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Brooklyn Beckham and Nicola Peltz breaks silence since family feud exploded

Brooklyn Beckham and Nicola Peltz breaks silence since family feud exploded

Daily Mirror02-06-2025
Brooklyn Beckham snubbed parents David and Victoria Beckham in a cryptic new interview and said he knew he wanted to marry wife Nicola Peltz in the early days of their relationship.
As the rumoured feud within the Beckham clan continues to rumble on, eldest son Brooklyn has been dodged discussing the supposed family issues and instead put the focus on falling in love. He says she knew she was "the one" within three months and always wanted her to become his bride.
Speculation of tension between Victoria and David and their son and his wife was initially sparked by an incident over a wedding dress and, three years on, LA-based Brooklyn and Nicola have now reportedly cut contact altogether. He is refusing to address the speculation and didn't mention his parents in his latest magazine chat.
Brooklyn instead told Glamour Magazine's Germany edition all about his home life and detailed his proposal plans. Saying he was "immediately captivated" by her after meeting at music festival Coachella as Nicola told the publication they were both in relationships when they first spoke.
Tellingly, Brooklyn went on to say: "There will always be people who talk. The important thing is that we're happy together." Nicola also said in the interview: "My parents taught me: Always tell the truth, we'll help you." The couple didn't reference reacent headlines that suggest the families are not on speaking terms.
Discussing when they first met, billionaire heiress Nicola did say: "Our encounter was brief, but special. I had a boyfriend, Brooklyn a girlfriend, but I immediately felt his charm. He took a few photos of me and stayed in my heart long before we really knew each other."
Brooklyn said he knew she was special from that moment. "You have to marry your best friend, someone you feel at home with. For me, Nicola is exactly that," he said. A source claims to New magazine that Victoria is struggling with the situation because 26-year-old Brooklyn is 'always going to be her bab y'.
'He's her first-born and they've always had a wonderful relationship, she feels like Nicola has taken over and it's really tough to deal with as a mother,' they said. 'David is frustrated with Brooklyn's behaviour and is telling Victoria it's unacceptable, but she's just upset to feel like she's losing her first baby. She's very family-oriented so it's a worry that Brooklyn and Nicola will start their own family and Victoria won't have contact with her first grandchild – it's a devastating thought.'
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Photograph: Courtesy Eric Medsker  Bar Snack
Photograph: Courtesy Eric Medsker  Bar Snack

Time Out

time2 hours ago

  • Time Out

Photograph: Courtesy Eric Medsker Bar Snack

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Edinburgh book festival director hits back at critics
Edinburgh book festival director hits back at critics

The Herald Scotland

time4 hours ago

  • The Herald Scotland

Edinburgh book festival director hits back at critics

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(Image: Edinburgh International Book Festival) The festival director, who has been accused of shunning events tackling the ongoing debates on gender and women's rights in Scotland, stressed the importance of programming 'joyful' events which were 'a bit of respite from everything that is going on.' Ms Niven, who said the festival had been 'galvanised' by the level of support it had seen from writers and publishers, said advance ticket sales for this year's programme had been up on this time last year and were better than expected. Many of the largest-capacity talks, which will take place in the McEwan Hall, are completely sold out, including Ms Sturgeon's event. Ms Niven was appointed just over two years ago to take over from long-time festival director Nick Barley. The run-up to her first festival last summer was dominated by prolonged controversy over its headline sponsor Baillie Gifford and its links with the fossil fuels industry, with a number of Scottish authors backing a campaign threatening to disrupt and boycott the 2024 event. The festival eventually agreed to part company with the Edinburgh-based investment firm, to the dismay of other leading Scottish writers. Ms Niven has been criticised this year over a lack of feminist and gender critical writers in the line-up. Jenny Lindsay and Darren McGarvey are among the authors who have suggested they have been deliberately excluded from the festival, which has been running since 1983 and is Scotland's biggest celebration of literature. There has also been controversy over the decision to give Ms Sturgeon a platform at the festival, which recently appointed her former chief of staff, Liz Lloyd, to its board. The festival, which will feature more than 640 writers this month, recently secured a £300,000 lifeline from the Scottish Government to plug a budget created by the dropping of Baillie Gifford. The event's government funding has more than doubled over the last 12 months to a record £820,000. Speaking at the launch of [[Edinburgh]]'s summer festivals season last week, First Minister John Swinney stressed the importance of freedom of expression and pledged he would 'protect freedom of speech' while he was in office. Mr Swinney, who was speaking days after Jewish performers claimed that venues had cancelled their Fringe shows on safety grounds, praised the 'glorious diversity' of Scotland and said it was a country of 'robust debate and inquiry.' However a subsequent appearance by Mr Swinney at the Fringe was constantly interrupted by pro-Palestine campaigners. Ms Niven admitted that planning for the book festival was treading 'a very challenging line' on a number of issues. She told The Herald: 'It is a lively, noisy political environment on so many different topics at the moment. 'One of our core intentions is to make the festival relevant, part of people's conversations and part of people's lives. 'I think we are going to hit a few nerves here and there. It is not that surprising that there has been a lot of commentary about the festival. 'If you look at most of the issues that we are being picked up on, there are people are arguing on every side on every point. "With a festival of 700 unique events, we very rarely run anything more than once. We have an enormous variety, diversity and range of different topics being tackled. People are going to have strong opinions." Ms Niven, a former head of literature at the Scottish Government arts agency Creative Scotland, has previously worked on festivals and events in Melbourne and Beijing, was a founder and director of the Edinburgh poetry and spoken word festival Push The Boat Out, and led the programming of special events to mark the centenary of the birth of the Edinburgh-born author Muriel Spark. She said: 'I don't think I've ever run a festival programme where somebody has not complained that they should have been in there. 'We are pitched literary thousands of books every year. We cannot cover every single subject. We wouldn't intend to. We also miss things. 'With subjects that are particularly challenging or divisive, I think we need to make sure we're exploring them from the perspective of books that allow you to have a good, robust conversation that is not about the personal, but is about the bigger picture issue. We don't always have those books in front of us. 'This year we're doing a huge amount of stuff on geopolitics, we have a lot of challenging stuff around Israel-[[Palestine]] and we have a brilliant programme looking at politics in America. 'I don't think it's possible to tackle every topic with the care and diligence that it requires. 'I think we have to make sure the conversations that we do have help to move the conversation forward, bring something new to the table or frame the conversation in a way so that people are listening and learning. That is difficult to do. That doesn't mean we are going to shy away from difficult topics. 'They are really important, but they're not the full picture of what we do. We have so much amazing fiction, poetry, music and song in the programme. A lot of the book festival is about joy, imagination and offering a bit of respite from everything that is going on. 'It's really important to look at all the joyful, interesting and more frivolous stuff that we're doing, because that is more representative of the publishing industry and the arts at the moment.' Mr Sturgeon, who has made regularly appearances at the book festival in recent years, will be launching her eagerly-awaited memoir, Frankly, on August 14. Asked about the criticism of the former First Minister's appearance in the programme, Ms Niven said: 'In what world would the country's largest leading book festival not publish a memoir by the former First Minister Scotland. I would absolutely stand by programming Nicola Sturgeon. 'It is worth saying we are really pleased that Kirsty Wark is doing the interview. It will be quite a journalistic interview. I wouldn't expect her to shy away from difficult questions. I think it will be a robust discussion.' 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Edinburgh Fringe comedy reviews: Sam Nicoresti: Baby Doomer
Edinburgh Fringe comedy reviews: Sam Nicoresti: Baby Doomer

Scotsman

time4 hours ago

  • Scotsman

Edinburgh Fringe comedy reviews: Sam Nicoresti: Baby Doomer

Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... COMEDY Sam Nicoresti: Baby Doomer Pleasance Courtyard (Bunker Two) (Venue 33) until 24 August ★★★★☆ Sam Nicoresti's evolution as a stand up has been inextricably bound up with their journey as a trans person. And very specifically in this show with their quest to find the perfect two-piece skirt suit. A mortifying experience in the changing rooms of a high street clothing retailer – during a Pride march no less – could be seen as symbolic of the culture wars. And it unquestionably is at a superficial level. But Nicoresti focuses on the very personal fallout of the tale: the humiliation and novelty of the scenario, those fundamental bedrocks of good anecdotal humour. Sam Nicoresti in Baby Doomer | Contributed Blessed with an interrogative intelligence and self-lacerating streak, they're living at the vanguard of social upheaval, just scrambling to be themselves with audiences the beneficiaries. No shrinking violet exactly, fond of tossing out a challenging aphorism such as 'all kink is autistic' or observations like the trans community being inherently drawn to magic, then winning you round to their point of view, Nicoresti nevertheless radiates fragility and insecurity. Any big laughs they elicit, and there are many, feel like bigger affirmations of self. Advertisement Hide Ad Advertisement Hide Ad There's trauma, certainly, though Nicoresti is bleakly, hilariously forced to confront the reality that their flavour of PTSD may not be quite of the same strength or vintage as those of others. Related in characteristic asides, their parental support network is ambivalent at best. And the episode of their sperm donation is an eye-opening account of what some people have to go through in order to sustain the possibility of a family. With a lovely, precise turn of phrase and an extreme insider-outsider perspective in such ultra cisnormative environments as the gym, Nicoresti remains a highly distinctive act who doesn't seem to have peaked quite yet, with a long way to seemingly go in every respect. JAY RICHARDSON COMEDY Caroline McEvoy: Train Man Assembly Roxy (Venue 139) until 25 August ★★★☆☆ Caroline McEvoy's impressive Fringe debut draws its title from the YouTube channel and abiding obsession of her younger brother, one of the most important shapers of her identity. Jonathan is profoundly autistic. And her family's adaptation to his needs has massively impacted the London-based Northern Irish stand up's upbringing and present circumstances, while likely dictating her future. As the big sister charged with additional responsibilities, McEvoy nurtures some lingering resentments. But she's simply outgunned in the war of sibling rivalry thrust upon her, with the more consequential conflict of sectarian Ireland a backdrop that she archly and tonally astutely weaves into their story. Disney films are another recurring metaphor that she leans on, contrasting their optimistic sentiments with her own, somewhat more jaded perspective. She doesn't lay all of her issues at her brother's door though, with her teenage sexual awakening a confusion entirely of her own experimentation, though girls-only education unquestionably played a part. Keeping it light and entertaining for the most part, the self-mocking McEvoy is alive to her own foibles. But she fully conveys the magnitude of Jonathan's challenges, not just in his endearing, atypical quirks but also the ways in which society fails their family. JAY RICHARDSON COMEDY Sam Williams: Touch Me Not Pleasance Courtyard (Venue 33) until 25 August ★★★☆☆ Advertisement Hide Ad Advertisement Hide Ad Such is the idiosyncrasy of Sam Williams' first full-length Fringe show, that the stand up's claims of scratching a living eating cat food for marketing purposes and to be dating an Olympic champion, facilitated in an online netherworld that maybe has some overlap with the real, physical realm, aren't the most remarkable aspects of his debut. If all had gone to plan, the garrulous comic would be in a French monastery right now he maintains, having undertaken a vow of silence. Truly, God moves in mysterious ways. Because as a proudly sex-positive and articulate bisexual, Williams seems an unlikely adherent to the Christian faith. With two queer brothers, and parents who run the gamut from evidence-based rational thinking to hallucinogen-induced mysticism, Williams is that most scallywag of rogues, the charismatically Byronic storyteller with an exposed belly of vulnerability and overarching need to belong. As a lost soul, evoking the parable of The Prodigal Son through the clumsily cringe retelling of Rob Lacey's Street Bible, the text rendered in grasping yoof speak, this is a real curate's egg of an hour. Williams seems open, intelligent and painfully self-conscious. But his naked admission of embellishing his story somewhat undermines the spiritual epiphany, not least as he can't help getting a little too serious in his conclusion. JAY RICHARDSON Make sure you keep up to date with Arts and Culture news from across Scotland by signing up to our free newsletter here. COMEDY Fisherman Jon: What's on the End of My Rod? A Clown Odyssey Underbelly, Bristo Square (Venue 302) until 25 August ★★★☆☆ Advertisement Hide Ad Advertisement Hide Ad A fishy tale to be sure, Coral Bevan's drag clown show has a mythic quality that belies its modest staging. Alone on his boat, endlessly polishing his rod to a gleaming shine, grizzled old sea dog Jon chatters away to himself and casts into the ocean, taking a more than famished interest in what he might catch. To the calming lapping of the waves, What's on the End of My Rod? opens as a gently beguiling character comedy hour, as the wild-eyed, mostly toothless mariner baits and swims amongst the crowd. After reeling in a beauty however, the show takes a starboard lurch for the surreal and becomes epically Homerian, with the storm-tossed angler doggedly clinging to survival, a dream of love and resisting sirens' call. With the grotesquely made-up, utterly unrecognisable Bevan portraying both Jon and his screeching nemesis, the slippery characterisation plays with gender and even species specificity. You wouldn't call it particularly challenging or radical, beyond having a woman artfully assail an environment historically depicted as masculine, from the Greeks to Hemingway. Yet this Asparagus Mousse production is peculiar, throwaway silliness that charms with the fulness of the briny world it evokes. JAY RICHARDSON COMEDY Peter Buckley Hill and Some Comedians Whistle Binkies (Venue 158) until 24 August ★★★☆☆ This can be a tricky room to play as the noise spill from the bar can be overpowering. But it is an absolute joy to see Peter Buckley Hill back on stage with the show that started the whole Free Fringe – and paved the way for all that came after. And he doesn't let us down. Opening with a good old knob gag and moving on into a selection of his finest and jolliest musical ditties, he herds his baby audience from bemused through disbelieving to loving every moment. It is an object lesson in MCing a gig. We herald the start of each new song with the traditional 'Ohhhhhhhhhhhh,' giggle our way through a rousing rendition of Nobody Gives a F**k If You're a Vegan and even join in Peter's highly controversial take on babies' foreskins. The titular Some Comedians tonight are Vinay Sagar who's extraordinary ability to remember (today) Pi to the 467th digit is not best displayed here, thanks to an audience who seem unsure as to what Pi is, and Sam Love, who seems less than enthused about the entire thing. But we are given the parting comedy gift of The Ballad of Adolf and Eva and we all go out singing.

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