
Irn-Bru submits plan to 'transform The Kelpies into unicorns'
The council is carrying out a 'call for ideas and sites' ahead of its new Local Development Plan – which determines its vision and strategy for Falkirk's future.
The call for ideas is an opportunity for individuals, community groups or other organisations to suggest 'new uses, improvements, or protection' for sites the area.
Falkirk Council says these will be considered in preparing its proposals.
Responding to the call, Irn-Bru submitted a suggestion for giant unicorn horns to be mounted onto the Kelpies to 'celebrate and raise awareness of the unicorn's status as Scotland's national animal'.
Sculptor Andy Scott designed the monumental pair of horse-heads in 2013 based on the concept of the mythical water horses.
The stand over the eastern gateway of the Forth and Clyde Canal that runs across Scotland's Central Belt.
But Irn-Bru has suggested the sculptures could be adapted to represent different mythological horses.
The proposal comes with CGI artwork showing how the sculptures would look with the horns added.
The mythical beasts have been Scotland's official national animal since the 1500s, according to the drinks maker, which also suggested the horns should be added temporarily each World Unicorn Day – celebrated on April 9. Irn Bru Irn-Bru has suggested transforming The Kelpies into unicorns every year on World Unicorn Day. Irn Bru
Kenny Nicholson, head of brand at Irn-Bru said: 'The Kelpies are one of the most inspiring sculptures in the UK – an incredible feat of engineering and creativity – so we think they're the perfect spot to celebrate Scotland's most legendary animal.'
The submission to Falkirk Council's call for ideas is part of a PR stunt for the launch of the Irn-Bru's latest flavour – branded Unicorn Tears.
'By crowning them with a unicorn horn every World Unicorn Day, we can help tell the story of Scotland's centuries-long love affair with the unicorn – from royal seals and ancient coins, all the way to cans of Irn-Bru Xtra's new Unicorn Tears flavour,' Ms Nicholson said.
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The Herald Scotland
a day ago
- The Herald Scotland
Scots artist develops cosmic ray instrument for Fringe show
Special performances involving Scottish musicians Kathryn Joseph and King Creosote will take place on August 3rd and August 5th, respectively. The particles, known as muons, are used to generate in-depth 3D pictures of structural interiors, which helps researchers see inside dense materials, such as the pyramids of Giza. Artist Lomond Campbell helped design the machine. (Image: Glasgow University) Mahon said: 'Working with Lomond to expand the scope of that research, generating sound alongside images while he plays along with cosmic rays, has been a fantastic experience. 'I'm looking forward to seeing how audiences engage with the Muonophone during the performances and the installation during the month of August.' The series of live performances (entitled MŮO) featuring the muonophone's audiovisual output will be held at Edinburgh's French Institute during the month of August. After the performances conclude, the French Institute will continue to host the muonophone until the 25th of August, giving visitors the chance to see the instrument for themselves. Several events funded by the Institute of Physics in Scotland will also be held, where PhD students from the University of Edinburgh and Glasgow will discuss the science of muons with visitors. Tickets to the live show cost £10, while concessions are £8 and family tickets cost £6. Singer King Creosote is among the guests at the performance series. (Image: free) A statement on Campbell's website reads: 'Using muon detectors, MŮO captures cosmic radiation from deep space, transforming it into reactive sound and entrancing live visuals. 'Performing with his one-of-a-kind handmade instrument, the Muonophone, Lomond creates a constantly evolving sonic landscape, joined by special musical guests throughout the festival. 'Blending art, science and sound in a way you've never seen before, MŮO is a cosmic journey not to be missed.' Muons are generated when cosmic rays collide with the Earth's atmosphere and break apart. Special devices known as muon detectors pick up the presence of the particles as they pass through various materials. The Muonophone reacts to the detection of muons by triggering 'pre-prepared sound and visualisations.' As cosmic rays from 'deep space' shape the muonophone's outputs, Campbell will play live keyboard parts to accompany the machine's soundscapes. Read more: Why does everyone seem to hate Maggie Chapman? 'Long overdue': Scottish young people weigh in on lowering of voting age Smoked salmon, Irn-Bru bhajis and micro herbs: What's on the menu at Bute House? Dr Mahon, of the University of Glasgow's School of Physics & Astronomy, noted: 'I've been working on muon-related research at the University for more than 15 years now, finding new ways to harness cosmic rays to see inside objects. 'A University spinout company, called Lynkeos Technology, is now using muography to provide industry with detailed 3D images of the interiors of structures which are impossible to create using other methods.' Campbell added: 'When approached by The University of Glasgow to work with their muon detecting technology I jumped on it. There is a score being constantly written by the nuclear activity of the cosmos and with muon detectors we can listen in to that and then interpret it sonically and visually. 'I find that whole concept stirring and want MŮO to instil that same sense of wonder in people who come to experience the live performances and the installation. 'What began as an idea to make an instrument called The Muonophone, has grown into a fully immersive audiovisual experience called MŮO, thanks to support from Made In Scotland, Sonica Glasgow and The French Institute.' According to the National Institutes of Health in the United States, muography has a range of uses, including in the fields of geoscience, nuclear safety and security, and civil engineering and archaeology. Muons have been used to explore the interior of the of the most well-known applications of muography is the ScanPyramids project, which has mapped the inside of the Egyptian pyramids, and led to the discovery of several 'plane-sized' voids within the 4500-year-old structures in 2018. At the time, Mehdi Tayoubi, ScanPyramids project co-founder and president of the Heritage Innovation Preservation Institute, told The Independent: 'It could be composed of one or several structures, maybe it could be another Grand Gallery. It could be a chamber, it could be a lot of things. It was hidden, I think, since the construction of the pyramid.' The rays can also be used to image the inside of volcanoes, nuclear storage facilities, and blast furnaces - and now power musical instruments at the Edinburgh Fringe.


The Herald Scotland
12-07-2025
- The Herald Scotland
Jasleen Kaur on her Turner Prize, education and a mural in her honour
The Glasgow-born artist won the Turner Prize last year and that is just the latest thing she has done since leaving Glasgow for London and the Royal College of Art to study for a master's degree 17 years ago. To make things even more special for her, the Berkeley Street mural sits near the Gurdwara that she attended at least twice a week when growing up. The mural has been completed by another GSA graduate in Molly Hankinson, who took inspiration from the Alter Altar installation that made Kaur the youngest nominee and winner of the prestigious art award. Despite that success, the artist remained in complete disbelief of what was happening, but she admits it is providing her with an opportunity to reignite a relationship with her home city. Jasleen Kaur and Molly Hankinson in front of the mural (Image: Robert Perry/The Herald) She said: 'It came as a surprise. I wasn't expecting it at all but what it does is rekindle some relationship with the Glasgow School of Art, which is where I did my undergrad and therefore my connection to the city. 'I moved away 17 years ago so there's something special about those connections being maintained and being cemented in some way. 'The mural also totally came out of the blue. It is being made by an artist called Molly and I was invited to come see it in the morning and it is part of her practice and a series of murals in the city. It is quite a shock to see a massive face of yourself on a building. 'I'm not a fan of being in the spotlight so the idea makes me quite nervous actually, however when I went this morning, I didn't realise it was on Berkeley Street. That is the street where the Gurdwara I went to growing up is on. I'd have been on the street twice a week at least so there's something significant about that in the city. 'It is amazing artists are being given paid opportunities in the city and artworks can be out of galleries and institutions because it's such a barrier for people accessing art. I didn't grow up accessing art, I didn't go into galleries and museums so just seeing it in the street is really important for kids and families and communities. 'It is fun and it is nice to support other artists and what they are doing in the city.' The Turner Prize award-winning exhibition was at Glasgow's Tramway and combined personal and cultural artefacts such as family photos, a classic Ford Escort draped in a doily, choral voices and bottles of Irn-Bru to reflect on Scottish Sikh identity and communal histories. Read More But how has life changed since winning the Turner Prize and being thrust into a spotlight that she admits she is not a fan of? 'It has been such a massive whirlwind', she admitted. 'I was on maternity leave when I was nominated and just when I started installing the show is when I got a bit of childcare in place so a lot has happened in the last year. 'The things that feel really lifechanging is I have support from an amazing gallery and I can take a bit of time out from teaching because I teach part time in an Art University as well. 'Those things when you have your own family and you are working several jobs to make things make sense are fundamental. I don't take it for granted.' With Kaur admits it has been important for her to continue her work and not worry about working multiple jobs at a time while looking after young kids, aged six and two. The mural is also something she can show them on return visits to Glasgow, where she admits that she would love to return to on a more permanent basis one day. She continued: 'It is really odd and that is one of the things I find the hardest to get my head around, what my kids see me doing. 'How much can change in a couple of generations? I get so emotional and sentimental about that because as someone who didn't have access to the arts or the creative industries, I'm really grateful for the education I got because that state funded education was critical for me. 'I do worry about the state of the arts in all bits of education from nursery to higher education. It is because of that education I have access to things so I have to thank. Jasleen Kaur poses with the mural (Image: Robert Perry/The Herald) 'I moved away to London to study my masters. I was supported by the Scottish Government to study at the Royal College of Art so I moved away young and as these cities do, you build relationships and friendships and networks and you end up staying. 'I'd like to think I'd come back to Glasgow at some point.' The state-funded education is something she remains passionate about and she insists she would not be where she is in life it was not for that. 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'There is amazing alternatives. As universities become unattainable because of financial pressures, especially outside of Scotland, there has been much more alternatives art school models set up. Reach out and apply to those where you could access something for free and go for it. It is your network and your community that will keep you practicing. 'With the way things are going, they are going to be really important alternatives.'


Daily Record
11-07-2025
- Daily Record
Ewan McGregor's roof repair plan for his Perthshire home rejected
His architects had told planners that the cracked lead roof is beyond repair and has caused 'water ingress'. Hollywood star Ewan McGregor's bid to fix the leaky roof of his listed £2.35m Perthshire mansion has been rejected by PKC. The local authority said in its decision that approval was contrary to planning and development policies. The 54-year-old Trainspotting actor bought the C-listed Glencarse House near Perth two years ago. He has already received permission for multiple upgrades at the home, set in more than 18 acres of Carse of Gowrie land and gardens. The villa was originally an Adam design dating to 1790, with alterations carried out in the late 1800s and 1920s. The latest application involved replacing a 'defective' lead roof with single-ply membrane Sarnafil and replacing existing skylights with double glazed units. His architects had told planners that the cracked lead roof is beyond repair and has caused 'water ingress'. But in a written decision PKC stated: '...The proposed replacement roof structure, single-ply membrane and PVC battens, and lantern rooflight features would not preserve the listed building's fine detail character and special architectural interest and would not be an appropriate solution or approach in protecting and enhancing the existing roof form and materiality.' The plans were contrary to Local Development Plan policy 'which favours retention and sympathetic restoration, as the proposed replacement roof structure' and the proposed features would 'adversely affect the listed building's character and special architectural interest, by virtue of reprofiling the roof, the use of non-traditional methods and materials.' A heritage officer's submission pointed out that 'a lead roof can last up to 200 years if it is installed and maintained correctly. 'Lead is also an infinitely recyclable material, making it a more environmentally sustainable choice relative to synthetic oil-based materials.' It was further stated: 'Potential theft is mentioned as a further reason to support the loss of the lead roof covering. 'Given the extensive CCTV coverage on site, Glencarse is unlikely to be vulnerable to lead theft. There is no evidence that the roof has been subject to theft in the past. No structural evidence has been provided demonstrating that the existing roof structure cannot take the weight of a lead roof, as suggested by the supporting statement. If this was the case, the roof structure could be upgraded under the guidance of a structural engineer.'