This HP Laptop with Windows 11 and Office 365 Is Only $179, Lowest Price Ever for an HP Laptop
If you're looking for a reliable computer without spending $1,000 or $2,000, HP is always a solid choice thanks to its wide range of dependable products. Right now, though, Amazon is offering a deal that's hard to ignore: there's an HP 14-inch laptop which is at an all-time low price, likely the lowest ever for an HP laptop of this kind.
For just $179, a discount from the regular price of $230, you get a compact, lightweight laptop with Windows 11 Home preinstalled and one year of Microsoft 365. This price that's perfect for students and infrequent users looking for an efficient device for everyday tasks.
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The snowflake white finish gives it a clean, modern look, and the 14-inch micro-edge HD display provides a large screen without taking up too much bezel. With the 79% screen-to-body ratio and 6.5 mm micro-edge bezel, you get more screen real estate in a smaller footprint which is ideal for watching videos and browsing the web. The HD screen (1366 x 768) is sufficiently sharp for day-to-day activities and the onboard Intel UHD Graphics 600 even makes it possible to play 4K content smoothly.
This laptop comes with an Intel Celeron N4020 dual-core processor: It is designed for performance and reliability and provides adequate performance for web surfing, email, word processing and streaming of videos. It's not a gaming monster so don't expect to run resource-intensive games and graphics-hungry creative software but for office tasks and general web surfing, it gets along fine without complaint. The 4 GB of RAM is enough to keep things humming along.
Storage is handled by a 64 GB embedded multimedia card which is flash-based to support quick boot time and quick access to your content. While 64 GB isn't massive, it's sufficient for the essentials apps and files. With Windows 11 Home, you get the new Microsoft features and security updates, and the laptop is ready to be used out of the box. What really provides more value, though, is a year's subscription to Microsoft 365 included with your purchase. This gives you Word, Excel, PowerPoint, and more productivity applications, and it is easy to start getting started staying organized and productive right from day one.
If you're looking for a budget-friendly laptop that covers the essentials, this is a fantastic (early) Prime Day deal.
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I think I'm in love — I just tested the Nikon Z5II and now there's no going back for me
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While slightly pricier than the EOS R8, though, the Z5II blows that camera out of the water with a roster of professional features you won't find on the Canon. There's IBIS, dual card slots and more remappable Fn buttons — better fitting the Z5II to the requirements of paid photography work. In fact, the Z5II's features pit it more against semi-pro bodies, like the Canon EOS R6 Mark II ($2,499) and Sony A7 IV ($2,499), both of which the Nikon undercuts (heavily) on price. If you're a budding pro, looking for your first full frame camera for commissions, the Z5II is a proper steal. The Nikon Z5II looks exactly like the Z5, and indeed virtually every other Nikon mirrorless camera, save the retro Nikon Z f ($2,000) and Nikon Z fc ($959). It isn't particularly exciting to look at. That said, its functional looks are matched by its handling, as I'll cover shortly. At 5.3 x 4 x 2.9 inches and 1.5lbs, the Z5II is no featherweight, although it certainly isn't cumbersome or heavy. 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Most importantly, it features dual SD slots, so you can write backup files to a second card — an absolute necessity if you want to start taking paid commissions. The EOS R8 features only a single card slot, marking it distinctly as an amateur/enthusiast camera, and no more. Along the left hand size of the Z5II, you'll find a micro-HDMI, USB-C, mic and headphone ports, with a hot shoe on the EVF housing for flash hookup. Nikon promises 68% faster autofocusing speeds from the Z5II versus the original Z5, and focusing down to EV-10, both thanks to the latest XPEED 7 processor. I wasn't able to achieve reliable focus at EV-10 (a frankly crazy number — I'm not sure how you'd have enough contrast in a scene that dark for the AF to work), but I was impressed with how well the camera was able to focus in low light, around the EV-3 to EV-5 region (itself impressive). 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You can see in the photo of the dog above, shot at f/5.6 using eye detection, that the eye is slightly softer than the surrounding fur. Moving targets were a whole different story. Using continuous AF and in high speed drive, I tried to photograph fast-moving dogs and birds. The Z5II was out of its depth, not fast enough to keep up with eyes or even bodies, often focusing behind the subject. I was able to get some reasonably sharp shots, as with the photo of the bird in the high speed drive section later on, but the hit rate was very low. The Z5II allows you to view focal points in playback mode. You can see in the screenshots above precisely where the camera was focusing throughout a series of images, and it's way off, focusing on the dog's back rather than its face, let alone its eye. The dog in those photos wasn't even moving fast. It's not a particularly impressive performance compared to the Canon and Sony AF systems, but then again, this is a $1,700 camera. I think the AF performance befits that price. If you'd like ultra-snappy AF at this price, I'd recommend an APS-C camera like the Canon EOS R7. The Nikon Z5II features 7.5-stop in-body image stabilization (IBIS). It's fairly effective, keeping handheld video relatively stable and allowing handheld stills shooting down to shutter speeds of around 1/5 sec before blur from camera shake affects the image. You can see an example of handheld panning in the video clip above. The gallery below shows images shot handheld at increasingly slow shutter speeds. The legends on the face of the scale stay sharp down to 1/10sec, but by 1/5sec the image is blurred from camera shake. This wasn't a show-stopping performance, by any means, but if you want better stabilization, you'll have to spend more on a full frame camera, or look at an APS-C camera like the Fujifilm X-T5 ($1,699) or Fujifilm X-S20 ($1,299), which can stabilize handheld shots down to 1 second. The Nikon Z5II's 24.5MP full frame sensor produces stunning images. 24.5MP is a relatively modest resolution these days, and lower than the 33MP of the Sony A7 IV — it won't give you as much headroom for cropping or large format printing than the Sony or other hi-res cameras. As you can see in the images above, the first of which is a crop into the second, there is a decent amount of detail on display. You can make out the intricacies of the flowers, including stigmas and petal ridges, and even a fine strand of what looks to be hair (probably dog fur!). These photos also demonstrate that you can get away with moderate crops without sacrificing too much resolution, although I wouldn't want to be cropping much further, as you can on a higher res cameras like the 61MP Sony A7R V ($3,900) or 100MP Fujifilm GFX100S II ($4,999). The Z5II features a wide array of color profiles, from the typical profiles you'd expect to see on a modern mirrorless, through to playful creative styles. The latter are nice to have, I guess, but a little garish — there isn't quite the refinement of Fujifilm's simulation profiles. Where the Nikon shines, though, is in the quality of the standard profiles, which is what most enthusiast/semi-pro photographers will be sticking to anyway. My favorite is the Vivid profile, which adds lots of saturation and vibrancy without feeling unnatural. The image below was shot in Vivid. There are also a range of monochrome profiles, and I'm a particular fan of the Deep Mono, with its sleek, modern look but bucketloads of contrast — high praise from a man who usually shoots everything in Fujifilm's Acros. Obviously, serious photographers will be shooting in RAW, where the Z5II can capture in 14-bit color, for over 4 trillion individual hues, giving high color accuracy and plenty of grading flexibility in post. The Z5II's high speed burst shooting is impressive, primarily thanks to the speed of the XPEED 7 processor. In high speed extended mode, the Z5II can shoot at 14fps, or 15fps with silent shutter on. Mileage will vary depending on the cards you're using, but using two Lexar Professional 1667x V60 UHS-II SDXC cards (RAW to slot 1; Fine JPEG to slot 2), I shot 136 frames at 14fps. Instead of grinding to a halt thereafter, the Z5II kept shooting at low continuous drive rates (3fps) virtually indefinitely, for hundreds of frames. Of course, continuous drive doesn't matter that much if your AF can't reliably keep up with fast-paced subjects, as I discovered in the autofocus section above. The Nikon Z5II's performance at high sensitivities is phenomenal. I was anticipating a good show regardless, as modest-megapixel full frame sensors usually do well here, thanks to their larger light receptors, which generate less digital noise. But still, even by modest megapixel full frame standards, the Nikon Z5II is impressive. Above you can see a set of images at ISO6400, 12,800, 25,600 and 51,200. These are exports of the RAW files, with no noise processing applied in post production. Even at ISO51,200, while there is noticeable noise and loss of definition in the subject, it's still a usable image. Above you can see the straight out of camera (SOOC) JPEG files, with the camera's standard level of noise reduction applied. Again, it's an astoundingly clean display. The smoothing of noise suppression becomes noticeable at ISO25,600, but even by ISO51,200, does not seriously impact the overall image. The Z5II also demonstrates strong performance in wide dynamic ranges. The first image below is shot at ISO100 and deliberately backlit. The second is the same file with shadows and exposure boosted and highlights reduced in post. Plenty of shadow detail has been retained and is visible in the second image. The shadows are very clean and free of noise. I placed several fake ice cubes in the softbox netting: these weren't totally blown out and the detail has been retained and was retrievable with reduced highlights. This is an extreme test, but demonstrates a very wide dynamic range. The Nikon Z5II can shoot video in up to 4K/60p which, combined with IBIS, make it a viable tool for hybrid shooters and content creation. It'll even shoot internal 12-bit N-RAW at 4032 x 2268 (which is +4K resolution, but not the standard 4K UHD aspect ratio of 3840 x 2160) and up to 30p. N-RAW can be shot in either SDR or N-Log for increased dynamic range capture. Also available internally is 10-bit or 8-bit H.265 .MOV recording in up to 4K/60p, with a choice of SDR, HLG for (almost) out of camera HDR footage, or N-Log for high dynamic range capture if grading in post. All of this is impressive in such an affordable camera, although if video is going to be one of your primary use cases, I'd recommend a more video-focused body such as the full frame Panasonic Lumix S5IIX (MSRP $2,199, but available much cheaper) or the micro-four-thirds Panasonic Lumix GH7 ($2,199) — these offer a plethora of shooting formats and data capture rates, and will both offer much more flexibility and control over video capture. Using energy saver mode and only the rear display, Nikon rates the Z5II's EN‑EL15c battery pack for 390 shots, dropping to 330 shots if using the viewfinder only. I was able to push the camera towards the 400 shot mark with general usage, including playback and using the menus. This battery life is on par with the 370-shot EOS R8, but isn't great, and you'll want to pack a spare battery if shooting all day. For the best battery life in this full frame price segment, the older Sony A7 III, is rated for over 600 shots, although that is an ageing camera now (Sony keeps its older bodies on sale). I can overlook the Z5II's minor foibles, of which there are only really two. Battery life is nothing to write home about, and despite its respectable 15fps shooting rate, the subject detection AF simply can't keep up. The thing is, the Z5II is a $1,700 full frame body, and in that context, this is a hell of a lot of camera for the money. AF performance is still respectable, and this isn't supposed to be a high speed sports/wildlife camera anyway. Anyway, the battery life isn't miles off the competition. The Z5II's imaging performance is brilliant. It produces beautiful stills, with excellent low light performance thanks to the modest resolution full frame sensor. And there's plenty of video potential on tap, too, for hybrid shooters. There are also some super handy pro features, including dual card slots and IBIS, and the camera handles like a professional body should. If you're an enthusiast or semi-pro looking to take your photography to the next level, I'm not sure you can do better than the Z5II without dumping a serious amount of cash.
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