Love Island accused of giving villa girl a ‘mean girl' edit as they ask ‘why didn't producers show this clip instead?'
Viewers tuned into the ITV2 show for the infamous 'movie night' twist with lots of drama.
6
6
6
On Love Island, the contestants were shown controversial scenes of all their antics that they might not have wanted to be shown.
This may have included private conversations about other people in the villa, flirty interactions or kisses from Casa Amor.
However, some viewers have hit out at not showing certain clips to the contestants, as they say it makes others look worse.
One fan started a thread on Reddit, titled 'Why didn't the producers add this clip?' alongside a video.
In the clip, some of the girls - which did not include either Shakira Khan or Toni Laites - were sat in the garden as they dissected Shakira's behaviour.
Megan Moore stated to the group: "Shakira's cool and that's why she's been grafting her f****** ass off today."
However, Helena Ford interjected as she stated: "Oh no. She's gonna choose Connor, I know it."
The rest of the girls, which included Alima tried to suggest otherwise, before Helena added: "I think she fancies everyone doesn't she?
"She probably fancies the plants."
Underneath the clip, the viewer commented: "I think the producers want to give Shakira the mean girl edit."
Love Island in fix row as Yas lets slip she knows what the public call her and insisted she's not AI generated
Fans flooded the comments section of the post in agreement as they claimed that producers deliberately set up Shakira to look a certain way.
One loyal Love Island viewer fumed: "Defs mean girl edit, along with a couple others."
A second noted: "It seemed like they wanted to use the clips with ppl that are still in the villa."
"Yep this is what started everything and there's so much more they could've included. Idk why they gave Shakira the bad guy edit knowing she's so loved in the outside," stated a third fan.
Love Island 2025 full lineup
Harry Cooksley: A 30-year-old footballer with charm to spare.
Shakira Khan: A 22-year-old Manchester-based model, ready to turn heads.
Megan Moore: A payroll specialist from Southampton, looking for someone tall and stylish.
Alima Gagigo: International business graduate with brains and ambition.
Tommy Bradley: A gym enthusiast with a big heart.
Helena Ford: A Londoner with celebrity connections, aiming to find someone funny or Northern.
Ben Holbrough: A model ready to make waves.
Dejon Noel-Williams: A personal trainer and semi-pro footballer, following in his footballer father's footsteps.
Aaron Buckett: A towering 6'5' personal trainer.
Conor Phillips: A 25-year-old Irish rugby pro.
Antonia Laites: Love Island's first bombshell revealed as sexy Las Vegas pool party waitress.
Yasmin Pettet: The 24-year-old bombshell hails from London and works as a commercial banking executive.
Emily Moran: Bombshell Welsh brunette from the same town as Love Island 2024 alumni Nicole Samuel.
Harrison Solomon: Pro footballer and model entering Love Island 2025 as a bombshell.
Giorgio Russo: The 30-year-old will be spending his summer in the sun, potentially his sister Alessia's successful tournament at the Euros in Switzerland.
Yaz Broom: Professional DJ from Manchester who appeared on X Factor 2016 in girl group Four of Diamonds.
Andrada Pop: Miss Bikini Ireland 2019 winner who hails from Dublin and works as a nail technician and personal trainer.
Emma Munro: Harry Cooksley's ex who entered as a bombshell and works as a hydrogeologist.
Departures:
Kyle Ashman: Axed after an arrest over a machete attack emerged. He was released with no further action taken and denies any wrongdoing.
Sophie Lee: A model and motivational speaker who has overcome adversity after suffering life-changing burns in an accident.
Blu Chegini: A boxer with striking model looks, seeking love in the villa.
Malisha Jordan: A teaching assistant from Broxbourne, Hertfordshire, who entered Love Island 2025 as a bombshell.
Shea Mannings: Works as a scaffolder day-to-day and plays semi-pro football on the side.
Caprice Alexandra: The 26-year-old bombshell owns a nursery in Romford.
Poppy Harrison: The bombshell broke up with her boyfriend after finding out she would be in the villa
Will Means: The fourth fittest farmer in the UK according to Farmers' Weekly in 2023 entered the villa as a bombshell
Megan Clarke: An Irish actress part of the OG line-up.
Remell Mullins: Boasts over 18million likes and 500k followers on TikTok thanks to his sizzling body transformation videos.
Alima Gagigo: 23-year-old personal banker from Glasgow who fancies herself as a 'good flirt'.
While someone else wrote: "I do think they gave Shakira and Toni the mean girl edit and Helena the victim edit.
"They included her comment about the bikini but didn't include Helena and Meg wearing Shakira's bikini? Makes zero sense."
However, other viewers came to the defense of the editors behind the scenes as they accused other fans of having a potential memory lapse.
A fifth commented: "At this point shakira was literally grafting every boy, pulling them all for chats and flirting wildly with them. she was even taking another girls man to the hideaway to kiss them.
I think she [Shakira] fancies everyone doesn't she? She probably fancies the plants.
Helena FordLove Island
"This is such a mild clip. I don't think u guys actually enjoy drama or love island as a show," said someone else.
And a sixth user added: "Oh pls, Meg has been given a 'mean girl' edit too. Shakira, Toni, Meg and Helena have all said b***** things hence why I don't understand why people act like one group is better than the other. They're just as bad as each other imo."
6
6
6
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Sun
18 minutes ago
- The Sun
I tried the viral £3.49 Lidl tan as a pale girlie – it doesn't smell, looks 10/10 & I was amazed by how long it lasted
IT'S the tan that's taken the internet by storm - but is the viral Lidl tanning mousse really worth the hype? According to one beauty buff, the answer is yes. 2 2 The discount supermarket sent shoppers into a frenzy after launching their very own fake tan just in time for summer - and compared to cult favourites, Lidl's Marbella Glow is significantly cheaper. While other viral brands retail around the £10 mark, the German store's version costs just £4.49. Thrifty beauty buffs can choose the vegan-friendly tan in three shades - Medium, Extra Dark and Ultra Dark. Bargain-mad TikToker, only known as @ kittsandpieces on the platform, went for the latter option, sharing her honest thoughts online. The PhD student, who dubbed herself a '' pale girlie '', started the process by showering and ensuring her skin was moisturised before applying the bronzing mousse. To ensure the tan doesn't stick to particularly dry areas, such as elbows and knees, the blonde stunner used Ultra-Repairing Soothing Balm by La Roche-Posay. The balm, which she claimed was ''a game-changer'', is currently on offer on Amazon for around £8, and for best results, the TikToker left it on for 20 to 30 minutes before applying the tan. After covering herself in the dark mousse, the Lidl shopper was pleasantly surprised at how quickly the tan dried. Raving about the wallet-friendly buy, she said in the video: ''No sticky feeling going to bed and no bad tan smell either.'' The following morning, the TikToker hopped into the shower, rinsed off the tan and was amazed by the results. Katie Price moans 'oh my god I'm so ugly' as she shows off BALD eyelids after removing fake lashes and make-up Sporting a gorgeous glow which made her look like as if she's just returned from a sunny holiday, the student said: ''10/10 for me.'' The best part? According to the shopper, the sun-kissed glow lasts almost a week too. ''I find I get a solid 4/5 days out of it with showers and all, it's even survived my swimming.'' Fabulous' £10 Fake Tan Test FINDING the perfect fake tan isn't easy. That's why Fabulous tested a number of fake tans which cost less than £10.. *If you click on a link in this boxout we will earn affiliate revenue Superdrug Solait Self Tan Mousse Medium - £4.79 (was £5.99) - Buy Now Tester: Abby Wilson, Senior Fabulous Digital Writer Review: "This product give a very natural looking tan and if you wanted something a bit bolder, I'd suggest leaving it on longer or choosing a darker shade. I'm impressed with the results, but now my entire room stinks of the stuff. If you're on a budget and want a tan for last-minute plans, I would say this is one to try. " bBold Dream Mousse Tan in Dark - £9.50 - Buy Now Tester: Josie O'Brien, Senior Fabulous Digital Writer Review: "The first thing that hit me about this tan was the 'juicy watermelon' scent - it's delicious. I was left with a natural bronze hue rather than orange glow. My only qualm is that the tan seemed to stick to my dry patches and accentuated 'strawberry skin' on my legs. I'm still adding this tan to my arsenal though - the smell, colour and texture are dreamy." St Moriz Professional Medium Tanning Mousse - £4.99 - Buy Now Tester: Kate Kulniece, Fabulous Writer Review: "Not only does St. Moriz mousse leave you with a gorgeous bronzed glow, but it also smells fabulous - think Piña Colada on a sunny beach. At first, I was a little bit sceptical cause I'm a gradual fake tan girlie, but this quick developing St. Moriz number may change it all." Mixed reviews But while the money-smart shopper was raving about the bargain buy, not everyone had the best reviews. ''Yes it's good but be careful !! heard of horror stories from this tan especially firsthand ended up in a&e with a swollen face,'' wrote one of the 36k viewers. Another chimed in: ''it does smell, lovely red undertone, doesn't last long.'' Someone else said: ''I did it today and planing to wash it in the morning.
The Sun
18 minutes ago
- The Sun
‘I was confused' – Cole Palmer and Reece James open up on Donald Trump's Club World Cup celebrations with Chelsea stars
COLE PALMER and Reece James were left confused after Donald Trump celebrated with them as they lifted the Club World Cup. Chelsea won the tournament by beating Paris Saint-Germain 3-0 on Sunday, with Palmer on target twice before laying on an assist for Joao Pedro to add a cheeky third before half-time. 4 4 4 4 But as the Blues geared up for the trophy lift ceremony, they were threatened with being upstaged by US President Trump. The 79-year-old was seen handing out many of the medals alongside Fifa president Gianni Infantino, before the pair lifted the trophy over to Chelsea captain James. However, while typically political figures would be expected to exit the stage at that point to give the team their moment to shine, Trump remained alongside the team with a beaming smile. Trump appeared to be gestured away from the stage initially by Infantino, before James, 25, was seen asking him, "Are you staying?" The Republican had also inadvertently blocked the view of Golden Ball winner Palmer, who had a confused look on his face as he was also seen asking James, "What's he doing?" Speaking after the game, Palmer, 23, and James both admitted they were surprised about the turn of events. Palmer told the BBC: "I knew he was going to be here but I didn't know he was going to be on the stand when we lifted the trophy so I was a bit confused, yeah." Captain James added to Sky Sports: "Before they told me he (Trump) was going to present the trophy and then exit the stage. "Then I thought he was going to exit the stage but he wanted to stay." Following the game Trump revealed he had a good time, and joked he would even consider signing an executive order to change America's naming of "soccer" to football for next summer's World Cup. Club World Cup final crowd's reaction to Donald Trump This summer's Club World Cup served as a preamble for the coveted international tournament next summer, which Fifa estimate will see 6.5 million visitors to stadiums across the US, Canada and Mexico. Trump's appearance at the MetLife stadium was met by a mixture of applause and boos by the crowd, exactly one year on from the assassination attempt he survived in Pennsylvania at an election rally.
The Guardian
26 minutes ago
- The Guardian
Men in Love by Irvine Welsh review – the Trainspotting boys grow up
It has been more than 30 years since Irvine Welsh published Trainspotting. To put that in perspective, it's as distant to readers today as Catch-22 or To Kill a Mockingbird would have been in 1993. If you are anything like me, that doesn't feel quite right. Because even at such a historical remove, there remains something undeniably resonant, something curiously current, about Welsh's wiry, demotic, scabrous debut. In part, this is explained by the sheer scale of Trainspotting's success. It was one of those genuinely rare literary events, wherein a critically acclaimed, stylistically adventurous book catches the cultural zeitgeist to such a degree that it also becomes a commercial sensation, going on to sell over a million copies. Its cultural salience was further compounded by Danny Boyle's cinematic adaptation, one of the highest-grossing UK films of all time, a visual intervention that seemed to crystallise the aesthetics of Britpop – high velocity, high audacity, high nostalgia. But there is also the broader sense that Britain has never truly escaped that historical moment, that at some point the nation was cursed by a demonic spirit in a bucket hat, condemned to an eternal return: no matter the nature of the crisis, the solution will always be Blairite management consultants, illegal wars in the Middle East, demonisation of society's most vulnerable and Liam and Noel getting the band back together. As the patron sage of centrists, George Orwell, wrote: 'If you want a picture of the future, imagine Ewan McGregor pelting along Princes Street to Iggy Pop – for ever.' So in some ways, despite being the fifth Trainspotting spin-off so far, Men in Love makes perfect sense as a novel in 2025: old rope in a contemporary culture made mostly of old rope. It displaces 2002's Porno as the original's most direct sequel, taking place in the immediate aftermath of the drug deal/betrayal that closes it out. We meet the boys again, scattered to the winds – Renton forging a new life in Amsterdam, Sick Boy climbing the social ladder in London, Spud attempting a quieter life and Begbie pinballing between prison and his old haunts in Leith. In alternating first-person chapters, we follow each of the characters as they begin to feel out what adult life might have in store for them. And it all rattles along reasonably enough. Renton attempts to come to terms with his past behaviour, Spud walks the line between a sincere desire to change and the siren call of addiction, Sick Boy sharpens his sociopathic charm into a weapon of class warfare, and Begbie remains trapped by his impulsivity and taste for violence. It all culminates in a riotous society wedding, a tragicomic clash of worlds, the old-guard Thatcherite elite disgusted by the sudden presence of the hoi polloi figuratively pissing in their ornamental pond. There are plenty of moments that showcase Welsh at his best, impertinent and loose and attuned to the poetic cadence of everyday speech. When his writing hits these heights, most often during flights of knowing, referential, rhetorical fancy, it is hard not to be charmed by its flair and insolence. Similarly, Welsh has not lost his feel for the particular rhythms and textures of addiction. When Spud unexpectedly comes into money, the reader fears for him precisely because Welsh does such a good job rendering the relentless dualism of the addicted mind, forever constructing alternative explanations, stories, justifications, lying in wait and biding its time. Elsewhere, Men in Love is tough going. Throughout, there is a tendency to grope for edgy and transgressive sentiment in a way that lands closer to juvenile and embarrassing. There are so many instances to choose from, but observations such as 'If women must have mental health issues – and they must – always best to err on the side of anorexia, rather than obesity', or descriptions of the Eurostar as 'smashing through the tunnel's hymen', give a general sense of the issue. To be clear, I am not arguing that there is an ethical problem here (people say all sorts of nonsense, so characters must be afforded that latitude too). The objection is aesthetic. Who do we imagine is responding to this sort of thing? The prospect of a middle-aged Trainspotting loyalist, giggling as they read about a 'chunky bird' and 'Specky Shaftoid', is almost too tragic to bear. Clocking in at well over 500 pages, there is also the sense that Men in Love could have done with a more rigorous edit. There is a leitmotif regarding the romantic poets that seems undercooked to the point of randomness at times, while conversations about the coming transformations of the internet age were unlikely in 1990. Equally, I don't know how many more times the world needs to hear a story about an indie musician taking their first pill and deciding that dance music is the future. The reasons why Welsh is still writing Trainspotting lore seem evident enough; these are well-loved, iconic characters and there is apparently still an audience appetite for their adventures. Also, vanishingly few writers will ever know what it is to cast such a long shadow over the culture, and so it would be churlish to judge from a position of ignorance. But reading Men in Love, in 2025, under a Labour government that can't decide if it is echoing Margaret Thatcher, Alastair Campbell or Enoch Powell, it is hard to shake the feeling that we are in desperate, desperate need of a new story altogether. Keiran Goddard's I See Buildings Fall Like Lightning is published by Abacus. Men in Love by Irvine Welsh is published by Jonathan Cape (£20). To support the Guardian, order your copy at Delivery charges may apply.
