
‘The Last of Us' season 2 let me down — here's 3 things the finale can do to win me back
I'm a "Last of Us" superfan. The PlayStation duology ranks among my favorite video games of all time, and I was hugely impressed by the first season of the HBO show. Sadly, I've had a less enthusiastic response to 'The Last of Us' season 2.
I've been left feeling largely disappointed by the show's long-awaited return, as each episode makes more and more significant changes to the source material that, in my opinion, don't benefit the overall story.
It's not that 'The Last of Us' season 2 has been especially bad, it's just not hit the heights of season 1, and hasn't resonated with me in the way The Last of Us Part 2 video games did, and continues to do so to this very day.
Nevertheless, with the finale set for this weekend (airing on HBO and Max on Sunday, May 25), I'm preparing to watch with an open mind and the hope that the season can be salvaged at the death. For that to happen, here are the three things I want to see in 'The Last of Us' season 2, episode 7.
But first, a quick spoiler warning: this article contains spoilers for The Last of Us Part 2 game and may contain spoilers for future episodes of the HBO show.
One of the most curious changes that the HBO show has made compared to the original video game is its handling of the character of Tommy (played by Gabriel Luna in the show).
In the Part 2 game, Tommy is the one who first heads out to Seattle to find (and kill) Abby, with Ellie and Dina following in his wake. Alternatively, in the world of the show, Tommy is a pillar of the community in Jackson and a family man with a young child. He stays behind to rebuild the makeshift town following its attack by a horde of infected, with Ellie and Dina trekking to Seattle on their own to find Abby.
I wasn't a fan of this change, but with the die now cast, at the very least, I want Tommy to be properly brought back into the mix. The good news is Tommy's reemergence appears almost certain. We know he's now on the board, as Jesse revealed in episode 6 that the other Miller brother accompanied him to Seattle.
Tommy's role should be sizeable in the finale, and that'll make me very happy.
"The Last of Us" as a franchise has never been scared of shock character deaths, and arguably the most out-of-the-blue kill in the series to date is that of Jesse.
There's no buildup to this murder. Instead, Ellie and Jesse hear somebody breaking into their theater base, sprint to confront this intruder (revealed to be Abby), and in a split second, Jesse is snuffed out via a bullet to the head.
It was a moment that left me nearly breathless when playing the game for the first time. I was initially convinced that Jesse hadn't just died in such a sudden way. But in the world of "The Last of Us," key characters don't always get heroic deaths or dramatic send-offs. This apocalyptic world is much too brutal for every character to go into the dark night with a fitting swansong.
The show needs to keep this important moment intact, and fortunately, I think it most likely will. While season 2 has made a boatload of changes, it has, at least so far, kept the narrative broad strokes the same, and I hope it won't go as far as to alter a key character's untimely fate.
OK, so I'll fully acknowledge this one is a bit of a nitpick, but I was super disappointed that Joel's iconic line just before his brutal murder at Abby's hands ('Why don't you say whatever speech you got rehearsed, and get this over with.") was removed in favor of one that lacked the same punch.
The much-anticipated theatre confrontation between Abby and Ellie, which all signs point towards being the bookend of 'The Last of Us' season 2, contains an equally iconic moment, when Abby, shocked to discover the person hunting her and her friends down is Ellie and Tommy, spits out 'we let you both live and you wasted it' before raising her gun to shoot. Cut to black.
It's a real fan-favorite line, and I'll be pretty miffed if this dialogue is also removed (or significantly reworked). Here's hoping the show opts to keep this intense scene pretty much unchanged.
When you land on perfection the first time, why alter things the second time?
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Buzz Feed
4 hours ago
- Buzz Feed
The 29 Trashiest Texts Ever Sent
We here at BuzzFeed get a bad rap. People love to dunk on our content, calling it clickbait-y trash. They say things like, 'BuzzFeed? That's still around?' or the classic, 'What do you expect? It's BuzzFeed.' But we're better than that — really! BuzzFeed has won a Pulitzer Prize, held the powerful accountable, given a voice to marginalized communities, and made young people care about the world. Can you name another outlet that did all that and still knew which Last of Us character you are? Seriously! We're legit! We even went public on Nasdaq! (Just don't look up how much a share of our stock is worth.) That said…this post? This post is 100% clickbait-y trash. There is zero redeeming value here. Just cheap thrills and brain rot. So, if that's your speed (and God love ya if it is), here are the promised T-R-A-S-H-I-E-S-T texts of all time: This text from a kid to his mom: This text from an uncle behind bars: And this text from a guy who blew his chances in just .1 seconds: These texts after a dude "accidentally" sent a girl a dick pic: This text from a horny girlfriend: And this text from a girlfriend with a very believable explanation for having a hickey: This wrong number text that took a turn: This out-of-the-blue text from a former co-worker sharing some personal (make that way too personal) news: And this one from a friend who needs to learn to keep some things to himself: This accidental text — TO THE FAMILY CHAT! — that there's no coming back from: This text about a "classy" tattoo: And these texts between a dude and his girlfriend about their plans for the evening: This text from a creepy neighbor to the woman across the street the second he saw her husband drive off to work: This text from a co-worker to the work chat after getting fired: And these gross, harassing texts from some dude just because the recipient backed out of buying a used phone: This guy inquiring if "pocket scrunchies" were the same as, uh, another item: This lady texting her ex-husband about still getting alimony even if she remarries: And these seriously creepy texts from the dad of a girl's boyfriend: This batshit text a woman received after her much older and creepily flirtatious boss got fired: This impossibly awkward text a guy got from his stepfather (who was clearly trying to text his wife/the stepson's mom): And this text from a prompted the recipient not to speak to him for months: This text from a 40-something acquaintance complaining — in the trashiest way possible — about not being able to pick up girls 20+ years younger than him: This trashy, gross, despicable, and just plain disgusting come-on: And this request from a handyman which was W-E-I-R-D: These creepy texts from a dude hours after he bought $10 barstools from a woman on Facebook Marketplace: This weird-ass text from a friend: This text from a married woman to her ex (while her hubby is deployed overseas): These texts from a trashy carpet cleaning company: And this text a woman received from the mother of her roommate — That's right, the MOTHER! — after she wouldn't allow her roomie's boyfriend to move in with them:
Yahoo
8 hours ago
- Yahoo
Billy Joel Two-Part Documentary Sets HBO Debut
Billy Joel fans should all get in the mood for two long nights with the piano man in July. HBO has set the premiere dates for its two-part original documentary Billy Joel: And So It Goes. Part one will air on Friday, July 18, followed by part two a week later on Friday, July 25. Each part will debut on HBO, and streaming service HBO Max, at 8 p.m. ET/PT and run for roughly two-and-a-half hours, with the full exploration of the iconic musician clocking in at nearly five hours. More from The Hollywood Reporter Bobby Sherman, Teen Idol and 'Here Come the Brides' Actor, Dies at 81 Brandy and Monica Announce First-Ever Co-Headlining Tour Baby DONT Cry, First Girl Group Hailing From K-pop Icon Psy's Label, Steps Into the Spotlight (Exclusive) Billy Joel: And So It Goes, directed and produced by Susan Lacy and Jessica Levin, premiered its first part at the 2025 Tribeca Festival, but Joel himself was unable to attend the opening night screening, announcing just the week before the event that he had been diagnosed with brain disorder normal pressure hydrocephalus (NPH), leading him to cancel his upcoming concerts and prompting concern from fans. Still, the directors and producers of the film indicated there's no reason to be too worried about the beloved performer. 'He's going to be fine,' Lacy told The Hollywood Reporter before the doc's Tribeca Festival premiere. 'He just needs to recover. He needs to do the physical therapy, which he's doing — the doctors were telling him yesterday he'll be fine.' Lacy and Levin added, 'He'll be back,' sharing a message from the performer in their opening remarks before the screening in which he made light of his condition, showing his sense of humor is still intact. 'Getting old sucks, but it's still preferable to getting cremated,' Joel said via a message read by Lacy onstage. Joel's longtime lighting director and And So it Goes executive producer Steve Cohen shared that he spoke to Joel the day of the premiere. 'He's doing great. He's working on his healing and recovery,' Cohen told THR before Wednesday night's premiere. 'He's bright; he's happy; he's thrilled for us. He called me and said, 'I'm so proud of the work you've done. I didn't expect you to get there,' and just great stuff. He's a good guy, that's what he is. I think he's going to be spending time with the family. He's going to be doing what he needs to do to heal from this condition and the prognosis is good. At least he's happy. He's my boss; he's my collaborator. At the end of the day, he's my best friend and I don't give a shit about anything else except him being healthy and enjoying this part of his life. We have done everything. He has climbed the highest mountain. He's accomplished anything anyone could ever want.' The film offers an expansive look at Joel's life and work, featuring exclusive, in-depth interviews with the artist as well as access to never-before-seen performances, home movies and personal photos. In addition to interviews with Joel, the doc includes interviews with friend and former collaborator Jon Small, ex-wives Elizabeth Weber (who also served as Joel's manager), Christie Brinkley and Katie Lee, daughter Alexa Ray Joel, wife Alexis Roderick Joel, members of his band and fellow musicians including Bruce Springsteen, Sting, John Mellencamp, Nas, Pink, Garth Brooks and Paul McCartney. Billy Joel: And So It Goes is producerd by Emma Pildes and executive produced by Tom Hanks and Gary Goetzman through their Playtone banner as well as Sean Hayes and Todd Milliner through their Hazy Mills banner. Nancy Abraham, Lisa Heller and Sara Rodriguez executive produce for HBO. Here's the official synopsis from HBO: 'Billy Joel: And So It Goes is an expansive portrait of Billy Joel, the six-time Grammy-winning, Rock & Roll Hall of Famer from Long Island, New York. With unprecedented access to never-before-seen performances, home movies and personal photographs, along with intimate one-on-one interviews, the documentary explores the life and work of the singer-songwriter whose music has not only endured but soared across generations. The two-part film is crafted around in-depth, exclusive interviews with Joel, illuminating the key moments that forged his character and the events and muses that inspired his music for more than six decades. Exploring revelatory new territory and enriched by dynamic video and performance clips from Joel's musical oeuvre, many never before seen, the documentary gives a window into his process and chronicles his monumental successes, while diving into the hidden complexities of his life. From his childhood on Long Island, shaped by the absence of his father, to his first bands, the women he loved and the colleagues and collaborators who both supported and betrayed him, Joel's decades of songwriting mirror his rich, complicated autobiography. Sharing origin stories about such chart hits as 'Just the Way You Are,' an ode to his first love, and 'Uptown Girl,' famously about second wife Christie Brinkley, the film points to the close symbiosis between his life and art, revealing the music that transformed his career, sculpted his legacy and saved his life.' More detailed descriptions of each part, provided by HBO, follow. Part One: 'Joel admits to being a work in progress as he heads towards his eighth decade and looks back on a childhood as the son of working-class parents on Long Island, the loss he felt at the age of eight when his father left the home, and his entry into the business of music. Acknowledging the mistakes he made along the way, Joel put everything he lived through into his music. As he went from keyboard player in local bands to striking out on his own, he discusses the love affair and first marriage with Elizabeth Weber that became the fuel for his early songwriting hits, such as 'Just the Way You Are' and 'She's Always a Woman.' His collaborators and peers thoughtfully illuminate his musical gifts, and Joel delves into the business deal he made that led to the writing of 'Piano Man.' After signing with Columbia Records, Joel's career took off and years of hits and record-breaking tours followed, as he continued to channel his personal experiences into his music. While he chafed against the critical response to his music, struggled with his relationship to alcohol, and navigated a complicated personal life, a near fatal motorcycle accident impacted his ability to play piano and left his future unclear. How would he rebuild his career and move forward with his life?' Part Two: 'With his eighth studio album The Nylon Curtain, Joel changed his musical focus by reflecting the grit and aspirations of the Everyman with songs such as 'Allentown' and 'Goodnight Saigon.' Joel recounts his complicated reunion with his long absent father and discovers the secret story of how his Jewish grandparents survived Nazi Germany which he distilled into his philosophical ballad 'Vienna.' Recovering from years on the road, Joel vacations in St. Barths where he meets his future wife, supermodel Christie Brinkley, who would become the mother of his first child and the inspiration behind the hit 'Uptown Girl.' Dedicated to his craft, but uneasy with fame and the spotlight, Joel persevered through romantic and professional setbacks, choosing to reinvent himself time and time again. With the support of wife Alexis Roderick Joel and their children, and through his collaboration with Elton John, a return to his classical roots and his historic residency at Madison Square Garden, he continues to find a safe space in his music.' Best of The Hollywood Reporter Wes Anderson's Movies Ranked From Worst to Best 13 of Tom Cruise's Most Jaw-Dropping Stunts Hollywood Stars Who Are One Award Away From an EGOT
Yahoo
8 hours ago
- Yahoo
TV Ratings: ‘The Gilded Age' Scores Best Premiere to Date With Season 3 Opener
The third season premiere of The Gilded Age delivered the show's best opening to date. The June 22 debut of the HBO drama gathered 2.7 million cross-platform viewers in the United States over three days. That's a 27 percent improvement on the season two premiere (2.1 million viewers over three days) in October 2023. The series debut in 2022 drew in 2 million viewers over the same amount of time. More from The Hollywood Reporter Billy Joel Two-Part Documentary Sets HBO Debut NBA Playoffs Fuel Warner Bros. Discovery Gains in May TV Distributor Rankings TV Ratings: Game 7 Gives NBA Finals a Six-Year High As is usually the case with HBO series, most of The Gilded Age's viewers watched after the initial airing, which drew 430,000 viewers on the HBO cable channel, according to Nielsen. The remaining 2.27 million streamed the episode on Max (which likely accounted for the majority of viewing), watched a DVR recording or caught an on-air replay. The 430,000 on-air viewers, incidentally, is fairly close to prior season premieres; season two opened with 452,000 for the first airing, and the series premiere drew 463,000. The higher start for the show obviously bodes well for the series, which comes from Downton Abbey creator Julian Fellowes and Universal Television. The previous two seasons have grown a good amount over the course of their runs, with each finale drawing about 50 percent more viewers than that season's premiere. Season two finished HBO's 90-day measurement window with an average of 7.1 million viewers per episode. HBO also noted that viewing of seasons one and two of The Gilded Age spiked leading up to the season three premiere. The show's catalog drew five times more viewers (though exact figures aren't available) in the week of June 16-22 than it did the previous week. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise