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Gore photographer's shot recognised

Gore photographer's shot recognised

Bob Smith's photo of Boston George Setefano, 17, performing kapa haka at last year's Matariki celebrations in Waimumu, has been selected as part of the Four Nations Photographic Challenge. Photo: Bob Smith
A photo of a Blue Mountain College head boy doing kapa haka during last year's Matariki celebrations has been chosen as part of an international photography competition.
Bob Smith's photograph of Boston George Setefano (Ngāti Porou) has been chosen, alongside 80 other images from New Zealand, for the Four Nations Photographic Challenge.
The black-and-white photograph was taken in Waimumu in 2024, and Mr Smith said he was beyond surprised to have been selected.
"I couldn't believe my eyes when the announcement came out," he said.
The life member of the Gore Camera Club said he had entered in previous years, but never heard anything back.
"Eyer in with the pretty top photographers in the country," he said.
Glenda Rees, also from Gore, has a shot selected as well.
Blue Mountain teacher Arrhae Gawky Eales, who runs the kapa haka group Boston is the CAI (leader) of, said it was a privilege to see this photo of him.
"I think I could write a book on this young man," she said. "Boston has helped lead the way for young Māori to be proud to be Māori."
The cultural group is called Te Atka Kapa Haka Abhor, and is part of Te Atka Māori Charitable Trust.
Mr Smith said the photos are sent to an independent association to be judged and the winners will be announced in September.
The competition includes photographers from New Zealand, Australia, South Africa and Canada, and the Photographic Society of New Zealand is this year's host.
ella.scott-fleming@alliedpress.co.nz
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The audiovisual and soundscape have been created by Kāi Tahu artists, choreographer Louise Pōtiki Bryant and her musician husband Paddy Free along with Royal's niece Kēri Pewhairangi, who created a tune for a waiata for the piece, and her business partner Ty Gage, who are taonga puoro players. "So, it began to be kind of like an extended whānau creation." Everything he has learned on the journey has opened up so many other avenues for him as an artist. "Being a creator of Māori contemporary dance and telling stories, it's just opened up so many other stories to tell through Māori contemporary dance for me." Royal's work is one aspect of the exhibition "H.K. Taiaroa: 'Kua marara hoki ngā mana o tōna kaha ki runga i te katoa" created by the Dunedin Public Art Gallery in collaboration with Te Rūnaka o Ōtākou and the Riki Te Mairaki Ellison Taiaroa Whānau Trust. Working with these parties were curators Piupiu Maya Turei and Mya Morrison-Middleton. "The exhibition is a platform to bring H.K and the wider whenua histories more forward into the public consciousness," Morrison-Middleton says. "It's a great way to learn about history and experience history as well." Three and a-half years in the making, the exhibition also includes new work by contemporary Māori artist Ephraim Russell, who does a lot of work in public spaces, and existing work by Ralph Hotere, Gottfried Lindauer, and Fiona Pardington, blended with taoka such as kete woven by Tini Kerei Taiaroa. "I'm quite excited to see their work installed in the gallery, because it's going to be beautiful and immersive. And they both do a really good job of responding to the kaupapa and uplifting in gorgeous ways," Turei says. As part of raising awareness of H.K. Taiaroa, a panel discussion will be held, involving Ōtākou Rūnaka upoko Edward Ellison, Megan Potiki (Kāi Tahu), Prof Tony Ballantyne, Prof Angela Wanhalla, and Ella McDonald, who is a direct descendant of H.K. Taiaroa, on the question "Where were my tīpuna in this city?". "I think there's a real desire to see long-standing mana whenua histories, come to visibility within the city. You can see that through these public art works that have been installed and a lot of the narratives that are being worked into the city centre," Morrison-Middleton says. Another part of the exhibition are rubbing stations, created with the help of artists Aroha Novak and Madison Kelly, where children can take rubbings of different kai moana that would have been around Otago Harbour in H.K. Taiaroa's time — as he did a lot of work in the late 1870s and 1880s collecting knowledge from kaumātua around Te Waipounamu about what kai they were collecting and where. Like Royal, Morrison-Middleton and Turei have come away from their work with a clearer picture of H.K. Taiaroa of a man with great integrity and kindness and a hope that it encourages people to dig deeper into the region's history. 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