
Summer sizzlers! It's the 20 hottest TV shows of the season
The big one. The uberviolent South Korean juggernaut – still Netflix's most popular show ever – reaches the end point … and Player 456 is still in the game. What will happen after the armed rebellion? Will he figure out he's playing alongside Frontman? And will he make it out alive? The show's creator Hwang Dong-hyuk opened up about the denouement this week, telling fans it's bleaker than ever. Apparently after watching, we'll be left shaking and asking ourselves: 'How much humanity do I have left in me?' One thing's for sure: there'll be no let-up. Expect gore galore. Out now, Netflix
The one Lena Dunham fans have been waiting for. Eight years after the end of Girls, she makes a welcome return to television. The ever-excellent Megan Stalter – AKA the hilariously ditzy agent Kayla in Hacks – plays Jess, an American ad executive who is obsessed with classic British love stories. When her deadbeat boyfriend leaves her for an influencer who makes lipgloss – 'no one is fucking an influencer in the works of Jane Austen!' – she decides to take her broken heart to London in 'the Kingdom of United' and start over. When she arrives, she's devastated to discover that her new 'estate' isn't quite the verdant paradise she dreamed it would be. Promptly, of course, Jess meets her very own Mr Darcy – indie rocker Felix. 10 July, Netflix
A teenager is panicked to find himself waking up in a mysterious institution full of youngsters who possess special abilities, and he has every reason to be scared – he's in a Stephen King adaptation. Given that the author was one of the inspirations for Stranger Things, and this tale of a totalitarian bootcamp for telekinetic children feels as though it's drawing on Eleven's backstory, it has the sense of the author coming full circle. But if this stays true to his 2019 novel, we are in for plenty of creeping dread and commentary on Trump's America. 13 July, Prime Video
A gorgeous will-they-won't-they romance that spans decades. Daniel is a music journo who has harboured a secret lifelong devotion to his first love Alison, who mysteriously disappeared from their home town Sheffield when they were teens. Decades later, they find each other online and, though they're both married, start sending each other tunes from their youth. The stars – Jim Sturgess and Rory Walton-Smith as older and younger Daniel, and Teresa Palmer and Florence Hunt as older and younger Alison – are wonderful across the board, and the soundtrack is stuffed with 80s bangers from New Order to the Cure. It's a yearning look at what it's like to marry the wrong person – and why first love might be right all along. 15 July, BBC Two
Such is the prevalence of cosy crime – and the star wattage of Mark Gatiss – that this postwar comedy-drama has been recommissioned before the first season has even started. Gatiss stars as Gabriel Book, owner of Book's bookshop, a kooky gent with a passion for puzzles – what else! – who helps the police solve murder cases. But the plot thickens when he gives mysterious ex-con Jack a job in the shop and lets him move into their attic ('He's like Mrs Rochester – only slightly more butch!'). An arch, high camp slice of crime-solving fun. 16 July, U&Alibi
Based on the beloved novel by Esi Edugyan, this is the story of how a boy called George Washington 'Wash' Black escapes from slavery. At the age of 11, he is spotted poring over a feat of engineering and plucked from the cotton fields by a white scientist named Titch who is trying to make an almighty flying machine. Soon Titch spots his talent for drawing and keeps him on as an aide until he's grown up – but when he tries to leave, Titch's brother sets a bounty hunter on him. Sterling K Brown stars and executive produces what is clearly a passion project. 23 July, Disney+
Keeley Hawes is a retired assassin on holiday with her son (Freddie Highmore) – and he wants answers. The questions he's nurturing on their tense Greek island sojourn: Why are you so frustratingly distant? How do you explain this unexpected new information on my paternity? Wait, who are those terrifying people? And what do you mean we have to go on the run? Should be lots of tense, action-packed fun. July, Prime Video
Bereft fans who are desperately missing Race Across the World and those who are giddy with anticipation for The Celebrity Traitors in autumn – ie, all of us – should look no further than Destination X. This wild adventure gameshow overseen by Rob Brydon takes contestants, lumps them in a 'blacked-out' bus and drives them to a mystery location somewhere in Europe. Turning the whole continent into essentially a giant chess board, they have to take on challenges to try to establish where they are – and the closest guess gets to stay in the game. July, BBC iPlayer
Yes, humanity is the dominant animal on Earth. But since homo sapiens' development 250,000 years ago in Africa, we have no written record of 98% of our journey. Paleoanthropologist Ella Al-Shamahi tries to change that in this five-part BBC science series, by using DNA breakthroughs and fossil evidence to dive into our deep historical past. If its claim that it will provide a totally new perspective on what makes us human is to be believed, this will be a gamechanger. July, BBC One
From Cracker to Time, a Jimmy McGovern show is always a must-watch – even one as harrowing as this. Anna Friel stars as Anna, whose brother Joe (a truly devastating Bobby Schofield) sexually assaulted his young nephew Tom a few years ago. As we meet Joe, he is leaving prison a shell of a man and goes to stay at a halfway house run by Sister Katherine, played by Anna Maxwell Martin, for therapy and horrifying realisations about the abuse he himself has faced. A brutal look at a family torn asunder.July, BBC One
This super fun buddy-comedy starring Seth Rogen, Rose Byrne and their incredible chemistry has flown under the radar but it's well worth catching up ahead of its second outing. Best mates Sylvia and Will have always got up to high jinks … and this season, there will be mishaps from exploding eyeballs to kayaking through rivers of excrement, plus one of the funniest scenes of the year courtesy of Sylvia's rogue dog. 6 August, Apple TV+
The hotly anticipated follow-up to Tim Burton's staggeringly popular Addams Family spin-off sees Steve Buscemi join as the new headteacher of Wednesday Addams' school, Nevermore Academy, and Joanna Lumley pitch up as her grandmother. Paired with the return of Jenna Ortega's award-winningly intense take on the titular character, yet more creepy, kooky and altogether ooky fun awaits. 6 August, Netflix
Noel Hawley, the brains behind the ace TV adaptation of the Coen Brothers' Fargo, takes the helm for this small-screen leap into the world of Ridley Scott's sci-fi classic. It's set on earth and serves as a prequel to the original 1979 movie, Alien. When a space ship crash lands, the contents turn out to not exactly delight people who like to go through life without an alien clasped to their face. Given what Hawley achieved with Fargo, this could go down as the greatest outing for Scott's franchise in decades. 12 August, Disney+
Disney's dramatisation of Knox's 2007 conviction and later acquittal of the murder of Meredith Kercher sees Knox herself feature as an executive producer, alongside Monica Lewinsky. Sharon Horgan stars as Knox's mum and Grace Van Patten plays Knox, after her recent role in steamy US drama Tell Me Lies. Given how gripped the world was by the last telling of this tale – Netflix's 2016 film, Amanda Knox – it is sure to be all anyone talks about for a month. 20 August, Disney+
Suranne Jones and Julie Delpy star as the liberal British prime minister Abigail Dalton and populist French president Vivienne Toussaint in this classic slice of globetrotting Netflix fare. When Dalton's husband Alex is abducted on a Médecins Sans Frontières mission in French Guiana, the only one who can ensure his release and safe return is Toussaint. But the abductors have something dodgy on her too … 21 August, Netflix
Move over, Elton! The most excitable man on social media, trainspotter Frances Bourgeois, ditches his biggest passion – squealing with glee at passing locomotives – to pursue his other childhood obsession: becoming an astronaut. He gets G-force training from none other than Tim Peake, Mr Space Oddity himself, and sees if he has what it takes to pass muster in space. Sure to be hours of unadulterated joy in a non-gravity environment. August, Channel 4
Like The Traitors meets probate (stay with me), this Channel 4 show sees contestants compete to inherit a fortune left by a glamorous benefactor known only as 'the Deceased'. Viewers will know her better, however, as 'Liz Hurley'. Rob Rinder draws on his legal past to play her will's executor, and leads contestants through challenges, while they attempt to convince each other that they should be the sole heir to the cash. Made by the company behind the Winkleman smash, expect big, backstabby things. August, Channel 4
Jaime Lannister is William the Conqueror in this BBC historical epic. Or at least Game of Thrones's Nikolaj Coster-Waldau dives back into the land of dingily lit castles to tell the tale of the events leading up to the Battle of Hastings. James Norton, Juliet Stevenson and Clémence Poésy also star in an eight-parter that shows the clash that set the course of a continent for 1,000 years. Brace yourself for the arrow through the eye scene! August, BBC One
Jacob Elordi is Dorrigo, a young medic engaged to be married and about to be shipped off to war when he has a love affair with his uncle's wife, Amy. He falls for her utterly when she shows him her favourite three-word Sappho poem, 'You burn me'. Across two timelines, we see the horrors of war as he ends up a PoW in Thailand forced to build the train lines that became known as the 'death railway'. We also see him as an older surgeon (played by Ciarán Hinds) still haunted by the hell of his capture and the love of Amy. Tender, sexy TV that almost throbs with desire – for what you can't have, and what you once had. TBC, BBC One/iPlayer
Like ER crossed with 24, this thrilling medical drama plays out in real time hour by hour in one busy and very bloody shift for the doctors and nurses of Pittsburgh Trauma Medical Hospital. Created by John Wells of ER renown, and starring Noah Wyle (ditto – Carter fans assemble!) it's a high-octane reunion indeed. Wyle plays Dr 'Robby' Robinavitch, the attending who has to contend with constant calamities, rats on the loose in the ward and multiple newbies who are out of their depth … and then there's an emergency at a festival nearby. Already one of the most gushed-about shows of the year in the US, The Pitt urgently needs a UK air date – and stat! Date and channel TBC

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The Review Geek
5 hours ago
- The Review Geek
Our Unwritten Seoul – K-drama Episode 11 Recap & Review
At The End of the Sentence Episode 11 of Our Unwritten Seoul begins with Mi-ji getting rejected for numerous different jobs. Ho-su tries to cheer her up though, heading out and getting rings for them before heading to Ro-sa's restaurant. Then it happens. Ho-su loses hearing in both his ears but Mi-ji and Ro-sa are obviously unaware of this. In fact, Ho-su heads back home and he doesn't tell Mi-ji the truth when she shows at his apartment, worried about him. In fact, he slams the door and tells her he's tired. It's clear Ho-su is struggling though and simple things like getting a taxi to the hospital are monumental tasks for him, given his hearing loss. He does eventually get there and heads to the ENT department. They diagnose that he has sudden sensorineural hearing loss. The doctors give him steroids to help his hearing but it's still touch and go. His charts don't look good and his hearing is down across all frequencies. A full recovery is very unlikely and the doctor warns that he needs to brace himself and prepare for the worst. Meanwhile, suits from the Fair Trade Commission show up at KFMC looking for Gyeong-min. They're investigating the Sihan Construction Case and it even makes the press too. The CEO is pissed and lashes out at Director Choi, telling him to handle this. While Tae-i is happy with how things are going, Mi-rae is ready to quit and turn away. Hanging about just to see the management punished is not her style and she admits that coming to work still fills her with anxiety. Ho-su shows up to see Chung-gu and asks for his help in handling the Mi-rae sexual harassment case. He wants a lawyer like Chung-gu who will take no prisoners and win no matter what. Ho-su knows that Chung-gu has a soft spot for him, even with the bullying and Ro-sa restaurant fiasco, and Chung-gu does eventually agrees to do this for him. Ho-su also says goodbye to Ro-sa here too, explaining about his hearing… kinda. He shields her from the worst of it but Ro-sa explains that he can't hide this from Mi-ji. Ho-su explains though that Mi-ji has just starting to spread her wings, and he doesn't want her to see him as a weight holding her down. The thing is, even hiding this from her isn't going to be a simple task. At dinner, he doesn't hear the waitress switch the ingredients around and he can barely hear Mi-ji as she excitedly chirps on. Eventually he decides to hit the classic penultimate episode K-drama trope – he's going to break up with Mi-ji. She calls him out for it though and Ho-su eventually comes clean and explains that he may lose his hearing completely. He knows he'll change and it may be too much of an adjustment for her. He doesn't want her to compromise for him anymore as she of all people knows that being pitied sucks. Ironically, the words she uses to plead with Ho-su actually echo how she felt when she could no longer run. Unfortunately, just like in the past, it ends in heartbreak. Back home, Mi-rae is shocked about the break-up and tries to be there for her sister. It's Gyeong-gu who actually serves as a best friend though, and when he finds out about the break-up, he teases her about the reasons and tries to cheer her up. Elsewhere, Wol-sun has sodium deficiency and she's not eating much. Ok–hui shows up to see her in hospital but Wol-sun raves on about how her husband is beating her daughter. Now it makes more sense why she was so sensitive about Ok-hui being rough with Mi-ji, and what she's been so ashamed to keep from hr daughter. Wol-sun never told her any of this because she didn't want Ok-hui to live a bad life and follow in her footsteps. When she composes herself, Wol-sun apologizes to her daughter, prompting Ok-hui to break down in tears. At work, Mi-rae walks out with her head held high, ignoring all the badmouthing from her colleagues. She also leaves something for Tae-i to give to Su-yeon too. On the way out, Director Choi tries to intimate her but it doesn't work. In fact, one of the girls shows up and apologizes to Mi-rae for staying quiet all this time. She explains that Mi-rae's actions have helped give her the courage to stand up and speak out against the company. Meanwhile, Bun-hong is shocked when she receives a call and finds out about Ho-su's hearing loss. She breaks into his apartment and demands the truth. She's livid and eventually speaks plainly, pointing out how his dad brought them together so they can hold onto each other. Her love for him is the reason for her to carry on, reinforcing that they're family and as far as she's concerned, he's her son. At the hospital, Mi-rae reveals to Ok-hui that she's quit her job and the true reason for the switch-over with her twin. Having come clean, she shows at the strawberry farm and speaks to Se-jin next. She explains that his offer was a dream come true for her… but she's turning it down. She doesn't think she's ready and needs to prepare. Mi-rae is not sure on herself and she wants to see things through to the end where she is. Specifically, in being his replacement at the farm. She's following her heart, even if it's wrong, for once in her life. At Ro-sa's restaurant, Mi-ji finds a letter from the family court regarding the registry but it's signed from Ho-su, which makes her feel emotional. Of course Ro-sa and Mi-ji both know what's up with Ho-su here and eventually move over to the topic of the break-up. Ro-sa encourages her to be by his side and do what she's best at, just like she was all those episodes ago. Despite not knowing the answer to their relationship woes, just being there for him is enough. The thing is, Ho-su comes to the same conclusion thanks to a chat with Bun-hong about his father's words of encouragement. These resonate with him, offering encouragement to stick it out no matter what, even if you're on the losing team. Ho-su heads over to Mi-ji's and throws his arms around her, pleading with her to stay by his side and apologizing. As the episode closes out, Su-yeon finally looks set to leave her room, while Ho-su and Mi-ji look like they're going to be alright after all. The Episode Review So the 'we're going to break up in the penultimate episode before getting back together' trope is in full swing here. The difference here though, is that the execution is solid and grounded in reality, leaning into those aforementioned themes about courage, taking a leap of faith and pushing through your fears. The show dodges those miscommunications that usually comes with this, and lays all the cards out on the table first before slamming into the emotional crux of the relationship. Both Ho-su and Mi-ji know they're not going to have the perfect relationship and it's going to have a lot of ups and downs. They each have a reason for their motivations and across the episode, they're both helped along by the supporting characters, who have had their own journeys of self discovery and perserverance. Ro-sa's past speaks for itself, given the tragedies that have befallen her, and if anybody knows a thing or two about living with a 'burden' it's her. Meanwhile, Bun-hong finally gets through to Ho-su and there's some lovely moments between them as they reflect on Ho-su's father's words. 'Love isn't about winning or losing. It's about remaining on the same team until the very end even if you lose. Love isn't about staying together… even if you lose a hundred or a thousand times.' This quote is so powerful and works incredibly well, especially for those who know relationships are hard work at times! The break-up scene though is so eerily parallel to Mi-ji's past too and it shows how far she's come from all those years ago. Meanwhile, Mi-rae leaves work with her head held high. The moment she says 'My heart still pounds anxiously every time I come to work,' is going to relate to anybody who has been stuck in a toxic workplace, and thankfully Mi-rae has managed to bow out on a high. She's already won and no amount of badmouthing from management can change that now. Ultimately though, Our Unwritten Seoul has been a great watch and it's easily one of the best acted K-dramas of the year. Park Bo-young is absolutely killing it as the twins and if she's not up for some awards this year, I'd be shocked. Roll on tomorrow's finale! Previous Episode Next Episode Expect A Full Season Write-Up When This Season Concludes!


The Review Geek
5 hours ago
- The Review Geek
Good Boy – K-drama Episode 9 Recap & Review
Allez Episode 9 of Good Boy starts with us back in Sao Paulo in 2018. Jong-hyeon has twisted his ankle here, thanks in part to saving Han-na from speeding traffic on the road earlier in the timeline. This is what aggravated the injury to begin with and eventually leads to his eye being hit. Jong-hyeon receives medical attention but he's determined to carry on no matter what. Back in the present, this fighting spirit serves him well as all our team go up against tough battles. Ju-young has rallied the troops with a lot of men at his disposal and unfortunately Jae-hong is soon knocked out. Dong-ju speeds off to save the rest of the team while Han-na holds her own with the shotgun, which comes in very handy to stave off the baddies for a bit. Dong-ju races in to save Jong-hyeon, who's in a spot of bother with Baek, who swings wildly with his knife. Unfortunately, their spirit is not good enough as the group are left to lick their wounds thanks to Ju-young and his cronies coming in and turning the tide. They also take off with the drugs too, with the tracker ripped off the van. Jae-hong is taken to hospital in the aftermath of this, having hurt his back quite badly, while it appears Han-na has been taken too. In reality, she's in hot pursuit of the truck and clings onto the top, determined to try and stop the group no matter what. With the team light on manpower, it's up to Joon-hyeon and Dong-ju to find Han-na before it's too late. Han-na throws her shoes and various bits of clothing to help show the way at intersections as the pair race off and eventually track down the truck. Unfortunately, it's immediately clear from the tyre marks on the ground that the package has been split into different trucks to throw them off the scent. A glove helps give a crucial clue, with Han-na marking the reg plate – 4131. With this crucial intel, the group head back to the station intent on using the CCTV footage to track down where the truck is. With a potential mole at the police station, Man-sik instead brings them to Insung Pawnshop instead. With the help of Geum-nam, they track down our bald eagle, Gwang-se. With drugs stashed in his teddy bear, he makes them pinky-swear to protect him before mentioning that Ju-young and his group are dealing with some Japanese guys. The Golden bunny initially frinted this, as he used to head all the deals with the Yakuza. Jong-hyeon and Dong-ju question Golden Bunny, who has very clearly been visited by Ju-young and forced into silent submission. It's clear from the metal teeth he places down that Ju-young has been visiting his brother, Silver Bunny. Dong-ju is convinced they need to focus their efforts on finding Han-na before raising hell. He's starting to think a lot more like an officer here, but of course he also has his neurological issues to contend with too, which continue to flare up across the episode. Ju-young is definitely dealing with the Japanese Yakuza here, as he tries to broker a deal with a Japanese businessman. He wants to send the goods out to him in parts and attempts to try and bridge the mistrust. To prove how serious he is, Ju-young kills the man's interpreter and forces the deal through. Unbeknownst to the gang, Han-na is actually hiding amongst the goods as it's smuggled onboard the ships. Whilst there, she overhears Leo calling Yeon-ha his 'black cat' and realizes exactly who these gangsters are. Han-na continues to investigate but while spying on Yeon-ha and Leo, she's blindsided by Ju-young who knocks her out with Baek. They don't find anything on her (given she's thrown it all off the truck for Dong-ju and Jong-hyeon), and they don't kill her either. Instead, they lock her up in a container, with a couple of dead bodies, with the promise of dropping her in the middle of the Pacific Ocean. Before she's left to her fate, Han-na speaks to Leo. She brings up the case involving her father, Ji Ho-cheol, and we finally see that he's the one who killed her dad. Although Han-na is left to her fate, she does manage to smuggle a phone from one of the goons, where she makes a desperate call to the emergency services, despite the bad signal. Our group thankfully manage to decipher it and race to Geumpo Shipyard, onto a Russian ship called the Victory. The group race off to try and track her down, using Gwang-se as bait to sneak onboard the ship and bypass all the goons. Dong-ju manages to find Han-na inside the container, thanks in part to Jong-hyeon, as he holds off the goons and gives them time to escape. Unfortunately, Baek winds up stabbing Jong-hyeon in the gut, slowing them down, while Dong-ju detours and heads on inside the ship with the others. Unfortunately there are too many men surrounding them so Dong-ju decides to sacrifice himself and raise hell while Jong-hyeon gets Han-na to safety. They don't get too far though as Leo shows up with his men and shoots Jong-hyeon in the shoulder. He's clearly aiming for Han-na but he steps in the way and takes a bullet for her. As he falls and topples into the water, Han-na drops to her knees and is shocked. The Episode Review Is Jong-hyeon really dead? The preview for tomorrow's episode cleverly disguises this and makes it difficult to tell. I don't think he is dead (it just doesn't seem like that sort of show, does it?) Good Boy could throw us a curveball and raise the stakes dramatically by killing Jong-hyeon off. As for the episode itself, there's a really nice ebb and flow to this one, with a lot of action, a sprinkling of comedy thanks to our bald eagle, and some good investigative work too. Han-na throwing her items of clothing off the truck is quite a clever tactic and I was thinking at one point they may have doubled down on the humour and found all her items of clothing leaving Han-na forced to adopt a goon's clothing, but alas, the show hasn't sunk to that level of crude humour, which is actually to Good Boy's credit. The main story has a compelling structure to it though, with the good guys up against insurmountable odds and fighting back no matter what, making for a simple but highly enjoyable watch. However, it's also clear that these guys are not to be trifled with and right now, Ju-young looks like an unstoppable force. We'll have to wait and see where this one goes next though but tomorrow's episode is shaping up to be a must-watch! Previous Episode Next Episode Expect A Full Season Write-Up When This Season Concludes!


Daily Mail
7 hours ago
- Daily Mail
Netflix's Poop Cruise chef disgusts viewers with worst phrase ever to describe carnage on board
Viewers of Netflix 's 'Poop Cruise' reacted with horror as a chef onboard the stranded ship described the clogged toilets on the doomed liner. The revolting documentary had audiences hooked as it covered the disastrous February 2013 voyage of the Carnival Triumph, which experienced an electrical fire on day four that knocked out all power, leading to the vessel being stuck out at sea for five days. What was supposed to be a pleasant four-day trip throughout the Gulf of Mexico quickly turned into a nightmare as the ship was plunged into darkness and toilets and air conditioning stopped working. The crew begged all 4,000 passengers to use red biohazard bags when they had to go number two and pee in the showers so the urine would drain away, but as multiple witnesses attested, many just continued to defecate down unflushable toilets. Fittingly, Abhi, a chef unlucky enough to be working on the Triumph, used a food analogy to paint a picture of what the toilets looked like. 'People were pooping on top of toilet paper, then pooping on top of that. It was layer after layer after layer. It was like a lasagna,' he said. At the end of the documentary, Abhi said he's 'never looked at lasagna the same way'. It's safe to say that Abhi's dreadfully vivid description has turned others off from the classic Italian dish as well. Most people were repulsed by the chef's unfortunately vivid description of the bathrooms 'Thanks for ruining lasagna for me, @netflix,' one person wrote on X. 'My friend was like 'tell me when you get to the lasagna part' and I didn't know what she meant but now I do,' another said. Others could not hold back their revulsion, with one woman writing: 'I'm finna throw up. This man said it was so much s**t and toilet paper in the damn toilets it was like a lasagna.' Others still found Abhi's description hilarious, even impressive. 'The chef has stolen the show,' one wrote, while another said, '2025 has a new Goat [Greatest of All Time].' The documentary was released on Tuesday as an episode in the running Netflix series 'Trainwreck,' which has looked at several different disasters. Past episodes covered the crowd crush at Travis Scott's Astroworld Festival and Woodstock '99, a music festival in upstate New York tainted by sexual violence and inadequate sanitation. Viewers of the 'Poop Cruise' episode were particularly horrified at how quickly social order broke down once it became clear the ship wasn't going anywhere. Passengers on the ship told the show that people were hurling bags of feces, having sex out on the pool deck, and hoarding food once supplies began to run low. Makeshift tent cities sprang up because there was no air conditioning in the ship. People dragged their mattresses out to the top and used their sheets to create shade for themselves. This mad dash led to fights over space on the deck. 'Watching the 'poop cruise' documentary makes me realize how much I don't like people,' one person wrote. Viewers were also irked by the 'privileged' behavior of some passengers. A trio of women on a bachelorette party for their friend, Ashley, drew the wrath of many of those watching as they seemed more interested in getting drunk and continuing their celebrations even as anarchy washed over the entire ship. '(They) HAVE to know how absolutely annoying and obnoxious they look in this documentary. Don't care about anything else besides getting a Margarita,' one person wrote. 'Tweedle dee. Tweedle dumb. And tweedle dumber.' One person compared the frenzied actions of the passengers to how Fyre Festival attendees responded when they found out the event was a complete fraud. 'I'm a bit embarrassed to say I enjoyed the same righteous indignation watching the #poopcruise as I did watching the #FyreFestival debacle,' someone said. 'Watching entitled, not-too-smart people go off the rails when there is no danger, but merely discomfort, is a #guiltypleasure.' Toilets onboard the ship began to fill up with feces as sewage spilled into rooms and hallways. Sheets tried to soak it up When it came to the crew's request for people to poop in bags, viewers were outraged that some passengers felt they were above doing that, which included Devin Marble (pictured) People reacted with frustration at the perceived privilege of many of the passengers interviewed for the documentary When it came to the crew's request for people to poop in bags, viewers were outraged that some passengers felt they were above doing that. This, of course, led to toilets overflowing onto the decks and creating a stench so horrific that people reported being unable to stand being in the interior of the ship. Devin Marble, who was on the ship with his newly-minted fiancé and his soon-to-be-in-laws, was one passenger who absolutely refused to use the bags provided. He instead found a lone bathroom that was able to flush when the ship tilted. 'This carnival poop cruise documentary is mostly a display of how f***ing privileged most people are. "I'm not pooping in a baaaag." I hate these people,' one person wrote. 'Watched the poop cruise doco on Netflix and they're all the most obnoxious annoying people you could possibly imagine,' another person wrote. 'Stoked they all got stuck on a s**t boat s****ing in bags and covered in s**t. Insufferable humans.' 'Omg these 'poop cruise' people y'all are the most spoiled people I have ever met acting like being stranded for 4 days was the end of the world knowing u would be saved eventually,' a third person said. Passengers made help signs, drew on robes and bedsheets to document the disaster. Food started to run out onboard and people were left eating grim-looking meals like this bread with mustard and slivers of ham Help finally arrived for them on Valentine's Day - February 14, 2013. Tug boats ushered the floundering ship for the Gulf to a nearby port in Mobile, Alabama, miles away from the cruise's original docking point. In a statement to Daily Mail Carnival said: 'The Carnival Triumph incident over 12 years ago was a teachable moment for the entire cruise industry. 'A thorough investigation following the incident revealed a design vulnerability which was corrected and led Carnival Cruise Line to invest more than $500 million across our entire fleet in comprehensive fire prevention and suppression, improved redundancy, and enhanced management systems, all in support of our commitment to robust safety standards. 'This is in addition to our vigorous Health, Environmental, Safety and Security (HESS) protocols that guide the entire Carnival Corporation fleet as we maintain our commitment to industry leadership in this area. 'We are proud of the fact that since 2013 over 53 million guests have enjoyed safe and memorable vacations with us, and we will continue to operate to these high standards. 'Carnival Triumph, like two other ships in the same class, was renamed after a $200 million bow-to-stern transformation.