Spider-Man and Spaghetti Western actor Jack Betts dead aged 96
The American star was best known for his roles in Spider-Man, Batman Forever and a long list of Italian Spaghetti Westerns under the name Hunt Powers, and passed away in his sleep at his home in Los Osos, California, on Thursday (18.06.25), according to a statement from his family, with news of his death only emerging on Saturday. (21.06.25)
Born in Miami, Florida, in 1929, Jack studied theatre before launching his acting career on the Broadway stage in a production of William Shakespeare's Richard III.
He later found fame in Italy after landing the lead role in Sugar Colt, directed by Franco Giraldi, in 1966. Though he had no formal Western experience at the time, Jack bluffed his way into the role — the first of a dozen films in which he would play a gunslinger from 1966 to 1972.
Jack told The Dev Show in a 2021 interview: 'In the hotel next to mine was Clint Eastwood. He'd go up to his mountain and do his Western and I'd go up to my mountain and do my Western. But while his films had distribution all over the world, my films were distributed (everywhere) except Canada and America.'
Despite the lack of the North American distribution, Jack's performances earned him international recognition.
Upon returning to the US in the 1970s, he resumed theatre work, including a run as Dracula on Broadway between 1977 and 1980.
He later took on television roles, most notably as Dr Ivan Kipling in the soap opera One Life to Live, which he appeared in until 1985.
In 1988, Jack accepted an invitation from his longtime friend, actress Doris Roberts, to move into a downstairs apartment in her Hollywood Hills home.
Doris, known for her role in Everybody Loves Raymond, passed away in 2016.
Jack said they were 'best friends to the very end' and that they had 'wonderful times together'.
The pair also appeared together on Everybody Loves Raymond in a 1999 episode.
Over the years, Jack made guest appearances on several hit TV shows including Seinfeld, Frasier, Friends and Power Rangers.
He also had small roles in Batman Forever (1995) and Batman and Robin (1997.)
In 2002, he appeared in Sam Raimi's Spider-Man as Henry Balkan, a board member of Oscorp Industries. His character delivers the line informing Norman Osborn, played by Willem Dafoe, that he is being ousted from the company — a pivotal moment that sets Osborn on the path to becoming the Green Goblin. Jack's character, along with fellow board members, is later killed in the storyline.
Fans of the actor have paid tribute on social media following news of his death.
One said: 'Well shoot, another Hollywood gunslinger rides into the sunset. Jack Betts was one of those actors who could make even a B-movie feel like an A-list production.'
Another fan added: 'RIP to a legend. Jack Betts brought so much to the screen – from gritty westerns to comic book charm.'
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Far from the roar of the SCG, former AFL player Brandon Jack has found peace leaving selfies with young footy fans behind. Instead, the son of rugby league great Garry Jack and brother of ex-AFL star Kieren has been visiting bookstores around Australia, signing copies of his debut novel Pissants. "I've had moments where I've felt like, 'yeah, this is more enjoyable to me than football ever was,'" Jack tells AAP. Looking back, his five-year, 28-game AFL career was not so much the realisation of a childhood dream as a period of intense anxiety. "I had five years kind of being on the fringe; of being in the team, out of the team, of resenting the team for not being in it," he says. "Post-footy and seeing a psychologist for a long time, I realised there's this fear of, 'am I good enough?' "I was continually just told, 'no, no, no.' That did something to me that I don't think I reconciled or realised until years later." 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"One of my least favourite things is when a footy player who didn't have a very successful career comes out and just takes the absolute piss out of himself and that becomes their kind of schtick," Jack says. "I've been there and it's f***ing tough. It hurts you deeply." He suspects some players still face the struggles depicted in Pissants. "At every club, there are five or six guys who are in this spot and I can just so clearly picture them in someone's garage drinking beers while the senior game is on because they just don't want to watch it." Having explored the complexity of his feelings about football across two books, Jack is ready to move on. He is working on a series of short stories that have nothing to do with sport and is excited to see where writing takes him. "It'll be interesting to see when the switch sort of flicks from 'football player turned writer' to just 'writer'. That would be nice," Jack says. "But I'm not going to crucify myself waiting for it to happen. It'll happen eventually." Far from the roar of the SCG, former AFL player Brandon Jack has found peace leaving selfies with young footy fans behind. Instead, the son of rugby league great Garry Jack and brother of ex-AFL star Kieren has been visiting bookstores around Australia, signing copies of his debut novel Pissants. "I've had moments where I've felt like, 'yeah, this is more enjoyable to me than football ever was,'" Jack tells AAP. Looking back, his five-year, 28-game AFL career was not so much the realisation of a childhood dream as a period of intense anxiety. "I had five years kind of being on the fringe; of being in the team, out of the team, of resenting the team for not being in it," he says. "Post-footy and seeing a psychologist for a long time, I realised there's this fear of, 'am I good enough?' "I was continually just told, 'no, no, no.' That did something to me that I don't think I reconciled or realised until years later." 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In a series of uncomfortable interactions, players find themselves telling journalists, coaches and club psychologists what they want to hear, while thinking and feeling something completely different. The authenticity will appeal to footy fans sick of hearing about players 'taking things one week at a time'. "I hate the whole media training thing that happened in footy - I really do," Jack says. "I think it deprived us of so many opportunities to have interesting characters." Jack admits there was nothing interesting about the front he presented during his playing days. "The way we were at the Swans was club-first: you are not to stand out. So I didn't really have a personality externally. "I did a lot of writing but I would never share it. I was always very secretive with my stuff." There were fears of standing out and concerns he'd be seen as uncommitted. "As a football player, your primary purpose is to play football and to win games for your team. "In my third year, when I was worried about my contract, I stopped going to uni part-time because I didn't want anything to be a distraction, or for people to think I was distracted." Like the characters in Pissants, Jack floundered in footy purgatory, unable to win respect in the game but feeling forbidden from finding an identity outside it. Much has changed for him since leaving the Swans in 2017 and the 31-year-old is pleased to see footy is moving forward too. The likes of Bailey Smith and Jack Ginnivan lead a new breed of AFL players praised by fans, media pundits and sponsors for showing their personalities. But one thing remains the same. "It's a lot easier to be who you are if you're a successful player," Jack says. Those not performing well rarely speak publicly - and if they do, it's typically to play the clown. "One of my least favourite things is when a footy player who didn't have a very successful career comes out and just takes the absolute piss out of himself and that becomes their kind of schtick," Jack says. "I've been there and it's f***ing tough. It hurts you deeply." He suspects some players still face the struggles depicted in Pissants. "At every club, there are five or six guys who are in this spot and I can just so clearly picture them in someone's garage drinking beers while the senior game is on because they just don't want to watch it." Having explored the complexity of his feelings about football across two books, Jack is ready to move on. He is working on a series of short stories that have nothing to do with sport and is excited to see where writing takes him. "It'll be interesting to see when the switch sort of flicks from 'football player turned writer' to just 'writer'. That would be nice," Jack says. "But I'm not going to crucify myself waiting for it to happen. 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In a series of uncomfortable interactions, players find themselves telling journalists, coaches and club psychologists what they want to hear, while thinking and feeling something completely different. The authenticity will appeal to footy fans sick of hearing about players 'taking things one week at a time'. "I hate the whole media training thing that happened in footy - I really do," Jack says. "I think it deprived us of so many opportunities to have interesting characters." Jack admits there was nothing interesting about the front he presented during his playing days. "The way we were at the Swans was club-first: you are not to stand out. So I didn't really have a personality externally. "I did a lot of writing but I would never share it. I was always very secretive with my stuff." There were fears of standing out and concerns he'd be seen as uncommitted. "As a football player, your primary purpose is to play football and to win games for your team. "In my third year, when I was worried about my contract, I stopped going to uni part-time because I didn't want anything to be a distraction, or for people to think I was distracted." Like the characters in Pissants, Jack floundered in footy purgatory, unable to win respect in the game but feeling forbidden from finding an identity outside it. Much has changed for him since leaving the Swans in 2017 and the 31-year-old is pleased to see footy is moving forward too. The likes of Bailey Smith and Jack Ginnivan lead a new breed of AFL players praised by fans, media pundits and sponsors for showing their personalities. But one thing remains the same. "It's a lot easier to be who you are if you're a successful player," Jack says. Those not performing well rarely speak publicly - and if they do, it's typically to play the clown. 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