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Boston Children's Museum to Open Hundred Acre Wood: A Winnie-the-Pooh Experience

Boston Children's Museum to Open Hundred Acre Wood: A Winnie-the-Pooh Experience

Yahoo21-05-2025
Winnie-the-Pooh and Friends are Back!
BOSTON, May 21, 2025 /PRNewswire-PRWeb/ -- Boston Children's Museum will open its Hundred Acre Wood: A Winnie-the-Pooh Experience for its second year on May 30. Children and their grownups can return to the Hundred Acre Wood with everyone's favorite silly old bear.
Families can sort honey and haycorns with Pooh Bear and Piglet, bounce with Roo and Tigger at the Sandy Pit, read one of Owl's favorite books, or garden with Rabbit. There is so much to discover in the Hundred Acre Wood such as Eeyore's Gloomy Place, and brand-new experiences, including a play structure of Rabbit's House.
"We are delighted to host the endearing Winnie-the-Pooh and friends again at Boston Children's Museum throughout the summer," said Carole Charnow, President & CEO. "The timeless charm of everyone's favorite bear encourages visitors to come back often to experience all different stories from the enchanted land of the Hundred Acre Wood. We look forward to welcoming visitors for iconic adventures and a few surprises, too."
Every three weeks, the Museum will bring to life a new chapter from A.A. Milne's books through playful, thematic programs and activities:
Chapter 1: An Introduction to Winnie-the-Pooh, and Some Bees, and the Story Begins – May 30 to June 22 Chapter 2: Pooh Bear and Piglet go Searching for Heffalumps and Woozeles – June 25 to July 13 Chapter 3: Eeyore Has a Birthday… and Loses His Tail – July 14 to August 3 Chapter 4: All About Tiggers – August 4 to August 24 Chapter 5: Rabbit's Busy Day – August 25 to September 28
"When you see someone putting on his Big Boots, you can be pretty sure that an Adventure is going to happen." – Winnie-the-Pooh
Kids can explore Hundred Acre Wood: A Winnie-the-Pooh Experience and will have the opportunity to:
Take photos in front of Winnie-the-Pooh's house, in Eeyore's Gloomy Place, or in Rabbit's House.
Try Winnie-the-Pooh's stoutness exercise.
Read in Owl's Library.
Learn about the history of the real-life bear named Winnie and A.A. Milne's books.
Pretend play in Rabbit's Garden, Kanga's Kitchen, and Piglet's Patch of Grass.
Bounce around in the "Sandy" Pit like Roo and Tigger.
Participate in story driven programs based on the current chapter and collect chapter maps.
A Special Find the Honey Puzzle Experience! Christopher Robin needs help to plan a party for all his friends in the Hundred Acre Wood. Help Christopher Robin get everything ready before all his friends arrive? But what's this? Someone has taken all the honey from the Hundred Acre Wood! Christopher Robin has to find all the honey and finish setting up the party before his friends arrive.
Work together and race against the clock in this puzzle adventure. Put problem-solving skills to the test to find clues, solve puzzles, and work as a team to find all the honey. The Honey Hunt is recommended for ages 4 and up. This is an add-on experience, and an additional ticket is required for all participants.
The Hundred Acre Wood: A Winnie-the-Pooh Experience is included with Museum admission, but visitors must add a timeslot to the cart when purchasing tickets. The Hundred Acre Wood experience is offered daily when the Museum is open. The experience will be offered throughout the day and will be closed during select times for the Hundred Acre Wood Honey Hunt.
Purchase tickets here https://bostonchildrensmuseum.org/winnie/
The Honey Hunt experience will run on select days and times. Please check the calendar for more details https://bostonchildrensmuseum.org/calendar/
Please note: Special Ribbon Cutting to launch the Winnie-the-Pooh Experience on Thursday, May 29 at 11:00am.
Hundred Acre Wood: A Winnie-the-Pooh Experience will be open through September 28.
For additional information visit https://bostonchildrensmuseum.org/winnie/
The Museum is open Wednesdays through Sundays from 9:00am-4:00pm. Advance admission is highly recommended https://www.bostonchildrensmuseum.org/ticketing
About Boston Children's Museum Boston Children's Museum engages children and families in joyful discovery experiences that instill an appreciation of our world, develop foundational skills, and spark a lifelong love of learning. More information about Boston Children's Museum can be found at http://www.BostonChildrensMuseum.org Like us on Facebook and find us on Instagram
Hours and Admission The Museum is open Wednesday–Sunday from 9:00am–4:00pm. Advance tickets/reservations are highly recommended, especially during weekends, holidays, and school vacation weeks. Adults, $22, children (1-15) and senior citizens, $22; children under 12 months and Museum members are always free.
Media Contact
Jo-Anne Baxter, Boston Children's Museum, 617-986-3702, Baxter@BostonChildrensMuseum.org, www.BostonChildrensMuseum.org
View original content to download multimedia:https://www.prweb.com/releases/boston-childrens-museum-to-open-hundred-acre-wood-a-winnie-the-pooh-experience-302459946.html
SOURCE Boston Children's Museum
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30 Makeup Products That'll Make You Change Your Routine
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time7 hours ago

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30 Makeup Products That'll Make You Change Your Routine

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New Mexico Museum of Natural History & Science to host community celebration before temporary closure
New Mexico Museum of Natural History & Science to host community celebration before temporary closure

Yahoo

time8 hours ago

  • Yahoo

New Mexico Museum of Natural History & Science to host community celebration before temporary closure

ALBUQUERQUE, N.M. (KRQE) – The New Mexico Museum of Natural History & Science will be hosting a community 'closing celebration' on Aug. 3, one day before the museum is set to temporarily shut its doors for its first major renovation in decades. Officials said they plan to make a new entrance including rebuilding the lobby, add a new ticket booth, expand the gift shop, refresh permanent exhibition halls, replace the skylights in the atrium and Cretaceous Hall and update the main sewer line. Village of Ruidoso says its ready to welcome visitors back after devastating floods The 'Closing Celebration will take place at the museum from 11 a.m. to 4 p.m. and will feature all-ages activities including face-painting, balloon animals, and more. Vistiors will also be able to catch a free show in the Verus Research DynaTheater or the Planetarium, and get their picture taken with the roaring Bisti Beast, Bonita, on the museum's 2nd floor. The museum expects to open back up in March 2026, and plans to have a 40th anniversary celebration for the museum, which opened in 1986. To learn more about the temporary closure of the museum on Aug. 4, click here. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed. Solve the daily Crossword

Savage but fair: Surviving a swank writing master class in Morocco
Savage but fair: Surviving a swank writing master class in Morocco

USA Today

time12 hours ago

  • USA Today

Savage but fair: Surviving a swank writing master class in Morocco

Silk Road Slippers, a five-day writers workshop at a delicous Moroccan resort, was more scrivener's boot camp than a luxurious path to self-discovery. MARRAKECH, Morocco – It's morning under the Atlas Mountains and publishing legend Alexandra Pringle is taking a savage blue pencil to a very nice paragraph. At least I thought it was a very nice paragraph. But no. It's actually a mess – jumbled, ineffective – and Pringle, former editor-in-chief at Bloomsbury Publishing in London, strikes down my wan offering with a single sentence before moving on to the next willing victim. It's obvious, just one day into this weeklong writing workshop, that we're in the hands of professionals – three glamorous, erudite killers who've had a hand in some of the biggest and most interesting books of the last 40 years. 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Despite the sumptuous trappings – the palms, the book-lined bar, the (five!) swimming pools – Silk Road Slippers is more scrivener's boot camp than a luxurious path to self-discovery. The days are filled with short writing exercises, with each hastily written passage read aloud by the author and then critiqued by Pringle, Khan and von Tunzelmann. Writers are drilled in dialogue, setting, action, perspective – a crash course in substance and style. In a revealing assignment, attendees were asked to write a fictional third-person scene with themselves as the protagonist. As with the other drills, the results ranged from middling (that was mine) to quite good. There wasn't a bad pen among the nine women and two men who were my classmates. But none topped Booker Prize-winner Hollinghurst, who turned out, in the same 15 minutes as the rest of us, a richly cinematic scene placing the fictional character of Alan Hollinghurst in a tricky social encounter fraught with manners, ego, and ambition. Just like something out of a novel. Anyone can play Years ago, U.S. literary wags spilled barrels of ink over the question of MFA vs. NYC, shorthand for two paths to creating a life as a novelist: the formal structure of a master's in fine arts degree, with its ready-made community and the tutelage of established teacher-mentors, or the (relatively) hard-knock life of apprenticing oneself to the New York publishing industry and living, loving, losing in the real world, with all the bruises to show for it. Nobody was talking about this kind of thing in Marrakech. I had no idea where anyone went to school, or what credentials they may have held. Every person there was taking a leap of some kind to learn alongside – and expose themselves to – a group of discerning strangers. There was no shortage of work. There were tears, and support among new friends. Some writing samples were raw and personal, but that was no protection from our instructors and the feedback born from their editorial instincts: 'There's too much specificity. You're putting the kitchen sink in there.' 'It's just awful. It's explanatory. It's telling us what to think.' 'There's nothing more boring than other people's dreams.' By the end of the week, each participant had completed a passage of at least 1,000 words to be assessed in an hourlong consultation with one of our three guides. I drew Pringle, and I've never had a more rewarding or discombobulating conversation about writing. Despite having two nonfiction books and decades of journalism to my name, Pringle pointed me to the far riskier path of literary fiction. 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