
Aotearoa To New York — New Zealand Film Premieres At Tribeca Festival
Aotearoa short film Womb is set to return home following its world premiere at New York's Tribeca Festival earlier this month.
New Zealand audiences will get their first look at one of the year's most anticipated local short films at this year's Whānau Mārama: New Zealand International Film Festiva l with Womb having it's national premiere in competition as part of the festival's Ngā Whanaunga: Aotearoa New Zealand's Best short film programme.
The powerful drama follows a young Māori girl in the care of a conservative Pākehā couple as she savours her mother's weekly visitations, as a custody battle driven by racial bias will ultimately decide their fate.
Directed by Ira Hetaraka (Ngātiwai, Ngāpuhi), the film had its world premiere in competition at Tribeca Festival in New York City on June 8, with director Ira Hetaraka, producer Amanda Jane Robinson and editor Sophie Coombs in attendance. The film played three screenings as part of the Floating Roots short film programme focused on Asian, Asian American and Pacific Islander heritage, co-curated by Tribeca Festival shorts programmers Ben Thompson and Madison Egan as well as Seigo Tono, the executive director of Short Shorts in Japan. Womb was the only film at Tribeca Festival 2025 from Aotearoa New Zealand and the Pacific Islands.
Womb had its Australian premiere at Sydney Film Festival on June 10, in competition for the First Nations Award, the world's largest cash prize in global Indigenous filmmaking. Sydney Film Festival programmers called the film: 'A haunting, unforgettable reminder of the personal cost of systemic harm – masterfully crafted, Womb unearths longing, identity, and the unbreakable pull of familial connection.'
Now, the film is set to return home. Whānau Mārama: New Zealand International Film Festival Programmer Leo Koziol called the film an 'absurd and wildly original fable, starkly reminding us of the past dehumanisation of Indigenous whānau.'
Director Ira Hetaraka commented: ' Womb was birthed from experiences that shaped my own childhood; it was a response to the heavy yet incredibly fulfilling years spent reconnecting with my family and culture that had preceded its making.'
'As I read articles of the thousands and thousands of Māori children that were robbed of their identity, whether it be through closed adoptions, state or faith-based care and abuse, or just plain old racism, it became evident to me not only the universal aspect to the story, but the importance of telling it. Womb became equally a story of the sacred love between a mother and daughter as it did a story of colonisation. After playing in New York City and Sydney, I am proud and excited to bring this film home to Aotearoa audiences.'
Whānau Mārama: New Zealand International Film Festival takes place across the motu from July 31 until September 10 2025.
Womb was filmed on location in Tāmaki Makaurau Auckland. The film stars newcomer Pounamu Hetaraka alongside Te Arohanui Korewha (Ahikāroa), Bruce Hopkins (The Lord of the Rings, Housebound, Under the Mountain), Chelsie Preston-Crayford (A Remarkable Place To Die, Dark City: The Cleaner, Nude Tuesdays), Julie Wilson and Jaine Kirtley, with narration by Ngātai Hita (Big Girls Don't Cry).
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Scoop
40 minutes ago
- Scoop
Announcing the winners of the 2025 Aotearoa Children's Music Awards
Press Release – APRA – AMCOS APRA AMCOS Aotearoa, Recorded Music NZ, and NZ On Air are bursting with excitement to share the winners for the 2025 Aotearoa Children's Music Awards | Ngā Manu Tīrairaka – celebrating music written and recorded for children. This afternoon, at a family friendly event at Auckland's Tuning Fork, children's music creators from across the motu joined forces to celebrate and spotlight tunes especially made for the tamariki of Aotearoa and beyond. Christchurch-based Loopy Tunes were announced as winners in an exceptional three categories including the coveted Tūī for Recorded Music NZ Te Manu Taki Kerekahu o te Tau | Best Children's Music Artist. This is the first Aotearoa Children's Music Awards win for the sibling music duo of Siu Williams-Lemi and Leah Williams-Partington, who released their first recordings for children in 2019. Bringing a super-fun vibe to the children's music world, they create waiata reo rua / bilingual Māori and Pasifika children's music, sung in their own harmonious style. With Māori and Tongan ancestry, Loopy Tunes' kaupapa is to normalise the use of Māori and Pacific languages in everyday life, through music. Currently playing shows at festivals and libraries, touring their most recent album Matariki, they regularly perform their Outreach Music Classes, visit preschools, and run workshops for educators – all while continuing to create episodes for their YouTube series Music Time with Loopy Tunes. Also from Christchurch, Michal Bush, who performs under the name Music with Michal won the APRA Best Children's Song – Primary | He Pī Ka Rere for her fun guitar-based pop song 'Shapes and Colours', bringing vibrancy and fun to fundamental learning. Having won a Tūī for Best Children's Artist in 2022, Michal continues to create joyful, imaginative songs and videos for young children and their families. Recorded Music NZ Te Manu Taki Kerekahu o te Tau | Best Children's Music Artist: Loopy Tunes Preschool Music for Kahurangi – Little Treasures APRA Best Children's Song – Primary | He Pī Ka Rere: 'Shapes and Colours' written by Michal Bush, performed by Music with Michal NZ On Air Best Children's Music Video | He Manu Tūtei: 'The Maui Dolphin' written by Siu Williams-Lemi, performed by Leah Williams-Partington and Siu Williams-Lemi of Loopy Tunes Preschool Music, animation by Ross Payne APRA Best Children's Song – Preschool | He Manu Pīpī: 'Lele Means Run' written by Siu Williams-Lemi, performed by Leah Williams-Partington and Siu Williams-Lemi of Loopy Tunes Preschool Music KŌKAKO AWARD WON BY 11-YEAR-OLD EMERY GOODWIN were honoured as 2025 recipients of the Baysting Prize for Children's Champion. Since 2011, Sistema Aotearoa have been providing free, high-quality music education to tamariki in South Auckland, with a focus on building strong communities through collective music-making. The award, established in 2019 by APRA AMCOS Aotearoa, is presented in honour of the late Arthur Baysting. Also presented was the Kōkako Award, nurturing our young performers in their endeavours and was won by 11-year-old Emery Goodwin of Dunedin [pictured right, above]. Emery will have their performance of their mother's original song, 'Enjoy the Ride', arranged by the Auckland Philharmonia – performing it live on stage with the orchestra later this year. The Kōkako judging panel offered: 'What an incredible group of finalists we had for this year's Kōkako Award – five outstanding young performers (Aiden Gao, Emery Goodwin, Naledi Mhuka, Sophie Jack, Yumi Chen), each of whom performed an original song. The talent on display was truly inspiring, making for a very tough decision. Our 2025 winner, Emery Goodwin, stood out with a performance full of maturity, vocal range, and expressive depth. On behalf of Kiwi Kids Music, NZ Opera, and Auckland Philharmonia, we warmly congratulate Emery and all of the finalists – we're excited to watch all your musical journeys unfold.' The Kōkako Award for Best Children's Performer is presented by Kiwi Kids Music, NZ Opera and the Auckland Philharmonia. The Awards were held this afternoon, Sunday 29 June, at a special family friendly event atThe Tuning Fork in Tāmaki by Suzy Cato alongside a gaggle of talented tamariki and rangatahi, the celebration was preceded by a public Sounds Fun event that included performances from several Aotearoa Children's Music Awards finalists. Presented by Recorded Music NZ, APRA AMCOS Aotearoa, and NZ On Air, the awards have the support of Kiwi Kids Music – the national association of children's songwriters, creators and producers. Formed by some of the most passionate creators of music for kiwi kids, the association supports NZ children's music creators and seeks to advance the potential of all our children to live healthy fulfilling lives.


Scoop
an hour ago
- Scoop
Announcing the winners of the 2025 Aotearoa Children's Music Awards
APRA AMCOS Aotearoa, Recorded Music NZ, and NZ On Air are bursting with excitement to share the winners for the 2025 Aotearoa Children's Music Awards | Ngā Manu Tīrairaka – celebrating music written and recorded for children. This afternoon, at a family friendly event at Auckland's Tuning Fork, children's music creators from across the motu joined forces to celebrate and spotlight tunes especially made for the tamariki of Aotearoa and beyond. Christchurch-based Loopy Tunes were announced as winners in an exceptional three categories including the coveted Tūī for Recorded Music NZ Te Manu Taki Kerekahu o te Tau | Best Children's Music Artist. This is the first Aotearoa Children's Music Awards win for the sibling music duo of Siu Williams-Lemi and Leah Williams-Partington, who released their first recordings for children in 2019. Bringing a super-fun vibe to the children's music world, they create waiata reo rua / bilingual Māori and Pasifika children's music, sung in their own harmonious style. With Māori and Tongan ancestry, Loopy Tunes' kaupapa is to normalise the use of Māori and Pacific languages in everyday life, through music. Currently playing shows at festivals and libraries, touring their most recent album Matariki, they regularly perform their Outreach Music Classes, visit preschools, and run workshops for educators - all while continuing to create episodes for their YouTube series Music Time with Loopy Tunes. Also from Christchurch, Michal Bush, who performs under the name Music with Michal won the APRA Best Children's Song - Primary | He Pī Ka Rere for her fun guitar-based pop song 'Shapes and Colours', bringing vibrancy and fun to fundamental learning. Having won a Tūī for Best Children's Artist in 2022, Michal continues to create joyful, imaginative songs and videos for young children and their families. Recorded Music NZ Te Manu Taki Kerekahu o te Tau | Best Children's Music Artist: Loopy Tunes Preschool Music for Kahurangi - Little Treasures APRA Best Children's Song - Primary | He Pī Ka Rere: 'Shapes and Colours' written by Michal Bush, performed by Music with Michal NZ On Air Best Children's Music Video | He Manu Tūtei: 'The Maui Dolphin' written by Siu Williams-Lemi, performed by Leah Williams-Partington and Siu Williams-Lemi of Loopy Tunes Preschool Music, animation by Ross Payne APRA Best Children's Song - Preschool | He Manu Pīpī: 'Lele Means Run' written by Siu Williams-Lemi, performed by Leah Williams-Partington and Siu Williams-Lemi of Loopy Tunes Preschool Music SISTEMA AOTEAROA RECEIVES BAYSTING PRIZE KŌKAKO AWARD WON BY 11-YEAR-OLD EMERY GOODWIN Sistema Aotearoa were honoured as 2025 recipients of the Baysting Prize for Children's Champion. Since 2011, Sistema Aotearoa have been providing free, high-quality music education to tamariki in South Auckland, with a focus on building strong communities through collective music-making. The award, established in 2019 by APRA AMCOS Aotearoa, is presented in honour of the late Arthur Baysting. Also presented was the Kōkako Award, nurturing our young performers in their endeavours and was won by 11-year-old Emery Goodwin of Dunedin [pictured right, above]. Emery will have their performance of their mother's original song, 'Enjoy the Ride', arranged by the Auckland Philharmonia - performing it live on stage with the orchestra later this year. The Kōkako judging panel offered: "What an incredible group of finalists we had for this year's Kōkako Award – five outstanding young performers (Aiden Gao, Emery Goodwin, Naledi Mhuka, Sophie Jack, Yumi Chen), each of whom performed an original song. The talent on display was truly inspiring, making for a very tough decision. Our 2025 winner, Emery Goodwin, stood out with a performance full of maturity, vocal range, and expressive depth. On behalf of Kiwi Kids Music, NZ Opera, and Auckland Philharmonia, we warmly congratulate Emery and all of the finalists – we're excited to watch all your musical journeys unfold." The Kōkako Award for Best Children's Performer is presented by Kiwi Kids Music, NZ Opera and the Auckland Philharmonia. The Awards were held this afternoon, Sunday 29 June, at a special family friendly event atThe Tuning Fork in Tāmaki by Suzy Cato alongside a gaggle of talented tamariki and rangatahi, the celebration was preceded by a public Sounds Fun event that included performances from several Aotearoa Children's Music Awards finalists. Presented by Recorded Music NZ, APRA AMCOS Aotearoa, and NZ On Air, the awards have the support of Kiwi Kids Music - the national association of children's songwriters, creators and producers. Formed by some of the most passionate creators of music for kiwi kids, the association supports NZ children's music creators and seeks to advance the potential of all our children to live healthy fulfilling lives. Thanks to all the performers and presenters, APRA AMCOS Aotearoa, Recorded Music NZ, Spark Arena, NZ On Air, NZ Music Commission, Kiwi Kids Music, NZ Opera and the Auckland Philharmonia.

1News
a day ago
- 1News
The hardest part of walking the length of NZ? Maybe the loneliness
Walking the full length of New Zealand on the Te Araroa trail was physically gruelling, but there was an unexpected emotional toll too, writes Naomi Arnold. Every time I've spoken about my Te Araroa trail memoir Northbound in the last three months, the interviewer will invariably ask about my loneliness on trail. It was relentless and profound; the book's subtitle is 'Four Seasons of Solitude on Te Araroa', after all. I spent eight and a half months away from home, walking. I ducked off trail for stretches to do freelance work, but I hiked alone nearly every day, often from dawn into the night. In the book, and lately to interviewers, I talk about how I often felt so overwhelmed with loneliness that I would stop on trail and cringe, wrapping my arms around my middle, sometimes hit with a bout of tears. Sometimes I just kept walking like that, too. When I was recounting this at the Auckland Writers Festival in May, the session chair Liv Sisson observed: 'You're doing it right now.' I realised I had hunched over in my seat and was hugging my torso again, reliving the whole sorry mess in front of an audience. Me and my shadow near lake Tekapo. (Source: Supplied) Loneliness, an emotional state, feels physical like that. I felt it in my heart and in my gut. When I did meet people, my loneliness made it difficult to connect with them; I felt out of place and time, awkward and unwanted, and this made me isolate myself further. When I turned up at the Old Convent at Jerusalem, on the Whanganui River, a rongoā Māori wānanga was in session. I was drowned by winter rains and they invited me in to dry off, stay overnight, and join the lessons. But I couldn't go into the room. I heard laughter and yearned to, but panicked at the thought. I could still talk one-on-one. But I could no longer be with people. ADVERTISEMENT When I returned from trail and came home, I found crowds made me panic and eye contact was disturbing and embarrassing. It took me some time to come right, but I haven't forgotten how it made me feel. People alert: Reaching the outskirts of Auckland. (Source: Supplied) This was all new for me. I had never felt lonely before; I liked being by myself and there were always plenty of people around, or at least the dog, if I wanted a change. I came across the organisation Loneliness New Zealand recently, and discovered there are several different related definitions including being physically or socially isolated as I was; and being emotionally isolated, or lonely. The second one is the one most people associate with loneliness: the sadness, heartache, and distress which essentially means you don't have enough meaningful connection with others. It's not about how many friends or relationships you have nor whether you actually are physically alone. You can feel loneliness from being neglected emotionally, from being misunderstood, and if people close to you aren't emotionally satisfying or fulfilling you. But in my case, those feelings were brought on by being simply alone, with no-one to help me process what I was going through. Te Araroa was a psychic shock. It's not just a thru-hike; it's one of the toughest in the world. There was no-one to laugh or cry with after a 10-hour day spent in mud to the thighs, climbing and descending thousands of metres, or rolling ankles over soggy clumps of tussock. Texts from friends were breezy – 'Are you buff yet?'. I couldn't put the breadth and depth of the suffering into a text back. You had to experience it to understand it yourself, and there was no-one aroud to do that. Walking with a knee brace after a ligament tear. (Source: Supplied) We usually associate loneliness with seniors, but research shows only two out of 15 lonely New Zealand adults are aged 65 or over. According to this research, seniors are doing well; this group is actually the least lonely. When the General Social Survey 2018 asked people if they were lonely most or all of the time in the last four weeks, it found that loneliness was in fact highest among people with sexual identities it characterised as 'other' (12 percent). The loneliness Top 10 then included people who were disabled, who were unemployed, who were solo parenting, who had a household income of $30,000 or less, who were Māori, aged between 15 and 24, or 'not in a family nucleus'. Northland was the loneliest region, but it's also a global issue. Drivers across the OECD are migration, urbanisation, individualism, a decrease in the birth rate, people living longer, a rise in digital technology, fragmentation of family, and much more. ADVERTISEMENT There's likely to be sorrow behind the words 'I'm feeling lonely', the organisation says on its website. I found that quite a gentle and lyrical way of putting it. Sorrow, in its quiet and compounding ways, drives withdrawal and disconnection. Grief, shame, disappointment, trauma, heartbreak too big to recognise, let alone put into words – it all makes you want to shield yourself from the further pain of being misunderstood. You feel it if no-one close to you is strong or aware enough to listen to you without defensiveness and judgement, to validate and respond to what you are feeling and trying to say. You then cannot give back to people emotionally either, creating a self-perpetuating loop of shallow relationships and disconnection that only calcifies with time or continual disappointment, and potentially leads to depression. People with depression or other mental illness are then told they must reach out. What happens when they do, but no-one is able to reach in and meet them there? The empty beauty of Canterbury. (Source: Supplied) What to do about this? My own loneliness was solved by getting out of my extraordinary, self-imposed isolation and gradually returning to the social bonds I already had, an awkward and disjointed process though it was. Connecting with relationships old and new might seem like the most obvious and important solution, but I hadn't realised that connection with our own selves through embracing solitude was just as important. And I did have that too on my long walk. When I am on stage and asked about the good moments of Te Araroa, I remember that solitude felt like a gift at times, not a burden. An unexpected burst of happiness would interrupt at the strangest moments, and when they came I leaned into them, appreciating a break from the physical and mental pain. A long encounter with a South Island robin. A laugh with a woman at a bus stop. The perfect song at the perfect moment. Rain on my tent. A kind text from a friend. A sunrise. I cried a lot of tears of sadness during the year I was lonely. But countering them were many tears of joy, too. It was those that helped me get through.