Sudhanshu Pandey slams new-gen actors for profanity on The Traitors, tells Apoorva Mukhija ‘aapki zubaan kharab hai'
Sudhanshu calls out Apoorva
During an interview with Zoom, Sudhanshu spoke about working with actors of the younger generation on the web reality show, The Traitors.
Sudhanshu said, 'It was how they speak about the same person on face and behind the back. This is the new generation, and they are a big lost because there is no sense of concept of culture that you belong to. Apoorva is a very good kid, she has got a kind heart but these kids don't understand ki agar aapki zubaan kharab hai toh aapki saari acchaiyaan saari doob jaati hai (If your language is bad, all your goodness gets overshadowed). Then you would not even want to know whether your heart is good or not."
The actor added, 'Especially when you are on camera, you have about 20 crore people watching you and when you are abusing like it's their second nature. They think it is very cool to be like that because we are Gen Z."
About The Traitors
Sudhanshu was most recently seen in the web reality show, The Traitors. The Indian adaptation of the hit Dutch reality show was hosted by filmmaker Karan Johar. Other contestants included names such as Uorfi Javed, Apoorva Mukhija, Anshula Kapoor, Raftaar, Raj Kundra, Sahil Salathia, Lakshi Manchu, and Karan Kundrra.
It was released on Prime Video on June 12. Uorfi Javed and Nikita Luther have emerged as the winners of the first season of The Traitors. In the last episode, Uorfi and Nikita voted out fellow innocent Sudhanshu as well as traitors Harsh Gujral and Purav Jha. The prize amount of ₹70 lakhs was split between Uorfi and Nikita.
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Hindustan Times
34 minutes ago
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When he came out of the ritzy bank office on a balmy November afternoon in 1961 after serving out a six-month notice period, his friends were waiting outside. M F Husain, Bal Chhabra and V S Gaitonde told Krishen Khanna they wanted to celebrate his "liberation". They did so in style at the Bombelli's restaurant in Mumbai's Churchgate and Chhabra presented him with a gold tie pin in the shape of a palette. Their other friends like S H Raza in Paris gathered whoever they could find to mark the moment the banker Khanna became a full-time artist. Celebrated artist Krishen Khanna turned 100 on July 5 creating a landmark in the history of Indian art.(Courtesy of Artiana) More than six decades later, his friends Husain, Chhabra, Gaitonde and Raza are no more, but the world of Indian art is together this time to celebrate yet another landmark in the life of Khanna---his 100th birthday. 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No other Indian artist has brought alive the beating of the hearts of the invisible workers, the real builders of the country, like Khanna has been doing. He has documented the workers of Delhi in such paintings as Black Truck (1974), a construction lorry filled with labourers. There are labourers sleeping under a truck in Nocturne (1979). In an untitled work from the '90s, a truck filled with workers is seen transporting metal pipes. At 100, Khanna continues a mission he began with fellow artists Raza, Husain, Gaitonde, Tyeb Mehta, F N Souza and Akbar Padamsee, all members of the Progressive Artists' Group, founded in 1947 to give a new direction to art in a newly independent nation. Khanna's deep bond with his friends and fellow artists is legendary. Husain would visit him at his Nizamuddin studio in Delhi where Khanna would paint while his famous friend kneeled down for the prayers two feet away. "It was beautiful," Khanna would recall later. 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There were the Mahabharat series in the '80s and the Exodus series later that produced some of his most-remembered works. Even as he achieved dizzying heights in the art world, he has been rooted to the ground and dedicated forever to his family and friends. Born in Faisalabad, now in Pakistan, Khanna grew up in Lahore. He went to a public school, the Imperial Service College in Windsor, London, where he refused to go home for holidays, instead staying back to visit the National Gallery. He returned to Pakistan to enrol at the Government College, Lahore. After graduating in English Literature, he had a day job at a printing press and attended evening classes at the city's Mayo Art School. "I had to leave the press one day and never went back," he used to say years after the Partition uprooted his family and sent them hurtling to Shimla and later to Delhi. The bloody Partition left a deep scar in the mind of the young man, who would go on to reflect human struggle and suffering in his works for years to come. One of his paintings in the '70s is titled Maclagan Road, New Delhi, fusing the street near the iconic Anarkali Bazaar in Lahore with his adopted city of Delhi. Flight from Pakpattan, another painting of a chariot with passengers was his response to his family fleeing Pakistan with meagre belongings. Another, At the Railway Station, is about the long journey from Lahore that culminated at the railway station in Shimla. Street Quartet (Bandwallas), a 1988 oil on canvas by Krishen Khanna.(Courtesy of DAG) He sees Pakistan in the streets of Delhi. And he never grew old. Probably the Partition stopped time for him. The wars India fought with Pakistan and China left him distressed and he was always ready to join his friends in selling their works to contribute to the Indian Red Cross. Angry at India and Pakistan calling themselves enemies of each other, he believed that educated and reasonable people were few on both sides. Chaiwallas and dhabawallas Once he was settled in Delhi, Khanna began to paint the city' bandwallas, chaiwallas, dhabawallas and truck drivers and never stopped. There are scenes of baraat in the city's streets and evenings at dhabas in works like Ramu ka Dhaba (1979) and Bandwallas in a Tempo (1991). In an untitled work of 2011, angels are seen watching a baraat from above. Khanna has always made sure all his characters in his works retain their individuality. The author Khushwant Singh appears in one of his paintings on Delhi in the '60s. A bronze sculpture from the artist's Bandwallas series(Courtesy of Vadehra Art Gallery) The spirit of community continues to contribute to his works. In Memoriam, painted four years ago, he places himself and his artist friends inside a dhaba. 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