
Conductor keen for finalists' concert
The concert will feature the three finalists in the concerto competition — cellist Portia Bell, 18, and pianists Ozan Biner-McGrath, 16, and Roy Zhang, 18, in performance, accompanied by a combined Dunedin Symphony Orchestra and Dunedin Youth Orchestra.
Zhang has chosen to play the first two movements of Ravel's Piano Concerto in G Major , Bell has chosen to play the first movement of Dvorak's Cello Concerto and Biner-McGrath has chosen to play the first movement of Mozart's Piano Concerto in D Minor .
This week, Judd has spent time with each of the young soloists, working through their performances and offering tips and support.
"It has been marvellous working with them, because they are all so prepared and confident," he said.
"It is very special and so important to encourage and celebrate such talented young musicians."
Over the course of his long international career, Judd has worked with many young players and regards it as a privilege and a responsibility.
"These sessions I have with them give me a chance to find out who they are, and encourage them to be courageous and free.
"It is a real achievement to reach the final, so I'm hoping they will really enjoy the experience."
The other aspect of the performance, combining the Dunedin Youth Orchestra with the Dunedin Symphony Orchestra, will be a new experience for him and is one he is looking forward to.
"It is quite a different skill to provide accompaniment for a soloist, so I will be encouraging everyone to listen very closely to each other," he said.
Judd has confidence in the skills of Dunedin Youth Orchestra director and conductor David Burchell to have the young players well prepared.
"I am so impressed by all the work that music teachers and leaders of music organisations do to nurture the talent of our young people," he said.
"It is something the Dunedin community can be very proud of and should celebrate."
The Dunedin Youth Orchestra will feature during the concert's first half, conducted by Burchell, performing a selection of popular classics, including Offenbach's Overture to La Belle Helene , Arnold's Little Suite No. 2 , Prokofiev's Montagues and Capulets from the Romeo & Juliet Suite , and Coates' Knightsbridge March .
Dunedin Concerto Competition Charitable Trust chairman Pieter du Plessis said the two-yearly event aimed provide exceptional performance opportunities for young classical musicians from across Otago and Southland.
The competition was made possible through the long-term support of its patrons, led by Bruce Hodgson, the Towers Charitable Trust, the Bill and Clare Hodgson Bequest and funding from the Dunedin City Council Arts Grants, Creative Communities, Otago Community Trust and the Dunedin Casino Charitable Trust.
Community support had been strong for the event, with good attendance at the preliminary rounds in March, and organisers were hoping for another full house for next week's finalists' concert, Mr du Plessis said.
"By attending, you're not just supporting three finalists — you're backing the whole stage of young 'rising stars' who represent the next generation of musicians, educators and cultural leaders," he said.
brenda.harwood@thestar.co.nz
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Otago Daily Times
a day ago
- Otago Daily Times
Returning pianist to perform
Abhinath Berry. Photo: supplied Dunedin pianist Abhinath Berry is home for a visit during the summer break from his studies at the Guildhall School of Music and Drama in London and will share his music with local audiences in a series of concerts. Berry will give a recital for Dunedin music lovers next Friday, July 11, from 7pm at Hanover Hall, playing works by Ravel, Corigliano, Gerswhin-Wild, and Liszt. Tickets are available online via humanitix or at the door. He will also give concerts in Wellington and Wānaka this month. Berry has just completed his first year of postgraduate study in piano at the Guildhall, and will return to London later in the year to undertake his second year towards a master of performance qualification. After studying the piano in Dunedin, winning prizes, and fundraising through numerous recitals, Berry was awarded a $21,000 scholarship to cover Guildhall fees, and departed last August for London. The talented pianist was mainly self-taught until he was accepted to study at the University of Otago and had his first formal lessons. He also sang in the Otago Boys' High School Choir, under conductor Karen Knudson. After studying piano with Prof Terence Dennis and composition with Prof Anthony Ritchie, Prof Peter Adams and Dunedin-based composer Ken Young, Berry graduated with a BMus (Hons) in performance and composition in 2022. He placed second in the inaugural Dunedin Concerto Competition in 2021.


Otago Daily Times
a day ago
- Otago Daily Times
History writ large in concert
"BRAHMS & MATAATUA: A JOURNEY IN MUSIC" Dunedin Symphony Orchestra Saturday, June 28 Dunedin Town Hall The audience was taken on a deeply-moving musical journey exploring the trials and tribulations of one of Ōtepoti's much-loved former residents in Saturday's concert. Presenting the world premiere performance of Gillian Karawe Whitehead's The Journey of Mataatua Whare, the Dunedin Symphony Orchestra (DSO) and conductor James Judd were joined on stage by soloists Rebecca Ryan (soprano), Tomairangi Henare (baritone), and Paul Whelan (bass), along with a 16-strong DSO chorus. The work was introduced with a spine-tingling karanga by Lily Fraser, on behalf of mana whenua, setting the scene for an absorbing and emotional journey for all. The Journey of Mataatua Whare is very much an ensemble piece, with important roles for all participants. The orchestra took a range of roles, from the peace of 19th-century Māori life to jubilant marching bands, tackling the many changes in style with aplomb. Whelan was suitably stern as the voice of government and empire, Henare's resonant voice depicted the pain and determination of Ngāti Awa, and Ryan was superb as the meeting house herself — singing many difficult passages beautifully, while bringing the emotion to the fore. The chorus was sterling in support, taking on multiple roles with great energy and shining alongside Ngāti Awa themselves in the final, uplifting waiata Tomo Mai. The concert's second half featured another monumental work, Brahms' epic Piano Concerto No. 2, beautifully performed by the orchestra and piano soloist Jian Liu, under the steady baton of Judd. Very much a conversation between orchestra and soloist, the concerto moved through multiple themes, with Liu bringing its stately passages and delicate beauty to the fore. Principal cello Heleen du Plessis also made the most of her opportunity to shine in glorious solo passages in the third movement. Following thunderous applause, Liu returned with his own tribute to Whitehead as an encore, playing her Lullaby for Matthew. Saturday's concert was a wonderful showcase of the power of music to move, entertain, and teach history.


Otago Daily Times
26-06-2025
- Otago Daily Times
Pianist returns as soloist with DSO
Wellington-based pianist and educator Dr Jian Liu is visiting Dunedin for the third time since the start of this year to feature as soloist with the Dunedin Symphony Orchestra. Liu is in rehearsals with the DSO this week for his performance of Brahms' monumental Piano Concerto No 2, one of two major works in Saturday's ''Brahms & Mataatua: A Journey in Music'' concert, from 7.30pm at the Dunedin Town Hall. The other major work, to be led by DSO principal guest conductor James Judd, will be the premiere performance of Dunedin composer Gillian Whitehead's The Journey of Mataatua Whare. The piece, which will feature soloists Rebecca Ryan (soprano), Tomairanga Henare (baritone), and Paul Whelan (bass), celebrates 100 years since the Mataatua Wharenui returned to New Zealand. An international concert pianist, chamber musician, and awardwinning recording artist, Liu is head of piano studies and deputy head of school at the New Zealand School of Music. During his recent visits to Dunedin, he was a member of the adjudicating panel for the Dunedin Concerto Competition, won by 16 year-old pianist Ozan Biner-McGrath. ''The concerto competition was a very special event. It was wonderful to be part of it and to hear so many talented young people perform.'' Now he is back to showcase his own prodigious piano performance skills, taking on one of the most epic concertos in the classical canon — Brahms' Piano Concerto No.2. ''I'm very excited to be returning to the Dunedin Town Hall, with its fantastic acoustic, to play this intriguing work,'' Liu said. Preparing for Saturday's Brahms performance has involved careful management, as it comes just two weeks after Liu performed Tchaikovsky's Piano Concerto No 3 with Orchestra Wellington. ''Getting ready for two concerts close together involved preparing the two works side by side earlier in the year, and then focusing on each one exclusively in the weeks leading up to the performance,'' Liu said. ''It's a carefully planned out process and the timing has worked out perfectly. ''And most importantly, what a joy it is to play two such wonderful works.'' Brahms' Piano Concerto No 2 is an unusual work in the Romantic repertoire, with the pianist and orchestra working together in conversation. ''I describe it as like a symphony with a piano accompaniment, and it is symphony length as well,'' Liu said. ''Somehow it is both intimate and very grand, and it has a wonderful warmth. ''The orchestra and soloist must work together very closely in collaboration, so it is very special for me that my first concert with James Judd involves this work.'' Along with his Dunedin visits, Liu performed in Vietnam in April, and will head to Germany and China for more concerts. There are also New Zealand concert and chamber music commitments. Free pre-concert talk There will be a free pre-concert talk by Dr Andrew Perkins in conversation with composer Gillian Whitehead and DSO concertmaster Tessa Petersen, from 6.40pm-7pm on Saturday in the Dunedin Town Hall complex.