
TV tonight: human remains are found in tense cold case drama Black Snow
8pm, BBC OneThe cosy crime drama takes a sharp turn into folk horror. Supernatural menace the Cornman is apparently on the prowl, terrorising locals, spoiling milk and scorching crops. It's up to Humphrey (Kris Marshall) to separate fact from Cornish folklore. The great Caroline Quentin and Kevin McNally guest star as feuding farmers. GV
8pm, BBC Two
With spring in full swing, Monty Don brings colour to the Mound with an array of blue and yellow blooms. Then he gets ready for summer by planting some vegetables to harvest in a couple of months' time, while Frances Tophill is charmed by wisteria in Surrey. Nicole Vassell
8pm, Channel 4Natalie Cassidy concludes her roundup of Britain's most talked-about products, though surely robot vacuum cleaners' viral moment has long since passed. Nevertheless, Cassidy employs some crisp-munching children to test three models. Plus, are cheap 'dupe' perfumes any good? Jack Seale
9pm, Sky MaxThe creative death match between old stager Deborah (Jean Smart) and fiery upstart Ava (Hannah Einbinder) worsens as the comedian and the writer use a new talkshow as their latest battleground. Also, every scene with Hassidic Jew turned personal assistant Randi (Robby Hoffman) is a scream. JS
9.30pm, BBC OneBen Miller is one of the oldest sitcom archetypes here: the irritating, self-regarding man – smart enough to have delusions of grandeur and stupid enough to believe them. This time, Julian (Miller) has hired an award-winning film-maker to help push his documentary over the line. But will he get cold feet? Phil Harrison
They Live (John Carpenter, 1988), 12.05am, Talking Pictures TVJohn Carpenter's pulpy 1988 sci-fi action flick is a hotbed of anticapitalist sentiment. Itinerant worker Nada (wrestler Roddy Piper, a low-budget Arnie) comes to Los Angeles seeking employment but, after donning a pair of special sunglasses, stumbles on a conspiracy involving hidden messages on billboards and shop fronts and in magazines telling people to 'Consume', 'Watch TV' and 'Obey' (the banknotes say: 'This is your God'). Also, some folk look like warmed-up skeletons. Have aliens invaded? A fun mix of politics and punch-ups. Simon WardellAmores Perros (Alejandro González Iñárritu, 2000), 12.25am, Film4The title translates as 'Love's a bitch' but there is also a lot of dog appreciation in Alejandro González Iñárritu's intense drama about desire, loss and blood-soaked revenge. Three stories collide in a Mexico City car crash: Octavio (Gael García Bernal) loves his brother's neglected wife and enters illegal dog fights to fund their escape; model Valeria (Goya Toledo) breaks her leg in the auto accident then her pooch vanishes under the floorboards of her new flat; and the tramp-like El Chivo (Emilio Echevarría) has a cohort of canines but is also a hitman for a cop. SW
Premiership Rugby Union: Sale v Saracens 7pm, TNT Sports 1. Coverage of the top-flight clash from the Salford Community Stadium.
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The Guardian
5 hours ago
- The Guardian
Lewis Treston: the 10 funniest things I have ever seen (on the internet)
I am a playwright and PhD candidate, so I've wasted much of my life watching crap online. To give you an idea: during Covid, my housemate and I painstakingly ranked different performances of Chicago's final electrifying dance number, The Hot Honey Rag. Regrettably, this article isn't about critiquing toe-tapping murderesses vying for a comeback; it's about what I find funny on the world wide web. These days, my algorithm mostly alerts me to red flags of narcissistic abuse, OnlyFans creators testing Instagram's boundaries, and some harmless astrology. Sadly, none of the current content is particularly funny, but I've gone to great lengths scrolling through innumerable chat histories to a time when the internet still made me lol. Words fail when it comes to David Lynch and Cher. Sure, this clip is funny, but it's Cher's profound vulnerability ('I get very busy being Cher then I wonder who that is?') and David Lynch's meditation on the colours of a traffic light that have compelled me to revisit this conversation time and time again. This article includes content provided by Instagram. We ask for your permission before anything is loaded, as they may be using cookies and other technologies. To view this content, click 'Allow and continue'. Last year I adapted Pride and Prejudice with Wendy Mocke for Queensland Theatre in something like six months. The pressure was on, and I had two crutches to get me through: hot yoga and this rather sharp takedown of the Regency period heroine cliche. I've watched this clip countless times, and many of the lines have become everyday parlance for me in much the same way we all reference Shakespeare without even knowing it. Barry Humphries may have fallen into disrepute, but his megastar Dame Edna has an unassailable place in the pantheon of Australian talent. I want to take this opportunity to put my hand up to write on the free-to-air miniseries that will eventually get made and then nominated for a few Logies. I'll save you the trouble of trawling through hours of content – this is Dame Edna's funniest TV interview. This article includes content provided by Instagram. We ask for your permission before anything is loaded, as they may be using cookies and other technologies. To view this content, click 'Allow and continue'. Sticking to the theme of megalomaniacal superstars, Alex Hines's monstrous creation Juniper Wilde is surely due for another comeback. This must be from a show that has long since closed, but the line 'I'm a shareholder; I have a right to finish' will live for eternity. This article includes content provided by Instagram. We ask for your permission before anything is loaded, as they may be using cookies and other technologies. To view this content, click 'Allow and continue'. A friend gave me a weird side-eye look when I said I wanted to include this reel, but I'm doing it anyway. This presumably AI-generated dark fable had me in tears of laughter for reasons I'll eventually unpack with my mental healthcare team. For the 0.05% of people who find this hysterically funny, we must have some serious in-yun (past life connection), and it's now your job to seek me out IRL. To paraphrase Stefon from SNL, this speech by Elaine May has got everything: wit, heart, the second page of a letter written by Einstein. Honestly, I rewatch this clip whenever I need to prepare an effortlessly amusing five-minute spiel for a friend's wedding, an opening night speech or a first date. This article includes content provided by Instagram. We ask for your permission before anything is loaded, as they may be using cookies and other technologies. To view this content, click 'Allow and continue'. Louis Hanson specialises in cheeky, effervescent and digestible hot Melbourne boy content. Sometimes his comedic faux-naivety is all I can handle when I'm rotting on the couch too lazy to find something real to watch. The definition of comedy is a supercut of Shelley Duvall saying her own name again and again … I am only realising now how esoteric my sense of humour might appear to the good people who read the Guardian. This article includes content provided by Instagram. We ask for your permission before anything is loaded, as they may be using cookies and other technologies. To view this content, click 'Allow and continue'. It's funny because it's true – but when you realise that he's not actually joking, you can only laugh ruefully. Tears will do you no good in the face of the late capitalist technocracy where human connection is just another opportunity to create more content. Lewis Treston's recent productions include IRL at La Boite, Hot Tub at Belvoir 25A, Follow Me Home at Australian Theatre for Young People, and Hubris and Humiliation at Sydney Theatre Company. His published work is available for purchase on Playlab.


Time Out
7 hours ago
- Time Out
Fire cooked food that's flavourful and unintimidating
Chef Yiannis Mexis's new Borough venture Pyro is a contemporary Greek restaurant that both defies and embraces neighbourhood taverna cliches. The food is hardly rustic simplicity or beholden to tradition, but it's rarely overly fiddly, and ultimately comes down to big flame-cooked flavours and robustly fresh ingredients. Pyro has heavy beachside vibes, which is very bold in Southwark but it carries it off in large part because of its surprisingly enormous outdoor area. There is a fully indoor restaurant bit which I completely failed to go into, but is presumably the main focus of Pyro during the colder months. But when I visited at the tail end of a mini heatwave there was no question of going inside – we went for the covered section of the vast terrace, which basically isn't afraid to look like a giant straw-roofed beach hut. That it doesn't fall over the precipice of novelty is due to the mostly excellent food. Seeking to bring the Aegean beach to the centre of London, you can drop a lot of money on seafood here: £85 for a whole 'flame kissed' lobster or £105 for a 1.5kg Cornish brill. But it's actually a fairly broad spectrum survey of Greek-influenced cuisine, and you don't have to spend big to get something nice. In fact the best thing we ate was quite possibly the £10 crudites platter. A world away from the sorry cucumber and carrot batons that blight every British childhood, this was a pristine plate of some of the freshest crunchiest vegetables I have ever had the pleasure to devour. From shimmering white radishes to chalky summer squash, everything was great, especially when dunked in a goopy/crunchy tarama and carob rusk dip. There's a very short 'grazing' menu – we had everything on it just to be clear we hadn't missed anything. A spanakopita pastel del nada was basically a fun tart-style presentation of a classic spanakopita; mussel saganaki (a small fried appetiser) was a light, spicy trifle; intense little pork souvlaki skewers got us thoroughly warmed up for some heartier mains 'from the fire'. The barbecued octopus had a lovely texture – the exact sweet spot between chewy and pliant – although the custardy, yellow split pea accompanying sauce was too rich and threatened to overwhelm. The soft but flavourful whole charred aubergine was much more like it, but the highlight was the side order of 'layered' potatoes. A sort of fantasy hybrid of classic roast potato and pommes anna, it consisted of layered cubes of spud, thinly crispy and lightly spiced on the outside, its inside softly concertina-ing at the press of a tongue on the inside. It was a taste sensation; it was a textural sensation – we ate them all and didn't really have room for any dessert afterwards (the dessert menu is small and while the blackcurrant and almond pie sounded nice it was £19 and apparently pretty huge). Instead I turned to the extremely fun cocktail list, the creation of London-based Ukrainian mixologist Ana Reznik. I went for the Aegeas: the mix of olive oil–infused dry gin with seaweed and extra dry vermouth was weird in a good way, three warm currents of boozy brine gently percolating around each other. Pyro is a good times eatery that serves high quality fire cooked food that's flavourful and unintimidating, influenced by the Med but not aiming to school you about the Med. If you're looking to wow a date with high concept dining it's probably not the place – but if you're looking for a relaxed summer night out, this is the one. The vibe A chilled out terrace taverna in Southwark. The drink A handful of Greek-hemed cocktails and plenty of Greek wine.


Scottish Sun
9 hours ago
- Scottish Sun
Win a family beach break to Cornwall worth £2,000 with Disney and Sun Club
Join Sun Club for just £1.99 a month to enter the competition Sea's the day Win a family beach break to Cornwall worth £2,000 with Disney and Sun Club Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) TO celebrate Disney's 'Summer's Brightest Stars' promotion, we're giving one lucky family the chance to win an unforgettable beach holiday to Cornwall. With dreamy sandy beaches, quaint seaside villages, and breathtaking coastal views, Cornwall is the ultimate destination for your family's summer trip. Sign up for Scottish Sun newsletter Sign up 2 Win a family beach break to Cornwall worth £2,000 with Disney and Sun Club The winning family will enjoy a three-night stay at a four-star hotel with breakfast included, dinner at a local Cornish restaurant, and the choice of either a two-hour paddle boarding lesson, or a guided kayaking tour. Disney's 'Summer's Brightest Stars' collection features hundreds of family-friendly films from Walt Disney Studios on 4K UHD, Blu-ray™ and DVD. 2 Join Sun Club for just £1.99 a month to enter the competition The promotion includes recent blockbusters Disney's Moana 2, Disney's Mufasa: The Lion King, Pixar's Inside Out 2, and Marvel Studios' Deadpool & Wolverine. Plus 20th Century Studios' Kingdom of the Planet of the Apes, 20th Century Studios' Avatar: The Way of Water and Lucasfilm's Indiana Jones and the Dial of Destiny. How to enter with Sun Club Sun Club Membership Programme Step 1: To enter our Disney family beach break competition join Sun Club now for just £1.99 a month for your first year. Following this, £4.99 a month. Or £12 for an annual subscription for the first 12 months, then £49.99 a year thereafter. Step 2: Then head to the 'Offers Hub,' select the 'Family Beach Break to Cornwall' page, click 'Enter Competition'. Step 3: You now be entered into the competition and you will see a green tick with the message: 'Congratulations! You've successfully entered this competition' at the top of the page. Step 4: The winner will be selected at random and notified by email, so please ensure your email address is correct and has been verified. You can also get your hands on many more timeless classics from Pixar, Disney, and Marvel Studios. The Summer's Brightest Stars promotion is available at Amazon and HMV. Competition is open to UK residents aged 18+ only. Competition ends at 23:59pm on Wednesday, August 12, 2025. Winners will be notified within 28 days. Full T&Cs apply, see below. © 2025 20TH CENTURY STUDIOS. © 2025 DISNEY. © 2025 DISNEY/PIXAR. © 2025 20th Century Studios / © & TM MARVEL 2025. © 2025 & TM LUCASFILM LTD.