Aaron Taylor-Johnson to star in Werwulf and Lily Rose-Depp 'in talks'
The 35-year-old actor will reunite with director Robert Eggers on the motion picture, after sources confirmed to Deadline that Taylor-Johnson has signed up for the movie.
And the insider also revealed Lily Rose-Depp is in talks to appear alongside him.
Both Taylor-Johnson and Rose-Depp previously teamed up with Eggers for 2024 gothic horror film Nosferatu.
Eggers will helm Werwulf, which is slated to be released on Christmas Day 2026 in the US.
While plot details are yet to be revealed, the motion picture is expected to be a 13th century werewolf horror movie.
But it is known that Eggers has reunited with his The Northman collaborator Sjón for the script.
In January, insiders told the Hollywood Reporter that the story will be set in 13th century England, with dialogue "true to the time period".
Translations and annotations will be provided for those who don't understand Old English, but Eggers has now decided against shooting the film in black and white.
Nosferatu - which also stars Bill Skarsgard, Willem Dafoe, Nicholas Hoult and Emma Corrin - tells the terrifying tale of a young woman who finds herself the target of the ancient Transylvanian vampire Count Orlok after the creature becomes infatuated by her.
The 41-year-old director recently revealed the inspirations behind his remake of Nosferatu: A Symphony of Horror, F. W. Murnau's 1922 silent German Expressionist vampire film.
It was influenced by Jack Clayton's 1961 picture The Innocents, which is based on 1898 novella The Turn of the Screw by the American novelist Henry James.
The novella focuses on a governess who watches over two children and comes to fear that their large estate is haunted by ghosts and that the children are being possessed.
During an appearance on Alamo Drafthouse's YouTube series Guest Selects, the filmmaker said: 'I think it is one of the best - perhaps the best - gothic ghost movie ever made.
'I watch it a couple times a year probably for inspiration. Freddy Francis was the cinematographer, who directed many Hammer horror films, but his finest collaborations are with Jack Clayton.
"And what he does with the camera was very inspiring to what my cinematographer and I were up to with Nosferatu."
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Marc Maron paid $50,000 to use Taylor Swift's Bigger Than The Whole Sky in his comedy special
Marc Maron paid $50,000 to secure the rights to Taylor Swift's song Bigger Than The Whole Sky for use in his upcoming HBO comedy special, Marc Maron: Panicked. The 61-year-old stand-up uses the tear-jerking ballad from the pop superstar's Midnights (3am Edition) album at the end of his routine and they just about managed to pay the fee to use a snippet of the track after the money started running out. After getting in touch with the track's co-writer, Jack Antonoff, who happened to be a friend of Marc, they managed to get in touch with the right people to agree a figure for the usage. The GLOW star said on the Vulture's Good One podcast: 'I think it came out to $50K, around that. 'I did everything I could to get the joke in front of her.' He continued: "I know Jack Antonoff enough to text him, and he's the co-writer on that song. 'I said, 'I don't know what's proper or how to do this, but we're running out of money on this thing. It's probably going to come out of my pocket. Is there anything you can do about this song or talk to Taylor?'' Fortunately, the ticket sales for the show meant it didn't have to come out of Marc's own pocket. He added: 'It was doable. We made enough money. It was tight, but because of the ticket sales for the special, we were able to get that song.' Being able to use Bigger Than The Whole Sky - which tackles grief - was a big deal to Marc. He explained: 'My relationship with that song, and just the fact that I'm playing it on my phone. 'It had to happen.' Taylor's music has also appeared in the likes of The Summer I Turned Pretty and The Handmaid's Tale. Elisabeth Moss wrote a heartfelt letter to Taylor, 35, in a bid to get permission to use one of her songs in an episode of The Handmaid's Tale. The 43-year-old actress explained how much the Grammy winner's "her music means" to her and how the inclusion of the track Look What You Made Me Do would help the show - and she was delighted when Taylor agreed for the song to be used. Elisabeth told Entertainment Tonight: "We've been so excited ... Honestly the feedback was her saying yes. For me, that was really, truly such an honour that she took the time to read, you know I wrote her a letter about what I felt the song meant for the episode and her music means to me and our cast. "So the fact that she said yes to me was all the feedback that I needed. " The song was featured in episode nine of the sixth season of The Handmaid's Tale, which aired in May, and Elisabeth previously revealed she'd wanted to include a Swift song in the series for years and she'd finally found the "perfect moment". Elisabeth told Billboard: "I've been wanting to use a Taylor song for many years on the show and we finally found the perfect spot for a track from her, and I'm so glad we waited because there could not be a more perfect song for a more perfect moment. "Taylor has been such an inspiration to me personally. As a Swiftie myself, and I think I can speak for [co-star] Yvonne [Strahovski] and our entire cast as well, who are all Swifties, it's such an honour to be able to use her music in the final episodes of our show."
The Advertiser
a day ago
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Marc Maron paid $77k for a minute of Taylor Swift song
Marc Maron has paid $US50,000 ($A76,648) to use just one minute of a Taylor Swift song in his stand-up special. The 61-year-old comic felt he needed Bigger Than the Whole Sky - a bonus track on the 3am edition of Taylor's 2022 album Midnights - for a pivotal moment in his HBO show Marc Maron: Panicked. He got in touch with mutual friend Jack Antonoff for help in licensing the track, and while his pal was able to offer advice on going through official channels, he could not obtain him a discount on the fee. Speaking on Vulture's Good One podcast, Maron said: "I know Jack Antonoff enough to text him - and he's the co-writer on that song. "I said, 'I don't know what's proper or how to do this, but we're running out of money on this thing. It's probably going to come out of my pocket. Is there anything you can do about this song or talk to Taylor?' "It was doable. "I would have gone over the minute, (but) it would have been more money." Maron did not know if Swift has heard the specific joke that her team signed off on letting him use the track for, but he was "manifesting" that she would like it if she had. "It had to happen. The real fear (was), like, (if) she doesn't let you use it, and then what do you do? You can't do the bit on the special." Maron previously explained he studied Midnights on a hike while trying to "figure out" why people like Swift's music so much. He said on his WTF podcast in 2023: "I'm an open-minded guy, and I like music. I (wanted) to try to figure out what it is about Taylor Swift that everyone never shuts up about." After listening to the record, he said: "I'm like, 'All right. I get it.' It's pop music, but it's not dance music (and) it's, sort of, emotional. There's a lot of longing and sadness and isolation and processing these overwhelming feelings of melancholy." Maron previously hailed his new special, which premieres on Friday, as the "best work" he has ever done. Marc Maron has paid $US50,000 ($A76,648) to use just one minute of a Taylor Swift song in his stand-up special. The 61-year-old comic felt he needed Bigger Than the Whole Sky - a bonus track on the 3am edition of Taylor's 2022 album Midnights - for a pivotal moment in his HBO show Marc Maron: Panicked. He got in touch with mutual friend Jack Antonoff for help in licensing the track, and while his pal was able to offer advice on going through official channels, he could not obtain him a discount on the fee. Speaking on Vulture's Good One podcast, Maron said: "I know Jack Antonoff enough to text him - and he's the co-writer on that song. "I said, 'I don't know what's proper or how to do this, but we're running out of money on this thing. It's probably going to come out of my pocket. Is there anything you can do about this song or talk to Taylor?' "It was doable. "I would have gone over the minute, (but) it would have been more money." Maron did not know if Swift has heard the specific joke that her team signed off on letting him use the track for, but he was "manifesting" that she would like it if she had. "It had to happen. The real fear (was), like, (if) she doesn't let you use it, and then what do you do? You can't do the bit on the special." Maron previously explained he studied Midnights on a hike while trying to "figure out" why people like Swift's music so much. He said on his WTF podcast in 2023: "I'm an open-minded guy, and I like music. I (wanted) to try to figure out what it is about Taylor Swift that everyone never shuts up about." After listening to the record, he said: "I'm like, 'All right. I get it.' It's pop music, but it's not dance music (and) it's, sort of, emotional. There's a lot of longing and sadness and isolation and processing these overwhelming feelings of melancholy." Maron previously hailed his new special, which premieres on Friday, as the "best work" he has ever done. Marc Maron has paid $US50,000 ($A76,648) to use just one minute of a Taylor Swift song in his stand-up special. The 61-year-old comic felt he needed Bigger Than the Whole Sky - a bonus track on the 3am edition of Taylor's 2022 album Midnights - for a pivotal moment in his HBO show Marc Maron: Panicked. He got in touch with mutual friend Jack Antonoff for help in licensing the track, and while his pal was able to offer advice on going through official channels, he could not obtain him a discount on the fee. Speaking on Vulture's Good One podcast, Maron said: "I know Jack Antonoff enough to text him - and he's the co-writer on that song. "I said, 'I don't know what's proper or how to do this, but we're running out of money on this thing. It's probably going to come out of my pocket. Is there anything you can do about this song or talk to Taylor?' "It was doable. "I would have gone over the minute, (but) it would have been more money." Maron did not know if Swift has heard the specific joke that her team signed off on letting him use the track for, but he was "manifesting" that she would like it if she had. "It had to happen. The real fear (was), like, (if) she doesn't let you use it, and then what do you do? You can't do the bit on the special." Maron previously explained he studied Midnights on a hike while trying to "figure out" why people like Swift's music so much. He said on his WTF podcast in 2023: "I'm an open-minded guy, and I like music. I (wanted) to try to figure out what it is about Taylor Swift that everyone never shuts up about." After listening to the record, he said: "I'm like, 'All right. I get it.' It's pop music, but it's not dance music (and) it's, sort of, emotional. There's a lot of longing and sadness and isolation and processing these overwhelming feelings of melancholy." Maron previously hailed his new special, which premieres on Friday, as the "best work" he has ever done. Marc Maron has paid $US50,000 ($A76,648) to use just one minute of a Taylor Swift song in his stand-up special. The 61-year-old comic felt he needed Bigger Than the Whole Sky - a bonus track on the 3am edition of Taylor's 2022 album Midnights - for a pivotal moment in his HBO show Marc Maron: Panicked. He got in touch with mutual friend Jack Antonoff for help in licensing the track, and while his pal was able to offer advice on going through official channels, he could not obtain him a discount on the fee. Speaking on Vulture's Good One podcast, Maron said: "I know Jack Antonoff enough to text him - and he's the co-writer on that song. "I said, 'I don't know what's proper or how to do this, but we're running out of money on this thing. It's probably going to come out of my pocket. Is there anything you can do about this song or talk to Taylor?' "It was doable. "I would have gone over the minute, (but) it would have been more money." Maron did not know if Swift has heard the specific joke that her team signed off on letting him use the track for, but he was "manifesting" that she would like it if she had. "It had to happen. The real fear (was), like, (if) she doesn't let you use it, and then what do you do? You can't do the bit on the special." Maron previously explained he studied Midnights on a hike while trying to "figure out" why people like Swift's music so much. He said on his WTF podcast in 2023: "I'm an open-minded guy, and I like music. I (wanted) to try to figure out what it is about Taylor Swift that everyone never shuts up about." After listening to the record, he said: "I'm like, 'All right. I get it.' It's pop music, but it's not dance music (and) it's, sort of, emotional. There's a lot of longing and sadness and isolation and processing these overwhelming feelings of melancholy." Maron previously hailed his new special, which premieres on Friday, as the "best work" he has ever done.
Perth Now
a day ago
- Perth Now
Marc Maron paid 50k to use one minute of Taylor Swift song
Marc Maron paid $50,000 to use just one minute of a Taylor Swift song in his stand-up special. The 61-year-old comic felt he needed Bigger Than the Whole Sky - a bonus track on the 3am edition of Taylor's 2022 album Midnights - for a pivotal moment in his HBO show Marc Maron: Panicked, so he got in touch with mutual friend Jack Antonoff for help in licensing the track, and while his pal was able to offer advice on going through official channels, he couldn't obtain him a discount on the fee. Speaking on Vulture's Good One podcast, Marc said: 'I know Jack Antonoff enough to text him — and he's the co-writer on that song. 'I said, 'I don't know what's proper or how to do this, but we're running out of money on this thing. It's probably going to come out of my pocket. Is there anything you can do about this song or talk to Taylor?' 'It was doable. 'I would have gone over the minute, [but] it would have been more money." Marc didn't know if Taylor, 35, has heard the specific joke that her team signed off on letting him use the track for, but he was "manifesting" that she would like it if she had. He said: 'It had to happen. The real fear [was], like, [if] she doesn't let you use it, and then what do you do? You can't do the bit on the special.' Marc previously explained he studied Midnights on a hike while trying to "figure out" why people like Taylor's music so much. He said on his own WTF podcast in 2023: 'I'm an open-minded guy, and I like music. I [wanted] to try to figure out what it is about Taylor Swift that everyone never shuts up about." After listening to the record, he added: 'I'm like, 'Alright. I get it.' It's pop music, but it's not dance music [and] it's, sort of, emotional. There's a lot of longing and sadness and isolation and processing these overwhelming feelings of melancholy." Marc previously hailed his new special - which premieres on Friday (01.08.25) - as the "best work" he has ever done. He added in a statement: 'Everything came together. 'The direction, the production design, the shirt and the bits. HBO gets me and I'm thrilled to be presented by them.'
