Hate crime or neighborhood feud? Everything we know so far about Jonathan Joss's killing
In the midst of a years-long feud with the man accused of killing him, the actor was self-admittedly dealing with the loss of his house and pets, financial hardships, and substance abuse. These problems are all too present in LGBTQ+ and Indigenous communities and were particularly felt by Joss toward the end of his life.
Keep up with the latest in + news and politics.
"As we reflect on the recent coverage surrounding Jonathan's final days, we carry this ache like a stone in our chest," the American Indians in Texas at the Spanish Colonial Missions said in a statement. "Public reports describing his distress are heartbreaking, not because they define who he was, but because they point to a more profound crisis that is all too familiar in Native communities: the unspoken, underserved, and ongoing struggle with mental hardship and lateral violence."
While the circumstances surrounding his shooting are complicated, one thing remains clear — Joss's death is a tragedy that has deeply impacted queer and Native circles. Here's everything we know about Joss's killing and the events leading up to it.
Fox/NBC
John Redcorn on 'King of the Hill'; Chief Ken Hotate on 'Parks and Rec'
Jonathan Joss, 59, was an out gay Indigenous actor of Apache and Comanche heritage known for his roles in Fox's animated series King of the Hill and NBC's sitcom Parks and Recreation.
Joss voiced John Redcorn, a Native American masseur and healer, on King of the Hill, and portrayed Ken Hotate, a Native American chief, on Parks and Recreation. He had reportedly already recorded some of his lines for the upcoming King of the Hill reboot, which will be available in August on Hulu.
Joss married his partner, Tristan Kern de Gonzales, 32, on Valentine's Day of this year. The couple had been living in Joss's childhood home in San Antonio, Texas — which his father built for his mother in 1957 — for several years before his death.
Joss struggled with addiction throughout his life and had been open about spending time in mental health treatment. He said on the Bwaaa! The King of the Hill Podcast that he was not sober. Recorded one day before his death, the episode would become his last interview.
"I've already lost everything. My house burnt down. I ain't going to give up drugs. I ain't going to give up drinking. They're my friends," he said.
www.youtube.com
- YouTube
Joss's home burned down in January, resulting in the deaths of his and Kern de Gonzales's three dogs. The couple had been staying in a hotel due to electricity issues after the home was vandalized but returned regularly to take care of the dogs. Upon returning one afternoon, Joss found a blaze had consumed the house.
Joss said that he had been using a propane tank inside the house for heat but that he had turned it off before he left. He and Kern de Gonzales soon after launched a GoFundMe to help with their living expenses.
"This is a house I grew up in. I'm more concerned about my dog that died, but you know what? The good Lord will protect us,' Joss told local outlet KSAT at the time. 'Mistakes happen, man. And it's my fault for, I guess, leaving something on. Or if somebody came in and did something, who knows?'
Joss was often candid on social media about their financial struggles, offering Cameos to earn revenue. He denied a rumor that he started the fire for insurance money, telling the the Bwaaa! podcast hosts that he would never kill his dogs.
"My closest friend said, 'Jonathan, we know you set that fire. ... We know you did it for money,'" Joss said. "I said, 'Guys, my dogs ... were there. I would never hurt my dogs. ... I would never light my dogs on fire.'"
youtu.be
- YouTube
Just two days before his death, Joss interrupted a King of the Hill reunion panel by claiming the fire that destroyed his house was a deliberate act of arson against him because of his sexual orientation.
Joss was not invited to the panel, which was meant to be a small gathering of he main cast, but attended in the audience. When one of the actors said of Joss, "We love our guy, Johnny, and so sad he's not here," he revealed himself in the crowd and took a microphone meant for fan questions.
'You were talking about Johnny, and I want to say something about him,' the panel moderator from Variety recalled him saying. 'Our house burnt down three months ago. Because I'm gay."
Joss explained the moment on Bwaaa!, saying that he did not initially intend to interrupt the panel but spoke up in the heat of the moment. "The worst thing about not existing in the world is someone ignoring you when they have taken from your culture," he said.
www.facebook.com
Jonathan Joss
Kern de Gonzales revealed in a Facebook post that he and Joss were "involved in a shooting" when they returned to the site of their former home to check the mail. He claimed that the fire and the shooting occurred "after over two years of threats from people in the area who repeatedly told us they would set it on fire" and that despite reporting the threats to law enforcement multiple times, "nothing was done."
"When we returned to the site to check our mail we discovered the skull of one of our dogs and its harness placed in clear view," Kern de Gonzales wrote. "This caused both of us severe emotional distress. We began yelling and crying in response to the pain of what we saw. While we were doing this a man approached us. He started yelling violent homophobic slurs at us. He then raised a gun from his lap and fired."
"Jonathan and I had no weapons. We were not threatening anyone. We were grieving," he continued. "We were standing side by side. When the man fired Jonathan pushed me out of the way. He saved my life."
www.youtube.com
- YouTube
Kern de Gonzales later told NBC that he and Joss, after seeing their dead dog's skull placed in front of their burnt down home, believed it to be a message from their neighbors taunting them. In anger, Joss began shouting and walking back and forth in the street with a pitchfork.
One neighbor shared a video with KSAT that shows Joss walking with the pitchfork and yelling about half an hour before his death. 'I knew something was going to happen. I wanted to call the police, but he hadn't done anything," she said.
Kern de Gonzales said the suspect pulled up in his car several minutes after Joss had returned to his side. Kern de Gonzales said the man called him and his husband "jotos," a Spanish slur for gay people, before shooting Joss.
'I could give two fucks less if me or my husband had 50 pitchforks in every orifice of our body rolling up and down that street like tumbleweed," Kern de Gonzales said. "It don't matter."
Bexar County Sheriff's Office via Getty Images
Sigfredo Ceja Alvarez's mug shot
Sigfredo Ceja Alvarez, 56, was arrested and charged with murder in connection with Joss's killing, telling officers as he was being detained "I shot him," according to the police report. The two neighbors had reportedly been feuding for over a year, with law enforcement frequently being called to Joss's residence to settle their disputes.
Alvarez told police in June 2024 that Joss approached his house with a crossbow while calling him racial slurs, though Joss claimed that he walked over to "talk about their dogs fighting with each other." Upon searching Joss's house, officers found a crossbow and confiscated it.
Joss accused Alvarez of being the one who burned his home down in January, according to a separate police report via NBC. The officer taking the report wrote, "I have classified this fire to be undetermined in nature at this time but cannot rule out human involvement intentional or unintentional."
Alvarez posted his $200,000 bond Monday night, a Bexar County court spokesperson told Yahoo News. He is now under house arrest, during which he is subject to random drug testing and is not allowed to access firearms.
NBC
Jonathan Joss
Multiple neighbors have said that Joss often spoke loudly and behaved erratically but that no violent confrontations had occurred until he was shot. One woman said that Joss and Alvarez would often fire guns on their own property, but never at each other.
'I've been here six years and when we moved in, it was already going on, so it's just been years of feud with these two,' she told the New York Post. 'I'm not taking nobody's side because I do have reports on both of them, but nothing got done. This man should be alive today, but nothing got done.'
The neighbor who took the video of Joss with the pitchfork also said that he "was always yelling at the top of his lungs." She explained, "He would say that all the children on this street were going to die, and that we were all going to go to hell because we're sinners and God is on his side.'
Another neighbor told San Antonio TV station WOAI that she had seen Joss outside minutes before his death and that he seemed upset about something. She said that he and his husband "had been repeatedly harassed because they were gay and their home was burned down after years of threats from neighbors."
twitter.com
The San Antonio Police Department released a statement shortly after Joss's death claiming it had uncovered "no evidence" to suggest that the killing was a hate crime, which his husband's statement contested. The department later retracted its comments.
Police Chief William McManus walked back the statement at a press conference Thursday while also apologizing to the LGBTQ+ community for dismissing their concerns, saying "it was way too early in the process for any statement of that nature to be issued."
"We understand that many in the LBGTQ+ [sic] community are feeling anxious and concerned," McManus said. "A lot of that has to do with that premature statement that we released, and again, I own that. We shouldn't have done it. The loss of Jonathan Joss was tragic and most heavily felt by the LBGTQ+ [sic] community."
McManus also clarified that the police department doesn't charge hate crimes in Texas. Instead, police "gather the facts and we give those facts to the district attorney's office; then that hate-crime designation is determined at sentencing."
Kern de Gonzales had asserted in his Facebook post that throughout their time living at Joss's family home as a couple, they "were harassed regularly by individuals who made it clear they did not accept our relationship. Much of the harassment was openly homophobic."
"He was murdered by someone who could not stand the sight of two men loving each other," he said.
Screenshot from @prattprattpratt on Instagram
Chris Pratt tribute to Jonathan Joss
Several of Joss's colleagues from King of the Hill and Parks and Recreation have posted messages mourning the actor. The official social media accounts for the shows have also posted tributes.
King of the Hill creators Mike Judge and Greg Daniels and current showrunner Saladin Patterson released a statement on the show's Instagram page saying that "his voice will be missed at King of the Hill, and we extend our deepest condolences to Jonathan's friends and family."
Toby Huss, who voiced Kahn Souphanousinphone and Cotton Hill on King of the Hill, wrote on Instagram Story in reaction to the news,"RIP old friend. Godspeed."
Chris Pratt, who played Andy Dwyer on Parks and Recreation, also posted a message to his story, which read, "Damn. RIP Jonathan. Always such a kind dude. He played Ken Hotate in Parks and was also in Mag 7 [The Magnificent Seven]. Sad to see. Prayers up. Hug your loved ones."
Nick Offerman, who played Ron Swanson on Parks and Recreation, told People that the cast had been texting about the news and were all "heartbroken." He added,"Jonathan was such a sweet guy and we loved having him as our Chief Ken Hotate. A terrible tragedy."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
8 hours ago
- Yahoo
Julianne Hough Details Freezing Her Eggs for the Third Time at 36 in Candid New Interview: 'I'm Reclaiming My Power' (Exclusive)
Julianne Hough is getting candid about her hopes for her next chapter of her life and career The Dancing with the Stars pro discusses her recent egg-freezing journey and went into the decision to do the process again for the third time She also reveals a non-negotiable when datingJulianne Hough was just 18 when she joined Dancing with the Stars as a professional dancer in 2007, with only $2,000 in her pocket after moving from Utah to Los Angeles. And now, 18 years later, Hough, 36, is reflecting on what she'd tell teenage Julianne, whose beginnings on the show would launch a career beyond her wildest dreams. After a pause, Hough says, "Honestly, I wouldn't tell her anything." "She got me here today," she continues. "It's so funny because I think we always want to give our younger selves advice, but you don't know what you don't know until you know it." "Every moment that I've gone through, whether it be painful mistakes, self-sabotaging, or being brave and taking a risk and putting yourself out there are just part of the journey," she says. "They build character." She left the show in 2009 and returned in 2014 to serve as a judge, a position she held until 2017. In the years she spent away from the show, she steadily carved out an acting career for herself with roles in films like 2010's Burlesque, 2011's Footloose, 2012's Rock of Ages and 2013's Safe Haven. She also played Sandy in the live Fox television production of Grease in 2016 and launched her Los Angeles dance and fitness studio KINRGY in 2018. "Being a founder is one of the hardest things you'll ever do because it's like you have an idea, and then you have to let it go and let it breathe and do its own thing," she says. "The best compliment I get is when people come up to me and are like, 'Wow, everybody who's here made me feel so welcomed. What you've created here has allowed me to connect to my body and my confidence." "I wasn't really showing it to be like, 'I'm going to make a big statement,' but with the response I got, I realized how important it was," she says. "I found out I have endometriosis when I was 19 or 20, and I wish back then I would've been told to freeze my eggs, but I wasn't told until later on." Hough's decision to undergo her most recent egg-freezing process, her third total, had a lot to do with freeing herself from the "psychological fear" of a ticking biological clock. Along with her endometriosis, "I have some other health implications that might make [conceiving] challenging, and I got a divorce and now I'm in a different stage of life," she says. "For me, it's never been about, 'I'm not ready,' but I know it is for some people. I think the time will be right when it's right." Since the first time she went through the egg-freezing process, Hough has noticed her growth. "It ain't easy when you're doing the shots, but I will say this time around, I had a much better understanding of what I needed," she says. "Also, the first time I did it, I didn't do the shots myself. I went in every day, and they did them for me. Then I was like, 'Wait, I feel really empowered doing them myself.' Along the way I was able to call friends who have gone through it at any moment and be like, 'Hey, I feel really crazy right now. Can you just come over and sit next to me?'" "I always cognitively tried to live my life where I wasn't concerned about what others thought, but to truly feel it is a different thing," she says. "Now, I see it as, 'This is my one life that I get to live, and I get to design it however I want.' I'm reclaiming my own power. Then, whatever is supposed to come will naturally come." "I think I have faith in general that I'm the person my person is also waiting for, you know?" she says. "If I'm ready for that next chapter of my life, it's because I'm in a really good place. So, I've just been focusing on what makes me happy and my vision of what I'm looking for, but not holding on too tightly. Me and my [dog] Sunny girl, we are happy, we are thriving, and creating space for whatever comes next." So "must love dogs" is a non-negotiable? "I'm not going to lie, I went on a date once and they said they didn't like dogs, and I was like, 'The date is over,'" she says with a laugh. "They even went one step further and were like, 'I mean, I guess I could like a dog if it was like a cat.' I was like, 'Oh my gosh, stop the car!'" Since 2023, she's co-hosted DWTS with Alfonso Ribeiro, and the duo are currently preparing for season 34 to kick off in September. She'll also return to the big screen in Maggie Gyllenhaal's Frankenstein-inspired film The Bride! premiering in 2026. "I haven't done a movie in a very long time," she says. "To be a part of this cast and to work with the director, Maggie, in a role where I felt like, 'Oh, I know I can do well in this,' after not having that be my focus for a long time was a beautiful experience and foray back into the world of acting and filmmaking." As she heads into a busy fall, Hough — who is also the new celebrity ambassador of Icelandic Glacial water — is debating on taking some much-deserved time off. "This year has been a little bit of a transition for me, and even during the pandemic I was building KINRGY, so I didn't really take a proper break," she says. "I'm about to start something new and it's going to take a lot of energy and focus, so I might just take July and August off." And yet, there's no doubt her vision for this next chapter will remain at the forefront of her mind. "I just want to be a space or a person or a product that allows people to connect to their most authentic version of themselves," she says. "This next season of my life is more about taking all the things that I've learned and sort of passing it along in a way where it activates other people to step into their power." Read the original article on People
Yahoo
9 hours ago
- Yahoo
Artist Jason Baerg on Canada Day's reminder of stolen land and broken promises: 'Canada is a colonial project'
Artist, designer and educator Jason Baerg is clear-eyed about what Canada and its celebration mean — and doesn't mean — for many Indigenous people across the country. Baerg, who uses they/them pronouns, says it plainly: 'Canada is a colonial project." It's a statement that cuts to the root of Canada Day's enduring controversy: For many Indigenous people, it marks not a national celebration but a reminder of stolen land and broken treaties. As a Cree-Métis artist raised in Red River, Saskatchewan and now based in Toronto, Ontario, Baerg's very life and practice are acts of resistance, continuity and reclamation. 'I'm Indigenous and German — my father came from Germany, and I was raised by my Métis mother,' Baerg explains. 'So, every day is Indigenous for me. That's how I live my life.' Yahoo News Canada presents 'My Canada," a series spotlighting Canadians — born-and-raised to brand new — sharing their views on the Canadian dream, national identity, and the triumphs and tribulations that come with life inside and outside these borders. That lived experience means Canada Day doesn't bring up the same kind of pride or joy others might feel. 'It's a weird thing to unpack,' they say. 'It's funny how many people don't even understand the basics, that First Nations have their own governments, that they're independent nations.' Baerg doesn't dismiss Canadian identity entirely. They acknowledge: 'I'd be a fool to think I do not participate in a greater network of people that includes settlers. When I think about what it means to participate in that kind of nationalism, which is kind of fabricated, I think about continuum, where we are, out story. It's complex.' That sense of continuum shows up powerfully in Baerg's work. As an interdisciplinary artist working across painting, fashion and digital media, their art is deeply rooted in Indigenous epistemologies, visual languages and futurism. 'I'm interested in sustainable fashion, in the presence and visuality of Indigenous people through their contemporary art practices,' they say. 'There's real intention there of how [we] participate in culture, and build and disseminate who we are as Indigenous people.' Baerg also brings that philosophy into the classroom at OCAD University, where they teach and mentor the next generation of artists, many of whom — and, crucially, not all — are Indigenous. 'The artist has to know who they are before they can say anything to the world,' they say. 'So, I have my students research their own traditional homelands. It helps them understand their position and gives them cultural material to work with in their art. I'm grounding them in having them acknowledge that their ancestors are from a different place, and I'm also serving them the opportunity to get to know themselves even more, because I truly believe that the artist has to know who they are before they can say anything to the world.' In other words, that sense of knowing isn't just about identity, it's also about place. Baerg believes deeply in connecting students to the land, and in challenging Canadian institutions — artistic, educational and political — to do better. 'It's not enough to have conversations anymore; art and education are just the beginning. We need action. We know communities don't have clean water, so fix that. We know curriculum is lacking, so change it.' We know communities don't have clean water, so fix that. We know curriculum is lacking, so change it. And for Baerg, that change has to start early. They point to models in places like Australia where Indigenous culture is embedded in early childhood education. 'Why not here?' they ask. 'If you're in Toronto, every child should know how to say 'hello' in Haudenosaunee or Anishinaabe. That kind of cultural fluency should be foundational. We should be bringing local Indigenous custodians into schools and daycares. Geography lessons should happen on the land with those who know it best.' There are already some glimmers of this vision in Canada. Baerg highlights Saskatchewan's treaty education mandate from kindergarten to Grade 12 as an example. But they also express frustration at the pace of progress, particularly when funding is often the first thing to go. 'The government has taken so much away ... And I don't want to entertain that anymore. I want us to envision something better and then go build it.' Despite all this, Baerg remains optimistic. Their hope doesn't come from institutions, but from community. 'I see us moving forward in good ways, with or without institutional support,' they say. 'We train our own, we respond to our own needs, and we move.' What they want most — for Canada, for Canadians — is a shift toward meaningful collaboration. At the heart of that is a simple but powerful wish: respect. 'I'd love to see more harmony and more collaboration,' Baerg says. 'Genuine respect. If we looked at each other as kin, we'd be in a much better place.'


Forbes
9 hours ago
- Forbes
It's The Perfect Time To Revisit The Life Of ‘The World's Greatest Athlete' With ‘Jim Thorpe: Lit By Lightning' Documentary
From "Jim Thorpe: Lit by Lightning." 'You know, we've advanced so far that we sometimes forget who our underdog heroes were, and he was one of the greatest Americans that ever lived because of what he embodied and what he did for Native people and for all Americans.' This is Chris Eyre, speaking about the documentary Jim Thorpe: Lit by Lightning. Considered to be one of the greatest and most versatile athletes of modern sports, Thorpe was the United States' first Native American Olympic gold medalist. Born on the Sac and Fox Nation reservation in central Oklahoma, Thorpe grew up during a time when Native people were seen as threats to Western expansion. Despite great odds and in opposition to anti-indigenous rhetoric, Thorpe developed an affinity for athletic endeavors, which would ultimately evolve him into a multisport powerhouse and symbol of the strength and perseverance of his Native peoples. In addition to his Olympic success, Thorpe became an invaluable athlete across baseball, football, basketball, and track-and-field. Featuring narrated excerpts from Thorpe's unpublished autobiography alongside thoughtful interviews from scholars and sports commentators, and innovative recreations, Jim Thorpe: Lit by Lightning offers an all-encompassing look into one of the most impressive athletes of the 20th century. Eyre, who directed the piece says that, 'The baseline for this documentary is a 101 course on Jim Thorpe, but then it goes further to really explain his amazing accomplishments amid the adversity he felt his whole life.' NEW YORK, NEW YORK - MARCH 06: Chris Eyre attends AMC's "Dark Winds" Season 3 New York premiere at ... More Smithsonian National Museum of the American Indian on March 06, 2025 in New York City. (Photo by John Nacion/WireImage) What makes his journey so unique, says Eyre, is that people admired Thorpe even though at the time he wasn't a U.S. Citizen. 'Native Americans weren't even U.S. citizens until 1924 yet he was in the Olympics and was celebrated after the Olympics in Stockholm in 1912 with ticker tape parades where he bowed his head because he was embarrassed at the extremity of his popularity.' He adds, 'And so it was a different time because he wasn't doing it for the money. He wasn't doing it for the social media. He was doing it for the passion he had for competitive winning.' Eyre points out that now, 'we really need to look at our past heroes through a different lens. That's what I think is new about this documentary that features someone who's accomplishments occurred nearly a century ago. For me, it's about the underdog who does these things for the right reasons. This is a person who made America great because of what he overcame.' Pointing out just a small portion of Thorpe's struggle, Eyre reveals that, 'He lost both of his parents young. He lost his twin brother at nine years of age. He was taken to boarding school forcibly. He was disenfranchised from his tribe, and he channeled that, with no money and very little support, into a passion for sports.' As a member of the Cheyenne and Arapaho Tribes, Eyre says that it's privilege to tell Thorpe's story. 'One of the reasons that I was attracted to this project was because I read an article that said, 'Jim Thorpe had a tragic life,' and that's not the story. This is a telling about what I remember as a kid, which is that he ran with two mismatch shoes, and stuffed socks into one of the shoes to make it fit better, and that he won gold medals. And as a Native person, my lens is, 'let's talk about the good things and why we should know who this American is.' That's why I was excited to tell this story, so I do feel a certain obligation to tell stories from a Native lens, and that lens is just a little bit different from the regular lens, but the themes are still the same.' With this film Eyre wants the public to know that, 'Native people are alive and vibrant and complicated.' He says that he's always thought to himself, 'Why aren't there more television shows about Native American people?' "So, I've been trying to make them for 20 years or so, and I just think that it's important that these stories get out there.' In addition to this, Eyre feels that,'It's a great time for this to come out. I was reading a quote recently and it said, 'we're in the battle for the soul of our nation.' You hear that and you start to realize we have always been about in a battle for the soul of our nation. So, it feels like it's very important to look at where we've come from and not repeat the same mistakes. I think that that message is so important today, especially for young people.' Summing up his thoughts, Eyre concludes, 'What I really want people to recognize is that the greatness of this country comes from a myriad of people — Native American, African-American, White, Latino, just everyone. People worked really, really hard to build this country. People are always striving to get ahead, like Jim Thorpe, and he just never gave up. If everyone can be inspired by his perseverance, then all of his work and all of the work that went into making this documentary is all worth it.' 'Jim Thorpe: Lit by Lightning' airs on Monday, July 7th at 8/7c on the History Channel, and will be available for streaming the next day.