
Cash & Diamond: Legendary tribute returns to the Edinburgh Fringe
Award-winning performer Pete Storm and Pete Sinclair join forces to deliver a show packed with heart, energy, and hit after hit – from Ring of Fire and I Walk the Line to Cracklin' Rosie and Sweet Caroline. With standout vocals, a magnetic stage presence, and a whole lot of crowd-pleasing charm, this hour of music is a must-see for all true fans.
Cash & Diamond promises a feel-good, foot-stomping Fringe experience that'll have the whole room singing along.
Show Details: Venue 304: Bier Keller (Frankenstein Pub), George IV Bridge
Dates: 1-4, 6-10 , 13-17, 20-23 August 2025
Time: 1.30pm(60 minutes)
Tickets: £15 / Concessions £12.50
Box Office: 0131 226 0000 or www.edfringe.com/tickets/whats-on/cash-and-diamond-tribute-show
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Metro
2 hours ago
- Metro
Tim Minchin explains the ‘pretentious' reason he turned down hosting chat show
He might now have found success in comedy, music, television and theatre, but Tim Minchin admits that no one ever thought he was 'particularly talented'. The Australian creative, 49, was born in Northampton before his parents moved back to their home country, where he was raised in Perth, the most isolated city in the world. It was there that Tim initially pursued a career in the arts, studying contemporary music but as he admits, 'graduated without actually being able to read music'. Throughout his 20s, he wrote songs, played in bands, acted in plays, and composed for theatre, but struggled to get noticed. After marrying his high school sweetheart, Sarah, the couple moved to Melbourne, but it was still an uphill battle. 'I was 29 at that stage and really did think I wasn't very rock n roll or grunge or what people wanted and thought I'd just be a poor songwriter, but literally the next year everything changed,' he tells Metro on the day his latest album TimMinchinTimeMachine is released (the album is a curated anthology of previously unreleased material). 'It's only got more and more unbelievable with the things I've been able to do since. I was really struggling throughout my 20s to get any traction and couldn't get an agent or record deal,' he said. It was Tim's 2005 comedy show Darkside that saw him finally capture the attention of the right people. He went on to debut it at the Edinburgh Festival Fringe, where he received the Perrier Comedy Award for best newcomer. In the two decades since, Tim hasn't taken anything for granted, working his ass off, continuing to release music, featuring on a range of comedy panel shows, appearing in Californication, Robin Hood and The Artful Dodger, composing the Groundhog Day musical, and writing and starring in the comedy drama Upright. But it was being asked to write the music and lyrics for Matilda the Musical that changed everything. After it debuted in 2010, the show won a record-breaking seven Laurence Olivier Awards and has since gone on to be awarded four Tony's. Its success allowed Tim to achieve financial stability and make calculated career moves – including turning down multiple offers to host his own talk show. Reflecting on the decisions that could have made him a regular fixture on our screens (and undoubtedly rake in millions), Tim said he doesn't regret the risk he took. 'Lots of channels approached and asked me, but that just happens once you reach a certain level and start selling out arenas, which I did. They all asked me and asked what show I wanted to make,' he recalled. 'I said I was an actor and wanted to make drama and they went 'yeah right'. I said I didn't want to be known as a talking head. I've been asked so much over the years to host documentaries or shows…and I kept saying I didn't want to be a presenter, I wanted to be an artist. 'I'm not a trained actor or trained in composition and it takes a lot of suspending my self-doubt to go 'I think if I hold the line there's a chance, I might get to be an artist, not a comedian/ presenter'.' Although Tim admitted that might sound 'pretentious', he was willing to take that gamble – and it paid off when he was offered Matilda. '[That show] made me financially secure so I could take risks, but it also made me believe I was a real composer and could actually make things that could land in culture and not just be a fleeting joke. I was glad I held off on taking the big bucks. And once you're on a late night show you get famous and aren't walking the streets anymore,' he added. Despite his string of successes, Tim admits that he 'never really had one of those big career dreams' to chase. That admittedly felt surprising to me, after watching him become one of our shared home city's most successful artists. Coming from a city on the literal end of the earth, it's commonplace for young people to dream about 'escaping' their mostly middle-class existences. It's just as encouraged for parents to send their children out into the world, too, with Tim and I both sharing stints in London, a rite of passage for many. Although he has taken plenty of gambles over the years, Tim describes our shared 'luck' as one of the reasons he's been able to push himself. 'Some people think that daddy got me a car or mummy paid my rent but there was none of that. They were like 'good luck and here's $500 towards your first car'. It's a very Australian thing. I knew if everything went to shit though I could go home and had somewhere to sleep and that is unbelievable privilege and luck.' In 2013 advice he gave to university graduates at a commencement speech in our home city made waves, currently having over 5.6 million views on YouTube and being the basis of his recent book, You Don't Have To Have A Dream. In the speech, he imparted nine life lessons with his trademark wit and humour, with one surprisingly poignant line including: 'Don't seek happiness. It's like an orgasm; if you think about it too much, it'll go away.' More than a decade on and having just completed a tour of the UK to mark 20 years since his career took off, I ask what advice he'd now give to himself at the same age. Being incredibly candid, he explains: 'It's hard to imagine what advice I'd give myself. I worked so hard because I never thought I had the right to be an artist. My folks didn't mind that I wanted to be a muso…but no-one was ever telling me I was special. 'No one ever thought I was particularly talented…I never got the roles in the school plays. I just thought I had to work hard. I wouldn't want to give myself any advice that lets young me know that it works out ok because I might not have put my head down. 'The central lesson in the speech was to just be really, really good at what's in front of you and dedicate yourself to that and let the future take hold. That was something I did intuitively and now I look back and understand it to be a way of thinking. Just stop f***ing worrying about the ladder and take the next step.' So, what's the next step for Tim, who has had a notably hectic schedule for years now? More Trending 'I've got the Australian version of the tour in November and between now and then I am going to try and make a start on a new stage musical I am really keen on, but I can't talk about what it is,' he teased. 'And then next year I really want to write a TV show I have an idea for. I have two or three stage musicals I have ideas for. Next year needs to be a writing year. Even though I love touring, I've done it a lot a last few years.' Whatever it is, it's likely it will be a worthwhile gamble… Tim Minchin's new album, TimMinchinTimeMachine is out now. The RSC's Matilda The Musical is currently playing in London and will concurrently tour the UK and Ireland from this Autumn. You Don't Have To Have A Dream is out now. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: New fear unlocked after 16-inch stick insect found deep in Australian jungle MORE: 'I stayed with my boyfriend after he was jailed for sexual assault – here's why' MORE: I spent four days on a train in the Australian outback — it was my idea of hell


Scotsman
11 hours ago
- Scotsman
Edinburgh festivals diary: The X-rated Underbelly press launch and close-to-home Jason Byrne encounter
Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... The Edinburgh Festival Fringe has officially kicked off. But for me, it already feels like the city has been in full-on Fringe mode for a lot longer than that. The best of what is on offer at the major venues has been showcased in press galas this week, with everything from the renowned it-shouldn't-work-but-somehow-it-does Garry Starr show - where the comedian is naked from the waist down while performing all Penguin literary classics - to an impressive acrobatic circus such as Ten Thousand Hours, shown in short snippets. Underbelly goes X-rated Advertisement Hide Ad Advertisement Hide Ad Underbelly decided to take full advantage of the fact that Starr's let-it-all-hang-out appearance meant it had had to slap a 16+ rating on the event. The venue operator also opted to include a steamy performance from jaw-droppingly impressive and scantily-clad contortionist Soliana Ersie of Bernie Dieter' Club Kabarett, as well as live podcast show Brown Girls Do It Too, which saw hosts Poppy and Rubina discuss - and indeed sing about - their no-holds-barred attitudes to sex. The overall vibe was something of a contrast to the welcome address from Underbelly directors Charlie Wood and Ed Bartlam, who took the opportunity to read out their address books in what was presumably a work in progress for a surrealist piece of performance theatre I could see doing well next year. Poppy Jay and Rubina Pabani, hosts of Brown Girls Do it Too podcast and stage version Brown Girls Do It Too: Mama Told Me Not to Come. | Tilted Jason Byrne encounter hit close to home At Assembly, comedian and MC Jason Byrne targeted one woman in the audience who he spotted had left the show to take a phone call. He demanded her companion call her, took the phone from him - and a very public chat ensued, where the woman, Claire, explained in huge detail, with much hilarity from Byrne, the problems her friend was having in arriving in Edinburgh by train. I did think the woman's voice sounded vaguely familiar, but I didn't realise why, until at the Gilded Balloon gala two days later, I ran into Scotsman arts reviewer and my long-time colleague Claire Smith, who sheepishly admitted she had been the mysterious voice on the other end of the phone. Advertisement Hide Ad Advertisement Hide Ad Mother-and-daughter team Karen and Katy Koren had an emotional moment at the Gilded Balloon launch, which is celebrating its 40th anniversary this year. A performance by Darby James included a song specially written as an ode to Gilded and the Fringe more generally. 'Get your hankies out,' Karen told the audience, after daughter Katy had already had a bit of a blub, talking about her childhood being 'brought up in Gilded'. Real life Louis One artist has recently had good news after a much-loved TV star agreed to lend his voice to a scene for her Fringe theatre show. Writer and performer Gaia Mondadori's Centre of the Universe at Summerhall includes a scene where the lead character, Mary, imagines being interviewed by documentary journalist Louis Theroux for a series called Driven Women. After reaching out to the broadcaster, he agreed to record the scene so that his actual voice is heard. The comedian is bringing his new show '1994' to the Darwen Library Theatre on February 8 | Show poster Sold out run for Connor Advertisement Hide Ad Advertisement Hide Ad And finally, three cheers for local boy comedian Connor Burns, who sold out his entire month-long Gallus Fringe run days before the Fringe even began, joining stablemate (they share a producer) Daniel Sloss.


BBC News
18 hours ago
- BBC News
What is the Edinburgh Festival Fringe?
Have you ever seen someone juggle fire, tell silly jokes, play musical instruments - all in the same day? Well, all of that can be found at the Edinburgh Festival Fringe, often just called the 'Fringe' for what is the Edinburgh Fringe and why is it called that?It's called the Fringe because when it started in 1947, performers who weren't invited to the main Edinburgh Festival, put on their own shows around the edges - or the fringe - of the main event. Now, it's grown into the biggest arts festival in the world!It's a huge deal for Edinburgh, bringing in visitors and tourists from all over the world and filling the streets with music, laughter, and on to find out all about the festival and what's there for children... When and where is the Fringe Festival held? The Fringe happens every August in Scotland's hilly and historic capital city of Edinburgh. The festival usually runs for three weeks, and the whole city turns into a giant stage - from theatres and schools to parks, streets and even people's living rooms!In 2025, the Fringe will take place from 1 to 25 it's raining or sunny - and let's be fair in Edinburgh, it can be both - hundreds of thousands of people come out to enjoy lots of different shows. What kind of performances are at the Fringe? At the Fringe, you can see comedy, music, theatre, circus acts, magic and even puppets!From famous actors and comedians to students, street performers, and even kids. There are special family-friendly shows and kid-led Fringe is so big that it can feel like a magical maze of performances - just walking down the street, you might bump into a pirate doing magic or someone in an animal costume handing you a flyer. How big is the Edinburgh Fringe? During August, Edinburgh's population nearly doubles to around one million people. It's not just tourists from around the world coming to watch the over three thousand shows available to see during the festival, there's performers from 63 different countries also taking away from the street acts and comedy, there's also the Royal Edinburgh Military Tattoo, which is part of the wider Edinburgh festivals. It's held at the castle and this year is celebrating its 75th includes marching bands, bagpipes, drummers, and fireworks. So, if you're visiting Edinburgh this August get ready for the buzz of creativity, colour, and fun.