logo
Koyo Kouoh, art curator due to lead 2026 Venice Biennale, dies aged 57

Koyo Kouoh, art curator due to lead 2026 Venice Biennale, dies aged 57

The Guardian12-05-2025
Koyo Kouoh, the groundbreaking Swiss-Cameroonian curator who was to become the first African woman to head up the Venice Biennale, died suddenly on Saturday, the Zeitz Museum of Contemporary Art Africa announced.
'It is with profound sorrow that the trustees of Zeitz MOCAA announce the sudden passing of Koyo Kouoh, our beloved executive director and chief curator, on Saturday, 10 May 2025,' said the museum in a statement on Monday.
Kouoh, 57, had been put in charge of the 61st edition of the Biennale Arte, which will take place in Venice from April to November 2026.
Born in 1967 in Doula, Cameroon, but educated through her teens and 20s in Zurich, Kouoh had been executive director of MOCAA in Cape Town, South Africa, since 2019. It holds the continent's largest collection of contemporary art.
She was previously the founding artistic director of Raw Material Company, an art centre in Dakar, Senegal, which had a big impact on her. 'It's the place I came of age professionally, where I really became a curator and an exhibition-maker,' she recently told the Financial Times. 'Dakar made me who I am today.'
As curator of the Biennale she was due to present the exhibition's title and theme in Venice in a week's time, on 20 May.
In a statement, the management of the Venice Biennale said they were 'deeply saddened and dismayed to learn of the sudden and untimely passing of Koyo Kouoh'.
They said Kouoh had 'worked with passion, intellectual rigour and vision on the conception and development of the Biennale Arte 2026.'
The statement added: 'Her passing leaves an immense void in the world of contemporary art and in the international community of artists, curators and scholars who had the privilege of knowing and admiring her extraordinary human and intellectual commitment.'
The Biennale confirmed it was 'likely to hold the press conference on 20 May', which will also be livestreamed from its headquarters.
Zeitz MOCAA said it had closed its doors and suspended all programming until further notice.
Kouoh moved to Switzerland at 13 and originally studied business administration and banking before starting a literary career. In 1994, she co-edited Töchter Afrikas, which was inspired by the groundbreaking Daughters of Africa (1992), an anthology of writing by women of African descent.
She was regarded as a transformational leader at Zeitz MOCAA, where she built 'an explicitly Pan-African, world-class programme', according to the New York Times, which credited her with turning around an institution that had experienced several scandals.
In one of her final interviews, Kouoh discussed her view on mortality. 'I do believe in life after death because I come from an ancestral Black education where we believe in parallel lives and realities,' she said. 'There is no 'after death', 'before death' or 'during life'. It doesn't matter that much. I believe in energies – living or dead – and in cosmic strength.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The Culture Edit: Art, memory and reverence of soft vengeance
The Culture Edit: Art, memory and reverence of soft vengeance

Time Out

time7 hours ago

  • Time Out

The Culture Edit: Art, memory and reverence of soft vengeance

'People go to an exhibition expecting to be bored, to be quite candid, and they're delighted when it's not,' Albie Sachs tells me in a near-whisper, leaning in during the opening of Spring Is Rebellious, now on at Zeitz MOCAA. 'And I think this is a total surprise,' he adds with a glint of mischief. Listening to Sachs reflect on a turbulent period in Southern Africa's history, and his own life as an activist, is quite something. There's a radical optimism in it. Not the hollow kind peddled by revivalists, but something more complex: a joy hard-won, defiant, and elevating. The curatorial approach, led by Dr Phokeng Setai, resists the trap of monumentalising one man (though Sachs, by all accounts, deserves it). Instead, it becomes its own rebellion against the singular hero narrative. And yet Sachs, with his signature blend of humility, humour, and piercing intellect, still anchors the experience. His personal collection, along with that of the Constitution Collection (commissioned and curated under his watch), shapes the experience. His story, including surviving a car bomb planted by apartheid security forces that cost him an arm and the sight in one eye, is not presented as tragedy. It becomes, in his words, a testament to 'the intense joy of survival.' Yes, it's a historical exhibition and a biography - but also a deeply moving love letter to a life lived in full colour. A life of freedom fighting, legal vision, Constitutional Court judge and an unwavering belief in the transformative power of art. Curated by Setai and a team of young curators mentored by the late Koyo Kouoh - to whom the exhibition is dedicated - Spring Is Rebellious lands with remarkable subtlety. 'Africa's stories are often told through singular biographical lives. We wanted to let the art and the artists bring the complexity and layers to the narrative of this exhibition," Setai says. And they do. View this post on Instagram A post shared by Time Out Cape Town (@ A Revolution of Feeling What emerges is not a dry litany of accolades, but an emotional architecture in what Sachs himself calls a 'big emotional palette.' 'It's very public and very private at the same time,' Sachs says. 'It's not a historical narrative. It's an emotional one.' Crucially, it never feels didactic. This is not protest art with a slogan, nor a catalogue of suffering. In his 1989 essay Preparing Ourselves for Freedom, written for an ANC cultural seminar in exile, Sachs wondered whether we had 'sufficient cultural imagination to grasp the rich texture of the free and united South Africa we have done so much to bring about.' That same question pulses through this exhibition. While Sachs' memories of Mozambique's revolution included children sculpting ephemeral art in sand under the guidance of artist Malangatana Ngwenya. It reminds that culture and creative expression were never just an accessory to struggle. It was survival itself. View this post on Instagram A post shared by Zeitz MOCAA (@zeitzmocaa) The soft vengeance of refusing to become what you survived One of the most stirring elements of the exhibition is how it gives material form to Sachs's ideology of soft vengeance. Behind a velvet curtain and bathed in muted grey-blue, this quiet room in the exhibition offers a tender counterpoint to the fire of activism. Here, Sachs' voice fills the air, recounting the 1988 Maputo car bomb that nearly ended his life. But the story told isn't one of revenge. It's one of survival, healing, and what he later called soft vengeance: the quiet, radical act of choosing life, memory, and justice over hatred. Two artworks ground the space: a poignant wooden sculpture by Mozambican artist Naftal Langa, showing a couple grappling with the scars of war, and a stark photograph of Sachs in his London apartment, his amputated arm captured in mirror and shadow. It's a room of reckoning, where trauma acts as an uncomfortable truth - a wound, not hidden, but instead opening up toward something far greater. As Sachs says, justice is "refusing to become what you have survived." 'They tried to kill me, and I lost an arm,' he says with typical bluntness, 'but I lived. I got to help write our Constitution.' His vengeance is in living, not in bitterness or rage, but in beauty and joy. The show is both irreverent and serious at the same time. Archival protest posters sit beside odes to jazz and arson. Its storytelling spans exile, solitary confinement, and ultimately homecoming. And the title? Taken from a paper that sparked both debate and delight among his comrades - reminds us: Spring is rebellious, then and now. It honours not just Sachs, but the artists, activists, and everyday people whose creative resistance has shaped South Africa and the continent in unexpected, enduring ways. At 90, Sachs continues to write and inspire, offering as a living reminder that as our democracy matures, so too must our capacity to reimagine it. The revolution, he suggests, is not a moment, but a mindset needing constant renewal. 'If spring was rebellious then,' he says, 'autumn is rebellious now.'

I'm a picky eater & eat barely any of the ‘awful' food at all-inclusive hotels – trolls slam me as ‘disrespectful'
I'm a picky eater & eat barely any of the ‘awful' food at all-inclusive hotels – trolls slam me as ‘disrespectful'

Scottish Sun

time9 hours ago

  • Scottish Sun

I'm a picky eater & eat barely any of the ‘awful' food at all-inclusive hotels – trolls slam me as ‘disrespectful'

Scroll down to find out what Simone had for her dinner FOOD FOR THOUGHT I'm a picky eater & eat barely any of the 'awful' food at all-inclusive hotels – trolls slam me as 'disrespectful' Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) A WOMAN has been slammed as "disrespectful" for turning her nose up at the "weird" dishes on offer at an all inclusive hotel. Simone Wilko, a self-confessed picky eater, recently went on holiday to Cyprus, and was not impressed by the food that was on offer. Sign up for Scottish Sun newsletter Sign up 2 Simone was not impressed by the food in her all inclusive hotel Credit: Tiktok s33immm 2 People have slammed her for being disrespectful Credit: Tiktok s33immm Taking to TikTok, the influencer showed off the diverse array of food in the restaurant at her hotel, stating that there was "so much to choose from, but at the same time there wasn't." Showing viewers a plate of delicious looking stuffed courgettes with vegetables, she said: "I understand I'm in a different country, but what on earth are these foods? "They look absolutely awful." Showing the camera a dish of traditional black eye beans with Swiss chards, she then said: "I couldn't think of anything worse." Simone then spotted a pizza and got excited as she thought it was margherita, but after reading that the label said Quatro Formaggi (four cheese) she decided to give it a miss. The holidaymaker then decided to put some plain bread on her plate, along with a portion of chips. "If these had herbs on, I wouldn't have got them", she admitted. "I just don't like the taste of seasoning." She then placed some ribs on her plate, and a small bit of pork from a stir fry, making sure to avoid the veg as she "hates spring onions". However, she said that the pork was "horrible" anyway, as it had seasoning on it. 10 Expert Tips for Managing Picky Eaters Simone then moved on to dessert, but unfortunately said that she also found her chocolate mousse "disgusting". Her video, posted under the username (@s33immm) has quickly gone viral, racking up 772,000 views on the video sharing platform. TikTok users raced to the video's comments section to share their thoughts, with many unimpressed by Simone's attitude to the cuisine. One person said: "Picky is fine, but insulting other countries' foods is not OK." A second person said: "Fellow lowkey picky eater here but there's a difference between you and me. "I don't go around being disrespectful about food." A third person said: "I'm a very picky eater but this seems disrespectful." A fourth added: "Picky is one thing but just because you don't like something doesn't mean it's disgusting."

Prince Harry to share diary as he tries to "deconflict" with the Royal Family
Prince Harry to share diary as he tries to "deconflict" with the Royal Family

Daily Mirror

time17 hours ago

  • Daily Mirror

Prince Harry to share diary as he tries to "deconflict" with the Royal Family

The Duke of Sussex is reportedly keen to avoid publicity clashes with King Charles and Prince William - and could even meet his father face-to-face later this year Prince Harry has offered to share his official diary engagements with the Royal Family in a bid to further defrost tensions. It follows controversy over the timing of the Duke of Sussex 's trip to the African country of Angola last month. Images of Harry retracing his late mother Princess Diana 's footsteps through a minefield made headlines around the world. ‌ But the photos knocked coverage of Queen Camilla 's 78th birthday portrait off the front pages. Now Harry is offering a diary-sharing arrangement to stop a similar situation happening again, says the Mail on Sunday. The newspaper said the deal is even believed to extend to Prince William 's court at Kensington Palace. Sources said it is hoped the move to 'deconflict' their diaries could lead to Harry and King Charles to meet face-to-face. ‌ ‌ Lines of communication between the pair remain open since peace talks were held with representatives from both sides. Their PR chiefs were snapped earlier this month meeting on a balcony of an exclusive London members club. A source described the latest development to share the Duke's schedule as a significant milestone. They told the Mail on Sunday that Harry and his wife Meghan previously 'relished' clashes of publicity. ‌ 'But now Harry has shifted into a new way of thinking,' they added. 'The tone is now all about 'deconflicting' with his family. 'Harry still doesn't like being controlled by the Royal machinery, and that won't change. 'However, if the Royal Family have full sight of his movements they can at least plan accordingly. It's a significant gesture.' A friend told the newspaper: 'Harry hopes to see his dad later this year, or next year. 'Things are moving in the right direction but, as always with the Royal Family, they are doing so at a glacial pace. 'But at least all is going in the right direction and that meet up will happen eventually. 'The right people are still talking to one another with that in mind.' Harry will fly to London for three days in late September to promote the children's charity WellChild.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store