logo
Itasca Rock Garden's castle shows off the beauty of the area's multi-colored stones

Itasca Rock Garden's castle shows off the beauty of the area's multi-colored stones

CBS News03-07-2025
The Itasca Rock Garden in Albert Lea is home to a Danish-inspired castle of sorts.
"I drive by and see Marion Ross on the corner looking over Fountain Lake, makes me smile," said Stephanie Kibler of the Freeborn County History Center.
The bronze statue of the former Happy Days actress sits comfortably in her hometown of Albert Lea. But had it been created in another lifetime, it may have been sculpted out of rock.
One hundred years ago a Danish immigrant named John Christensen was trying to farm near the village of Itasca. But he kept hitting rocks with his plow. Instead of getting frustrated, he got creative.
"Behind me you'll see the large castle, which he started. It was reminiscent of the castles he grew up with in Denmark," said Kibler.
Christensen didn't stop with the castle. Over the years he and his wife also built stone sculptures, bridges, and grottos, like the heart-shaped grotto.
"Look at the size of the rock this gentleman carried or moved. I don't have a clue how," said Kibler while pointing out a large rock.
The Danish immigrant was in his sixties when he built much of the rock garden, including a home for Irg, the garden's resident gnome.
Christensen died in 1939, but there's a sense that he never completely finished what he started. And had he lived longer, the rock garden likely would have expanded even further.
But as it goes, the place became neglected and overgrown. And it wasn't until 2019 when the Kohler Foundation got involved, that the garden got a makeover.
"We had a landscape company come out and I think she told me they took 15 dump truck loads out of here of weeds, tree growth," said Kibler.
Flowers replaced the weeds, thanks to a dozen volunteers including gardener Sue Grunzke.
"Over the years I'd go by and look and think, oh, it would be so nice if somebody would fix that all up," said Grunzke.
Grunzke got her wish. Her family visited the garden when she was young. Now, she's back with a different purpose.
"Each time coming out and seeing it come alive, it's incredible," said Grunzke.
The rebirth means the return of visitors from across the state. Rolling stones of a different sort, eager to see how a farmer once built a kingdom out of field rocks.
"I hope people come and see what a peaceful, beautiful environment it is. And recognize that the city of Albert Lea is also a very beautiful place," said Kibler.
Itasca Rock Garden is named after a pioneer village that once stood on the property. It's free to visit and the garden is located northwest of Albert Lea near Itasca and Bluegrass Roads.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

I Love That ‘Superman' Loves Journalism
I Love That ‘Superman' Loves Journalism

Gizmodo

timea minute ago

  • Gizmodo

I Love That ‘Superman' Loves Journalism

James Gunn's Superman operates on a litany of fantasies: a world where superpowered individuals have existed for centuries and roam among us, a world where the public almost universally loves a singular alien who has come to planet Earth to uplift and protect humanity's greatest ideals in the name of a better tomorrow. Those are key suspensions of disbelief for practically every superhero movie. But in stark contrast to that, its other key pillar in that suspension is much more down to earth: that modern journalism can be universally accepted to save the day as much as any superhero between all the pocket universe destruction, Kryptonian drama, and superhuman scrapping, Superman is perhaps one of the most surprisingly effective pop culture movies about journalism in a very long time. Comic book characters have long had a history with working in the news industry, from alter egos like Clark himself to Peter Parker, or human allies like Vicki Vale, Lois Lane, Ben Urich, Robbie Robertson, and many more, but more often than not their journalistic backgrounds have to take a backstep to the necessity of a superhero story (especially for heroes themselves, when ethical concerns come into play). Superman does play with the tension of this conflict briefly, although largely to similarly ignore it as the comics do—both Clark and Lois touch upon the conflicts of interest they have in both dating each other and their knowledge of Superman's secret identity; Jimmy Olsen's huge report on Lex Luthor's connection to the Boravian invasion of Jarhanpur is predicated on damning evidence from a source he was previously romantically involved with, information he exchanges on the promise of a weekend-length date with said source. We never know if the latter's report discloses that fact, and it seems Lois never runs anything from her bombshell interview with Clark in the opening act of the film—presumably because in an ideal world she would have to disclose or recuse herself from reporting on it given her personal relationship with the subject. But the fact that Superman even remotely cares about that speaks to its broader interest in journalism, and in particular journalism as a tool of public good. Clark and Lois' first major scene together in the film takes place over an interview at the latter's apartment, after Lois chides Clark that laundering his reputation as the Daily Planet's premiere Superman reporter means just giving himself easy, uninteresting questions to answer. It's a delightful scene to watch from a journalism perspective, even putting aside the hypocrisy of Lois knocking Clark for reporting on himself before proceeding to interview her own romantic partner. Both Clark and Lois take on personas here: the former stops being Clark and 'becomes' Superman, both talking about himself in the third person and adopting the body language and tone he has when he is in costume. But just as importantly, Lois separates herself from being a flirtatious girlfriend (as much as she can outside of, again, removing herself from the interview entirely as a conflict of interest) and becomes 'Ms. Lane,' investigative reporter at the Daily Planet. Aside from including the most concise explanation of how being 'on the record' works with a reporter to ever hit a superhero movie (whenever Superman hits home release, I yearn to clip and send that soundbite to half the contacts in my inbox), the back-and-forth between Lois and Clark frames their interview as, rightfully, Lois speaking truth to Superman's power as a superhuman, godlike entity on the level of nation states like Boravia or corporations like LutherCorp. And that is what Superman is, she argues much to Clark's frustration, if he is going to make unilateral decisions to intervene in international conflicts: a power that a good reporter will question and hold to account. The scene even subtly has Lois navigate the thorny compromise of conducting this interview from a detached perspective, even if the framing of her questions doesn't necessarily align with her own personal beliefs. As she says to Clark at one point, she can't trust Boravia's claims of wanting to liberate Jarhanpur from an authoritarian regime, but as a reporter, she has to allow for that claim to be as valid as Superman's claim that his intervention was the only alternative to save lives. It's a fascinating acknowledgement of public criticism of media impartiality in our own world, an especially delicate act to balance given readings of Superman's Boravia-Jarhanpur conflict as a parallel to the likes of the Russian invasion of Ukraine or Israel's occupation of Gaza (and in particular for that latter reading, criticism of the media's failure to report on Israel's campaign as a genocide). And this is in a superhero movie where a questionably-haircutted Nathan Fillion fights a giant kaiju and summons emerald constructs of pure will in the shape of one-finger salutes! But the reality of journalism on display in that scene between Lois and Clark isn't really the fantasy that sits along the comic book fantasy of superheroes in Superman. Amidst the chaos of the movie's third act of Metropolis being torn apart by Lex Luthor's pocket universe rift, the real stakes of the movie coalesce around Lois and Jimmy's report on Luthor's relationship with the Boravian president, Vasil Ghurkos. Literally filing directly into the Daily Planet's CMS (that's a Content Management System, for those not in the know—from one CMS writer to another, kudos to Mr. Olsen for living the risk of not drafting in the DC equivalent of Google Docs!), from Mr. Terrific's ship, the Planet team launches their article with immediate impact. The report is all over the news and has as much, if not more, sway in turning public opinion back in Superman's favor as Clark literally whizzing around saving lives and trying to stop Metropolis from splitting in half does. The report has direct consequences leading to Lex Luthor's arrest: the Daily Planet is arguably as crucial to saving the day in Superman's finale as the titular hero himself is. In a modern journalism environment where outlets across the industry are shuttering every day, battling the rise of generative AI, or simply trying to navigate a sociopolitical environment that has become increasingly siloed in the echo chambers of a 'post-truth' world, the fact that the Daily Planet survives and thrives in the importance of its mission perhaps requires as much suspension of disbelief as a man who's faster than a speeding bullet and can leap buildings in a single bound. (And that any reporter at what appears to be a primarily print media news organization can afford either Lois Lane's or Clark Kent's apartments, but that's beside the point). Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

New WONDER WOMAN Movie Taps SUPERGIRL Writer Ana Nogueira to Script the DC Reboot — GeekTyrant
New WONDER WOMAN Movie Taps SUPERGIRL Writer Ana Nogueira to Script the DC Reboot — GeekTyrant

Geek Tyrant

timea minute ago

  • Geek Tyrant

New WONDER WOMAN Movie Taps SUPERGIRL Writer Ana Nogueira to Script the DC Reboot — GeekTyrant

DC Studios is moving full steam ahead with its Wonder Woman reboot, and the studio has officially locked in Ana Nogueira, the writer behind the upcoming Supergirl: Woman of Tomorrow , to write the script. This marks another big move as DC continues reshaping its cinematic universe under the leadership of James Gunn and Peter Safran. Variety confirmed the news, noting that Nogueira is also writing a live-action Teen Titans movie for DC. The decision underscores just how important Wonder Woman has become in the new DC lineup. Back in June, Gunn teased the project during, saying a Wonder Woman film 'is being written right now.' A month later, reports surfaced that the film film was a big priority for the studio. The new film will reintroduce the iconic Amazon warrior for the rebooted DC Universe, but details on casting and direction remain under wraps. Meanwhile, HBO is still developing Paradise Island , a series set on Themyscira, though Gunn admitted progress on that show is 'slow moving.' For Nogueira, this is another major step in her growing screenwriting career. She first made her mark as an actor with roles in The Michael J. Fox Show , The Vampire Diaries , and most recently the crime drama Hightown . Her script for Supergirl: Woman of Tomorrow will be the first to hit theaters, directed by Craig Gillespie ( Cruella ) and starring Milly Alcock ( House of the Dragon ). Based on Tom King's acclaimed graphic novel, Supergirl is slated for release on June 26, 2026. Of course, Wonder Woman is no stranger to cinematic glory. Gal Gadot first brought the character to life in 2017's Wonder Woman , directed by Patty Jenkins . That film smashed expectations with an $822 million global haul and proved that female-led superhero movies could dominate the box office. Gadot reprised the role in Wonder Woman 1984 during the pandemic, as well as appearances in Justice League , Zack Snyder's Justice League , and The Flash . But with Gunn and Safran resetting the DC Universe, Gadot's era appears to have come to an end. The new timeline kicked off with Gunn's Superman , and has already grossed $406.8 million worldwide. That film even included a quick tease for what's coming next, with Alcock's Supergirl popping up in a cameo to retrieve her dog, Krypto. With Nogueira now crafting Wonder Woman , DC fans can expect the Princess of Themyscira to play a key role in this bold new vision for the DCU. No release date has been announced yet, but this move signals the Amazon warrior is officially back in the fight.

Meetings Innovator: Liz Lathan
Meetings Innovator: Liz Lathan

Skift

timea minute ago

  • Skift

Meetings Innovator: Liz Lathan

Liz Lathan doesn't just build events, she reimagines what's possible when humans gather. As co-founder of The Community Factory and co-creator of Club Ichi, Lathan has become one of the most inventive minds in event marketing. Her work blends emotional intelligence, bold experimentation, and a deep belief in the power of authentic connection. From turning pickleball courts into opening-night venues to measuring success through emotion rather than attendance, Lathan is shifting the paradigm of B2B experiences, and giving the industry permission to have fun again. What does innovation mean to you? To me, it's the courage to question why we're doing things the way we've always done them, and then actually doing something about it. But it's also often forgiveness, not permission. If you're in a corporate environment and you're not in the product development department, innovation isn't always encouraged. 'Safe.' 'Tried and true.' 'Do what works.' These are some of the boundaries you might have to work within. It's important to learn the difference between when something needs to change and when you yearn to change it because you got bored with it. Both are valid reasons for change, but understanding your need to innovate helps you advocate for your new ideas. Why do we need innovators? How boring would this world be if we all just sat around in its mediocrity? Innovation is evolution, and those who fail to evolve, are left behind. How do you get the buy-in needed to innovate? Sometimes innovation is leading while appearing to have been led. Meaning that if you ask enough questions in the right way, people will conclude that things need to change on their own. My business partner Nicole Osibodu and I love to play two games, 'What If,' and 'You know what would be really fun?' For example, let's say your opening night reception is always held at the hotel before the conference begins. In the planning meeting, you might ask, 'What if we hosted the opening night at the pickleball courts?' or 'What if we started the conference with the concert instead of ending it with one?' Then amping it up with, 'You know what would be really fun?' and throw your biggest idea out there. Then you can deal with the pushback (buses cost too much, we don't want people out late on the first night), whatever it is, but now you've planted the seed. Let's say the pickleball courts would require you to bus people away so leadership says no. Can you bring the pickleball courts into the ballroom and still change the vibe from cheese cubes to pickle party? You build trust by listening deeply and then painting a picture of what's possible. This is how you innovate. When do you feel you became an innovator? I think everyone is an innovator. The only difference is that not everyone is comfortable pushing their ideas forward. So the bigger question is: When did I get comfortable pitching my ideas? I think I was very bold with my ideas as a kid, and then dialed them back when I entered the workforce in an effort to please people. I was still creative, but got less innovative through my early 20s. What gave me the confidence to find my voice again was volunteering on boards and committees of industry associations and local nonprofits. Being a leader in those environments, outside of my everyday workplace, gave me the boost I needed to speak my thoughts into action. Who has inspired Lathan as an innovator? I'm not sure I can pinpoint one person, but I read a lot about and from interesting people and try to learn how they think. Walt Disney. Jesse Cole. (Owner of the Savannah Bananas) Russell Brunson. (ClickFunnels founder) But on the daily, it's Nicole Osibodu. She's the original rebel dreamer. She doesn't ask permission (ever), and she reminds me that joy and business are not mutually exclusive. Her favorite phrase is, 'Let's work it backwards,' to get us thinking of the outcome first and then designing the crazy ideas to get us there. Also, the Club Ichi community. Their honesty, creativity, and willingness to be their whole selves push me to keep evolving. What areas of the meetings industry are most in need of innovation? Networking, registration, wellness, and mental health. We've over-engineered everything except the human parts. We still think engagement means an app, and connection means a LinkedIn exchange, and wellness means a 6 a.m. yoga class. It doesn't. Which companies does Lathan consider innovators? Storycraft Lab is doing beautiful work in experience design and belonging. Braindate was innovative when they first hit the market. We have a number of tech startups who are members of Club Ichi with amazing new tools like Chance and Concierge. We've partnered with Swoogo to build out our registration site for our big, crazy trip, Secret Family Reunion, and together we've bent their reg tool's capabilities beyond what anyone has ever seen before. It's often the boutique firms and indie creators pushing boundaries, not the big platforms, which is why larger companies buy the smaller ones. Often they're too big to innovate, and they have to acquire the new thinking. What did the innovation journey of creating Club Ichi look like? It was born out of an event format that we created back in 2017 called a Spontaneous Think Tank. And in 2022, the people who had attended those events over the last five years pushed us to codify the connections they had made into a community. The actual creation of the Club has been messy, emotional, and deeply human. All in a good way. We've always experimented with format, from supper clubs to porch parties to retreats, leaning into authenticity over polish (hugs over handshakes), and built programming around conversation instead of content (chairs in a circle over a main-stage keynote). And somehow, it's working. We also tend never to do the same thing twice, always pushing forward, so that keeps us not bored. Really, the ultimate objective is to keep us loving our own business. How has focusing on innovation changed how you think about events? It's made me obsessed with emotion as a metric. Innovation made me stop asking, 'Did they show up?' and start asking, 'How did they feel when they left?' In fact, in 2021, Nicole and I ran a year-long research study to uncover exactly which emotions need to be evoked at an event to create the connections that drive business. We now have the blueprint for how to run emotionally resonant programs that drive financial ROI. If you can create programs where the attendees feel hopeful, active, accepted, adventurous, and motivated, you win, and so do they. What is Lathan most proud of? I'm so proud of what we've built with Club Ichi. It's a private membership club for B2B event marketers, and in just a year and a half,we have over 11,000 people on our lists and over 450 Insider members. Some incredible companies have joined us as partners to help us scale and grow. But inside the club, I'm most proud that people feel safe to be fully themselves. Weird ideas, burnout, big wins, job search sorrows, strategic wins, and everything in between. No posing. No formalities. Also, that we've built something joyful in an industry that often forgets joy and replaces it with complaints about the grind. Who has inspired Lathan most to become a meeting innovator? The people who were quietly suffering behind the scenes. The event professionals who were told to stay in logistics. I wanted to build a world where their voices, ideas, and wellbeing mattered. Where they could move up the ladder into leadership positions in their desired companies. Where we, as a collective industry, can tie what we do to the results of the business and prove that events are a valued and valuable marketing channel that deserves respect and investment, with a professional at the helm. Who are Lathan's mentors? Some are industry veterans, some are friends, and some are my 12-year-old and my 17-year-old, who ask better questions than most executives. I don't believe mentorship has to be formal. The best mentors are those who challenge how you see yourself and your work. What would you like your legacy to be? That I helped change how this industry sees its people. That I created space for more human, more creative, more emotionally rich ways of gathering. And I reminded people they don't have to trade connection for a career. This is a fun industry with the most amazing perks, and the experiences we can have while doing our jobs, and because of our jobs, can't be found in any other industry. You know that old saying, 'If you love what you do, you'll never work a day in your life. I want to leave this world with event professionals feeling like that every day, and that they have a group of people they can celebrate that joy with. What's your advice for aspiring innovators? First of all, there's no such thing as an aspiring innovator. Everyone is innovative. But find your voice. And surround yourself with other innovators in the communities you join, and the people you spend your time with. Build the thing you wish existed, even if no one else sees the need yet. Innovation rarely feels comfortable, but if you're willing to lead with purpose, and a little rebellion, and share those ideas out loud, you'll eventually lead the change you want to see in the world.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store