
Francis Ford Coppola's ‘Megalopolis' Is Returning to Theaters, in a Truly Mega Way
Megalopolis, Francis Ford Coppola's long-awaited dream project, came and went from theaters last year. Usually, after that, a film would show up on demand or for streaming but that wasn't the case here. What was happening with Megalopolis? Now we know.
Starting July 20, Coppola's film will be taken on the road for a series of events called 'An Evening With Francis Ford Coppola and Megalopolis Screening.' It kicks off in Red Bank, NJ, before going to Port Chester, NY; Chicago, IL; Denver, CO; Dallas, TX; and San Francisco, CA. It includes a screening of the film, obviously, as well as an 'interactive discussion' with Coppola called 'How to Change Our Future.'
'This is the way Megalopolis was meant to be seen,' Coppola said in a statement. 'In a large venue, with a crowd and followed by intense interactive discussions about the future.' You can get tickets on Ticketmaster, which appear to cost around $40.
Released last year, Megalopolis was the result of decades of planning and anticipation from the legendary director of The Godfather, Apocalypse Now, and The Conversation. It cost well over $100 million and was paid for almost exclusively by Coppola himself, but it proceeded to bomb at the box office, grossing a little over $14 million. Nevertheless, the film's huge ambition and beyond-weird performances, themes, and visuals gave it the beginnings of cult classic status. Physical versions of the film were released but nothing beyond that.
Adam Driver stars in the film as a visionary architect who wants to push his city into the future, only to run into a hard-nosed mayor, played by Giancarlo Esposito. Nathalie Emmanuel, Jon Voight, Laurence Fishburne, and Shia LaBeouf all get in the fun along with Aubrey Plaza as a character named Wow Platinum. Yes, it's a movie where someone named 'Wow Platinum' makes total sense.
We don't think Megalopolis is a particularly good movie, but it's certainly fascinating, worthy of discussion, and surely there won't be too many more cases to see Coppola discuss his work in public in the coming years. If you're a fan, take note.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
26 minutes ago
- Yahoo
Jana Kramer faces 'a lot of pressure' to provide for her family
Jana Kramer has accepted jobs that challenge her "moral compass". The 41-year-old star has to pay child support cheques to ex-husband Mike Caussin, and Jana admits that financial pressures have influenced some of her career decisions. Jana - who has Jolie, nine, and Jace, six, with Mike, as well as Roman, 19 months, with current husband Allan Russell - told Fox News Digital: "There's definitely some things, some ads that I'm like, 'Oh, I wish I could have gone back and maybe not done that ad,' but you know, you learn and you go back and you go, 'All right, I'm not gonna do that one again,' you know? "So sometimes when you gotta pay that child support cheque, it's just like, 'Well, this is a good cheque money. I'm gonna take this.'" Asked if she was referring to a commercial in which she promoted a sex toy, Jana replied: "It's OK, honestly it is what it is. "I'm not gonna do it again, like you know what I mean? Like I'm like, OK, I'm good now, like, you know? Like we're good, we're levelling up to a different [place], you know?" Jana has occasionally comprised her values because she needs to provide for her family. She said: "I am a sole provider, where I have a lot of pressure on my shoulders to provide for my kids. And so I think that piece of it sometimes outweighs my moral compass." Jana is best known for playing Alex Dupre on One Tree Hill. And the actress - who starred on the TV show between 2009 and 2012 - previously revealed that she's eager to star in a reboot. She told TooFab in 2024: "I definitely talked to Sophia [Bush, her former co-star] about it and it's one of those things where she's kind of getting a temperature check on who would come back." Jana is a fan of reboots and she's keen to see what the show's characters are up to now. She shared: "I love when shows get rebooted and they bring back old characters because I like to see what they're up to. "I understand if they don't. I understand why some actors don't want to come back to a show that's been done, and they have closed that chapter. But for the viewers and the fans, I want to know what they're up to, what they're doing."
Yahoo
32 minutes ago
- Yahoo
Eagles legend to host 5th annual celebrity bartending event for Eagles Autism Foundation
Jason Kelce loves a good beer, and fans from around the Philadelphia and New Jersey metro area will have another chance to see the All-Pro serving up drinks. Philadelphia just announced that Kelce will host the 5th annual Team 62 at the Ocean Drive celebrity bartending event in Sea Isle City on Wednesday, June 25, from 4-8 p.m. The event will feature special guests, including Eagles players, team legends, Eagles Cheerleaders, and SWOOP as they work to raise funds for the Eagles Autism Foundation and Team 62. Advertisement The OD is located at 3915 Landis Avenue, Sea Isle City, NJ 08243. Fans and supporters can donate to Jason's Eagles Autism Challenge fundraising page by visiting While VIP tickets are sold out, guests looking to attend can wait in line and pay a $10 donation on a first-come, first-served basis. Proceeds from the evening – cover charge, bartending tips, raffles, merchandise, Eagles memorabilia – will benefit the Eagles Autism Foundation. For parents looking to get younger kids involved, a family-friendly event hosted by the Eagles Autism Foundation takes place in Excursion Park from 12-3 p.m. The experience is open to all and will feature fun activities, including mini football, cheer, and drumline clinics for guests of all abilities. A $25 donation upon entry will grant families and guests access to the event. On Thursday, June 26, the Kelce brothers will host the 3rd annual New Heights Beer Bowl from 10 a.m. to 4 p.m. at the Sea Isle City Yacht Club. Tickets are sold out for this event. Fans unable to attend the two-day event can support by donating to Team 62's fundraising page and by bidding on exclusive items in the Team 62 Auction, which runs through Friday, June 27 at 5 p.m. This article originally appeared on Eagles Wire: Jason Kelce to host 5th annual celebrity bartending event for Eagles Autism Foundation


Forbes
2 hours ago
- Forbes
Nathan Fielder's The Rehearsal is One of Many Genre-Defying Projects.
Nathan Fielder outside of his full-scale replica of Brooklyn's Alligator Lounge bar from The ... More Rehearsal on April 14, 2025 in Hollywood, California. (Photo by Jeff Kravitz/FilmMagic for HBO) Sometimes, art imitates life. And sometimes life is a movie. One that imitates life, which imitates art. In season two of HBO's hit comedy series The Rehearsal, comedian and performance artist Nathan Fielder blurs life, art, and TV. He uses his network resources to go big, examining plane crashes and how pilots communicate in the cockpit. Fielder, in typical fashion, takes hair brained ideas to the extreme. Often small details are inflated to comedic levels but prove tangential to the episode. The series, like his Comedy Central series Nathan For You, features Fielder playing a version of himself, working with real people and actors in a kaleidoscopic genre-bending performance art that might be described as quasi-investigative comedic documentary. Alexandra Tanner at The Point describes The Rehearsal: Canadian comedian Nathan Fielder of the Comedy Central show "Nathan For You" comes forward as the ... More brainchild of "Dumb Starbucks," a parody store that resembles a Starbucks with a green awning and mermaid logo, but with the word "Dumb" attached above the Starbucks sign. Starbucks Coffee spokeswoman, Laurel Harper says the store is not affiliated with Starbucks and, despite the humor, the store cannot use the Starbucks name. (AP Photo/Nick Ut) The art critic Dean Kissick in a column for Spike Art Magazine tries to make sense of the life-and-art collapse, As the world around us gets weirder, reality and fiction get ever closer. Here are eight more movies (and one book) for anyone interested in movies that incorporate polymathic combinations of art, film, fiction, and non-fiction. Secret Mall Apartment (2024), dir. Jeremy Workman In 2003, a group of eight artists in Providence, Rhode Island snuck into the local mall and set up a clandestine apartment inside an overlooked gap in the building's architecture. Led by artists Michael Townsend and Adriana Valdez Young, the crew spent four years hanging out in their clubhouse, right under the noses of mall security. With a small hidden camera, they documented their long-term art performance, using the quirks of the mall architecture to expand their joke into something deeply serious. Is it life or art? And is this a documentary or just a snapshot of their time spent deep within the 'nowhere space' of the mall? Pee Wee as Himself (2025), dir. Matt Wolf As a kid growing up, I didn't understand that Pee Wee Herman was played by Paul Reubens. The network TV show Pee Wee's Playhouse and the movie Pee Wee's Big Adventure both loomed large, but Paul Reubens, the comedian and artist behind the show, was a mystery. Reubens had purposely foregrounded his alter ego Pee Wee and hid himself from the public spotlight, making appearances on TV shows like The Tonight Show with David Letterman as the character. Pee Wee as Himself is an intimate portrait of Reubens, and sheds light on the man behind the character. The documentary draws on 40 hours of interviews with Reubens, who initiated the documentary while secretly battling cancer. It traces his start growing up in Sarasota, Florida around the circus performers of the The Ringling Brothers, which was headquartered there. It then shows the influence of Reubens's time in art school at CalArts and his experience with the improv group The Groundlings, where he worked with comedians such as Phil Hartman. The character of Pee Wee was an amalgamation of 1950s kids shows like The Shari Lewis Show and the the freneticism of the 1980s LA punk scene. All were swirled together to take performance and pop art into the mainstream in what Reubens described as 'live action cartoons.' Citizen Wiener (2024), dir. Daniel Robbins When the film industry (and everything else) shut down in 2020, actor Zack Wiener was living with his mom on New York City's Upper West Side. He decided to make a movie by running for city council, taking on Manhattan political stalwart Gale Brewer. With a real campaign staff of actors and his friends, he sets out on an extended Jackass-like adventure that is simultaneously sincere and completely ridiculous. (2025), dir. Peter Vack This fictional tale collapses the internet, theater, and the movie screen into a dystopian world where, with the creation of a world blurring online and offline, the three merge into a secret fourth thing. Rachel (Betsey Brown) is trapped in an advertising firm's experiment for which she is made to give user feedback about Mommy 6.0, a pop star. The film has been surrounded by controversy, as a group of New York's downtown art crowd gathered at the Daryl Roth Theatre to film several scenes, which most poignantly comment on what it means to be online today with pressures from both commercial forces and our peers. Videoheaven (2025), dir. Alex Ross Perry Taking the form of an academic essay, Alex Ross Perry's encyclopedic Videoheaven tells the story of the video store in popular culture. Rather than rely on simple nostalgia, the three-hour epic collage uses clips from mainstream and cult films to portray video stores as a third space and cultural touchpoint—sometimes positively, and sometimes less so. Like many academic essays, it can be at times overwhelming to follow both Maya Hawke's dense narration and the action in the associated clips. However, the movie ultimately tells a beautiful story of the video store's complex evolution from an underground portal to new worlds, to ubiquitous sterile corporate space, to zombified ruin. Videoheaven will be showing July 2-5 at IFC Center in New York, with wide release later this year. The Code (2025), dir. Eugene Kotlyarenko The Code is director Eugene Kotlyarenko's latest project. Set in the surreality of the Covid-19 pandemic, it utilizes a toolbelt of different cameras–from cell phones to spy sunglasses to surveillance cams–to construct a kaleidoscopic film. Celine (Dasha Nekrasova) and Jay (Peter Vack) are trying to repair their relationship. All the while, Celine makes a movie about it. Set in a rental house in the desert, the film weaves traditional movie shots, security cameras, phone cameras, screen recordings, and handheld 'documentary' footage, building a unique visual language that mirrors the layered story being told. Pavements (2024), dir. Alex Ross Perry Is it a documentary, a biopic, or a musical? And is it about music history, a reunion tour, or an exhibition? Yes. Alex Ross Perry's chaotic dive into the indie band Pavement follows them on a 2022 reunion tour and traces their history alongside their late spike in popularity. Instead of opting for the documentary format's neat combination of past and filming of the present, Perry serves up a maximalism that plays with reality, taking viewers through a chaotic reconstruction of Pavement's rise and fall via a Broadway style musical and biopic with Hollywood actors. For fans of the band, it is a nostalgic journey across the career of the genre-defining slacker rock band which made a deep impression on their generation. For those unfamiliar with Pavement, it is a wild, multi-angled glimpse of that angst-ridden era of rock music: the 1990s. It will be available for streaming on July 11 via Mubi. Bonus Book: Everything is Now: The 1960s New York Avant-Garde—Primal Happenings, Underground Movies, Radical Pop (2025) by J. Hoberman J. Hoberman's expansive history of 1960s New York shows the range of creative experimentation and influence of the period. From artists Yayoi Kusama and Andy Warhol, to comedian Lenny Bruce and jazz musician Ornette Coleman, the explosion of creative output was tied directly to the social proximity of the neighborhoods—beginning with the Beats of the 1950s, and moving through Fluxus art movement, underground film, and everything in between. As cultural critic Mike Davis says on the book's jacket, 'J Hoberman is simply the best historian of that hallucinatory decade when politics imitated celluloid and movies invaded reality.' The Rehearsal wouldn't be possible without it.