
A Stitch in Time
Created with the aid of a grant from the India Foundation for the Arts, the installation is set to be open to viewers on Sunday at Cubbon Park. 'We've found some amazing stories. Someone shared a story of finding a dead dog, cremating it and coming back to plant a tree in its memory; another, a sweeper, got street-cast for a movie here; one guy had a first date here that lasted over 12 hours and the couple saw their first sunrise here, with light rushing through the leaves and dew. There was also a man who manages the public restroom who sang for us! It's lovely to see these meaningful connections people make with nature and each other,' she says.
Sharing the origins of this project, which started with her work on a jacket that tells oral histories at The British Library, Sakthivel says, 'We were trying to figure out how to get visitors to engage with oral histories. People don't want to put on headphones and stare at a wall, so how do we create an embodied listening experience?' The answer, applied to Cubbon Park, was to collect stories from people and weave them together over a year. 'What we're trying to do here is capture present day experiences and future aspirations that people have for the park by communally weaving together a picnic blanket that is interactive. We got people to come to workshops, listen to the 24 stories we've curated, and start stitching onto the patch. Some, saw us and just joined in!' says Sakthivel.
How exactly does the blanket work and make this interactive experience happen? Through the magic of smart fabric, explains Sakthivel. 'I'm using conductive fabric, thread, and an entire circuit is concealed under the fabric so you can't tell it's there. But when you touch a particular story, it plays the audio in the headphones. At any point, five people will be able to sit or lie down on it.'
With Cubbon Park being a thriving spot for community events and clubs, bringing people of all classes together, Sakthivel hopes that the project will act as a conduit that encourages a culture of people listening to one another. 'We talk a lot about storytelling but there's not as much of a culture for story-listening. Through this, we want to create a culture where people slow down, sit down, and actually listen. Listening in a group is different from listening alone – you can see how many different stories exist and how many different people use a public space.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Deccan Herald
32 minutes ago
- Deccan Herald
A multi-genre singer with a focus on spiritual music
The Mumbai-based singer got into music at the age of five. His mother, Anuradha Dabli, a classical music exponent, initiated him into the craft.


NDTV
10 hours ago
- NDTV
Triptii Dimri's Wardrobe For Dhadak 2 Promotions Is Chic And Unstoppable
Triptii Dimri has been busy promoting her latest movie, Dhadak 2, with Siddhant Chaturvedi. Leading up to the film's release in theatres today, the actress served numerous fashion looks. We've been following her movie promotion outfits ever since she started her journey and every new ensemble impressed us more than the rest. For day outings or formal events, Triptii Dimri had it all packed in a punch under a roof. For her latest Dhadak 2 promotion look, Triptii Dimri wore an all-denim dress with a matching jacket. It came with a fitted bodice and a flared skirt. The denim fabric featured visible white topstitching along the seams, giving it a structured and detailed appearance. The top of the outfit included a collared neckline, which had embroidered detailing. The actress paired the dress with tiny hoop earrings, black sunglasses and navy-blue embellished heels. View this post on Instagram A post shared by Triptii Dimri (@tripti_dimri) For another event, Triptii Dimri picked a black blazer and a checkered dress from the shelves of Milan-based clothing label Antonio Marras. The outfit comprised a long, tailored coat in black, a matching skirt and a white top underneath. The blazer came with puff sleeves, structured shoulders, sharp lapels and a sculpted waistline. It had a minimalist design with a straight, fitted silhouette that extended below her waist. The crisp white blouse underneath had a large, elaborate bow tied at the neckline. The upper section of the two-tiered skirt featured a pencil-style fit in a grey-toned plaid, while the lower section flared into a frill in a plaid pattern. View this post on Instagram A post shared by Triptii Dimri (@tripti_dimri) Before this, Triptii Dimri stunned in an all-ivory blazer and flared pants for the Dhadak 2 trailer launch. The V-neckline blazer included details like lapel collars, padded shoulders and full sleeves. The buttons at the centre and flap pockets on either side of her waist added some functionality to her outfit. The actress paired the blazer with loose-fitted pants that came in pleats. The voluminous fabric cascaded in length, skimming the floor dramatically. Her outfit screamed corpcore chic from a mile away. View this post on Instagram A post shared by Triptii Dimri (@tripti_dimri) Which one is your favourite look of Triptii Dimri from Dhadak 2 promotions?


Time of India
10 hours ago
- Time of India
Humanoid robot in China enrolls for PhD in drama and film. Says, 'If I fail, I'll be donated to a museum'
— jimuglobal (@jimuglobal) Acting, Algorithms and Aesthetic Exchange Applause and Apprehension In a striking convergence of science fiction and the performing arts, China's first humanoid robot Xueba 01 , has been officially admitted into a PhD programme in Drama and Film. The decision, announced during the World Artificial Intelligence Conference on July 27, has ignited a flurry of fascination, admiration, and healthy scepticism across Chinese social to a report from South China Morning Post, developed jointly by the University of Shanghai for Science and Technology and DroidUp Robotics, Xueba 01 stands 1.75 metres tall, weighs around 30 kilograms, and can physically interact with people. Dressed in a crisp shirt, trousers, and glasses, with silicone skin designed for nuanced facial expressions, the robot even communicates fluently in cybernetic scholar's name borrows from a Chinese slang term, xueba, which refers to an academically gifted student. And the name is proving apt. Xueba 01 is now set to embark on a four-year doctoral journey at the Shanghai Theatre Academy (STA), one of China's top institutions for the performing arts, with a focus on traditional Chinese opera According to Shangguan News, Xueba 01 will study under Professor Yang Qingqing, a respected Shanghai-based artist. The robot's curriculum is as ambitious as any human student's: stage performance, scriptwriting, set design, motion control, and language Yang sees more than just a technical marvel. Recalling a rehearsal session where Xueba 01 mimicked the legendary 'orchid fingers' gesture of Peking opera icon Mei Lanfang, Yang shared that human students instinctively mirrored the robot's movement.'When Xueba 01 interacts with his classmates, it is not a cold machine meeting humans, but an aesthetic exchange across species,' said robot calls itself an 'AI artist,' aspiring to forge friendships, exchange ideas on scripts, assist in choreography, and even play calming white noise for stressed peers. If he completes the programme successfully, he could become an opera director in a museum or theatre—or even launch his own AI art many see Xueba 01's admission as a groundbreaking step in blending art and technology, the move has also sparked a spirited online debate.'Chinese opera needs rich expressions and a unique voice,' one student wrote on social media. 'Can a robot really make the cut?'In a witty response, Xueba 01 said, 'If I fail to graduate, my system and data might get downgraded or deleted. Professor Yang said if I don't finish my PhD, they'll donate me to a museum. That sounds pretty cool too. At least I'll be part of art history!'Still, not everyone is amused. Some users questioned whether the resources spent on the robot could have been allocated to real students, pointing out that some arts PhD candidates in China earn less than 3,000 yuan (US$420) a month. Others questioned the emotional depth of AI-generated art, arguing that lived human experience remains irreplaceable in creative earlier version of Xueba 01 once ran a humanoid half-marathon, bagging third place. But this latest leap—into the realm of opera scripts and theatrical nuance—might be his most daring yet.'Xueba 01 is taking on a milestone challenge in human-robot relations,' said one online observer. 'We've finally reached the point of living and learning alongside robots. I hope he does well.'