Oil Heads for Weekly Losses on Fading Geopolitical Risk
0907 ET – Oil futures are higher for a third session, yet on track for solid weekly losses after the Israel-Iran cease-fire caused prices to plunge early in the week. Much of the risk premium that had driven prices to multi-month highs was the idea of disruption to supplies through the Strait of Hormuz, says Jay Truesdale, CEO of risk consultancy TD International. But the likelihood of that happening was low as it was in the interest of the U.S., Iran itself, and other players in the region to keep the strait open. 'Most traders have now gone back to base cases anchored by supply and demand, especially given that the world has sufficient oil,' he says. Prices are likely to go back to where they were before the Israeli strikes, 'somewhere in the $60s.' WTI is up 0.5% at $65.54, and Brent is up 0.3% at $67.95. (anthony.harrup@wsj.com)
0736 GMT – Oil prices edge higher in early trade, but remain on track for steep weekly losses as the geopolitical risk premium tied to Middle East tensions fades. Brent crude rises 0.8% to $67.21 a barrel, while WTI gains 0.8% to $65.77 a barrel. The benchmarks are down between 11% and 12% for the week after days of heightened volatility. 'The estimated geopolitical risk premium in the spot market has now fallen to below $1 a barrel from its Sunday peak of near $15,' analysts at Goldman Sachs say. Market focus has now shifted toward developments in U.S.-Iran nuclear talks and trade negotiations. Key decisions loom, with negotiations between Washington and Tehran expected to resume next week, OPEC+ set to decide on August production policy on July 6, and President Trump facing a decision on reciprocal tariffs. (giulia.petroni@wsj.com)
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Business Insider
28 minutes ago
- Business Insider
Meet Goldman's consigliere to Hollywood: the entertainment banker whose days spearheading big media deals start with a run in Central Park
It's not easy to break into either Hollywood or Wall Street. Aaron Siegel has carved out a place in both. As head of Goldman Sachs' entertainment investment banking business, he oversees a team of bankers who work on deals spanning a range of sectors, from live events and video games to television and movie production. His team represented amusement park owner Cedar Fair in its $8 billion merger with Six Flags last year, and Niantic, the video game maker behind the hit franchise "Pokémon Go," in its $3.5 billion sale to Saudi Arabia-owned Scopely. This year, he was named to Billboard's annual list of its Power 100 list — and was ranked No. 8 on the publication's list of finance sector professionals. As a former Hollywood reporter who now covers Wall Street, I was curious to hear Siegel's thoughts on the future of entertainment and his advice for making it on Wall Street. Siegel joined Goldman as an analyst more than 20 years ago and last year was elevated to partner, the firm's highest rank outside the C-suite. He said that when the entertainment banking group launched as an independent business line in 2021, he was its sole managing director. Today, he oversees a team of four MDs, including Hemal Thaker, who spearheads the gaming and interactive entertainment business; Gaurav Madan, who handles M&A execution; Jack Kamine, who looks after film, television, and content; and Evin Broder, who's focused on live entertainment, and entertainment services and growth. Jenny Kim, a managing director at Morgan Stanley, joined in June to lead the bank's music business. Goldman's expansion comes amid sweeping upheaval in the entertainment industry—from the 2023 dual strikes over AI and labor concerns to climate disasters like California's $250 billion wildfires and mass evacuations. Here's a look at our conversation, edited for length and clarity. I'm often up early enough to go for a jog through Central Park. It is a global business, and we generally have something fun happening. So as I make my way to the park, I'll check in with our teams in Europe and Asia working on projects. This week, it was teams in Stockholm and Singapore. Stockholm, especially, is a vibrant epicenter for the world of music production. Once I'm in Central Park, there's nothing better than just having some time surrounded by the earth and the trees. And there's no better way to end a day or a week than with a Little League baseball game, one of my kids' music performances, or getting a chance to attend a religious service performed by my wife, who's a rabbi at a temple here in New York. When I joined the firm 22 years ago as an analyst, I had the privilege to really be in the trenches with our clients, building those relationships. So I really try to encourage and ensure that our entire team is getting that exposure and building those relationships. I am inspired by the incredible creativity and tenacity of our clients, and I want our junior bankers to experience working for the most creative entrepreneurs and people in the world. Entertainment is a very broad sector, and there are sectors within it, like music and video games, that have grown consistently in recent years. In Hollywood, film and TV production have gone through a period of just epic challenge from the pandemic to the evolution of the streaming wars — as well as the 2023 actors' and writers' strikes and the LA fires. But I believe from the work we're doing with our clients that the environment for film and TV content has stabilized and is now growing again. Audiences have re-embraced the theatrical experience at the movies, and the scaled streaming services are on a very strong footing. It makes sense that companies are uncoupling their businesses so that each have their own capital structures, management teams, and strategic direction. I believe that this will also help people start to operate again from a position of stability and strength. How is AI — or Hollywood's skepticism of AI — impacting business? AI is influencing every transaction we work on right now. We are seeing AI empower creators, writers, songwriters, and directors. It's making content creation easier and more widespread. Among our client base, AI is proving a win-win for everybody. I look to music as an example. There're over 100,000 songs uploaded to streaming platforms every day. And share has shifted as a result to independent and DIY artists. The majors have benefited as well because of their expertise in elevating artists to global superstars. Their knowledge in this environment becomes all the more important since they have the intuition and models to help artists reach the next level. You have one of the cooler banking jobs I've come across. Tell me about some of the highlights — the nights out and awards shows. I will never forget being at South by Southwest for the premiere of "Everything, Everywhere, All at Once" for one of our studio clients in 2022. I was not even remotely prepared for the grandeur, the emotion, the intensity of that experience in that film. For me, it was an unexpected story about parenthood and having young kids at that moment watching that movie — I did not go into the journey expecting to be so moved. Looking back on your career, what advice does Goldman partner Aaron Siegel have for the analyst he started as more than 20 years ago? This is a career that celebrates achievement by changing your role. So as an analyst, you spend two or three years mastering modeling. As an associate, your task is to oversee the narrative of presentation materials. And once you master that, you are then moved into a new role where as a VP managing projects and the day-to-day work with clients. And these are all wildly different roles requiring you to build different skills. And so my advice would just be to enjoy that experience, embrace the fear of new challenges. And if you do, you probably won't find a lot of moments of boredom throughout the journey.

Associated Press
32 minutes ago
- Associated Press
Wimbledon 2025: Coco Gauff is just 21 but already thinking about what to do after tennis
LONDON (AP) — To be clear, Coco Gauff didn't bring up the word 'star' during a recent interview with The Associated Press; the reporter did. So as Gauff began to answer a question about balancing her life as a professional athlete with her off-court interests, she caught herself repeating that term. 'I definitely didn't know how it would look like,' she began with a smile, 'before I got to be, I guess, a star — feels weird to call myself that — but I definitely did want to expand outside of tennis. Always. Since I was young.' She still is young, by just about any measure, and she is a really good tennis player — Gauff owns the Grand Slam titles and No. 2 ranking to prove it as she heads into Wimbledon, which begins Monday — but the 21-year-old American is also more than that. Someone unafraid to express her opinions about societal issues. Someone who connects with fans via social media. Someone who is the highest-paid female athlete in any sport, topping $30 million last year, according to with less than a third of that from prize money and most via deals with companies such as UPS, New Balance, Rolex and Barilla. Someone who recently launched her own management firm. And someone who wants to succeed in the business world long after she no longer swings a racket on tour. 'It's definitely something that I want to start to step up for post-career. Kind of start building that process, which is why I wanted to do it early. Because I didn't want to feel like I was playing catch-up at the end of my career,' said Gauff, who will face Dayana Yastremska in the first round at the All England Club on Tuesday. 'On the business side of things, it doesn't come as natural as tennis feels. I'm still learning, and I have a lot to learn about,' Gauff said. 'I've debated different things and what paths I wanted to take when it came to just stimulating my brain outside of the court, because I always knew that once I finished high school that I needed to put my brain into something else.' In a campaign announced this week by UPS, which first partnered with Gauff in 2023 before she won that year's U.S. Open, she connects with business coach Emma Grede — known for working with Kim Kardashian on Skims, and with Khloe Kardashian on Good American — to offer mentoring to three small-business owners. 'Coco plays a key role in helping us connect with those younger Gen-Z business owners — emerging or younger entrepreneurs,' Betsy Wilson, VP of digital marketing and brand activation at UPS, said in a phone interview. 'Obviously, she's very relevant in social media and in culture, and working with Coco helps us really connect with that younger group.' While Grede helped the entrepreneurs, Gauff also got the opportunity to pick up tips. 'It's really cool to learn from someone like her,' Gauff said. 'Whenever I feel like I'm ready to make that leap, I can definitely reach out to her for advice and things like that. ... This will help me right now and definitely in the long term.' ___ Howard Fendrich has been the AP's tennis writer since 2002. Find his stories here: More AP tennis:
Yahoo
36 minutes ago
- Yahoo
St. Joseph County home listings asked for more money in May - see the current median price here
The median home in St. Joseph County listed for $265,900 in May, up 9% from the previous month's $243,950, an analysis of data from shows. Compared to May 2024, the median home list price decreased 2.9% from $289,000. The statistics in this article only pertain to houses listed for sale in St. Joseph County, not houses that were sold. Information on your local housing market, along with other useful community data, is available at St. Joseph County's median home was 1,777 square feet, listed at $148 per square foot. The price per square foot of homes for sale is mostly unchanged from May 2024. Listings in St. Joseph County moved steadily, at a median 43 days listed compared to the May national median of 51 days on the market. In the previous month, homes had a median of 43 days on the market. Around 76 homes were newly listed on the market in May, an 8.6% increase from 70 new listings in May 2024. The median home prices issued by may exclude many, or even most, of a market's homes. The price and volume represent only single-family homes, condominiums or townhomes. They include existing homes, but exclude most new construction as well as pending and contingent sales. In Michigan, median home prices were $299,900, a slight increase from April. The median Michigan home listed for sale had 1,618 square feet, with a price of $184 per square foot. Throughout the United States, the median home price was $440,000, a slight increase from the month prior. The median American home for sale was listed at 1,840 square feet, with a price of $234 per square foot. The median home list price used in this report represents the midway point of all the houses or units listed over the given period of time. Experts say the median offers a more accurate view of what's happening in a market than the average list price, which would mean taking the sum of all listing prices then dividing by the number of homes sold. The average can be skewed by one particularly low or high price. The USA TODAY Network is publishing localized versions of this story on its news sites across the country, generated with data from Please leave any feedback or corrections for this story here. This story was written by Ozge Terzioglu. Our News Automation and AI team would like to hear from you. Take this survey and share your thoughts with us. This article originally appeared on Sturgis Journal: St. Joseph County home listings asked for more money in May - see the current median price here