Wu-Tang Clan: Rise of the Deciever Debuts at Summer Game Fest 2025
During the announcement trailer, players were called upon by Ghostface Killah to save his brothers—the members of the Wu-Tang Clan who have apparently been kidnapped by the titular Deciever. While not much gameplay was shown, Wu-Tang Clan: Rise of the Deciever looks to be a fast-paced action game heavily inspired by Hip Hop and anime.
The game supposedly features Afro-surrealist meets anime-inspired worlds of Shaolin and the Medium, increasingly difficult battle Chambers with fantastical enemies, customization to show off your drip and tailor your fighting style, fully supported three-player co-op with a social hub, and the ability to fight with the powers of the Wu-Tang Clan. Wu-Tang Clan: Rise of the Deciever will also feature a dynamic gameplay soundtrack, including classic Wu-Tang songs and new material, overseen by legendary producer Just Blaze.
According to a press release, Wu-Tang Clan: Rise of the Deciever began life as a tie-in to the movie Angel of Dust being which is being worked on by Ghostface Killah and RZA.'Creating Angel of Dust has been an incredible journey,' said Ghostface Killah in a statement. 'Bringing the story to life through film was just the beginning. Now, with the development of the video game, we are immersing fans even deeper into this supernatural thriller universe.
Ghostface Killah added, 'It's about blending music, storytelling, and interactive experience. I can't wait for fans to step into the darkness and discover what lies beneath.' No release date was set for Wu-Tang Clan: Rise of the Deciever.
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USA Today
13 hours ago
- USA Today
As Trump eyes Diddy pardon, a look back at hip-hop's complicated past with the president
Since President Donald Trump's rise as a businessman and political figure, he has been a subject of fascination in hip-hop culture. Rap music, with its braggadocious fixation on financial success, has named-dropped the billionaire CEO on dozens of occasions. He has been highly revered as a symbol of success, going as far back as Wu-Tang Clan's Raekwon in his 1995 record "Incarcerated Scarfaces," in which he calls himself the "Black Trump." But after the 2016 election, the messaging about Trump − from gangsta rap artists like YG to lyricists like Kendrick Lamar − has largely turned from heralding to scorn. That's not to say all of hip-hop has turned its back on the president, especially when a pardon for disgraced music mogul Sean "Diddy" Combs is on the table. Trump has publicly discussed the possibility of issuing a presidential pardon to Combs, who was found guilty in July on two counts of transportation to engage in prostitution following a landmark sex-trafficking trial in Manhattan court. Despite repeated attempts at bail, the Grammy-winning rapper has been incarcerated at Brooklyn's Metropolitan Detention Center since his arrest on Sept. 16, 2024. During an Aug. 1 interview on Newsmax, the president spoke about potential pardons for Combs, convicted sex trafficker Ghislaine Maxwell and former Rep. George Santos. When asked directly about pardoning Combs by host Rob Finnerty, Trump kept mum on confirming his release but said that negative comments that Combs previously made about him would make it "more difficult." Here's a look at the biggest rap songs that have mentioned Trump. Mac Miller's 'Donald Trump' and Rae Sremmurd's 'Up Like Trump' One of Mac Miller's first hit records, the 2011 platinum-selling track "Donald Trump," found the Pittsburgh native rapping about wanting global dominance, like the real estate mogul: "Take over the world when I'm on my Donald Trump ..." But five years later, Miller distanced himself from Trump. In one notable appearance on "Nightly With Larry Wilmore," Miller said he hated the then-presidential candidate. "I think for a while, I was like, 'Donald Trump is gonna end up being the president. Ha ha ha!' And the more I say that, the closer he gets, so I think it's really important for everyone to not take this as a joke," the late rapper told Billboard in September 2016. "This (man) could possibly be the president of the United States, and that's terrifying, that's horrible. Especially at a time like this when our country needs to move forward." Another Trump-centric record asserting financial dominance, hip-hop duo Rae Sremmurd released "Up Like Trump" in 2015. At the time, one half of the group, Swae Lee, told Complex that Trump was "cool" and "rich." YG's 'FDT' Eight months before Trump's 2016 election victory, YG released one of the biggest records in admonition against the Republican candidate, "FDT" featuring fellow California rapper Nipsey Hussle (the DT for Trump's initials, the F for the pejorative exclamation). A rhythmic take-down, YG gets straight into it. "Just when I thought it wouldn't get no sicker, woke up one morning and heard this weird ... talkin' out the side of his neck," the Compton native starts in the intro. YG brings out Trump impersonator at Rolling Loud, curses him out "Me and all my peoples, we always thought he was straight influential ... when it came to the business. But now, since we know how you really feel, this how we feel," he adds before getting into the chorus, which simply repeats the song's title over and over. He later raps that he hates Trump and that if he wins the election, he's going to "crash us," while Hussle raps that Trump "spent his trust fund money on the vote." Kendrick Lamar's 'Determined,' 'Lust' and 'The Heart Part 4' An early career record from Lamar, 2009's "Determined," mentions Trump in a positive light: "I don't wanna be a dealer, I wanna be a Trump / Donald, that is." However, since the president's political rise, Lamar has mentioned Trump explicitly in much of his music. Two months after Trump's 2017 inauguration, Lamar released "The Heart Part 4," rapping: "Donald Trump is a chump / Know how we feel, punk – tell him that God comin' / And Russia need a replay button, y'all up to somethin'." And in "Lust," from his 2017 Pulitzer Prize-winning album "Damn," Lamar again references the election. "We all woke up, tryna tune to the daily news / Looking for confirmation, hoping election wasn't true / All of us worried, all of us buried, in our feelings deep / None of us married to his proposal, make us feel cheap / Stale and sad, distraught and mad, tell the neighbor 'bout it / Bet they agree, parade the streets with your voice proudly." Contributing: Jay Stahl and Kinsey Crowley, USA TODAY
CNN
a day ago
- CNN
Inside the home of Pauline Karpidas, the art-world ‘grand dame' who could be the last of her kind
Behind the elegant but unassuming entryway to an apartment near London's Hyde Park, one of Europe's most prominent collectors has amassed a remarkable trove of Surrealist and postwar art in a home bursting with color and eclectic design. Now in her 80s, Pauline Karpidas is selling nearly all of the art and custom furniture housed in her dwelling, where major contemporary artists and other cultural figures have socialized among works by René Magritte, Salvador Dalí, Yves Tanguy, Max Ernst, Pablo Picasso and Andy Warhol. As a patron, she's been an influential and connecting force in the art world for decades, yet Karpidas has remained a private figure who rarely speaks to press. But her upcoming sale, expected to fetch some £60 million, ($79.6 million), will be the most expensive collection from a single owner ever offered by Sotheby's in Europe. 'I cannot think of a more comprehensive place, outside of any major museum collection, really, to study and to look and to be encircled with so many core masterpieces from the surrealist movement and beyond,' said Oliver Barker, the chairman of Sotheby's Europe, in a phone call from London. Out of the sale's 250 artworks and design pieces the top lot is a later Magritte painting 'La Statue volante,' estimated to sell for £9-12 million ($12-$16 million). Other highlights include two Warhol works inspired by the painter Edvard Munch; a Dalí pencil drawing of his wife, Gala; a Hans Bellmer painting made just before the artist was imprisoned in France during World War II; a formative, mystical Dorothea Tanning painting of her dog; and the collector's bed, made of sculptural copper twigs and leaves, by Claude Lalanne. The sale will take place on September 17 and 18, and the works will also go on view in London earlier in the month, providing a rare glimpse at many artworks that have been off the market for decades and will soon be scattered into private hands. The landmark auction comes just two years after Sotheby's sold off the contents of Karpidas summer home in Hydra, Greece, which became a summer hotspot for artists through her Hydra workshops. In that sale, which more than doubled its high estimate, works by Georg Baselitz, Marlene Dumas and Kiki Smith earned a combined €35.6 million ($37.6 million). 'She's a real diva, in the most positive sense of this word,' said the Swiss artist Urs Fischer in a video call. 'She's also a bit of a mystery to me, despite knowing her for a long time.' Fischer met Karpidas more than two decades ago when he was in his twenties, participated in one of her Hydra gatherings in the mid-2000s, and has regularly attended art-world parties with her. Fischer noted her 'larger-than-life' presence: She's often in striking hats, cigarette in hand, and has the tendency toward telling grand stories and scrawling, multi-page handwritten letters, he said. 'When I think of any memory of her, she's always at the center of a place — she's not the person on the periphery,' he recalled. Karpidas, originally from Manchester, was introduced to art collecting through her late husband, Constantine Karpidas, known as 'Dinos,' whose own eye was fixed on 19th-century art including Pierre-Auguste Renoir and Claude Monet. Then by meeting the art dealer Alexander Iolas, Karpidas found her own path. Iolas, nearly retired by that point, had been a formidable dealer of major 20th-century artists, particularly Surrealists, and his approach was the 'blueprint' for international mega-galleries such as Gagosian and Hauser & Wirth today, according to Barker. But with Karpidas' financial means and determination, he worked with her to build a singular collection of 20th-century art. Karpidas is part of the lineage of 'grande dames,' Barker said — the affluent 20th-century women who built social networks across the most prominent artists, fashion houses and designers of the time — and she may be the last of her kind, he noted. She was close friends with Andy Warhol and frequented his parties at The Factory, she was dressed by Yves Saint Laurent, and her homes were the efforts of prominent interior designers Francis Sultana and Jacques Grange. She's been compared to the late, great female patrons Peggy Guggenheim and Dominique de Menil, both of whom she knew. But though her counterparts' collections have become important cultural instructions, accessible to the public at institutions, through Sotheby's, the bulk of Karpidas' collection will be disseminated across the art market. In her London residence, Fischer said, 'the whole space became one artwork. Every fragment of that apartment has its own little story.' While he's been in many homes of affluent collectors over the years, Karpidas' apartment stands out for how personal and exuberant it is. 'In some way, it's probably a mirror of her interest and her psyche,' he said. 'It's not just like a wealthy person's home. It's like a firework.' Barker explained that Karpidas' acquisitions have not only been the result of her financial means, but her judicious timing, too. She was well-positioned in 1979 for the record-breaking sale of the collector and artist William Copley's personal collection, netting a 1929 painting by the French Surrealist Yves Tanguy, which will be resold in September. Many works owned by Karpidas have been passed down through famous hands, such as Surrealism founder André Breton, poet Paul Éluard, gallerist Julian Levy, and the family of Pablo Picasso. 'She was not only there at the right time, but she was choosing the right works,' Barker said. Important patrons have often become subjects themselves, and the same is true of Karpidas. In 2023, Fischer depicted her in an ephemeral piece, with a lifespan of a single gallery show. On the floor of LGDR (now Lévy Gorvy Dayan) in New York, he cast a sculpture of the collector gazing at a reproduction of the 2nd-century 'Three Graces,' an iconic Ancient Greek statue symbolizing beauty and harmony in art and society, which Karpidas purchased in 1989 before selling it to the Metropolitan Museum of Art. In Fischer's version, he rendered the three female nudes, as well as Karpidas, as life-size wax candles. All white except her dark oversized jewelry, the wax effigy of Karpidas looked to the sculpture she'd purchased decades before, all of the figures' wicks' aflame. Eventually, like many of Fischers' works, they all melted down, the fire winking out.
CNN
a day ago
- CNN
Inside the home of Pauline Karpidas, the art-world ‘grand dame' who could be the last of her kind
Visual arts UKFacebookTweetLink Follow Behind the elegant but unassuming entryway to an apartment near London's Hyde Park, one of Europe's most prominent collectors has amassed a remarkable trove of Surrealist and postwar art in a home bursting with color and eclectic design. Now in her 80s, Pauline Karpidas is selling nearly all of the art and custom furniture housed in her dwelling, where major contemporary artists and other cultural figures have socialized among works by René Magritte, Salvador Dalí, Yves Tanguy, Max Ernst, Pablo Picasso and Andy Warhol. As a patron, she's been an influential and connecting force in the art world for decades, yet Karpidas has remained a private figure who rarely speaks to press. But her upcoming sale, expected to fetch some £60 million, ($79.6 million), will be the most expensive collection from a single owner ever offered by Sotheby's in Europe. 'I cannot think of a more comprehensive place, outside of any major museum collection, really, to study and to look and to be encircled with so many core masterpieces from the surrealist movement and beyond,' said Oliver Barker, the chairman of Sotheby's Europe, in a phone call from London. Out of the sale's 250 artworks and design pieces the top lot is a later Magritte painting 'La Statue volante,' estimated to sell for £9-12 million ($12-$16 million). Other highlights include two Warhol works inspired by the painter Edvard Munch; a Dalí pencil drawing of his wife, Gala; a Hans Bellmer painting made just before the artist was imprisoned in France during World War II; a formative, mystical Dorothea Tanning painting of her dog; and the collector's bed, made of sculptural copper twigs and leaves, by Claude Lalanne. The sale will take place on September 17 and 18, and the works will also go on view in London earlier in the month, providing a rare glimpse at many artworks that have been off the market for decades and will soon be scattered into private hands. The landmark auction comes just two years after Sotheby's sold off the contents of Karpidas summer home in Hydra, Greece, which became a summer hotspot for artists through her Hydra workshops. In that sale, which more than doubled its high estimate, works by Georg Baselitz, Marlene Dumas and Kiki Smith earned a combined €35.6 million ($37.6 million). 'She's a real diva, in the most positive sense of this word,' said the Swiss artist Urs Fischer in a video call. 'She's also a bit of a mystery to me, despite knowing her for a long time.' Fischer met Karpidas more than two decades ago when he was in his twenties, participated in one of her Hydra gatherings in the mid-2000s, and has regularly attended art-world parties with her. Fischer noted her 'larger-than-life' presence: She's often in striking hats, cigarette in hand, and has the tendency toward telling grand stories and scrawling, multi-page handwritten letters, he said. 'When I think of any memory of her, she's always at the center of a place — she's not the person on the periphery,' he recalled. Karpidas, originally from Manchester, was introduced to art collecting through her late husband, Constantine Karpidas, known as 'Dinos,' whose own eye was fixed on 19th-century art including Pierre-Auguste Renoir and Claude Monet. Then by meeting the art dealer Alexander Iolas, Karpidas found her own path. Iolas, nearly retired by that point, had been a formidable dealer of major 20th-century artists, particularly Surrealists, and his approach was the 'blueprint' for international mega-galleries such as Gagosian and Hauser & Wirth today, according to Barker. But with Karpidas' financial means and determination, he worked with her to build a singular collection of 20th-century art. Karpidas is part of the lineage of 'grande dames,' Barker said — the affluent 20th-century women who built social networks across the most prominent artists, fashion houses and designers of the time — and she may be the last of her kind, he noted. She was close friends with Andy Warhol and frequented his parties at The Factory, she was dressed by Yves Saint Laurent, and her homes were the efforts of prominent interior designers Francis Sultana and Jacques Grange. She's been compared to the late, great female patrons Peggy Guggenheim and Dominique de Menil, both of whom she knew. But though her counterparts' collections have become important cultural instructions, accessible to the public at institutions, through Sotheby's, the bulk of Karpidas' collection will be disseminated across the art market. In her London residence, Fischer said, 'the whole space became one artwork. Every fragment of that apartment has its own little story.' While he's been in many homes of affluent collectors over the years, Karpidas' apartment stands out for how personal and exuberant it is. 'In some way, it's probably a mirror of her interest and her psyche,' he said. 'It's not just like a wealthy person's home. It's like a firework.' Barker explained that Karpidas' acquisitions have not only been the result of her financial means, but her judicious timing, too. She was well-positioned in 1979 for the record-breaking sale of the collector and artist William Copley's personal collection, netting a 1929 painting by the French Surrealist Yves Tanguy, which will be resold in September. Many works owned by Karpidas have been passed down through famous hands, such as Surrealism founder André Breton, poet Paul Éluard, gallerist Julian Levy, and the family of Pablo Picasso. 'She was not only there at the right time, but she was choosing the right works,' Barker said. Important patrons have often become subjects themselves, and the same is true of Karpidas. In 2023, Fischer depicted her in an ephemeral piece, with a lifespan of a single gallery show. On the floor of LGDR (now Lévy Gorvy Dayan) in New York, he cast a sculpture of the collector gazing at a reproduction of the 2nd-century 'Three Graces,' an iconic Ancient Greek statue symbolizing beauty and harmony in art and society, which Karpidas purchased in 1989 before selling it to the Metropolitan Museum of Art. In Fischer's version, he rendered the three female nudes, as well as Karpidas, as life-size wax candles. All white except her dark oversized jewelry, the wax effigy of Karpidas looked to the sculpture she'd purchased decades before, all of the figures' wicks' aflame. Eventually, like many of Fischers' works, they all melted down, the fire winking out.
