logo
‘Pillion' Review: Alexander Skarsgård Is Dom For The Holidays & Harry Melling Is Hopelessly Devoted In Steamy BDSM Romance — Cannes Film Festival

‘Pillion' Review: Alexander Skarsgård Is Dom For The Holidays & Harry Melling Is Hopelessly Devoted In Steamy BDSM Romance — Cannes Film Festival

Yahoo20-05-2025
In his feature directorial debut Pillion, writer-director Harry Lighton sets a beautifully heartbreaking love story against a modern world of BDSM.
Based on the 2020 novel Box Hill by Adam Mars-Jones, Pillion stars Harry Melling as a timid young gay man named Colin who comes into his sexuality when a biker named Ray (Alexander Skarsgård) takes him on as his sexual submissive.
More from Deadline
Alexander Skarsgård-Harry Melling BDSM Romance Pic 'Pillion' Spurs Eight-Minute Ovation At Cannes Premiere
Cannes Film Festival 2025 In Photos: Richard Linklater, Zoey Deutch, Jennifer Lawrence, Robert Pattinson, 'New Wave' & 'Die, My Love' Premieres
Wes Anderson's 'The Phoenician Scheme' Scores 7½-Minute Ovation After Cannes Premiere, Leaving One Star In Tears
A new kinkier Christmas classic for LGBTQ fans of Carol and Tangerine, Christmas carols over the piano with family are followed by an anonymous alleyway blowjob with a hot stranger, perhaps a familiar experience for one too many (or not enough) gay men going home for the holidays. In this case, Colin eagerly licks up the mud off Ray's boots when told to, all within the first 20 minutes of the movie.
Another erotic scene includes some ass-less wrestling singlets before the pair experiences an unfortunately common plumbing issue that comes with anal sex, one that's handled with a sincere awkwardness and empathy.
RELATED:
But beneath the unabashed sexual content, Lighton's debut is all romance, kicking off with a French rendition of 'I Will Follow Him,' foreshadowing the hopeless devotion Colin develops for Ray in their dom/sub relationship.
The opening scene sees Colin at a pub for a Christmas performance with his barbershop quartet (including Douglas Hodge as his dad Pete), where his mom Peggy (Lesley Sharp) also set him up on date with a 'Free Britney' activist, a sweet attempt at finding her son someone to settle down with before she dies of cancer. Colin's parents represent a new era of LGBTQ-affirming parents who are likely on the other side of the 'Does kink belong at Pride?' debate, despite its important contributions to the community. Although they only want to see their son happy, it's initially a shock learning what he's into.
Skarsgård understood the assignment, slipping seamlessly into his role as the sexually dominant yet elusive Ray, who's fearless in communicating his every desire, but emotionally closed off to any real intimacy as the leader of a gay biker gang.
Melling portrays parking attendant Colin with the thrilling curiosity and emotional depth of a young gay man exploring his sexuality for the first time, while attempting to define his own desires and identity, independent of his much more experienced dom.
In an unexpected supporting turn, Scissor Sisters' Jake Shears makes his acting debut in a role as a fellow submissive who has a steamy NSFW scene with Skarsgård on a picnic table (featuring a prosthetic with a Prince Albert piercing). The musician also flexes his acting muscle in a subtle yet bitchy exchange with Melling's Colin, in which both of their butts are on display.
RELATED: Full List Of Cannes Palme d'Or Winners Through The Years: Photo Gallery
As their unique bond grows, Colin takes on more of his dom's identity, shaving his head and wearing biker gear. Although the validation of finding a tribe speaks to him, he ultimately loses himself in the leather, noting his 'aptitude for devotion' to Ray.
Meanwhile, a personal tragedy shakes Colin into consciousness, the only element that manages to pierce Ray's exterior long enough to let his sub in. But is the moment of vulnerability enough of a foundation to find common ground in their unconventional relationship?
Beneath the bondage and demands, there's genuine caring between Ray and Colin, like when the former assembles his crew to celebrate the latter's birthday, or when Ray helps a grieving Colin collect himself. He even breaks through his broody façade to makes a pizza joke when Colin is at his lowest. It represents what Colin never was able to explain to his mom, which is that while dom/sub relationships might look abusive to outsiders, the successful ones come from a healthy balance of power that satisfies both parties, who have just as much a capacity for love and care as anyone else.
Lighton beautifully uses kink and BDSM as a playground to explore the longing and devotion that comes from unrequited love, as well as the balance of learning to love yourself and maintaining a sense of independence. With help from Skarsgård and Melling, the film navigates the chaotic push and pull of a relationship, as each sacrifices parts of themselves for the potential of love.
Title: PillionFestival: Cannes (Un Certain Regard)Distributors: A24, Memento DistributionDirector-screenwriter: Harry LightonCast: Alexander Skarsgård, Harry MellingRunning time: 1 hr 47 mins
Best of Deadline
Broadway's 2024-2025 Season: All Of Deadline's Reviews
Sundance Film Festival U.S. Dramatic Grand Jury Prize Winners Through The Years
Deadline Studio At Sundance Film Festival Photo Gallery: Dylan O'Brien, Ayo Edebiri, Jennifer Lopez, Lily Gladstone, Benedict Cumberbatch & More
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Brand Lessons from Dubai: Evolving with Purpose and Power
Brand Lessons from Dubai: Evolving with Purpose and Power

Entrepreneur

timean hour ago

  • Entrepreneur

Brand Lessons from Dubai: Evolving with Purpose and Power

This is a clear message to brands: if your creative is still playing it safe, or feels like a copy-paste job, you're already behind. Opinions expressed by Entrepreneur contributors are their own. You're reading Entrepreneur Middle East, an international franchise of Entrepreneur Media. Not long ago, much of Dubai's creative scene felt like it was borrowed from elsewhere. Many campaigns were adaptations of global ideas, not built specifically for the region. But that's shifting. Dubai's voice is evolving, from adaptation to originality, from safe to unapologetic. What's driving this shift? Ambition. The ambition to become a creative powerhouse, to attract top talent, and to build world-class brands from the region outwards. And the UAE government is setting the tone. Just look at their Cannes takeover this year: a bold, logo-less campaign that declared, "The Emirates are open for ideas as long as those ideas are impossible." This is a clear message to brands: if your creative is still playing it safe, or feels like a copy-paste job, you're already behind. IDEAS BASED ON LOCAL INSIGHT Brands in the Middle East are beginning to shred the "global-but-generic" creative template we see over and over again. For too long, campaigns created in the region have played it safe, polished, predictable, and built from formulas that worked elsewhere. But that's changing. The market is maturing. Clients are no longer asking, "What did London, Amsterdam or New York do?" They want ideas that begin here, shaped by the region's culture and created by people who live it, understand it, and are genuinely connected to the audience. Adidas' I'm Possible campaign is a perfect example. Instead of rolling out a global message, they started with a local truth: a YouGov stat that 88% of women in the Middle East believe sports aren't meant for them. adidas invited women across Dubai to share their own stories, and then took over the city's billboards with their images. It cut through because it was rooted in real women's voices, stories that felt personal, not performative. The takeaway? If you want your campaign to truly cut through, you can't afford to skip the work of uncovering local insight. It's not just about ticking a cultural box, it's about building creative that couldn't come from anywhere else. The brands leading the way are investing the time to understand the nuances: the humour, the language, the lived realities of their audience. Regional cues aren't being diluted anymore, they're being amplified. And the result is work that feels more confident, more connected, and far more likely to leave a mark. THINK BIG. ACT FAST. This is a region that moves fast and thinks big. Brands that wait for global sign-off or rely on tried-and-tested ideas will likely miss the moment. The most effective work here is reactive and matches the region's pace and ambition. Bold ideas that are sharp, timely, and strategically sound. Emirates nailed this strategic ambition with their Burj Khalifa stunt in 2021. When the UAE was removed from the UK's red list, Emirates responded quickly with a jaw-dropping visual: a flight attendant standing at the top of the world's tallest building holding signs celebrating the return of travel. Bold, timely, and completely mental. It gave them a new claim to fame: one of the "highest ads ever filmed". This is the level brands are competing with here. The work that lands here doesn't just move fast, it taps into the moment. The best brands are plugged into what's happening around them, and they're brave enough to respond with big, bold creative. It's not about waiting for the perfect global brief. It's about recognising the opportunity and having the guts to go for it. CREATIVITY BUILT FROM WITHIN The brands making the biggest impact aren't just getting the message right, they're getting the people right. The work that really connects here is being made by teams who understand this place because they're part of it. Not just flying in for a briefing or asking AI for cultural cues. It needs to be created by those experiencing the rhythm of everyday life, what people care about, laugh about, talk about. Campaigns like Puck's Recipe for Change or adidas' I'm Possible didn't land because they followed a formula. They worked because they were built by people who instinctively understood the tone, the sensitivities, and the stories that would resonate, and knew how to tell them in a way that felt natural, not forced. If you want your work to land here, it has to be created from here. Not adapted. Not translated. Created by people who know the difference between a borrowed insight and a real one, and who know how to build something original with it. Basically, what I'm saying is: brands need to be bold. More now than ever. And Dubai is the place to do it. I moved back because I could feel the ambition here and I want to be a part of it. The brands making the biggest impact are the ones grounding their ideas in local truth, reacting to the moment, and creating from within, not adapting a global formula. If you want to stay ahead, show up with work that's original, unapologetic, and impossible to ignore.

15 Black TV Characters Who Deserved A Prequel Series
15 Black TV Characters Who Deserved A Prequel Series

Black America Web

time7 hours ago

  • Black America Web

15 Black TV Characters Who Deserved A Prequel Series

Vinnie Zuffante A little over a decade ago, habitual media mogul 50 Cent officially dived into the television biz by producing a crime drama series on Starz we know and love today as Power . Following an epic six-season run spanning from 2014 to 2020, the 'Power Universe' was born and led to two spinoffs ( Power Book II: Ghost , Power Book IV: Force ) and a prequel series ( Power Book III: Raising Kanan ) that each received rave reviews. Following the conclusion of Ghost last year, and plans for both Raising Kanan and Force to end by 2026 — both are currently gearing up for finale seasons – it looks like we might be ready for the next chapters in this ongoing saga. Thankfully for the fans, it was reported earlier today (July 22) that two new shows are on the way in the form of a prequel titled Power: Origins and a spinoff set in present day with a working title of Power: Legacy . RELATED: 7 Black Movie Prequels We'd Love To See Get Made Origins , finally telling the story of a young Ghost and Tommy that's been alluded to on pretty much every show in the Power Universe, will also see the return of standout Raising Kanan star Mekai Curtis (seen above). Legacy on the other hand will see the return of present day Tommy (Joseph Sikora) and Ghost's infamous son Tariq (Michael Rainey Jr.) teaming up as it was hinted to in the final moments of the Ghost series finale. More details below, via Deadline : ''Power: Origins' follows Ghost and Tommy as ambitious young entrepreneurs on the rise, determined to make their mark on the streets of New York City. The show's logline says the new installment is a 'fun, rambunctious exploration of a new time in the Power franchise, which will highlight the unbridled audacity of young men on the rise, determined to become legends in the game.' Deadline understands the lead roles of Tommy and Ghost have yet to be cast. MeKai Curtis will reprise the role of early adult Kanan Stark in the new series, which he has portrayed across all four seasons of 'Power Book III: Raising Kanan.' Franchise executive producer Curtis '50 Cent' Jackson played Kanan in the mothership series. 'Raising Kanan' is set to conclude with its fifth season, which is expected to premiere in 2026. The franchise's first prequel introduced the character Branford 'Breeze' Frady (Shameik Moore), the nephew of street legends Snaps (Wendell Pierce) and Pop (Erika Woods), in the Season 4 finale. According to show legend, Breeze plays a significant role in Ghost's budding career as part of New York's criminal underworld. Depending on what happens in the final season of Raising Kanan, Moore could return for Power: Origins.'' As for Legacy , Deadline gave an update last month that confirmed a writer's room was officially open on the series. Details are still mum, so many are wondering if we'll see Tariq heading to Chicago, Tommy making his return to NYC or the pair packing up and going somewhere new altogether. We can't wait to find out! Admittedly, all this prequel talk got us thinking about all the great Black characters in television history who definitely could've shined in their own prequel series. We rounded up 15 fictional faves, used a bit of imagination and concluded that any of these prequel ideas would've been pure gold. Ironically enough, some of the suggestions you'll see below were actually greenlit in some form or fashion. For example, John Diggle had big plans for an Arrow spinoff series, Justice U , before it was officially shelved back in May 2023. The same happened to Tichina Arnold back in the day with a purported Pam spinoff to Martin , as with Taraji P. Henson's planned Cookie spinoff to Empire that never materialized and most recently with the Daria spinoff for the character Jodie that would've been voiced by Tracee Ellis Ross. After six whole years of anticipation, MTVE Studios chose not to move forward with Jodie and said in a March 2024 statement, 'We have loved working with Tracee, Grace and the whole team on creating a film that is full of joy and genre-bending fun with an inclusive, diverse, and incredible cast. We are fully supportive of them finding a home elsewhere and look forward to partnering with them in the future.' …justice for Jodie ! We want Cookie! Oh, and we'll still take whatever Pam is pushing out! Keep scrolling for our choice of Black TV characters we all know and love that could've definitely used some more screen time in their own prequel origin story. Let us know if you agree: Played By: Kim Fields The outfits-per-episode alone would've made her even more of a style icon than what was already established on Living Single . Played By: Gina Torres Nobody gave it up to Syndey Bristow when it came to a beat-down quite like Anna Espinosa. We'd love to see where her training came from, and how she became so evil, before the events of Alias . Played By: Taraji P. Henson That unfiltered mouth would've had us in stitches for seasons! Played By: Tichina Arnold Those who saw the fourth to last Season 5 episode of Martin titled 'Goin' for Mine' got a preview of what this show would've looked like. Who knew they even had opening credits prepared?! Played By: Khandi Alexander A character so good at being bad, we would love to see her early days of espionage. Oh, and the quotables! Played By: Nichelle Nichols Although we no longer have the late Nichelle Nichols with us to give creative direction on a project like this, the thought of her legacy continuing on is a nice idea in itself. Played By: Christopher Judge All we have to say on the idea of a Teal'c prequel, which Judge himself tried to get off the ground, is one thing: 'Indeed!' Played By: D.B. Woodside An origin story about the son of a slain Slayer, raised by her Watcher in efforts to avenge his mom? Count us in! Played By: J. August Richards While Angel was still helping Buffy in Sunnydale, Gunn and his crew were the ones keeping Los Angeles safe. Now that would be a cool story to tell on the small screen! Played By: Richard Biggs We sadly lost the Doc in real life, but anything is possible when you're dealing with sci-fi. We'd be down for anything, as long as there's some tribute to Biggs. Played By: Tituss Burgess Titus is a character that's hilarious in every sense of the word, and we truly believe this potential series would sweep awards season in the comedy categories. Played (Voiced) By: Diahann Carroll A young Black actress with enough charisma to channel the regal Dominique Deveraux during her prime years is something we believe would make the late Diahann very proud. Played (Voiced) By: Jessica Cydnee Jackson We can only hope Tracee finds a home for the series, which was restructured as a TV movie before getting shelved, sooner rather than never. Played By: David Ramsey Justice for Justice U ! That's all there is to it. Played By: LaKeith Stanfield Outside of lead character Earn, played to perfection by Donald Glover, Darius easily had the most interesting character development and side stories. This would be an absolute win. SEE ALSO

Taylor Swift Doc to Examine How She ‘Skillfully' Navigated ‘Controversy' Throughout Her Career
Taylor Swift Doc to Examine How She ‘Skillfully' Navigated ‘Controversy' Throughout Her Career

Yahoo

time10 hours ago

  • Yahoo

Taylor Swift Doc to Examine How She ‘Skillfully' Navigated ‘Controversy' Throughout Her Career

It's no secret that Taylor Swift has become one of the most successful musicians of all time, but how did she get there? That's exactly what a new documentary coming to the U.K.'s Channel 4 aims to find out. As announced exclusively by Deadline on Tuesday (July 22), an upcoming two-part series tentatively titled Taylor will trace the pop star's two-decade career from its early stages to becoming a billion-dollar, industry-dominating machine by way of insider interviews and fresh insights pulled from a 'rare archive.' Guy King will direct the project, which does not yet have an official release date. More from Billboard Billboard's Greatest Pop Stars of the 21st Century: No. 2 — Taylor Swift Stephen Colbert Cheered Himself Up After Cancellation News With 'Viva La Vida' Cover Feat. 'Weird Al' Yankovic and Lin-Manuel Miranda 48 Hours in Atlanta: Where to Stay, Eat & Explore the City's Rich Music Culture 'Taylor Swift is an unprecedentedly powerful 21st century voice for women and young people,' King told the publication. 'Under the microscope of social media since the earliest days of MySpace and Tumblr, she came of age during a new feminist wave.' 'With her fame came controversy, which she so skillfully wrestled to the floor,' the director added. 'We're excited to tell her story.' King and his team will have an abundance of material to draw from as they dive into Swift's historic rise. The Pennsylvania native has more Billboard Hot 100 entries than any other artist besides Drake, is the only musician to ever win album of the year at the Grammys four times, and has earned the title of first singer to ever become a billionaire based on songs and performances alone. As far as 'controversy' goes, Swift has plenty to analyze on that front as well. The musician has been scrutinized on everything from her love life to her feuds with fellow industry titans such as Kanye West and Scooter Braun, the latter of which culminated in Swift finally reclaiming ownership of her masters by purchasing them this past May. With that in mind, Taylor will be far from the first documentary-style project to explore her life and career. Swift personally participated in Netflix's Miss Americana, a Lana Wilson-directed doc about the musician's trajectory and political awakening, in 2019. Best of Billboard Kelly Clarkson, Michael Buble, Pentatonix & Train Will Bring Their Holiday Hits to iHeart Christmas Concert Fox Plans NFT Debut With $20 'Masked Singer' Collectibles 14 Things That Changed (or Didn't) at Farm Aid 2021 Solve the daily Crossword

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store