Gripping true-crime series explores the legacy of notorious serial killer Moses Sithole
Image: Supplied.
The gripping trailer has been released for the upcoming true-crime documentary series, "The ABC Killer", which takes an unsettling look into the life of notorious serial killer Moses Sithole.
The Showmax series revisits a dark chapter in South Africa's history, offering both a haunting narrative and a fresh perspective on a case that still sends shivers down the spine.
Three decades ago, Tamsen de Beer, a rookie journalist at "The Star" newspaper, received an unprecedented call that would forever alter her life and career.
The voice on the other end of the line claimed to be South Africa's most prolific serial killer, calling himself "The ABC Killer" – a name derived from his modus operandi of targeting young, black women across vulnerable areas like Atteridgeville, Boksburg and Cleveland in Gauteng.
Tamsen de Beer.
Image: Supplied.
In a chilling confession, De Beer recounts her journey in the trailer, stating: "It was like a journey I was on with him. We were bonded in a strange, ugly way. I was hoping he was okay all the time, which is absolutely crazy."
Her disturbing connection with Sithole came during the same year that the late Nelson Mandela became South Africa's first democratically elected president.
Sithole was ultimately convicted of 38 murders, 40 rapes and six robberies, all committed in broad daylight over just a year and while sober.
"This was the biggest case of our history at the time," reflects former detective Derrick Nosworthy in the trailer.
"I don't think we had ever had a case where there were so many people murdered by potentially one offender," he continues.
Former detective Derrick Nosworthy in "The ABC Killer".
Image: Supplied.
Director Jasyn Howes, who was a young boy in Johannesburg during the height of Sithole's killing spree, draws parallels with infamous American serial killer Ted Bundy, noting, 'He was our Ted Bundy.'
The three-part series follows Howes's critically acclaimed first documentary, "Boetie Boer", about another infamous 90s serial killer, Stewart Wilken, which was nominated for various Saftas last year.
In "The ABC Killer", Howes engages some of the key figures from the harrowing saga.
Interviewees include de Beer alongside her night editor, Alameen Brendan Templeton, who expresses concerns for her safety.
South Africa's first profiler, Micki Pistorius, and several former detectives also contribute their insights regarding one of the most chilling cases of their careers.
The series brings audiences closer to the voices of resilience through firsthand accounts, such as that of survivor Buyiswa Swakhamisu, who relives her traumatic experience with Sithole.
'He used the promise of work to convince her to follow him,' it was revealed.
Survivor Buyiswa Swakhamisu in "The ABC Killer".
Image: Supplied.
The documentary promises exclusivity with unique content, including an anonymous inmate's video interview with Sithole, as well as official archival footage of his 1995 police questioning.
Howes, in a similar fashion to "Boetie Boer", employs extensive re-enactments filmed at real-world locations integral to Sithole's story, including "The Star" newspaper headquarters and the Pretoria High Court.
Gifter Ngobenisen portrays Sithole, while Louise van der Merwe steps into the role of De Beer.
Rounding out the cast is Graham Hopkins as Judge George Curlewis.
With meticulous research involving diary entries from de Beer, transcripts of her phone conversations with Sithole, and intimate letters to clinical psychologist Dr Giada Del Fabbro, the series promises a thorough examination of a case rife with implications about society, crime and empathy.
Even while serving an astonishing 2 410 years in prison, Sithole remains a chilling figure, reportedly studying law after completing a degree in theology.
"The ABC Killer" is set to premiere on Showmax on Tuesday, July 22.

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The Citizen
9 hours ago
- The Citizen
‘The Old Guard 2' star Charlize Theron gets candid about one-night stand and dating apps
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IOL News
9 hours ago
- IOL News
Five Truths in Lawfare and the Weaponisation of the Judicial Conduct Tribunal of Judge President Selby Mbenenge
Gillian Schutte unpacks the political, epistemic, and ideological weaponisation of the Judicial Conduct Tribunal of Judge President Selby Mbenenge. Image: IOL At a moment when South Africa finds itself midway through a soft coup engineered by elements within the GNU in alignment with Anglo-American geopolitical interests, and amid an intensified ideological war against Black epistemology and radical thought, Judge President Selby Mbenenge's Judicial Conduct Tribunal must be rigorously interrogated through a decolonial lens rather than through liberal spectacle. Marianne Thamm's characterisation in Daily Maverick - an intellectual title fight between "old patriarchs" and a gender-based violence expert - typifies precisely this liberal sock puppet journalism: sensationalist, reductive, and politically calculated. GroundUp had already set the ideological stage with its headline: "Expert defends sexual harassment finding against Judge President Mbenenge," published prematurely on the Tribunal's second morning. Its intent was clear: to shape public perception through donor-aligned feminist frameworks, implicitly dismissing African jurisprudence as regressive patriarchal relic. Critical analysis reveals deeper political dynamics hidden beneath this liberal narrative, which deliberately obscured why Lisa Vetten's partial, selectively translated testimony was nonetheless elevated as authoritative. Rather than examining the substantial influence of Western-aligned donors – USAID, Global Fund, NACOSA, Open Society, Ford Foundation, and the EU – in shaping Vetten's frameworks, GroundUp presented her findings as objectively neutral. Yet these donor bodies consistently privilege gender analyses neatly aligned with Western liberal policy prescriptions, marginalising radical feminist critiques that connect gender violence to structural inequality, capitalist extraction, and historical colonial violence. GroundUp's premature pronouncement was neither neutral nor coincidental. It aimed to attack African epistemic sovereignty, prevent critical inquiry, and consolidate ideological alignment with donor interests. This is exactly why we need to look beneath this carefully managed media spectacle – because it is there that lie five distinct truths, each deserving rigorous engagement without collapsing one into the other. Truth One: Andiswa Mengo's Testimony Court secretary Andiswa Mengo's testimony described a progression in communication from professional engagement to increasingly personal and late-night messages from Judge Mbenenge, culminating in the receipt of a photograph she experienced as invasive and inappropriate. Her account of discomfort, vulnerability, and disrupted professional dignity must be taken seriously. To dismiss her truth would be to re-enact the very violence that silences complainants across patriarchal institutions. However, belief in survivors must not be conflated with the abandonment of procedural integrity. Belief is not a substitute for evidence; it is a starting point for serious inquiry. Her version must be examined within a context that resists voyeuristic credulity or ideological utility. It must be subject to the same rigour expected of any legal process – through full context, linguistic nuance, and evidentiary completeness – not partial snippets or selective framing that serve to confirm media narratives or topple a judge without due process. In a case saturated with political and ideological stakes, it is all the more necessary to hold the space where belief and scrutiny coexist without collapsing one into the other. Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Next Stay Close ✕ Truth Two: Lisa Vetten's Donor-Aligned Authority Lisa Vetten's authority must be situated within the geopolitical architecture that funds and frames it. Her career has unfolded through institutions tethered to Washington's ideological and strategic interests – from the Centre for the Study of Violence and Reconciliation, to Tshwaranang Legal Advocacy Centre, and into policy-shaping roles within USAID and Global Fund programmes. Her expertise, while academically rigorous, operates within frameworks designed by and for liberal feminism's global administrators. These frameworks privilege technocratic solutions, de-link gendered violence from histories of racial capitalism and imperial dispossession, and systematically displace radical or decolonial feminist theory. The result is an epistemic narrowing in which donor-approved metrics define legitimacy, while anti-imperial perspectives are dismissed as ideological excess. Vetten's position in the Tribunal was not one of detached expertise, but of ideological utility. Her testimony aligned seamlessly with the narrative preferences of the liberal media ecosystem. She is not an impartial observer; she is a functionary of a wider donor apparatus that has, historically and presently, advanced regime change under the cover of gender justice. In this context, she does not simply speak – she is deployed. Truth Three: Judge Mbenenge's Autonomy as Symbolic Threat Judge Selby Mbenenge, should allegations against him be substantiated, must indeed be held accountable through rigorous and impartial processes. Yet critically analysed, his autonomy as a senior Black jurist operating beyond the influence of donor-funded civil society circuits represents a clear ideological threat to liberal hegemony. At a moment when the GNU, aligned closely with Western geopolitical interests, is methodically purging judicial and institutional spaces of voices that resist neoliberal conformity, Mbenenge's independent authority marks him as a strategic target for regime-change actors intent on reshaping South Africa's judiciary into compliance with Western standards and expectations. None of which pleads for his innocence or his guilt – it is just an undeniable truth. Truth Four: Muzi Sikhakhane's Decolonial Marginalisation Advocate Muzi Sikhakhane's systematic marginalisation is rooted directly in his explicit critique of South Africa's constitutional order as structurally colonial and protective of entrenched economic and racial interests. Through his legal advocacy for former President Jacob Zuma – most notably at the Zondo Commission (August 2018, July 2019) and the Constitutional Court contempt proceedings (March 2021) – Sikhakhane consistently invoked Fanonian/Bikoian analysis, exposing liberal constitutionalism as a guardian of white capital and colonial continuity. Following these interventions, he became the target of sustained vilification in liberal media, deliberately cast as reactionary, chauvinistic, and intellectually irrelevant. This orchestrated character assassination by donor-aligned media and NGOs seeks to erase Sikhakhane precisely because he embodies a formidable ideological threat: an articulate and influential African intellectual whose arguments resonate widely with younger generations and independent African thinkers. His attempted erasure thus represents a strategic manoeuvre within the broader regime-change machinery, designed to silence inconvenient native voices that openly challenge neoliberal hegemony and advocate for authentic African jurisprudential sovereignty. Truth Five: The Donor-Media Ecosystem's Geopolitical Agenda GroundUp, Daily Maverick, News24, and amaBhungane operate within an interconnected media ecosystem sustained by powerful donor networks including Open Society Foundations, Luminate (Pierre Omidyar's so-called democracy franchise), the Sigrid Rausing Trust, the Oppenheimer Memorial Trust, and USAID-linked programmes. These institutions have long histories of advancing soft-power agendas under the guise of civil society strengthening. Between 2016 and 2018, this ecosystem mobilised a highly selective anti-corruption narrative to delegitimise the Zuma administration, executing what increasingly appears to have been a donor-orchestrated regime-change operation. The strategic use of corruption discourse under the banner of constitutional defence allowed donor media and NGO actors to entrench liberal hegemony while masking deeper geopolitical interests. This apparatus has always focused on gender discourse, deploying feminist rhetoric selectively to neutralise radical Black intellectuals and disrupt decolonial mobilisation. This pattern was evident during the Rhodes Must Fall and Fees Must Fall uprisings, where the sudden infiltration of US-backed think tanks and NGO intermediaries – in quiet collaboration with elements of Luthuli House – corresponded with a wave of allegations targeting radical Black male leaders. The frequency with which sexual misconduct and rape claims were deployed against prominent and outspoken figures during these movements, often without full due process, raises serious questions about the weaponisation of gender justice as a tool of ideological warfare. While the reality of gender-based violence must never be denied or trivialised, the strategic pattern of deploying such allegations to fragment movements and remove influential dissenters cannot be ignored. Historically, such tactics echo well-worn counterinsurgency strategies refined by institutions like the CIA, where sexual deviance is projected onto Black men to discredit liberation politics and fracture collective organising. This weaponisation relies on the deeply embedded colonial mythos of Black male hypersexuality and danger, allowing liberal institutions to claim moral high ground while engaging in epistemic violence. What appears on the surface as progressive gender advocacy functions as a disciplinary apparatus – punishing those who openly articulate a radical African vision beyond the bounds of donor-sanctioned politics. These five truths stand simultaneously. They are not sequential. They are not hierarchical. They coexist in tension, contradiction, and convergence – as all living truths must. Each exposes a facet of the political, epistemic, and affective dimensions of the case, and none can be collapsed into the other without enacting a form of violence. Yet collapsing truths is precisely the logic of liberal hegemony and the strategic machinery behind donor-aligned think tank discourse. It is their habit to invoke whataboutism when challenged, to flatten complexity into binary moral frames, and to present their narrative as the only legitimate one – thereby rendering all competing epistemes illegible or deviant. This is the logic of control. It is precisely in this context that the five truths around the Mbenenge Tribunal must be held in open dialectic. Mengo's experience is hers and must be addressed with seriousness. Vetten's donor-aligned authority cannot be excused from critical scrutiny. Mbenenge's symbolic threat to donor-managed Black representation is undeniable. Sikhakhane's erasure as a decolonial jurist is politically motivated. And the liberal media's choreography in service of soft regime-change agendas is a historical pattern. To ignore any one of these truths is to enable the ideological capture of justice under the pretence of neutrality. Procedurally, the Tribunal exposed the fragility of the expert testimony used to publicly frame the case. Advocate Muzi Sikhakhane's cross-examination of Lisa Vetten revealed that her analysis rested on partial evidence, translated and summarised through a legal filter that omitted linguistic and cultural context. Crucial annexures were absent. Vetten had not consulted the Tribunal's cultural-linguistics assessor, despite the case hinging on meaning and tone communicated in isiXhosa. Her findings were presented as conclusive without the primary data being fully explored. Chairperson Judge President Bernard Ngoepe's order to admit the full isiXhosa WhatsApp exchanges into the record was a tacit acknowledgment of these procedural gaps – gaps that GroundUp and its media allies had already sealed shut with a premature headline designed to foreclose complexity and manufacture consent. This moment, then, is not only about what happened between two individuals. It is about whose frameworks we are allowed to believe, whose voices are authorised, and whose truths are strategically denied. It is about how knowledge is managed, contained, and weaponised. And it is about whether South Africa can withstand the growing grip of liberal epistemic capture disguised as gender justice, or whether it will open a path toward decolonial clarity, where multiple truths can breathe without one being used to suffocate the rest. As for Thamm's increasingly degenerate journalism, in which she has cast the Tribunal as an 'intellectual heavyweight title fight between the Old Patriarchs and the Gender-Based Violence Expert,' – is not worthy of anything more than the derision we reserve for mercenaries fighting in service of empire. Her reductionism flattens a complex and politically charged legal encounter into a tired has-been morality play. Far from being a helpless woman pitted against patriarchal power, the expert witness in this case is ideologically armed and institutionally weaponised. The case cannot be read through the paternalism of liberal gender tropes. It demands to be read through the fresh lens of decolonial thought and praxis. And this case is not simply about personal conduct. It is about ideological warfare. It is about who gets to speak, who is erased, and what forms of knowing are cast as either legitimate or deviant. More than ever we are witnessing an all-out assault on radical Black thought, African jurisprudence, and decolonial critique under the sanitised banner of human rights and democracy. The interest shown in this case by donor-funded media and NGO actors must be interrogated. It bears the familiar markings of regime-change politics: rooting out those who threaten liberal orthodoxy, targeting those whose authority emerges beyond the limits of civil society funding pipelines. The soft coup unfolding within the GNU has ideological foot soldiers in law, media and academia. Their project is to purge the judiciary, academia, and political thought of any element that does not conform to Western standards of civility and containment. What we are witnessing, then, is not justice – but ideological capture. Whether South Africa can resist this and re-centre African epistemology remains the question. What is clear is that the machinery of liberal capture is always in motion – and it speaks with one voice. * You can read Gillian's academic analysis here: The Erotics of Power, the Semantics of Guilt: A Decolonial Disruption of South African Legal Discourse * Gillian Schutte is a South African writer, filmmaker and social critic. She writes on decoloniality, media and political resistance across the Global South. ** The views expressed do not necessarily reflect the views of IOL or Independent Media.


The Citizen
9 hours ago
- The Citizen
Story of 1990s serial killer Moses Sithole set to make its debut on Showmax
While serving a 2 410-year prison sentence, Sithole is currently studying law after completing a degree in theology. In just over a year, 1990s serial killer Moses Sithole murdered 38 people, sexually molested 40 and committed six robberies. These crimes were in broad daylight, while Sithole was sober and just a few months after Nelson Mandela had become South Africa's first democratically elected president. 'This was the biggest case of our history at the time,' says former detective Derrick Nosworthy in the trailer of the series on Sithole. 'I don't think we had ever had a case where there were so many people murdered by potentially one offender.' The abovementioned crimes are the ones for which Sithole was later convicted, and his story will be told in a three-part series on Showmax, directed by Jasyn Howes, who also directed another doccie of a Mzansi 1990s serial killer, Boetie Boer. 'It was a natural progression from my previous series, where I had met one of the principal characters in the story during my research phase on the last series,' Howes tells The Citizen. 'When I heard the story, I immediately knew I needed to tell this story, but it would need to wait. Often stories happen upon us, and I am very grateful that this one did.' ALSO READ: Lasizwe cuts ties with MultiChoice amid podcast payment dispute Telling the Sithole story Thirty years ago, then-rookie journalist Tamsen de Beer was working the night shift at The Star newspaper when she received a life-changing call from someone claiming to be South Africa's most prolific serial killer. Through repeated conversations, the two developed a disturbing rapport that bears resemblance to Stockholm Syndrome. 'It was like a journey I was on with him,' de Beer says in the trailer. 'We were bonded in a strange, ugly way. I was hoping he was okay all the time, which is absolutely crazy.' 'He was our Ted Bundy,' says Howes about Sithole, comparing him to the famed US serial killer, Bundy, who murdered dozens of young women and girls between 1974 and 1978. The ABC Killer is his second series in a row for Showmax about a 90s serial killer, the first Boetie Boer, which received a nomination at last year's South African Film and Television Awards for Best Documentary Series and Best Editor (Jaco Laubscher, who also cut The ABC Killer). For the new series, Howes tracked down many of those closest to the story, including de Beer and her night editor, Alameen Brendan Templeton, who admits in the trailer that he was worried his journalist 'could end up as one of his victims.' While serving a 2,410-year prison sentence, Sithole is currently studying law after completing a degree in theology. ALSO READ: Hey Neighbour Festival postponed as organisers negotiate new dates with artists Howes — the storyteller Howes was a nine-year-old during the time and says he remembers the atmosphere of the country at the time. 'I remember the long lines of people standing to vote, and I remember the social fabric of my classrooms beginning to change. It was an exciting time, and it felt like every day something new and interesting was happening,' said The director, who has worked in film, commercials, and documentaries, says South Africa has a wealth of stories to tell across multiple genres. Saying the country's landscape, history and varied cultural mix make South Africa a storytelling goldmine. 'It excites me that our local platforms are providing more and more opportunities to tell local stories, and I think it is only a matter of time before international audiences start to see our content as viable viewing options,' said Howes. Howes says he's always hands-on with his projects, thanks to his background in writing, directing, cinematography, and editing. 'So I apply all of those skills in the projects I create, and it's very important for me to have a meaningful handle on the research, interviewing the story stakeholders and then figuring out how I want to visually tell the story. 'The first longer form documentary I made, I played all the creative roles bar illustration, and this gives me confidence in knowing that I can take on a project and feel confident to execute it,' he said. The ABC Killer will be available to binge on Showmax from Tuesday, 22 July. NOW READ: How the last episode of 'Shaka iLembe' made Nomzamo Mbatha feel like a 'new person'