
#SHOWBIZ: Sun bear Itam's story of survival and hope
Meet Itam, the sun bear whose journey from trauma to freedom proves that the "bear" necessities of life include more than just forgetting about your worries and strife.
The 90-minute film is a collaboration that would make even Baloo proud.
Brainchild Pictures and Asia Pacific University of Technology and Innovation (APU), with support from the Tourism, Arts and Culture Ministry (Motac), have created Malaysia's first big-screen wildlife documentary, 'Itam: A Sun Bear Story'.
The documentary highlights the endangered sun bear and its disappearing habitat.
Unveiled at APU's Bukit Jalil campus on May 7, the launch was officiated by Motac's Deputy Tourism Minister Khairul Firdaus, who also announced sun bears as the official mascot for Visit Malaysia Year 2026.
"This initiative represents a milestone for Malaysia's creative arts, conservation, and ecotourism," he said. "Through Itam's story, we witness a moving journey of survival, hope and shared responsibility."
ZERO-CARBON FILMMAKING
Filmmaker Raymond Tan, who hails from Penang and has been active in the film industry for over a decade, worked alongside Hollywood cinematographer David Stump (known for his work on 'X-Men' and 'Deep Blue Sea' among others) for the documentary.
With two feature films under his belt ('Wayang Boy' and 'The Wayang Kids'), Tan was inspired by Dr Wong Siew Te's conservation story.
The team was also making deliberate choices to minimise their carbon footprint.
"This is not common in Malaysia because we try to promote zero-carbon filmmaking," said Tan.
The team flew to Sandakan only twice, once for reconnaissance and once for filming.
Even catering followed green guidelines: "When we have our lunches and all that, we try not to use disposable utensils. So everything is recyclable."
THE CUB WHO COULDN'T 'BEAR' HUMANS
Rescued in 2020 after poachers killed her mother, Itam's fear of humans became her ticket to freedom.
"She is not habituated to anybody. We couldn't bond with her, and that's why she became a good candidate for our release programme," said wildlife biologist Wong, founder of the Bornean Sun Bear Conservation Centre.
Although filming itself took less than a month, preparations spanned years with scripts constantly revised to follow the unpredictable animal behaviour.
"You can't direct wildlife like actors," said Tan.
"This was my first documentary, and I was learning every day."
He added that local wildlife fixers, or "bear whisperers", helped the team capture footage without disrupting the animals' routines.
The cameras captured one of the emotional moments — Itam's release into the wild in March this year.
Now tracked via collar, she's thriving in her natural habitat, a success story in a world where fewer than 600 sun bears remain in Malaysia's forests.
STUDENTSʼ INVOLVEMENT
What many viewers might not realise is that this journey also involved students from APU's School of Media, Arts and Design (SoMAD).
Abilash Kanagaratnam, Chai Jia Rong and Kotaro Yamasaki joined the film crew in Sabah, contributing creative proposals, including graphic designs, motion graphics, visual effects and awareness campaigns.
The students had to put up with unpredictable tropical downpours, humidity, and the stubborn reality that the bears operated on their own schedule, not the production team's.
"We learnt that nature doesn't follow our script," Chia said.
"Sometimes the bears wouldn't come out for hours. Still, the experience was unforgettable.
"To be able to observe the sun bear's behaviour was great and a once-in-a-lifetime experience for us," Abilash reflected, his eyes lighting up.
Debbie Liew, head of SoMAD in APU, links the project to Sustainable Development Goals 15: Life on Land (one of the 17 Sustainable Development Goals established by the United Nations in 2015).
"It's not just because they are fluffy and cute. They contribute to a much broader goal of preserving biodiversity.
"They help maintain tropical forests by dispersing seeds with their foraging skills," said Liew.
BEARING WITNESS TO RECOVERY
Sun bears face extinction due to habitat loss, poaching and the exotic pet trade.
Tan hopes the story of Itam raises awareness and appreciation for this overlooked species.
"You need to see this on the big screen," he urged, describing how filming Itam's release was one of the production's most emotionally charged moments.
For Tan, Itam marks a major shift and a personal revelation.
"Sun bears are a keystone species," he said.
"They're forest architects and doctors. They dig, climb, eat termites and keep the rainforest ecosystem in check. Yet few Malaysians even know they exist."
Determined to change that, Tan made it his mission to give sun bears the spotlight.
"We've had documentaries on tigers and orangutans, but almost nothing on sun bears. So I decided to be the first," he said.
'Itam: A Sun Bear Story' is set for release in late 2025 in Bahasa Malaysia, Mandarin and English.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Borneo Post
a day ago
- Borneo Post
Borneo Idol Dance Arts Competition showcases talent, cultural exchange
Officials and participants of the 2025 Borneo Idol Dance Arts Competition gather for a group photo. KUCHING (July 15): The Oriental Dance Arts Association of Kuching (ODAAK) successfully organised the 2025 Borneo Idol Dance Arts Competition on July 12 at the Kuching South City Council (MBKS) Auditorium, thanks to a grant from the Sarawak Ministry of Tourism, Creative Industry and Performing Arts. According to ODAAK president Jasmine Tan, the event featured a total of 57 competition categories and attracted 86 participants. 'We are honoured to receive this grant, which marks another milestone in our efforts to promote performing arts,' she said in a statement issued by the ministry today. 'It reflects our team's dedication to promoting dance culture and developing the dance arts industry in Sarawak and across Malaysia.' This year's competition was jointly organised by ODAAK, Just Dance Studio Bintulu, and The S Belly Dance Troupe, in collaboration with IntellArt Tuition & Talents Centre Kota Kinabalu, marking the second edition of their collaborative effort. The top three contestants from each category in Kuching and Kota Kinabalu will advance to the grand finale, scheduled to be held in Bintulu on Sept 12. To raise the competitive bar, ODAAK invited a panel of judges from across Malaysia, including representatives from Selangor, Kuala Lumpur, Pahang, Kedah, Sarawak, and Sabah. In addition to strong local participation, the event also drew international dancers from Nanning and Zhejiang, China, further elevating the competition's international profile. 'The competition spanned various age groups, with categories like junior solo, teenage solo, adult solo, and troupe performances. The dance genres ranged from Oriental dance and Chinese-style to Bollywood, K-Pop, and choreographed dance,' read the statement. Tan expressed gratitude for the ministry's support, noting that the grant reflects confidence in the association's long-term vision and event-planning efforts. ODAAK, a non-profit organisation registered since 2012, has long been dedicated to cultivating appreciation for dance among youth while striving to elevate dance as a recognised art form both locally and internationally. For more information, visit its official Facebook page at


Borneo Post
4 days ago
- Borneo Post
Sarawak makes history with inaugural Borneo International Band Festival, eyes bigger return in 2026
SMK St Teresa band in a group photo with Susan (back row, second left), Dr Sim (back row, fourth left), and Tan (back row, sixth left) after winning the champion title in the concert band category. – Photo by Henrietta Liza KUCHING (July 12): The inaugural Borneo International Band Festival (BIBF) 2025 made a rousing debut today with vibrant performances by student musicians from across Borneo, marking a milestone in Sarawak's cultural and music landscape. Held over two days starting today, the festival features 19 school bands from Kuching, Sibu, Miri, and Tawau competing in three categories – ensemble, concert band, and marching band. Sarawak Deputy Premier Datuk Amar Dr Sim Kui Hian, who officiated the opening and prize-giving ceremonies, hailed the event as a historic first for Sarawak and the region. 'Today, we are not just here for music or for the festival, we are here because we are making history. 'No matter what, you will always be remembered as part of the very first Borneo International Band Festival,' he said when officiating the festival at Swinburne University of Technology Sarawak Campus' multipurpose hall here today. Dr Sim urged participants, parents, and supporters to take pride in their involvement, stressing that BIBF goes beyond competition – it reflects the values needed to build a stronger society. 'We are building up Sarawak, not just through competitions or musical exchange, but through the values of discipline, unity and teamwork that music fosters. 'For all the young musicians, I wish you the very best because you are a beacon of hope, a beacon of discipline, a beacon of teamwork,' he said. Malaysia Concert and Marching Band Association (MCMBA) president Wilson Tan also commended the performers, noting the festival's role in fostering community and cultural bonds. 'Over the last couple of hours, we have not only witnessed musical excellence, but the power of community and culture. 'From the thrilling sounds of the concert bands and the electrifying energy of the marching bands, each performance was a testament to the dedication, discipline and passion that defines our band community,' he said. Tan said BIBF serves as a platform to nurture talent, forge friendships, and connect generations through music. 'Let us carry the spirit of this festival back to our schools, our communities and also to continue to build our nation,' he said. Citing overwhelming interest, Tan also announced the return of the festival next year. 'We've already received inquiries from bands in Thailand, Singapore, Taiwan and even Ireland. 'We look forward to welcoming everyone back for BIBF 2026, which will be held from July 10 to 13, right here in Kuching,' he said. Also present was Political Secretary to the Sarawak Premier, Susan Clement Ingun. Borneo International Band Festival Dr Sim Kui Hian Kuching music Swinburne


The Star
5 days ago
- The Star
Legacy of a real straight Shooter
Jim Shooter, a hard-driving giant of a comic-book editor who took the helm at Marvel at the tender age of 27, then spent nearly a decade revolutionising the way superhero stories are written, drawn and sold, died June 30 at his home in Nyack, New York. He was 73. His son, Ben, confirmed the death but did not specify a cause. Shooter was diagnosed with esophageal cancer last year. Powerfully built, with a looming 2m frame, Shooter dominated the comic-book world for much of the 1980s, reinvigorating an art form that had been in decline by finding new markets and new readers. Although he was not yet 30 when he took over at Marvel in 1978, he was already an industry veteran. He sold his first comic story, to DC, Marvel's rival, when he was just 14, and he worked for both companies while still a teenager. Saving the industry As editor-in-chief at Marvel, he rationalised what had been a chaotic operation, instituting a coherent editing process and driving his staff to meet deadlines. He pushed into the growing comic-store market, targeting dedicated fans over the casual reader. And he drove the company further into licensing opportunities, signing the sort of deals for toy and film adaptations that went on to make comics an enduring keystone of American popular culture. 'I honestly think he saved the comics industry,' Harry Broertjes, a journalist who once worked with Shooter, said in an interview. Shooter could be imperious, but he could also be generous, and he welcomed new talent to the Marvel fold. Shooter in 1993 in his office at Defiant Comics, one of the companies he founded after leaving Marvel. Photo: The New York Times/Jay Jay Jackson Emerging voices such as Frank Miller and Walter Simonson flourished under his watch, bringing a new, more sophisticated sensibility to the genre. He increased pay rates for writers and artists and gave them more control over their creative output. Marvel prospered in the 1980s. Not only did its sales and profits soar, but it also experienced a long run of landmark releases, among them Simonson's work on Thor; Miller's work with Klaus Janson on Daredevil; and Chris Claremont and John Byrne's on X-Men. Divisive character At the same time, Shooter brought a traditional vision to comic-book writing, insisting on simple, straightforward narratives. Among his many aphorisms was 'Every comic book could be a reader's first comic book,' and he made his writers find a way to introduce their main characters in each issue. His changes were divisive, especially among those who had enjoyed free rein under previous editors, above all Stan Lee, who put Marvel on the map with a new line of superhero titles in the 1960s. Several Marvel veterans left for DC. 'Some people swear by him, and other people swear at him,' Bill Sienkiewicz, an artist at Marvel during Shooter's tenure, said in an interview. In 1986, New World Entertainment bought Marvel's parent company, Marvel Entertainment Group, and a year later, the new owners fired Shooter. The feelings about his time at Marvel were so passionate that even years later, his critics spoke of him in brutal terms. 'From a creative standpoint, Jim Shooter's Marvel was, by and large, a wasteland of formulaic self-imitation and blatant profit-seeking,' Jordan Raphael and Tom Spurgeon wrote in their book Stan Lee And The Rise And Fall Of The American Comic Book (2003). But Shooter was equally beloved by many artists and fans, who saw the Shooter era at Marvel as the foundation for the efflorescence of comic-book storytelling in the decades that followed. 'Every bad thing you've heard about Jim Shooter has a bit of truth to it,' Danny Fingeroth, another Marvel writer under Shooter, said in an interview. 'But so does every good thing you've heard.' Love for Marvel James Charles Shooter was born Sept 27, 1951, in Pittsburgh. His father, Ken, was a steelworker, and his mother, Eleanor, managed the home. Jim's mother used children's comics to teach him to read, but he hadn't perused a comic book in years when, in 1963, he found himself in the hospital for minor surgery with a stack of Marvel and DC books to read. He loved what he saw in Marvel, but he found DC boring. As a challenge, he pulled out the narrative and artistic elements that he admired in Marvel and applied them to stories he wrote using DC characters. On a whim, he sent them to DC headquarters in New York. The editors liked them so much that they not only published them (with new art) but hired him to write for the company's Legion of Superheroes line. It was good timing: Union strikes and jobsite injuries had left his father unable to work, and his family needed the money. While still in high school, he wrote for DC's Superman and Supergirl titles, created several new members of the Legion of Superheroes, and in 1967, with artist Curt Swan, created a story pitting Superman and the Flash in a race — a hugely popular issue. After leaving Marvel, Shooter co-founded Valiant Comics, and wrote Harbinger, among other titles. Photo: Valiant Comics After being accepted at New York University and offered a job at Marvel, he moved to New York in 1969. He passed on school to take the job, but he quit after a few weeks because the pay was so low. He returned to Pittsburgh, got a job in advertising and, for several years, completely dropped out of the comic-book world. About five years later, a group of fans tracked him down and encouraged him to return to New York. Offered jobs at both DC and Marvel, he briefly worked for DC before choosing Marvel in 1976. Two years later, he was in charge. Shooter's marriage to Michele Minor ended in divorce. A complete list of survivors in addition to his son was not immediately available. Post-Marvel career After leaving Marvel, Shooter started a number of independent comic-book companies, including Valiant, Defiant and Broadway. Valiant met with some success, but all the companies eventually closed shop (though Valiant later reopened under new owners). He ended his career as creative editor for Illustrated Media, a company that creates customised comics. He also became a fixture on the comic convention circuit, where he would give lectures about storytelling. He had a simple message, built around the nursery rhyme Little Miss Muffet. In an economical 27 words and two sentences, he said, you have everything: a character, an action, a climax and a resolution. 'If you can remember Little Miss Muffet,' he wrote in an essay on his website, 'you can remember everything you need to know about the basic unit of entertainment, which is a story.' – ©2025 The New York Times Company