
It's for 'real' - Legendary group KRU's 15th album 'Kaset' to hit the 'shelf' on Friday (April 25)
LEGENDARY Malaysian pop group KRU returns with their 15th studio album, KASET , marking another milestone in their celebrated music career.
This album not only celebrates the nostalgic charm of the cassette era but also pioneers a new chapter in Malaysian music history by being the first local album to feature generative AI technology in its music videos.
Exclusive Fan Launch at Dadi Cinema
Held on April 23, 2025, at Dadi Cinema in Pavilion Kuala Lumpur, the KASET album launch was an exclusive fan event featuring a pre-listening session and personal interactions with all three KRU members – Datuk Norman, DatukYusry and Edry Abdul Halim.
As a special tribute to loyal fans who grew up with KRU's music, the band also launched limited-edition physical formats of KASET on CD and cassette, turning it into a unique collectible item for music lovers.
KASET – 10 Songs, 10 Stories
The album features 10 original tracks, each delving into different emotional and creative dimensions:
1. Hambadansa – The brothers begin the new album with an inspirational song effort encuraging youth to believe in themselves in the path of life.
2. One More Time – A symbolic piece that explores internal struggle and self-expression.One More Time – A motivational anthem about resilience, featuring KRU's first AI-generated music video.
3. Remaja Selamanya – A nostalgic anthem inspired by the 90s, featuring vivid AI visuals.
4. GOAT – A powerful English track that explores the quest for greatness.
5. Selamat Hari Lahir – A heartfelt, unconventional birthday song celebrating time and gratitude.
6. Voodoo - An experimental love track featuring Malaysia's first fully AI-generated music video.
7. Sampai Sini Saja – A minimalist ballad that explores the emotional depth of farewell.
8. High Maintenance – A sassy, stylish celebration of confidence, the second English track in the lbum
9. Ciptaan Sempurna – A romantic song celebrating unconditional love
10. Agung – A dramatic and emotionally charged closing track for the album.
KRU Leads Innovation with AI in Music Videos
Voodoo and One More Time represent a technological first for Malaysia's music scene – music videos generated entirely through creative text prompts using generative AI, providing an imaginative and cinematic viewing experience unlike anything seen before in the region.
Digital Release on 25 April 2025
KASET will be available for streaming on Apple Music, Spotify, YouTube Music, and YouTube starting on April 25, 2025.
Stream 'KASET' starting April 25, 2025. Grab your limited-edition CD and cassette – exclusive and nostalgic
New Milestone
KRU also has set a new milestone not only with a personal record but also with a significant chapter in the local entertainment industry as 2025 begins, when the Konsert GenKRU will be held for not just one or two days, but three.
The magnitude of the empire and influence that KRU, or Kumpulan Rap Unggul, has had—and continues to hold—spans across generations and music fans since its inception in 1992.
This has also solidified KRU's place as a legendary trio in the local music scene, as its plan to hold Konsert GenKRU this coming May 3, was extended to two days due to overwhelming demand.
Tickets for the first day of the concert (May 3) sold out in just one hour, while tickets for the second day (May 4) were completely gone in only 45 minutes. And the third one was also achieved in good time.
To meet fans' requests, the organiser, together with KRU members Datuk Norman, Datuk Yusry, and Edry, unanimously decided to add another day, making Konsert GenKRU a three-day event on May 10, 2025.
"The decision to add a third day was driven by the enthusiasm and high demand from fans, especially those who missed out on tickets for the first and second days.
'The third day on May 10, 2025, is not opportunistic; rather, KRU does not want to disappoint fans. KRU also wants to prove that local musicians have a strong influence and power in their own market. Successfully holding a large-scale concert for three nights is an honour for our local artistes,' said Icon Entertainment founder, Iman Tang.
The GenKRU Concert at Axiata Arena will mark KRU's first major performance after six years. For the record, their last major studio album was 'Krunomena' in 2013 and their last major release was 'Gergasi' in 2018, a compilation album.
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The Star
5 hours ago
- The Star
Malaysian musicians and artistes unhappy three main music collective bodies taking action against new govt guidelines
KUALA LUMPUR: Malaysian musicians and those working in the music industry were left perplexed on Sunday when it was announced that three royalty collection bodies, or Collective Management Organisations (CMO) as they are widely known, have decided to take the government to court in order to the oppose new guidelines set by the Ministry of Domestic Trade and Cost of Living and the Intellectual Property Organisation of Malaysia. Several rounds of meetings and discussions were held with the Intellectual Property Corporation or MyIPO, leading to the development of the guidelines and the subsequent announcement by the Minister of Domestic Trade and Cost of Living Datuk Armizan Mohd Ali on 17th March 2025. The three CMOs however, have taken to the courts in their attempt to obstruct the implementation of the new guidelines. In fact, the case will be coming up for mention on Tuesday (July 1) at the KL Courts in Jalan Duta. The three bodies that have taken the court action against the government namely the KPDN Minister and MyIpo are Music Authors' Copyright Protection or MACP of which the Chairman is legendary composer Datuk M. Nasir, Recording Performers Malaysia or RPM of which the Chairman is Datuk Sheila Majid and Public Performance Malaysia or PPM whose Chairman is Rosmin Hashim. In a recent joint statement to the media, MACP, PPM and RPM said the guidelines undermined their autonomy and were not aligned with existing laws. The three bodies also added that the new CMO Guidelines of 2025 could negatively impact copyright holders, having been published without their consultation. The guidelines, issued by the Intellectual Property Corporation of Malaysia (MyIPO) on Jan 17, were intended to improve the governance and operations of collective management organisations. In a special press conference set by the Malaysian Artistes' Association (Karyawan) in Kuala Lumpur on Sunday, many artistes, composers and musicians said they were shocked, perplexed and unhappy with the decisions of the three CMOs to undertake this legal action against the Minister and the government. Karyawan President Datuk Freddie Fernandez said "Based on ongoing complaints from music artists and users of music, as well as the result of various engagement sessions with rights holders, CMO's and music users which began in 2023, MyIPO then published the Guidelines 2025 in January this year. "The new guidelines are excellent. They address many of the issues faced by music creators in ensuring they are treated fairly when it comes to voting rights and also provides for greater transparency and accountability from the bodies," said Freddie. "So the move by the three CMOs to take this sort of court action against the government is perplexing to say the least, especially when the majority of the members of the three organizations are extremely satisfied with the guidelines and grateful to the government for listening to their grievances and addressing them in the guidelines," said Freddie. Almost all of the 50 musicians and artistes who were present at the gathering, comprising members of the three CMO's said they were also not informed of the decision of the three CMOs to take the government to court in this manner. Ad Samad, Malaysia's well-known composer/lyricist, said he was deeply shocked with the decision of the three bodies. "We (the members) from the three bodies were just not told about this decision to take the government to court. We have no idea whose decision it is but this is exactly why we need the guidelines. "To prevent the managements of the bodies from taking this sort of unilateral action against the will of the members. "These new guidelines ultimately help and support the artistes and music composers and ensure their rights are protected, besides giving them a voice in how the CMO's are run" said Ad, who with other musicians on Sunday signed a memorandum to support the new guidelines. "At the end of the day, we just want the new guidelines to be implemented as it is for the good of all music creators in the country." Another well-respected musician and composer in the country, Zaim Zaidee, said in the last two decades there had been many issues on the rights of the musicians and artists in the past and the new guidelines will address many of these issues. "The MyIPO sorted out many things for many artists and those in the music industry. This decision by the CMO's in taking the government to court does not make sense and on top of that it was done without the knowledge of the members of the CMO's. But we are here today, to ensure that everyone knows that many of us in the industry do fully support the new guidelines" said Zaim. Music director and video specialist Cheb Ali also said that the new guidelines are the right move for all those in the industry. "I'm a member of MACP as well as RPM. This move by the three CMO's has been confusing because first they said they were not involved in the set-up of the new guidelines and then they also said their input were not included properly in the guidelines. Many of the members are not really sure what they and the other two bodies are actually saying. "And now this court move. We are very concerned with the way the three bodies are taking this form of action without referring the matter first to the members to seek their views. At the recent AGM of MACP last week, all our efforts to seek clarification were ignored. Ultimately the new MyIPO guidelines are the best for the all those in the music industry. There is nothing else to it," said Cheb. Meanwhile, Freddie also added: 'We need the government and the courts to be aware that the majority of the 8,000 artistes and composers who are members of these organisations do not support this court action against these government guidelines. "We stand firmly behind the KPDN Minister and MyIpo in this matter. Once these guidelines are implemented this sort of unilateral action by the management of the CMO's will hopefully no longer be possible and we can look forward to greater accountability and transparency from all CMO's in the future."


Hype Malaysia
11 hours ago
- Hype Malaysia
From Harris Yulin To Arthur Hamilton: 7 Celebrities Who Passed Away Recently
As we approach the middle of the year, it's a time to reflect on the lives and legacies of the celebrities we've lost in recent months. From iconic musicians to television personalities, each one left a unique mark on the world through their talent, passion, and presence. Their passing is a reminder of how deeply connected we can feel to those who inspire us from afar. This list acknowledges the notable figures we've lost in the last month. While they are no longer with us, their contributions and influence continue to shape culture and leave a lasting impact. It serves as a tribute to their legacies and a respectful farewell. David Hekili Kenui Bell The 'Big Hawaiian Dude' of 'Lilo & Stitch' passed away on 12th June (Thursday). David Hekili Kenui Bell was a beloved Hawaiian actor, most notable for his role in the recent live-action film, 'Lilo & Stitch'. In many other characters he portrayed, he almost always reflected his heritage, blending Pidgin, Indigenous Hawaiian language, and English, to help preserve local culture in mainstream media. He was described as a sweet, generous and brilliant person, often calling him an embodiment of what 'Aloha' is. He was deeply cherished in his community, greeted travellers daily through his familiar airport announcements, and proudly represented Hawaiian culture on a global platform. His warmth, modesty, and authentic aloha spirit will continue to have a memorable impact on everyone he encounters. Harris Yulin The acting industry is in shock with the news of esteemed American actor Harris Yulin's passing on 10th June (Tuesday). He's known for his roles in 'Ghostbusters II', 'Scarface', 'Training Day' and many more. He was a dedicated performer who was said to be immensely committed to his craft. He brought depth and complexity to the characters he played, mainly portraying morally grey roles with subtle intensity. Harris was said to be a gracious and warm person who valued the process and value of work rather than the fame that it gives. The 87-year-old's legacy will forever live on through his iconic roles and his family. They plan to have a memorial on a later date. Kim Woodburn Kim Woodburn, the co-host of the nostalgic British show, 'How Clean Is Your House?', passed away on the 16th June (Monday) at the age of 83 years old. She had been suffering from an illness for months leading up to her passing, cancelling the majority of her work commitments to be able to start her recovery process. Beyond her cleaning expertise, Woodburn appeared on various reality TV programs, including 'I'm a Celebrity… Get Me Out of Here!' (2009), where she finished as runner-up Kim's passing was confirmed by her manager. Furthermore, it has been requested by her family that details on her passing remain private. Kim will forever be remembered as a warm and outspoken person who made many fans' lives better with her humour. Anne Burrell Food Network fans mourn the loss of 'Worst Cooks in America' host Anne Burrell. The chef passed away on the 17th June (Tuesday), at the age of 55 years old. She was mostly recognised by her nurturing nature and infectious enthusiasm on her show, often referring to herself as 'professional pleasure provider,' finding joy in making people smile through food. Beyond her cooking career, she was a frequent contributor to charitable causes, serving on the Garden of Dreams Foundation Advisory Board. She aimed to support children facing adversity. She will continue to be remembered through every meal cooked with her books, and through her fans and colleagues alike. Arthur Hamilton 'Cry Me a River' Arthur Hamilton passed away on the 20th May (Tuesday), after living a long life of 98 years. Best known for his contribution to songs in the film 'Pete's Kelly's Blues' (1955), such as 'Sing a Rainbow' and 'He Needs Me'. Originally, his hit song 'Cry Me a River' was made for the film to be sung by Ella Fitzgerald but it ended up being released by Julie London in 1995, which became #9 on Billboard and #22 in the UK. The song ended up being placed in the Grammy Hall of Fame in 2001, solidifying his legacy in the music industry. His kind-hearted and devoted personality will forever live on in his pieces, friends and fans. Lim Pik-Sen (林碧笙) The actress for 'Chung Su-Lee' in 'Mind Your Language' has passed away on the 9th June at the age of 81 years old. The Malaysian-British actor began her acting career when she was 16 years old. Since then, she has been recognised as one of the most familiar East Asian faces on British television. She's widely known for her roles in 'Doctor Who', 'Maleficent: Mistress of Evil' and her most notable voice acting role as the narrator in 'Dark Souls'. Fans and friends have paid tribute to the actress, highlighting her joyous and witty personality. She will continue to be remembered through the British Film Institute as 'the most familiar Chinese actor on British television screens in the 1970s and 80s' and her enduring legacy across television, film, and gaming. Tong Gai (Tang Chia, 唐佳) Veteran martial artist Tong Gai (唐佳) was pronounced dead on the 23rd June 2025 (Monday) at the age of 88. At first, reports described an elderly man falling from a building, which was later confirmed to be the choreographer. Although he had allegedly been battling depression before his passing, police have found no evidence of foul play or other causes. He gained widespread recognition for his roles in iconic kung fu films such as 'Shaolin Prince and One Armed Swordsman'. Furthermore, he was married to former Hong Kong actress Suet Nay (雪妮). Ultimately, he will always be remembered as a gifted and dedicated individual who was deeply committed to both his craft and his family. Sources: People (1)(2)(3), International The News, Yahoo, The Star Zaima Humaira contributed to this article What's your Reaction? +1 0 +1 0 +1 0 +1 0 +1 0 +1 0


Hype Malaysia
11 hours ago
- Hype Malaysia
Interview: Zamaera's Journey On The 'Road To FAM' Finale & Her Thoughts On The Malaysian Music Scene
Rising Malaysian powerhouse rapper, Zamaera, will be headlining the upcoming finale to 88Rising's 'Road To FAM' in collaboration with Levi's and Future Asian Music in Bangkok, Thailand on 9th July 2025. Headlining Southeast Asia's biggest artists, such as RAMENGVRL, Zack Tabuldo, and Fariz Jabba, who were on the leg of the 'Road To FAM', Zamaera will be also joined by exclusive guest, 88Rising's MILLI. Known for her bold beats and finesse, let's take a look at who Zamaera is at her core, where her music speaks when words cannot. In this exclusive interview with the rapper, we follow her thoughts on the Malaysian music scene and her thoughts on her musical journey. She also shares her thoughts on being in the finale of 'Road To FAM' in Bangkok. Here's what she had to say: 1. Your Road to FAM Show in KL recently ended, along with your Epiphany tour. How are you feeling about the energy of the Malaysian music scene? Same energy, more driven, more focused and a lot more intentional with my craft. Although I have to correct you, as I didn't win the rap battle. I was 1st runner up against one of my long-time friends, ASHTIN (M.I.O), but I was the only female in the whole cypher, which really set the tone for my career from then onwards. At that time, female representation in hip hop was far from many, but I remember seeing Arabyrd, Kayda Aziz, Hunny Madu, Shikara, Mizz Nina, YUNOHOO (formerly known as Rubba Bend), Supamojo and sharing a stage with a few of them at Raising The Bar, a hip hop platform founded by Jin Hackman and Dan Shiv. I loved being put together with these other strong and creative female figures. And that goes hand in hand with my involvement with Road To FAM. Representing my country, alongside other independent Asian artists, is exactly where I belong. 2. Your Epiphany tour included cities that are rarely visited by artists. Could you explain the process of choosing these cities, and what did you think about the crowd there? Yes, well, it was quite easy actually. I picked the cities like Alor Setar, Kedah and Ipoh, Perak, because firstly I knew I had a following in those cities and secondly because I hadn't performed in cities like Malacca or Kedah or Sabah. I'm planning a bigger show with more local artists, so the best way to test the market is to actually go on the ground and see what works and what doesn't. I am a huge fan of Nipsey Hussle, and he has these 5 prolific principles which he elaborates on. One of them is fan segmentation. As an independent artist, it's important to identify who your superfans are, those who come out for your show no matter what, purchase tickets and merch as a way of supporting your career, so this is also my way of giving back to the fans who aren't based in Kuala Lumpur. I'm really glad I picked all these 'uncommon' cities because not only was the hospitality from the venues amazing, but I really got to build a strong connection with my fans from each state, as the show was very intimate, ranging from 50 – 100 pax capacity venues. I believe all artists should try planning their national tour with their team because it's extremely doable! And it's very wholesome, plus a huge learning opportunity. 3. Based on your latest song, 'Jumper,' you're leaning towards the UK Rap and Baile Funk genre. Could you tell us a bit more about this artistic direction? I had always been a fan of electronic music, particularly techno and house, ever since I went for a student exchange program in Germany. It opened my eyes to a whole new world of music that I wasn't acquainted with at 17 years old. But I never tried including the love for electronic music into my own. So, jumper was an amalgamation of discovering Miami bass and baile funk, which allowed me to naturally progress in my sound direction. Jumper has all the elements of my artistic qualities, rapping with witty punchlines and singing pre-chorus and chorus. I want that to stand out in all my upcoming music. The duality of both being a singer and rapper, because I am tired of being put into a box. You know that internet saying…..'let her cook'… 4. Being a Malaysian of Arab and Indian descent, and promoting yourself as a homegrown artist, are there any plans to add any cultural aspects to future music projects? For sure! I've always wanted to make Tamil / Hindi music because I grew up in a household which loved Bollywood. And of course, my love for languages is the real reason why I will eventually collaborate with more South Asian creatives. 5. You have some vocal-oriented tracks, such as 'Jaga Diri', 'Glow' and your early song, 'Wanita'. Are there any plans to dive into more vocal-oriented tracks? Or can fans expect a full vocal-oriented album in the future? Yes! I have a big grand master plan for this. I hope my fans are patient with me because I have some of the best music that I've ever made in the vault and about to be released, and I truly can't wait to share it with the world. 6. What does being part of the Future Asia Music x Levi's Collaboration with 88rising mean to you, personally and professionally? You've got to trust your team. I've been independent for such a long time that I'm so used to working on my own, but I've been building a great team, and I had to learn how to let go and just focus on being creative and just being the artist. Oh, and another thing is, you have to not panic in a crisis! We had a wardrobe malfunction, about the 3rd song into my live performance and I could feel my top kind of slipping off but as the saying goes, 'The show must go on', and I just kept singing and rapping into the microphone while being completely myself and announcing that we were going through a wardrobe malfunction and the crowd was still so supportive. There's something about being completely your own true self that I believe people enjoy and respect. 7. How do you see this collaboration uplifting Southeast Asian artists on a global stage? You know, I had never worked with Darren, the designer of Ugly Pretty, until this collaboration came along. He is most definitely someone I consider a visionary. Someone who can see the complete idea of something, before it's even done, which I resonate with completely as an artist myself. When I met him for the first time at Levis in Suria KLCC, he whipped out his sketch book that had these 4 gorgeous illustrations of how he envisioned my performance outfit, and it screamed my name across every single one. I felt like he studied me and my body through socials and maybe live performances to get a better understanding of my personality and the way that I move during performances, and then with his amazing, creative Einstein brain, just started sketching an idea that only he had seen in his head. We then tried on different existing in-store and archival pieces from Levi's, ranging from the jeans to skirts and jackets, etc, which he deconstructed every single piece to make the most authentic and gag-worthy 3-piece performance outfit. I mean, you must have seen it! I loved it, it's so me and him at the same time. 8. Do you have anything you want to say to aspiring artists who want to follow in your steps? Be unconditionally your most authentic self. When you are in a certain room with certain people, know that there is no one to impress but your 5-year-old self. Which is why it is also so important to be in touch with your inner child. Having a carefree spirit, an unlimited sense of wonder and no fear of rejection turns one into an undeniable force. Hone in on your strengths and trust your intuition. And if you are an artist, fall in love with the work, the dedication, the sacrifices, the poetry, because in the end, you are writing the story of who you are. Tickets to Future Asian Music x Levi's® Road to FAM, The Finale in Bangkok featuring Zamaera are available via MegaTix. Admission is free but RSVP required. The event is only open to ages 20+. Alyssa Gabrielle contributed to this article What's your Reaction? +1 0 +1 0 +1 0 +1 0 +1 0 +1 0