Sharon Stone, 67, goes TOPLESS and writhes around with co-star Halle Berry's ex in raciest shoot ever
The actress, 67, went topless beneath a sheer dress as she was worshipped by a plethora of hunky male models - including her former Catwoman co-star Halle Berry 's ex Gabriel Aubry.
The star exuded confidence as she flashed her bust while striking a sultry pose for the camera - before writhing around with Aubry, 48, who shares a daughter with Berry.
The star also channeled femme fatale Trammell's power suit look as she sported a blazer with nothing underneath - as well as a coiffed hairdo.
A further risque snap saw the star in apparent ecstasy lying across Aubrey's lap with her legs slung over his shoulder and leaning in for an embrace with him.
Aubry was in a relationship with Berry, 58, from 2005-2010 and they share Nahla, 16.
'She is, and will forever be, one of the most special and beautiful people that I have ever known, and I am certain that we will continue to have only love and respect for one another,' Aubry gushed after the breakup.
They insisted they would 'remain friends and committed parents', but soon became embroiled in legal proceedings instead after Berry tried to relocate to France with Nahla to live with her now ex-husband Olivier Martinez.
During one custodial hand-over on the driveway of Halle's home Martinez and Aubry were involved in a bust-up and were both treated for injuries.
She also tried to bar Aubry from having any contact with Nahla in 2012 after cops investigated him for allegedly shoving his nanny through a door while she was holding the then-two-year-old girl.
The worker claimed she was left 'psychologically traumatized' but a judge denied her request for a restraining order and Aubry was never charged over the spat.
Last year Stone shocked as she said her iconic and controversial Basic Instinct interrogation scene now seems 'very ordinary' compared to raunchy present-day films.
Aubry was certainly getting up close and personal with Stone
The famed scene sees the prime suspect quizzed by police, including Michael Douglas.
Amid the bombardment of questions, Catherine distracts them when she uncrosses then recrosses her legs, leaving the men flustered seeing as she was underwear-free at the time.
Appearing at the Taormina Film Festival, the star said - per Deadline -that while the scene was considered X-rated at the time, nowadays it would have lost its shock factor.
She said:'[at the time] it seemed like a scandal, and now it seems very, very ordinary.
'I think that now that women are writing, directing, producing, filming and more and more a part of filmmaking, films are less about men writing films about their fantasies of the way women are
'And actresses are less asked to portray the male fantasy, and then critics are less asked to tell us if we fulfilled the male fantasy or not. It's more, are we fulfilling the human condition?'
Reflecting on how cinema had changed in the past 30 years, she said: 'Studio systems have changed dramatically.
'They've changed from making a variety of movies to making these gigantic $100 and $200 million films.
'Thirty years ago we had choices of what kind of films we could see.
'Streamers are taking over our business, and I don't think that's a terrible thing. I think we're coming back to making smaller films and a variety of films, and I think that's a good thing.'
Despite the moment turning Sharon into an overnight sensation, the Academy Award nominee has maintained in the past that she was 'tricked' into exposing herself for the cameras.
In her memoir The Beauty of Living Twice, Sharon described how she slapped her director Paul Verhoeven in fury and walked out of a preview of the erotic thriller after discovering his assurances that it wouldn't show up on screen had been a lie and that the audience could — as she put it — 'see all the way to Nebraska'.
For his part, Verhoeven has vehemently dismissed her claims that she was taken by surprise in the leg-crossing scene.
He said: 'Any actress knows what she's going to see if you ask her to take off her underwear and point there with the camera.'
But the Hollywood veteran has also been adamant she didn't have any regrets about making the film.
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