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National Post
16 minutes ago
- National Post
Chris Selley: Banning MAGA singer Sean Feucht, Canada slips further into Trump-ian incoherence
Article content You'll often hear politicians say that government-owned spaces have a special obligation not to rent venues to people whose views don't reflect appropriate 'values.' 'When it comes to public buildings, I believe we should hold ourselves to the highest standard,' then Toronto mayor John Tory averred in 2019, when the Toronto Public Library rented a stage to barely controversial feminist Meghan Murphy. Article content It's exactly the opposite. Government-owned venues are subject to the Charter. Privately owned venues, such as those Feucht ended up performing at instead near Halifax, Moncton and Charlottetown, are not. It would certainly be interesting to see someone mount a Charter challenge to these decisions. Article content Article content As is often the case with censorship, one of the primary achievements of these cancellations was to give a ton of free publicity to Feucht. He's not exactly a household name even in the United States. Exactly one of his records has ever charted: at number 37 on Billboard's Christian albums, in 2016. His constituency is considerably smaller north of the border. I would never even have heard of him had these cities just let the shows go ahead. Article content Article content Had we denied him entry to Canada, as many were calling for, it would have been an even bigger deal. It's also one of those things you could imagine Trump taking note of and retaliating — say, by banning godless Canadian bands from crossing the border and performing in the U.S. Article content And the crazy thing is, many Canadians would say, 'good, they shouldn't be playing in the U.S. anyway.' Canadian singer-songwriter Matthew Good received lavish praise for cancelling his stateside shows recently … though he had only booked them in January, when Trump was already president. Article content
CBC
16 minutes ago
- CBC
Winnipeg's Ariel Posen electrified with signature Fender Stratocaster crafted to his specifications
Ariel Posen has been a member of the Juno Award-winning Bros. Landreth and more recently a solo artist, but now the Winnipeg musician is sharing a stage with legends like George Harrison, Eric Clapton, Stevie Ray Vaughan, Jimi Hendrix and Buddy Holly. Fender, the storied electric guitar manufacturer, has created a signature Stratocaster in his honour, and named it after him. "I'm just super grateful. It's not an opportunity everybody gets to experience," Posen told CBC Manitoba Information Radio host Marcy Markusa on Friday. The limited edition model, which can be purchased by the public, was unveiled last week at the Fender factory in California. Posen, 37, who has been playing guitar since he was nine, calls it a dream come true. Every aspect is customized to his liking. "I've had a relationship with the folks at Fender for a long time and I've always been experimenting with different configurations on instruments and trying stuff out," he said. "I had been in contact with them, just letting them know about what I was doing and what I was thinking about doing." During the discussion, the folks at Fender suddenly suggested "why don't we do a signature," said Posen, who has been recognized by Rolling Stone and Music Radar as one of the top guitarists in the world. "I value them and I'd like to think they value me. I guess from their end, they saw … the potential of doing something unique with the ideas I was suggesting, which are nothing groundbreaking, but slightly different than what that model and that style of guitar usually includes," he said about Fender. "It was an opportunity I couldn't really say no to." That was 2½ years ago. The lengthy process involved prototypes and testing and tweaking. "It wasn't like, 'OK, we finished the one model for you, we're going to announce it tomorrow. Hope you like it,'" Posen said with a laugh. "This has been years of going back and forth, making sure it's right, and to be honest, they pretty much nailed the important things right out the gate." Some of the customizations involved the neck profile, the pickups and "just little things in the electronics and the shape," Posen said. "Every single detail was something that I wanted to do. It wasn't just like they said, 'Hey, why don't you just pick something off the website? You pick a colour and we'll make it.' Literally every aspect of it was something I suggested. "It's a true representation of what I would do for my own guitar." The Fender website says the maple neck, rosewood fingerboard and faded Lake Placid blue finish give the guitar the look and feel of a well-loved mid-'60s instrument, while it can "deliver anything from flowing, bell-like chime to gnarly, punchy tones." When it was time to pick it up, Posen performed for the staff on the factory floor. "We just tried to show them as much love and appreciation. I wanted to make them feel valued and special and play a couple songs for them," he said. Posen is now preparing to take the new instrument on the road as he embarks next month on his Future Present Tense Tour, which will wrap up with a hometown date at Winnipeg's Park Theatre on Dec. 12.
National Post
38 minutes ago
- National Post
How should wrestling icon Hulk Hogan be remembered?
Article content WATCH BELOW: On the latest episode of No Holds Barred, Postmedia wrestling writer Jan Murphy and Postmedia's Rob Wong discuss the life and legacy of wrestling legend Hulk Hogan. They talk about why two different conversations need to be had about the character and the person, where Hogan stands among the greats of the industry and their favourite memories of his career.
