains at Hattrick Football Academy, where Emirati children can bond together in a culturally rooted environment.
He hopes to become an official mu'adhin in the mosques of the Emirates one day. He also encourages other children to try it too, saying it brings tranquility and great spiritual reward.
Following in his father's footsteps
Another young mu'adhin shared his story of how he got started. Inspired by his religious father, Nahyan Abdulla Alfalasi gave his first adhan at home when he was around eight or nine years old.
Speaking to Khaleej Times, the 10-year-old said, "The first time I gave the adhan was at home. I used to listen to different mu'adhins and learn from them."
He began imitating various mu'adhins and eventually developed his own style, influenced by his favourite reciter, Hamad Al Daghrir, who performs the adhan Makkah's Grand Mosque. "I love his voice. I try to imitate him, but I use my style too," he said.
When asked if he feels nervous before making the adhan, he said, "My parents raised me well and instilled confidence in me. What I love most is that my voice is soft and the adhan is accurate."
Alfalasi, a student at the Scientific Research School in Dubai, regularly visits a mosque in Al Khawaneej, where his father prays and where he takes Quran and adhan lessons, "I used to go two or three times a week to learn," he said.
One of his proudest moments came when he performed the adhan at Zabeel Palace in front of the Dubai Ruler and Dubai Crown Prince Sheikh Hamdan. "I met Sheikh Mohammed first, then Sheikh Hamdan. After I finished the adhan, Sheikh Mohammed told me: 'Your adhan is number one'."
He recalled a lighthearted moment during a trip to City Walk with his friends, where they asked him to call the adhan in one of the mosques there. "It was a beautiful feeling," he said.
Nahyan has memorised three parts of the Quran and spends his summer balancing Quranic studies with swimming and football. His advice to other kids? "Learn the adhan now, so that one day you can become mu'adhins like me."
His mother encouraged him to participate in the programme so that her children would grow up with a strong religious and cultural foundation.
"The programme is amazing. It builds character and instils values," she said. She also enrolled her younger son, Tahnoon, who is nine years old.
"The goal isn't to win — it's for children to learn, call the adhan at the mosque, and lead prayer in the future," she added.
'Moment of joy'
Although the programme is based in Dubai, that didn't stop cousins Tamim and Hassan, from Khor Fakkan, from joining.
Tamim Mahmoud Ali, 12, and Hassan Humaid Aldarmaki, 11, joined the programme despite the long travel to Dubai. They trained under Sheikh Younis, the imam of Al Warqaa Mosque. Their commitment paid off — they were selected for advanced training at Al Maktoum Centre due to their talent and dedication. They also performed the adhan at various mosques in Dubai and Khor Fakkan.
Tamim, who once battled nerves, said calling the adhan at Umm Al Sheif majlis was a turning point: 'All my nervousness disappeared in that moment of joy.'
Hassan, once a quiet imitator of other mu'adhins, now calls the adhan with confidence. He has memorised nine juz' of the Quran, while Tamim has memorised eleven. Both boys also attend classes in Islamic jurisprudence and Hadith and take part in sports, especially football.
When asked about their feelings while making the adhan, both described a sense of awe and a deep spiritual connection. They hope to become official mu'adhins in the future and encourage other children to try it for themselves, calling it a spiritually uplifting experience.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Summons to summer with Ishara Art Foundation's ‘No Trespassing' show
Summons to summer with Ishara Art Foundation's ‘No Trespassing' show

Gulf Today

time8 hours ago

  • Gulf Today

Summons to summer with Ishara Art Foundation's ‘No Trespassing' show

'No Trespassing' marks Ishara Art Foundation's first summer exhibition (July 4 - Aug. 30). Curated by Priyanka Mehra, it channels the aesthetics of the streets into a white cube space. Six UAE-based and South Asian artists explore their relationship with the street, engaging with it as both subject and as a medium. Rather than attempting to define the street, the exhibition resists such definition, and more than a setting, the show is a collection of individual experiences that alternate between chaotic and orderly, gritty and beautiful, uninhibited and curated – much as street life. Mehra is Exhibitions Manager and Programmes Curator at the Foundation. Signposts, building materials, pavements, lights, street art, scrapheaps and human traces become inscriptions of a city's movement. 'No Trespassing' looks at the streets as a site of deconstruction and reinvention, continually shaping and being shaped by those who live in and pass through them. The exhibition explores what it means to speak of art in, on and from the street. The participating artists have created their works through on-site interventions, a kind of mark-making that mirrors the interaction of a city with its inhabitants. Upon entering the exhibition, the viewer encounters a large-scale mixed-media work by H11235 (Kiran Maharjan). As the artist was unable to be present on-site to create the piece, he explores the possibilities of mark-making from a distance. The work signals the void left by his absence. An abstraction of a digital rendering, which is presented opposite, the creation presents the architectural elements shown in the original, while incorporating locally sourced building materials such as corrugated metal and engineered wood. Questioning the life of humans and the built environment, it explores the impact of material surroundings on the psyche. At the far end of the gallery, Rami Farook carves out four square metres of the wall, revealing its hidden structure. Sara Alahbabi's installation. The act exposes the vulnerability of the white cube and prompts reflection on the ownership of art and space. The removed sections are offered as a gift to Ishara's founder and team – symbolising trust, transparency and connection. 'The work honours the Foundation's history, while inviting shared custodianship and care for its future,' says Farook. In the second gallery, Fatspatrol (Fathima Mohiuddin) presents 'The World Out There', consisting of what she calls 'scavenged' objects – discarded street signs, scraps of wood and posters – marked with drawings that extend beyond the mounted pieces and onto the surrounding wall. Adopting the persona of the flâneur – a lone figure who wanders through a city, observing and contemplating the urban landscape – she collects objects to rewrite their narratives using her own voice and language. For Fatspatrol, it is an act of reclaiming the street, which is systemically regulated, surveilled and commodified, according to her. It is a space where one is instructed to 'follow the signs', yet where new stories are continually being narrated, she notes. In an alcove is Sara Alahbabi's 'For a Better Modern Something', an installation that explores Abu Dhabi's evolving urban fabric. Cement blocks printed with maps are joined together with LED tube lights, creating a grid-like structure against the surface of the wall and floor. The work is the result of Alahbabi's use of walking as a methodology in her practice, to experience the streets as a pedestrian in a city dominated by a culture of driving. Travelling on foot reveals new aspects of Abu Dhabi's identity, in which connections flow between communities, revealing a potential for mutual understanding across cultural and economic boundaries emerges. Khaled Esguerra's installation, displayed in the third gallery, challenges ongoing efforts to conceal the disorderliness of urban centres. Detail from Sara Alahbabi's compositon. Titled 'Heritage Legacy Authentic', the work responds to the redevelopment of historic neighbourhoods, carried out with the promise of preserving heritage and authenticity. Tiled across the floor are sheets of copier paper, a medium often used for informal advertisements, printed with words drawn from the promotional messaging of these projects and masked with blank carbon paper. The work invites viewers to stomp on, kick, thrash, tear and skid over it; it gradually reveals the printed words. Serving as a canvas for Salma Dib, the surrounding walls are covered with layers of traces, lettering, fragments and textured elements. Inspired by the walls of Palestine, Jordan and Syria, the artwork transforms the gallery into a palimpsest of thoughts and ideas, inscribed by multiple authors over time. 'No Trespassing' invites audiences to step into a dialogue between the street and themselves, and reimagine how one moves through, and leaves his mark on, the spaces he inhabits. The exhibition is accompanied by physical and virtual tours, as well as educational and public programmes. It is supported by reframe. Priyanka Mehra has a background in design and has navigated diverse roles in the arts that include public art commissions in the UAE, urban regeneration programmes in India and conceptualising Public Art Masterplans in the KSA. She has worked on large-scale urban art festivals such as St+art Delhi and Public Art Commissions at Yas Bay, Abu Dhabi. Smita Prabhakar, Founder and Chairperson of Ishara Art Foundation, is an entrepreneur, collector and art patron who has been based in the UAE for over four decades. She is a member of the International Acquisitions Committee at Tate Modern (London), the Middle Eastern Circle of the Guggenheim Museum (New York), and the Peggy Guggenheim Collection (Venice). Sasha Altaf is the Director of Ishara Art Foundation.

Armani/Amal Unveils a Gastronomic Journey to the Coasts of South India with a Specially Curated Three-Course Dinner
Armani/Amal Unveils a Gastronomic Journey to the Coasts of South India with a Specially Curated Three-Course Dinner

UAE Moments

time10 hours ago

  • UAE Moments

Armani/Amal Unveils a Gastronomic Journey to the Coasts of South India with a Specially Curated Three-Course Dinner

Dubai, United Arab Emirates – Ju ly 2025: Armani/Amal, the celebrated Indian fine-dining destination nestled within the iconic Armani Hotel Dubai, Burj Khalifa, invites guests on a sensorial journey to the southern coasts of India. Discover the vibrant gastronomy of South Indian cuisine with a specially curated three-course set menu, available at AED 400 per person. Within the refined elegance of Armani/Amal, framed by the glittering skyline of Downtown Dubai, guests are welcomed into a world of heritage and haute cuisine. Meticulously crafted by Chef Rohit and his talented team of chefs, the set menu pays homage to the authentic flavours of southern India, brought to life with premium ingredients and time-honoured techniques. Guests begin their culinary voyage with a selection of expertly curated starters, including Baby Corn Bezule (crispy baby corn coated with ginger, curry leaf and chilli), Chemmeen Pollichathu (pan-seared prawn marinated with onion, tomato, curry leaf and mustard), Meen Karivepillai (coconut, curry leaf, ginger and green chilli-infused chargrilled sea bream), and Chicken 65 (chicken thigh cubes, chilli and rice flour crust, Malabar paratha). The main course features a soul-satisfying array of regional delicacies like Kori Gassi (Mangalorean-style chicken curry with coconut, coriander and dry chilli), Lamb Pepper Fry (lamb pepper masala, coconut chutney, dosa), Andhra Fish Curry (sea bass fillet poached in raw mango coastal-style curry), Broccolini & Asparagus Poriyal (stir-fried broccolini, asparagus and cashew nuts with fresh coconut), and Sambhar (South Indian lentil stew with vegetables, tamarind and dry spices). The journey concludes on a sweet and wholesome note with Adapradam (traditional rice pudding sweetened with jaggery and finished with coconut and cashews), a simple yet irresistibly comforting finale. Whether you're gathering with friends or marking a special occasion, this thoughtfully curated menu at Armani/Amal promises a delicious journey through the southern coasts of India, served with warmth, soul, and signature Armani elegance right in the heart of Dubai.

Galeries Lafayette Dubai Makes Indulgence the Season's Best Accessory
Galeries Lafayette Dubai Makes Indulgence the Season's Best Accessory

Harpers Bazaar Arabia

time10 hours ago

  • Harpers Bazaar Arabia

Galeries Lafayette Dubai Makes Indulgence the Season's Best Accessory

Because sometimes, the most tasteful thing you can do is take your time. If you're looking for a reason to spend a little extra time at The Dubai Mall this summer, Galeries Lafayette just gave you one. The iconic department store has launched Tasteful, a multi-sensory in-store campaign that runs until the end of July – and it's as stylish as it is smartly curated. Designed to celebrate the art of indulgence, Tasteful is about taking a moment to enjoy the finer things – whether that's discovering a new signature scent, investing in a standout piece for the season, or slowing down for lunch somewhere that actually feels worth it. With surreal visual installations, experiential beauty stations, and personal styling zones dotted throughout the space, the campaign invites visitors to explore fashion, fragrance, and food in a way that feels fresh and effortless. The fashion edit is a highlight. Think Marni, Coperni, Cult Gaia, Ganni and more – designers who know how to strike the balance between directional and wearable. It's not about head-to-toe looks, it's about mixing and matching standout pieces that speak to your personal style. From oversized silhouettes to structured tailoring, the focus is on confidence and individuality. Beauty lovers won't be left behind either. The fragrance and skincare selection spans everything from cult favourites like Kilian, Fugazzi, and Maison Crivelli to the newly launched Prada Beauty. It's less about the hard sell, more about playful discovery – and the kind of in-store experience that reminds you why beauty shopping used to be fun. Of course, all of this is best enjoyed with a break in between. That's where Le Gourmet comes in, Galeries Lafayette's dedicated food hall on the second floor. It's the kind of space that makes it easy to turn a quick shop into a full-day affair before hitting the next edit. Even the practical details have been thought through. With digital gift cards and same-day delivery available across the UAE, Galeries Lafayette makes it easy to shop on your own terms whether you're browsing in-store or sending a last-minute gift to someone else. If you're after an excuse to treat yourself this season – this is it.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store