
Up on Dakota Johnson's list: Directing her first feature, avoiding 'toxic sets'
"I think I will direct a feature, a very small one, hopefully soon. And it's really close to my heart and very close to TeaTime," she told The Hollywood Reporter in an interview. "We're making it with Vanessa Burghardt, who played my daughter in Cha Cha Real Smooth. She's an incredible autistic actress."
"I've always felt that I'm not ready to direct a feature. I don't have the confidence," she said. "But with her, I feel very protective, and I know her very well, and ... I just won't let anybody else do it."
As a director, Johnson has already directed the Coldplay music video Cry Cry Cry and the short film Loser Baby.
She wants to continue telling female-centric stories through her TeaTime Pictures and avoid "toxic sets".
When asked what attracted her to do TeaTime projects, she shared, "Usually, it's something that is either visually or emotionally provocative. And I don't mean that in a sexual way. I mean it in the sense that it provokes something that is different from what you see on TV right now or on streaming platforms.
"A lot of them are also female characters. So it's female-centric films where the woman is different from what you see, and complex and nuanced, and maybe an anti-hero that you love," she told The Hollywood Reporter.
"I can't waste time on toxic sets anymore," Johnson said. "With producing, that's one of the perks," she added.
"Now, ... being a producer and developing my own films, I can choose all the people," she said.
She also shared that the parameter to measure the success of projects is changing, "I think that the barometer for that is shifting right now. It's hard to measure success based on box office numbers now, because it's so all over the place," she said.
Johnson added, "It's really hard to make movies right now and to get people to believe in what you want to say. I don't think movies will save the world, by no means, but I do think it's nice to have them around."
Johnson made her film debut at the age of 10 in Antonio Banderas' 1999 movie, Crazy in Alabama. In 2010, she appeared in David Fincher's The Social Network. Her recent credits have included the likes of Maggie Gyllenhaal's The Lost Daughter (2021) and Carrie Cracknell's Persuasion (2022). She next stars in Amazon's Michael Showalter-directed romance thriller Verity, opposite Anne Hathaway and Josh Hartnett.
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The National
11 hours ago
- The National
Rami Malek's road to Hollywood Walk of Fame: Career evolution from Gilmore Girls to Oscars and Oppenheimer
Rami Malek 's journey in Hollywood is one of perseverance, talent and transformation. This week, it was announced that the Egyptian-American actor will be honoured with a star on the Hollywood Walk of Fame. From modest beginnings in television to becoming an Oscar-winning actor and international star, Malek has steadily carved a space for himself in an industry often dominated by familiar faces. His presence and versatility have made him one of the most distinctive actors of his generation. To mark his latest achievement, we look back at the career that led him to this point. Early life and education Rami Said Malek was born on May 12, 1981, in Los Angeles, California, to Egyptian immigrant parents. Though raised in the US, he has often spoken of the cultural tension he felt growing up with a dual identity. His parents, who had traditional aspirations – his father worked as a tour guide and later sold insurance, while his mother was an accountant – initially steered him towards a more conventional career path. Malek studied theatre at the University of Evansville in Indiana, where his professors quickly recognised his potential. After graduating in 2003, he returned to Los Angeles, struggling to find work while living with his parents and taking on odd jobs. His persistence paid off in 2004 with a guest role on the sitcom Gilmore Girls – a brief appearance that marked the start of a significant acting career. Roles in The War at Home, The Pacific and 24 Malek's first recurring role came in 2005 with the sitcom The War at Home, in which he played Kenny – a teenager grappling with his identity. Despite the series' lukewarm reception and early cancellation, Malek's performance stood out for its emotional honesty. His major breakthrough arrived in 2010 with The Pacific, the Second World War miniseries produced by Steven Spielberg and Tom Hanks. As Corporal Merriell 'Snafu' Shelton, Malek impressed critics with his ability to portray a complex, psychologically intense character. That same year, he appeared in season 8 of 24, playing Marcos Al-Zacar – a conflicted suicide bomber – further showcasing his range. Working with Ben Stiller, Brie Larson and Philip Seymour Hoffman Between 2006 and 2014, Malek appeared in a variety of supporting roles in film and television. He gained wider visibility as Ahkmenrah, a pharaoh brought to life in the Night at the Museum franchise. Starring alongside Robin Williams, Ben Stiller and Steve Coogan in these family-friendly films, Malek got mainstream exposure and showed his ability to contribute meaningfully to ensemble casts. He also pursued more dramatic roles, including a small but memorable turn in Paul Thomas Anderson's The Master, playing the son-in-law of Philip Seymour Hoffman 's character. Sharing scenes with acting heavyweights such as Joaquin Phoenix and Amy Adams, Malek continued to build his reputation. In 2013, he appeared in acclaimed indie drama Short Term 12, alongside Brie Larson, Kaitlyn Dever and LaKeith Stanfield – a film that further solidified his credentials. Mr Robot and critical acclaim Malek's career hit a new high in 2015 when he was cast as Elliot Alderson in Mr Robot, a psychological thriller created by Sam Esmail. He played a mentally unstable cybersecurity engineer recruited by a hacking collective to take down corrupt corporations. The series quickly became a critical success and cult favourite. Malek's performance – intense, unpredictable and deeply human – earned him the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series in 2016, making him the first actor of Egyptian heritage to win in the category. The show ran for four seasons, cementing Malek's standing in the industry. Bohemian Rhapsody and Oscar glory While Mr Robot made Malek a television star, it was his portrayal of Freddie Mercury in Bohemian Rhapsody that made him a leading man in cinema. Malek spent months preparing – studying Mercury's movements, vocal style and mannerisms – to deliver an uncannily accurate performance. Though the film drew criticism for historical liberties and its direction, Malek's performance was universally praised. In 2019, he won the Academy Award for Best Actor – becoming the first Arab to receive the honour – along with a Bafta, Golden Globe and SAG Award. In his acceptance speech, he reflected on being a first-generation American born to immigrant parents and the importance of telling Mercury's story – 'a fellow immigrant and outsider who defied expectations'. James Bond's foe Following his Oscar win, Malek signalled a desire to explore different genres. In 2021, he starred opposite Denzel Washington and Jared Leto in The Little Things, playing a young detective in the tense crime thriller. Later that year, he took on the role of Bond villain Lyutsifer Safin in No Time to Die, Daniel Craig's final outing as 007. Malek's antagonist – a bioterrorist fuelled by revenge – was enigmatic and chilling, adding gravitas to the blockbuster. Oppenheimer, The Amateur and the future In Christopher Nolan's Oppenheimer (2023), Malek made a strong impression despite limited screen time. He portrayed a key figure in a pivotal moment of the film – a testament to his ability to command attention with restraint. This year, he starred in The Amateur alongside Jon Bernthal and Laurence Fishburne, playing a CIA cryptographer. The role echoed elements of Mr Robot, returning Malek to the cinematic world of shadowy expertise and global consequence. Speaking to The National ahead of the film's release, Malek said his passion was simply 'to be a working actor', crediting character actors such as Gene Hackman as inspirations. 'I always loved the character actor – that guy that just kind of appears in things,' he said. 'I remember watching Gene Hackman when I was young. He just kept popping up, until one day I realised 'that's Gene Hackman' – may God rest his soul.' Despite his achievements, Malek remains modest about his success, saying: 'It's just not about me. I think it's about everybody else. I appreciate those grand moments – the respect you gain from your peers, from the world and from the audience. But I just want to give. And because of that, I've wanted to see what I could do in this business beyond acting for quite some time.' Malek is next set to appear in Nuremberg, a historical drama directed by James Vanderbilt and based on the book The Nazi and the Psychiatrist by Jack El-Hai. The film, also starring Russell Crowe, Michael Shannon, Richard E Grant and Colin Hanks, is due for release later this year.


Broadcast Pro
12 hours ago
- Broadcast Pro
Creative Media Authority and FilmGate partner to boost local production
FilmGate will produce a minimum of 15 productions in Abu Dhabi over the next five years. The Creative Media Authority (CMA) of Abu Dhabi has announced a new partnership with FilmGate, one of the UAE's independent Emirati-owned production houses, aimed at strengthening the emirate's production sector and nurturing local talent. Under the agreement, FilmGate will produce at least 15 projects in Abu Dhabi over the next five years, with half of all production talent drawn from within the CMA's ecosystem. This initiative is expected to create significant employment opportunities for freelancers and professionals registered with the Authority. The collaboration will also bring important learning and development benefits, including annual workshops led by FilmGate on specialised production topics and four six-month paid internships each year for young Emirati creatives, with the goal of paving the way for permanent employment and building a sustainable talent pipeline. Speaking about the collaboration, Mohamed Dobay, Acting Director General of the Creative Media Authority, said: 'Establishing partnerships with local and regional production leaders is a key element of our industry development strategy to make Abu Dhabi a global content hub. Alongside attracting the major Hollywood and Bollywood productions, it is critical that we support and increase the Arab content produced in Abu Dhabi to ensure we are building an ecosystem where Emirati and wider Arab narratives can thrive. 'The partnerships we are curating are designed to deliver unrivalled opportunities throughout the ecosystem, from employment for our 1000 plus registered freelancers to intern opportunities for our young creatives; these partnerships support on all levels.' FilmGate, founded by Emirati filmmaker Mansoor Al Yahbouni Al Dhaheri, will also benefit from the recently enhanced rebate programme by the Abu Dhabi Film Commission, which now offers qualifying productions cashback incentives ranging from 35% to 50% of production and post-production expenditures, depending on specific criteria. Mansoor Al yahbouni al Dhaheri, Chief Executive Officer and Founder of FilmGate, added: 'It is a significant year for Abu Dhabi with the new rebate for production starting January 1 and a partnership of this nature with Creative Media Authority will allow us to maximise all that Abu Dhabi offers in terms of filming locations, creative infrastructure, talent and financial support to produce more content than ever before.' An accomplished producer, director, writer and philanthropist, Al Dhaheri has built an extensive portfolio of acclaimed work showcased at festivals such as the Abu Dhabi Film Festival, Dubai International Film Festival, and Gulf Film Festival. His award-winning and nominated projects include Al Biet Metwahid (Unified Home), ( Little Sparta and Swim 62, along with more recent titles like ABU DHABI success story, Dreams Drawn by Dust, House of Life, Scattered Barriers and The Misfits. As CEO of FilmGate, Al Dhaheri leads a multidisciplinary team dedicated to producing compelling content from Abu Dhabi. This partnership is part of CMA's broader efforts to stimulate growth across Abu Dhabi's creative industries, positioning the production sector as a cornerstone of the emirate's ambitions to become a leading center for content creation.


Khaleej Times
12 hours ago
- Khaleej Times
'Superman' director James Gunn remakes the hero for the big screen
James Gunn, writer and director of the off-kilter Guardians of the Galaxy films, tussled with various ideas on how to deliver a new take on Superman to the big screen. Gunn said he was aware of the many ways the noble hero had been approached since his 1938 debut, initially in comic books and then radio serials, television shows and movies. The challenge was to deliver something fresh that would appeal to a new generation of moviegoers and reinvigorate Warner Bros Discovery's DC Studios. His vision, in the movie titled simply Superman, starts rolling out in international theaters on July 9 and in the United States and Canada on July 11. In the opening scene, Superman, played for the first time by David Corenswet, is seen bloodied after a fight, an unusual portrayal for the Man of Steel. "I wanted to take the character of Superman and just focus on a piece of him that we haven't necessarily seen before," Gunn said. Gunn surrounded Superman with elements that enthralled him from the comics as a child. Superman lives in a world, Gunn said, with "superhero friends and giant monsters and flying dogs, robots and all this magical stuff." The new film includes Superman 's four-legged sidekick, a superpowered dog named Krypto first introduced in a 1955 comic. The latest version is based on Gunn's real-life, misbehaving rescue mutt. Warner Bros is counting on Superman to start a new era at DC Studios, which has failed to match the superhero success of Walt Disney-owned Marvel. Gunn, who made the Guardians movies for Marvel, was named co-CEO of DC Studios, alongside producer Peter Safran, in 2022. The pair have plotted a long-term slate that features a Supergirl movie for June 2026, a film based on Swamp Thing and TV shows for HBO Max. Wonder Woman and Batman also are expected to return to cinemas. Gunn said the aesthetic that audiences see in Superman will not necessarily foreshadow future DC Studios endeavors. "I want to be really certain that every project has its own unique flavor," Gunn said. "We're doing Clayface, and that doesn't feel like this movie. It's an R-rated horror movie. We're doing Lanterns, which is an HBO show, which feels very much like an HBO show, very grounded, very kind of brutal. We have Peacemaker, which is an adult show with a lot of emotion and a lot of comedy." Gunn admitted he has felt the weight of responsibility to produce a hit. "I've felt pressure all along," Gunn said. "That's been difficult." But as he started to see initial reaction to the film, "I'm feeling pretty good," he said. "It's pretty fun. I'm seeing the effect the movie has on people."