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'Fantastic Four': Sue Storm's biggest power in Fantastic Four isn't what you'd expect

'Fantastic Four': Sue Storm's biggest power in Fantastic Four isn't what you'd expect

Yahoo3 days ago
Sue Storm's pregnancy and parenthood is the emotional core of this retro-futuristic Marvel movie
As we enter Phase 6 of the Marvel Cinematic Universe (MCU), The Fantastic Four: First Steps (in theatres July 25) puts the bond of a family at the centre of its storytelling. Starring Pedro Pascal, Vanessa Kirby, Joseph Quinn, Ebon Moss-Bachrach and Julia Garner, it's the power of motherhood that becomes the greatest asset for these superheroes.
"It always seemed to me kind of revolutionary to have this mother at the centre of this family, but also be absolutely part of the team. Never left at home on her own," Kirby told reporters ahead of the film's release. "And then when I met [director Matt Shakman] and [president of Marvel Studios Kevin Feige] for the first time and started talking about Sue, I was already so passionate about her, but it was so exciting to me, this idea of having this pregnant superhero, this working mother, and even in the shooting of it, it was surreal.
"I was so included in everything. ... Matt and Kevin were such huge champions of having her be ... as complex and as fierce and as loving and warm and all the things they think feminine really is. ... It was very daunting. I really cared, and it's been a great honour to play her."
What is 'The Fantastic Four: First Steps' about?
In a stand-alone story in the MCU, Fantastic Four sets up the story of four astronauts who return from space with altered DNA due to a cosmic storm, leaving them with superpowers.
Reed Richards/Mister Fantastic (Pascal) can stretch to incredible lengths, while his wife Sue Storm/Invisible Woman (Kirby) can generate powerful force fields and has the ability to make herself invisible, as her name suggests. Sue's brother Johnny Storm/Human Torch (Quinn) can make himself engulfed in flames, fly and shoot out fire, while Ben Grimm/The Thing's (Moss-Bachrach) body transformed into rock form, giving him super strength.
Early in the film we see Sue tell Reed that she's pregnant, something that they've struggled to achieve for some time. But Reed, the supremely intelligent but anxious scientist that he is, not only wants to make the world as safe for his son as possible. He also has concerns about whether their superpowers will impact their child's DNA.
"The one thing that I found was kind of anchoring was that somebody that is this smart strangely makes him kind of an innocent when it comes to human interactions and relationships, and either saying the wrong thing or reading the room incorrectly, or finally finding a way to express the thing that burdens him," Pascal said. "And just sort of perplexed a little by the fact that people aren't catching up as quickly as he would, as his mind works."
"That was really, really fun to kind of create idiosyncratic behaviour around that. But really at the core for me ... is that he's an incredible codependent, and without them, he doesn't know how to function, and he's lost to his own brain. His identity is related utterly to his family and his position in the family, and protecting them and being protected by them."
The Fantastic Four family gets an unexpected visit from the Silver Surfer (Garner), who zooms down to Earth and announces in the middle of Times Square that the planet will be consumed by Galactus (Ralph Ineson). Interestingly, that was Garner's first day of work, and she was "terrified."
"It was probably the craziest first day I've ever had on a job," Garner said. "It was 30 feet in the air. There was a construction crane, at night, an earpiece, taking direction with Matt and hearing Vanessa's line. It was wild."
The Fantastic Four have to jump into action to try to stop Galactus, but the risk to Sue and Reed's infant son Franklin is something the family has to navigate.
New 'Fantastic Four' review: Family dramedy with more VFX than most
An appealing and refreshing take on a superhero story, Fantastic Four gives its characters time to sit in more intimate and emotional moments, and that's what makes the film compelling.
For Kirby and Pascal's characters, that largely has to do with personal discussions about being parents, balancing their parental responsibilities with, literally, saving Earth. For Ben Grimm, those intimate story elements come through with a flirtatious relationship he has with Rachel Rozman (Natasha Lyonne), a similar arc to Johnny's interactions with the Silver Surfer.
While Fantastic Four has all the spectacle of every other superhero movie, it's really a family dramedy with more visual effects than most.
But the strongest story element in the film is this focus on how, despite all their extraordinary powers, Sue is supreme as the biggest superpower is being a mom. She is fiercely protective of her child. It's absolutely a cliché, but one that lends itself to the more grounded, humanizing narrative of Fantastic Four.
The movie is a pleasing journey, an engaging ride that blends sarcastic humour with deeply emotional moments. The 1960s retro-future aesthetic is particularly appealing, and creates interesting dimensions with the heavy CGI that comes with a superhero film.
But while Fantastic Four is an enjoyable watch, it feels more like setup for more storytelling. It is in fact a film that you can watch on its own and have a great time with, but it lacks a bit of excitement because you feel like there is so much more story to tell.
Mid- and post-credit scenes in 'The Fantastic Four: First Steps'
While we won't spoil exactly what these scenes hold, we will advise that there is both a mid-credits scene and post-credits scene in The Fantastic Four: First Steps, and they are important, so make sure you stay until the end.
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Marvel returns to form as ‘Fantastic Four' soars to $118 million at the box office
Marvel returns to form as ‘Fantastic Four' soars to $118 million at the box office

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It was clobberin' time this weekend, as Marvel's 'The Fantastic Four: First Steps' nabbed the top spot at the box office with a performance that returned the Walt Disney Co.-owned superhero franchise to form. The movie hauled in $118 million in the U.S. and Canada and grossed $218 globally in its opening weekend. The film, which stars Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach and Joseph Quinn, is just the latest remake of the comic book property, though the first under Walt Disney Co.'s ownership. Formerly owned by 21st Century Fox, 'The Fantastic Four' is one of several key intellectual properties now under the umbrella of the House of Mouse after its $71.3 billion acquisition of that studio's entertainment assets in 2019. Disney has already capitalized on its ownership of the 'Deadpool' and 'X-Men' properties — its 2024 film, 'Deadpool & Wolverine,' garnered more than $1 billion in global box office revenue. Fox produced and released three 'Fantastic Four' movies, none of which were well-received by audiences or critics. A 2015 reboot was particularly reviled. Quality was not an issue this time. The movie notched a 88% approval rating on aggregator Rotten Tomatoes and an 'A-' grade from audience polling firm CinemaScore. The movie exceeded pre-release estimates. 'First Steps' was expected to gross $100 million to $110 million in its debut weekend, on a reported budget of about $200 million. The theatrical reception for 'The Fantastic Four' is a relief for Disney and Marvel, which has struggled in recent years to reap the box office earnings it once did with its superhero films. The Anthony Mackie-led 'Captain America: Brave New World' received middling reviews from critics and brought in about $415 million in global box office revenue. Ensemble movie 'Thunderbolts*' received strong reviews, but made only $382 million worldwide. Disney Chief Executive Bob Iger said earlier this year that the company 'lost a little focus' in its zeal to produce more shows and movies for the Disney+ streaming platform, acknowledging that 'quantity does not necessarily beget quality.' 'By consolidating a bit and having Marvel focus much more on their films, we believe it will result in better quality,' he said during an earnings call with analysts in May. Anticipation was high for 'The Fantastic Four,' and Disney went all out with the marketing. The company hired a skywriter to craft encircled 4's in the sky near downtown Los Angeles on the day of the premiere and featured a drone show outside the Dorothy Chandler Pavilion after the showing. 'While Marvel films have settled into a fairly predictable core audience after multiple under-cooked films and streaming series in the post-'Avengers: Endgame' era, the brand remains sturdy when the right film comes along,' Shawn Robbins, director of movie analytics at Fandango and founder of site Box Office Theory, wrote in a weekend theatrical forecast published Wednesday. Warner Bros.' DC Studios' 'Superman' came in second at the box office this weekend with a domestic total of $24.9 million for a worldwide gross so far of $503 million.

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