logo
Ramathibodi Foundation unveils The Little Prince collection

Ramathibodi Foundation unveils The Little Prince collection

Bangkok Post03-07-2025
The Ramathibodi Foundation recently launched its new charitable memorabilia collection titled Le Petit Prince, or The Little Prince, inspired by the world's classic literature that has won people's hearts for more than 80 years.
The Little Prince charitable memorabilia collection is inspired by the philosophy and illustration from The Little Prince, a French classic novella written and illustrated by Antoine de Saint-Exupery which has become a favourite among readers around the world. All pieces in this special memorabilia collection feature carefully crafted design with The Little Prince's signature drawings including the Prince, the Rose, Stars, the Fox and the Plane -- all in the warm colours such as blue, cream, mint green and navy blue. Besides all-time favourites such as T-shirts, hats, bags and umbrellas, new items include cushions, fabric keychains, sunshades and for the first time ever, breastfeeding covers.
Some of the highlights from this collection include T-shirts (250-299 baht for adults and 199-229 baht for kids, available in mint green, navy blue, cream and stripes), jackets (899 baht, available in navy blue and brown), caps (299 baht, available in light and dark denim), foldable bags (139 baht, for the blue one and 159 baht for the dark blue), micro-fabric bags (79 baht, available in dark blue, navy blue and blue) and thermal bags (199 baht, available in green and dark blue).
Interesting items from the bedding and accessories category include die-cut pillows (250 baht, available in dark blue), pillow cases (250 baht, available in dark blue and blue), cushions with removable cases (329 baht, available in green and navy blue), neck pillows (250 baht, available in navy blue), blanket pillows (399 baht, available in navy blue and mint green) and blankets (599 baht, available in dark blue and blue). Breastfeeding covers are also available at 699 baht, in green and navy blue.
Proceeds from the sale will go to help impoverished patients and the purchase of medical equipment at Ramathibodi Hospital.
The Little Prince collection is now available at Ramathibodi Foundation (Ramathibodi Hospital and Ramadhibodi Chakri Naruebodindra Hospital in Samut Prakan province).
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

A fresh era in French gastronomy
A fresh era in French gastronomy

Bangkok Post

timea day ago

  • Bangkok Post

A fresh era in French gastronomy

It is not really news that the only female chef in the world with the most Michelin-starred restaurants, a total of 10, will be joining Bangkok's culinary scene at Le Normandie, Mandarin Oriental. In an exclusive with the Bangkok Post, chef Anne-Sophie Pic talks about Le Normandie's new chapter, which the restaurant embarks on in September. Celebrated for her bold vision and avant-garde approach to French gastronomy, chef Pic's philosophy is a creative process she calls "Suffusion". "This approach, starting with an aromatic framework, brings together various techniques and preparations that reveal and create a dialogue between the ingredients. I like to think of tasting as a non-linear experience and offer our diners a sequence of flavours that unfold throughout the tasting," she says. "I believe that cuisine is a universal language, a space where cultures meet. Opening a new chapter at Mandarin Oriental, Bangkok, an iconic institution that embodies elegance and refinement, is an adventure that excites me. I look forward to creating an experience where French gastronomy engages in a dialogue with the vibrant energy of Thai culture. "The restaurant Anne-Sophie Pic at Le Normandie marks our first collaboration with the Mandarin Oriental, born from the trust placed in us by Laurent Kleitman and Mandarin Oriental. I aspire to offer Le Normandie, an emblem of French gastronomy in Bangkok, a true tribute to its history through a unique culinary experience. I was honoured to discover Le Normandie in 1998 while cooking during a gastronomic week and I'm excited to present an experience where French cuisine resonates with the vibrant energy of Thai culture. "Some of my signature dishes, like the Berlingots, will be presented with smoked Camembert, saffron, chamomile and tomato as key elements. Then, there's the lobster dashi with red fruits, a reinterpretation that reflects both French and Asian cuisines." The Berlingots is a dish the chef imagined "as a bridge between my roots, local produce and distant influences that inspire me". The signature dish changes depending on which country her restaurants are based in. The consistent feature is the tetrahedral shape, inspired by Berlingots de Carpentra fruit candies from Vaucluse, Provence, said to have been created by a cook for Pope Clement V in the 14th century. Its name, "Berlingot", is said to be derived from the Pope's given name, Bertrand de Got. The chef de cuisine at Anne-Sophie Pic at Le Normandie will be Tamaki Kobayashi. "She began as an intern at my restaurant Pic in Valence and steadily rose through the ranks to become my head chef at my three-Michelin-star establishment. Tamaki embodies rigour, attention to detail and precision -- qualities essential for leading a team with discipline and harmony. Her talent and passion for gastronomy shine through every dish. Our collaboration, which has lasted nearly 14 years, now takes on full meaning in this new shared challenge," says chef Pic. Anne-Sophie Pic at Le Normandie will offer different options: an à la carte menu, a lunch menu -- with a selection of starters, mains and desserts -- designed for a lighter, more refined experience, and of course, a tasting menu to fully immerse in the essence of the experience. No stranger to Asia, chef Pic first explored the continent at the age of 21. "During my travels in Asia, I had the privilege of discovering Thailand, where I was struck by the complexity of its aromas, the diversity of its ingredients and the generosity of its cuisine. When creating the menu for Le Normandie, I naturally drew inspiration from these powerful memories. Signature ingredients that I like cooking with, such as galangal, kaffir lime and green curry, will flavour my creations, always with a spirit of respect and balance of flavours. "Thai cuisine is distinguished by its intense flavours. It is this dialogue between the richness of French cuisine and Thai influence that I wish to bring to life in every dish. As an example, langoustines are accompanied by a broth crafted from my interpretation of green curry." Her signature lobster dish is inspired by her travels in Japan, where chef Pic spent six months. Her must-do in any new country is visit the local markets and restaurants to deepen her understanding of local dining habits and familiarise herself with the produce available. "Meeting local producers and artisans provides a valuable immersion and allows me to explore new products and textures. It broadens my sensory palette and inspires me greatly. All these discoveries fuel my thinking as I strive to create a cuisine that reflects who I am while paying tribute to Thai culture in all its vibrant and authentic richness. I look forward to rediscovering the markets, producers, ingredients and flavours during my visit, and the opening of the restaurant in September," says chef Pic. Her culinary philosophy is also the name of her latest cookbook, in which the art of perfume-making relates with cooking. "The art of perfumery and the art of gastronomy share the same sensory language. Just as a perfumer composes fragrances, I create my culinary creations around aromatic frameworks. There is a strong element of olfactory memory in my cooking. I often work with infusions, distillation or fermentation to capture the subtlety and complexity of an ingredient, often plant- or flower-based," explains chef Pic. "Early in my career, I became fascinated by perfumery and discovered enfleurage -- a cold infusion technique known for its faithful preservation of flavours. I truly believe in the cross-fertilisation between different fields. My friendship with perfumer Francis Kurkdjian continually inspires me and is a sincere source of mutual enrichment." As one of the world's most lauded female chefs, overseeing five restaurants across four countries [making Anne-Sophie Pic at Le Normandie her sixth], quality control is of the utmost importance. "I regularly visit each of my restaurants. It's essential for me to immerse myself in the daily lives of the teams, maintain a strong connection with them and also to understand local trends, taste and refine my cuisine," says chef Pic. "Travelling the world through its flavours is a real pleasure. It allows me to envision a unique identity for each of my restaurants, one that resonates with its environment. When it comes to creativity, Valence in France, remains the beating heart of our house. All the chefs from my restaurants around the world come there several times a year to the Pic Lab, my creative laboratory. Together, we develop dishes, test, exchange ideas and refine. It is an essential place for research, but also for passing on and sharing the DNA of my cuisine." With a fully reimagined space and an inspired new design, envisioned in partnership with designers Humbert & Poyet, Anne-Sophie Pic at Le Normandie will blend heritage with modernity, preserving the elegance of its past while ushering in a fresh era of contemporary French cuisine.

A surreal telling
A surreal telling

Bangkok Post

time5 days ago

  • Bangkok Post

A surreal telling

You are not alone if you get into Superstar, the new Netflix miniseries from Spain, without knowing it's based on a real-life figure -- a once-infamous Spanish dance-pop singer from the late 1990s named Tamara, who later reinvented herself as Yurena. Over six chaotic episodes, Superstar offers a fantastical, dreamlike dramatisation of her turbulent rise to fame and transformation into a pop culture phenomenon. But instead of presenting a straightforward biopic, the series delivers something much stranger and more stylised -- an offbeat, surreal trip through the glitter, trauma, and absurdity of notoriety. With its hallucinatory visuals, fractured storytelling and bizarre tonal shifts, Superstar feels like watching a show inside someone else's fever dream. And again, you're not alone if you finish all six episodes and walk away feeling like you somehow know less about Tamara than before. If that's the case, fear not -- Netflix also offers a companion documentary, I'm Still A Superstar, which provides more biographical context and can help ground the dramatic version for those who felt completely unmoored by the miniseries. As the new millennium dawned, Spain saw an explosion of fame that wasn't polished or conventional. Superstar captures that atmosphere, portraying a time when figures from the fringes of mainstream culture burst into public consciousness. Tamara -- improbable, unconventional and unapologetically herself -- embodied this strange, shifting era. For a few brief years, she dominated Spanish tabloid headlines and TV screens, challenging societal expectations of fame, beauty and success. The show reflects this spirit through its disorienting structure, vibrant visuals and larger-than-life characters. That said, this is not going to be for everyone. The show is bizarre -- at times purposefully off-putting. It presents a cast of characters who hover on the margins of society: grating, narcissistic, dysfunctional, and, in some cases, deeply repellent. While the overarching plot traces Tamara's rise in the public eye, each episode focuses on a particular environment or relationship that shaped her journey. These spaces -- be they her childhood home, a reality TV set or the backroom of a gaudy nightclub -- each deserve their own chapter in her mythos. Watching Superstar, I was reminded of the French film Gainsbourg: A Heroic Life (2010), a biopic of Serge Gainsbourg that also used surrealism and stylised fantasy to portray an artist's interior world. Similarly, Superstar blends the real with the imagined. The result is an experience that's more emotionally or symbolically true than literally accurate -- although that lack of clarity can be frustrating if, like me, you start the series without any knowledge of Tamara or her career. I can only imagine that many of the characters we see on screen are exaggerated versions of real people, filtered through a lens of satire and dark humour. There are amusing and strange details -- like Tamara's mother keeping a brick in her purse -- that may or may not be true, but feel emotionally symbolic. One particularly weird creative decision is having the same elderly actress portray the mother at every stage of Tamara's life, from childhood to adulthood. It's a bold, surreal choice that feels more metaphorical than realistic. But that's emblematic of the series' overall approach: blending fact and fiction so thoroughly that the line between what happened and what might have happened is nearly erased. The story does progress, mostly in linear fashion, but it's filtered through multiple points of view. This occasionally makes the timeline feel jumpy or disjointed, especially as each new character enters Tamara's life and brings their own perspective. However, the one constant is Tamara's mother, who remains by her side throughout the years. This relationship becomes a kind of emotional anchor, helping to ground the viewer and maintain a thread of continuity amid the chaos. Despite its strangeness, Superstar gradually builds momentum. Each episode adds another layer to the portrait of Tamara -- a woman both vulnerable and audacious, mocked and celebrated, crushed and defiant. By the final episode, the emotional payoff arrives. The tone shifts in a surprising but welcome way. Episode 6 stands apart for its sensitivity and sincerity, pulling back from the wild surrealism to reveal something more raw and heartfelt. It's a poignant conclusion that touches on universal themes: the conflict between parent and child, between control and freedom, between what others expect from us and what we expect from ourselves. Visually, the series is rich and electric. Red is the dominant colour, evoking passion, danger, and spectacle. Some of the musical performances and concert scenes are hypnotic and immersive. The costume and production design is another highlight -- every wig, outfit and glitter-drenched backdrop contributes to the show's heightened, theatrical feel. The lead actors are deeply committed to the material and look the part, fully inhabiting the hyperreal world the creators have conjured. Ultimately, it was the finale that elevated my appreciation for Superstar. Around the end of Episode 5 and especially throughout Episode 6, I started to connect emotionally with the show in a way I hadn't expected. Underneath the satire, absurdity and flamboyant camp is a sincere story about a woman striving to define herself in a world that wanted to mock and diminish her. The push-and-pull between Tamara and her mother -- between personal ambition and familial pressure -- gives the show its emotional weight. Superstar may not be a traditional biopic, but it captures the imagination and wild energy required to survive and thrive in the spectacle of showbiz.

Versailles orchestra plays New York in 'Affair of the Poisons'
Versailles orchestra plays New York in 'Affair of the Poisons'

Bangkok Post

time23-07-2025

  • Bangkok Post

Versailles orchestra plays New York in 'Affair of the Poisons'

NEW YORK — Acrobatics, fortune tellers, opulent gowns and palace intrigue: the New York debut of the Versailles Royal Opera Orchestra was a performance befitting the era it recalls. Monday's immersive show " Versailles in Printemps: The Affair of the Poisons" centred on France's 17th-century period of excess and seediness that its creator, Andrew Ousley, told Agence France-Presse (AFP) has parallels to the present day. At the evening staged in Manhattan's new Printemps luxury emporium, guests and performers alike donned velvet waistcoats, silky corsets, feathered headdresses and powdered makeup. Core to the performance's tale was the discovery of arsenic, Ousley said -- the first "untraceable, untasteable poison." "Everybody was just poisoning everybody." And at the web's center? A midwife and fortune teller named La Voisin, he said, a "shadowy-like person who basically would peddle poison, peddle solutions, peddle snake oil." "She was the nexus," Ousley continued, in a scheme that "extended up to Louis XIV, his favorite mistresses" -- inner circles rife with backstabbing and murder plots. The poisoning scandal resulted in a tribunal that resulted in dozens of death sentences -- until the king called it off when it "got a little too close to home," Ousley said with a smile. "To me, it speaks to the present moment -- that this rot can fester underneath luxury and wealth when it's divorced from empathy, from humanity." Along with a program of classical music, the performance included elaborately costumed dancers, including one who tip-toed atop a line of wine bottles in sparkling platform heels. The drag opera artist Creatine Price was the celebrant of the evening's so-called " Black Mass," and told Agence France-Presse (AFP) that the night was "a beautiful way to sort of incorporate the ridiculousness, the campness, the farce of Versailles with a modern edge." Drag is "resistance," she said, adding that her act is "the essence of speaking truth to power, because it really flies in the face of everything in the opera that is standard, whether it's about gender or voice type." Period instruments The Versailles Royal Opera Orchestra formed in 2019, and its first stateside tour is underway: the series of shows kicked off at Festival Napa Valley in California before heading to New York. On Wednesday it will play another, more traditional show at L'Alliance New York, a French cultural center in Manhattan. The orchestra aims to champion repertoire primarily from the 17th and 18th centuries, and plays on period instruments. "Playing a historical instrument really gives me a feeling of being in contact with the era in which the music was composed," said Alexandre Fauroux, who plays the natural horn, a predecessor to the French horn distinguished by its lack of valves. Ousley runs the organisation Death of Classical, an arts non-profit that puts on classical shows in unexpected places, including the catacombs of Brooklyn's Green-Wood Cemetery and crypts in Manhattan. Monday's spectacle included over-the-top performance, but Ousley emphasised that the evening was ultimately a celebration of classical artists. "These are players who play with such energy, to me it's more like a rock band than an orchestra," he said. "When you can sit and feel, with a group of strangers, something that you know you feel together -- that's why I work, because of that shared connection, experience and transcendence."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store