EFF drops gospel artist Betusile Mcinga from 12th anniversary lineup over ANC ties
Renowned gospel artist Betusile Mcinga was booked as part of the artists that will be performing at the EFF's 12th anniversary celebration to be held in Khayelitsha Rugby Stadium, Cape Town, on Saturday, July 26, 2025.
Read more | Judgment reserved in Julius Malema firearm cas
However, EFF supporters known as 'ground forces' used social media to pressure the EFF to drop him as an act.
They demanded that the party leader remove him from the lineup and find a replacement who is genuinely committed to the EFF.
The reason for Mcinga's removal stems from his public support for the African National Congress (ANC), a political party that often finds itself at odds with the Economic Freedom Fighters (EFF).
They argued that as affiliates of the EFF, they contribute financially to the organisation and therefore have a right to dictate how their money is spent and supporting a 'card-carrying member of the ANC' is a slap to the face to them, and they felt that their values and interests were being compromised.
Julius Malema responded to the calls and removed Mcinga from the lineup, and a new and final poster for the event was released with Mcinga removed from the lineup.
Bethusile took to social media to address the concerns from people, stating that people should focus on celebrating the milestone that the party has reached and not the negativity, as he didn't take any offence at his removal from the event.
'Don't make the event about me. It's about celebrating EFF, so I think let's focus on that, not me. Even if I'm there or not doesn't change anything about the 12th anniversary,' he posted.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Forbes
4 hours ago
- Forbes
Adam Silverman: LACMA's Seeds and Weeds are Ceramic Art
LACMA Seeds and Weeds, Installation view, Los Angeles, 2025, Ceramics has long oscillated between the functional and the artistic. California has a long tradition of makers who span the chasm between the two, from Beatrice Wood to Jonathan Adler. Among the LA ceramic artists who began making functional pottery and who, in the last decades, migrated to increasingly conceptual artworks is Adam Silverman, who has a show of new work, LACMA Seeds and Weeds, at BLUM in LA on view until August 16, 2025. (BLUM recently announced they will be closing the gallery, so see this while you can). Silverman's early background was in architecture, and he takes special care in how his work is displayed. In the Blum galleries, Silverman has grouped certain pieces that take on additional totemic power together, as well as individual pieces that stand out, positioned around the room, on the floor, on a platform, or on a shelf. Silverman's placement of his work is akin to how a Zen gardener places his rocks, contextualizing the work as worthy of contemplation. Silverman was the 2024 artist in residence at the Skirball Cultural Center, where he showcased his installation Common Ground, a conceptual work for which Silverman collected clay, water, and wood ash from all fifty American states, as well as from Washington DC, and the US Territories of Puerto Rico, the US Virgin Islands, Guam, American Samoa, and the Northern Mariana Islands to make the glazes. The final exhibition includes a tableware set of fifty-six plates, fifty-six bowls, fifty-six cups, as well as fifty-six ceremonial pots. For his exhibition at Blum, Silverman has spent the last five and a half years collecting materials from the LACMA demolition, which he refers to as the 'oozing, living history of the city.' Silverman used the materials to make the glazes; he also would blow matter into the kiln while it's superhot in a manner that affects the surfaces of the pottery. Finally, actual demolition debris was incorporated into the pieces. The total effect does not say LACMA, but rather speaks to the primordial location, sitting as it does near the Tar Pits. LACMA Seeds and Weeds, Installation view, Los Angeles, 2025. FEATURED | Frase ByForbes™ Unscramble The Anagram To Reveal The Phrase Pinpoint By Linkedin Guess The Category Queens By Linkedin Crown Each Region Crossclimb By Linkedin Unlock A Trivia Ladder Some of the works grouped together, which Silverman calls 'seeds,' look like fossilized dinosaur eggs that have bubbled up from the tar pits. Silverman calls other works on display, 'weeds,' as if they sprung from the seeds. Some of the works recall ancient amphora, others are objects that emanate a certain ancient power as if used once for ritual or commemorative reasons. The borders between ceramics, sculpture and painting are increasingly porous. At one end of the spectrum are participants in the 'Maker' culture a DYI aesthetic powered by the lowering of barriers to entry for object making. At the other end are artists engaging with ancient mediums whose possibilities have been enhanced by technology. Silverman's works speak to place, time, history, and our emotional connection to the objects derived from specific sites. The source of Silverman's site-specific additives is not apparent when you look at the works. Yet they do add a conceptual and metaphorical dimension that enhances our connection to the work. Silverman's ceramics both delight us and haunt us because we know they are man-made and yet contain primordial history.
Fox News
5 hours ago
- Fox News
Ex-MSNBC host praises Trump's political instincts, ability to connect to country culturally
Ex-MSNBC host Chris Matthews praised President Donald Trump during a conversation with Charlie Rose on Saturday, suggesting the president had a strong cultural connection to the country. "He's very good at knowing your condition, your worries, your insecurities. I mean, he'd be a great bully in a grade school, a Catholic high school or grade school. I mean, he'd be the scariest bully because he'd know everybody's weakness. But he's really good at the moment. I mean, he's out there watching television and keeping up, and, 'Is this the right thing to do, what we're doing right now?'" Mattews told Rose. "Biden couldn't do that in a million years, not a million years. Mondale couldn't do that. They don't have the connection to the electricity of what's going on in the country culturally. And he knows what works." Matthews, the former host of "Hardball with Chris Matthews" on MSNBC, spoke to Rose during his show, "A Charlie Rose Global Conversation." Rose began the discussion by asking Matthews how he would rate the president as a politician. "We have never had a president so instantly spontaneous that he knows this minute, if he had said at four o'clock this afternoon, he would say, 'You know, that's not really true anymore.' He will know the mood of the country. I once had a talk with him about the 'Zoolander' movie, Ben Stiller movie, and he said, 'Zoolander 1,' good timing. 'Zoolander 2,' didn't work. He's instantaneous," Matthews said. The former MSNBC host said Trump knew how to put down Jeb Bush and several of his GOP opponents. Matthews also argued that Trump was a strong public figure. "His strength is still greater than the Democratic strength," he told Rose. "He is a stronger public figure than the Democratic people. I mean, Obama still has tremendous charisma, but Trump has strength. And I think that's what all voters look for. They want a president who is a strong figure. And he's got it. It's just there. And half the country buys it." He also said that he didn't believe polls that showed Trump's popularity slipping. "To be honest with you, the country is moving towards Trump!" Matthews told Rose. "These polls, they come out and show him not doing well, I don't buy that." Matthews offered some political praise for Trump earlier this year over his efforts against elite institutions. "I have to say that the administration sometimes sets its targets in the right direction. The elite universities in this country are not exactly covered in roses right now in the way that they handled these demonstrations," Matthews said during MSNBC's "Morning Joe" in April. Matthews lamented that protests over the Israel-Hamas war over the last year prevented students from going to class, and said every student - Jewish or not - had a right to attend the classes they're paying for at universities like Harvard. "And the fact that they had to be told to do this, they had to be told to let students go to school, which is what this is about, that they had to be told to do, that they had a problem in their own heads. So I think the elite universities are taking a beating right now. It's probably a smart move," he said at the time.
Yahoo
6 hours ago
- Yahoo
Dawn O'Porter: 'I work pay cheque to pay cheque. I'm always broke'
Dawn O'Porter is 'always broke'. Although Dawn, 46, is a successful author and TV presenter in her own right and is also married to Hollywood actor Chris O'Dowd, she admitted that money is always an issue. She told the White Wine Question Time podcast: 'I've never seen myself as a celebrity. Even though I'm married to Chris, who is quite a well-known actor, I don't think either of us have ever seen ourselves as celebrities. 'I work pay cheque to pay cheque. I'm always broke. My card got declined last week. I'm like, what the f*** is happening? When will this end? 'I guess if I was a celebrity, I'd get paid lots of money to do things that aren't necessarily my job or don't really feed what I do, but I don't. My job is writing, with the occasional little ad on Instagram to pay the rent.' Dawn – who has children Art, eleven, and Valentine, eight with Chris – also spoke about meeting Chris just as her successful TV and writing career was imploding. She said: 'Everything had fallen apart. My TV career had just gone. I was so poor. I was so upset. I had zero confidence. I didn't know what I was going to do. I'd just met Chris, and he was on this trajectory up. I thought, well maybe this is just it. I'm just a girlfriend, and that's it. 'We were living in LA and I just said to Chris, I've got to go back to London to try and claw back my career. And we came back to London for a bit and I'd go for these meetings at TV production companies and I'd been successful. 'I had my own series on Channel 4... and they'd be like, 'What do you want to do?' and I was like, 'I want to do what I do'. But no one wanted to employ me. '[Stylist magazine] sacked me. I was cool. I had my own show on Channel 4... then as my career just kind of... declined, I think they looked at me and were like, well she's just not that interesting anymore. 'It was the final blow to my confidence. I was absolutely on the floor because I always felt that writing would be the thing that saved me.'
