Hello, Goodbye: Maria Grazia Chiuri's Next Chapter
The heavens opened throughout the show, which has become something of a feature of Chiuri's presentations when they're exposed to the elements. A cockeyed optimist might construe that as nature's equivalent of Tom Ford's emotion-drenched send-off at Yves Saint Laurent — still the benchmark for the long fashion goodbye — but, deluge aside, the cheers felt like a necessary acknowledgement of Chiuri's substantial near-decade achievement at Dior. As the only woman to carry Christian's mantle, she leaves her thumbprint on the brand, financially and creatively. Dior Cruise 2026. (Spotlight)
Mind you, when to go gently into that good night may well have ultimately been her choice. All week, Chiuri appeared upbeat and relaxed, especially as she previewed a next act for journalists. (I'm assuming it's not the next act, but it does involve a theatre, so the analogy seems appropriate). She was home, in Rome, the happy place of her birth where she would retreat from Paris every weekend, and where she has been realizing a rather wonderful personal project for the past few years.
Her renovation of the Teatro della Cometa, a bijou 233-seater in downtown Rome, is, in a way, an evolution of the commitment she always had at Dior to celebrating female creativity, from that very first show when a T-shirt quoted the title of Chimamanda Ngozi Adichie's essay 'We Should All Be Feminists.' For years, she has wrapped her presentations in the work of women who inspired her. This time, it was Anna Laetitia ('Mimi') Pecci-Blunt, the cultish art patron who was responsible for the construction of the Teatro in the annex of her family palazzo. Teatro della Cometa. (Laura Sciacovelli)
The inspiration felt particularly personal, perhaps because it was so embedded in Chiuri's own story. The Palazzo Pecci-Blunt had always been a dream house for her. Once she found out about the house's chatelaine, she transferred her obsession to Mimi, a woman whose wealth and privilege (her father was the nephew of Pope Leo XIII) effortlessly eased her passage through — and patronage of — the cultural ferment of the early-mid 20th century.
Mimi's salon in Paris counted Picasso, Cocteau, Dali, Man Ray and Stravinsky among its habitués. When she and her American banker husband Cecil Blumenthal (she made him abbreviate his name to Blunt), acquired their palazzo in Rome in 1929, it also became a hive of artistic activity. Driven into exile by the fascists, the family sat out WWII in New York. On their return, she had the Teatro della Cometa designed (by Tomaso Buzzi) and constructed so that she would have a proper venue for the musical recitals she might once have presented in her home. She was also able to put on plays, performances and dance recitals. 'She was really keen to share her passions with other people,' says Chiuri.
'I think for that time, Mimi was like Peggy Guggenheim,' Chiuri muses. 'She really wanted to create an environment with all these creative people from several disciplines working together. I like the idea she tried to connect all these artists. You see the picture of Mr. Dior in the café with Giacometti. He was a gallerist, she was a gallerist. That's the way I really like to work too, with other artists to make a project, especially in this moment where everybody wants to talk about differences. I like the artists who try to collaborate. I think that's a very important message.' Dior Cruise 2026 Look 6. (Courtesy Dior)
Chiuri translated the message into the collection she showed Tuesday night by getting both her studios — couture and ready-to-wear — to work with Studio Tirelli. Umberto Tirelli founded his workshop in the Sixties to work with the greatest movie directors of his day. From his archive of over 350,000 pieces of clothing, Chiuri picked 12 silhouettes to be worn by actors in the film that her frequent collaborator Matteo Garrone made for the livestream, as well as the performers who paraded ghost-like around the garden of the Villa Albani Torlonia in the lead-up to the show.
She was thinking about the Bal Blanc that Mimi staged in 1930 at her Paris home with Man Ray as co-host. Everyone wore white. Man Ray's photos of 'the party of the season' are preserved at the Centre Pompidou. The tableaux vivants that Chiuri has been staging at the Teatro for the past few days recreate the event. And the dress code on Tuesday was women in white, men in black. If that hints at the essential theatricality of Chiuri's presentation, then my work here is done. The invitation proclaimed Rome as 'Theatrum Mundi,' theatre of the world. (Feel the mycelium fingers reaching out to Teatro della Cometa). Dior Cruise 2026 Look 43. (Courtesy Dior)
It's an obvious question: would Chiuri have liked to live in Mimi's moment? Her answer is an unequivocal yes. 'Now we have too much Zoom, too many pictures. I think it's so important to meet in person, to share ideas. This is exciting.' That's why she was so keen for her studios to work with Tirelli. 'For them, it was an experience that gave them a different perspective.'
Top of Chiuri's moodboard was the cover of a book by Francesco Piccolo, 'La Bella Confusione.' One 'beautiful confusion' was the collection's indistinguishable mix of cruise and couture (the show was officially labeled Cruise 2026, but tended more heavily towards couture, I'd say). The other is Rome itself, hectic, chaotic, enough to spark arguments between Chiuri and her husband Paolo when she defends the city's profound dysfunction. 'Paris is a beautiful city, but I'm Mediterranean and there is no sun in winter. You wake up in the dark and for someone who grew up in Rome, it is not simple not to have sun.' She counters that with praise for the fabulous, vital, cultural diversity of Paris. But still… sunshine. Dior Cruise 2026 Look 68. (Courtesy Dior)
But that professed umbilical connection to sensuality is why Chiuri's collections have always been a bit of a puzzler, because they don't often make that connection. They are pure and restrained and elegant and they embody an eerie kind of almost monastic luxury, but they aren't sunshine. And so it was with what we are acknowledging as her last collection for Dior. It was almost as though she was recreating her own favourite bits, with a strong emphasis on her Valentino era (read into that what you want).
The elongated formality, the sheerness and delicacy of lace dresses with trains dragging through the rain-soaked gravel, the romantic tatters of Miss Havisham crochet… all of this had a costume-y Cinecittà allure. A leather motocross over a crystalled gown, a draped sheath in dull gold charmeuse, a black velvet cutaway jacket that looked moulded to the dress beneath: now these told a more provocative tale. The first time I met Chiuri, she and Pierpaolo Piccioli had just been to a Depeche Mode concert in Rome. That's the kind of conversation you (or at least I) cling to in fashion, where you share something real. Dior Cruise 2026 Look 38. (Courtesy Dior)
And it fits with Chiuri's own notion of beautiful confusion: a relationship between fashion and theatre and film and music where the boundaries dissolve. 'You adapt the technique and the imagination when you work with different performers,' she says. 'It's exciting for the atelier because it's a different way to think. What is dance? What is theatre? What is fashion? I like this idea of 'la bella confusione.''
So I'm thinking that points forward for Chiuri in a very positive way. As far as she's concerned, the Teatro della Cometa is a family concern, something she will do with her husband and daughter Rachele. They've saved a little treasure from conversion to a supermarket or disco. 'We didn't want this incredible history to disappear,' Chiuri says. 'There are so many antiquities in Rome, so much that it's difficult for someone to make a stand for something so small.' But it is also a seductively quirky space. What other theatre stage can you think of that has six huge windows opening onto the street? 'A dialogue with the city,' Chiuri calls it. Maria Grazia Chiuri and daughter Rachele Regini at the Teatro della Cometa. (Laura Sciacovelli)
And then there's her commitment to Mimi, whose archive is crying out for reactivation. 'That's what I am, an activator,' Chiuri declares. 'Not because I want to think about my future now — this doesn't interest me — I think it's much more interesting to reactivate something, to recreate. This is really beautiful for me.'
So, after nine years of reactivation at Dior, Maria Grazia Chiuri is maybe contemplating a brave new world of Mimi-driven cultural activism. Perhaps a gallery, definitely a theatre, which promises a programme of provocative programming helmed by her daughter Rachele. Would she have been friends with Mimi? She answers without hesitation: 'Absolutely.' All the Looks From Dior Cruise 2026 Dior Cruise 2026 look 1. Dior Cruise 2026 look 2. Dior Cruise 2026 look 3. Dior Cruise 2026 look 4. Dior Cruise 2026 look 5. Dior Cruise 2026 look 6. Dior Cruise 2026 look 7. Dior Cruise 2026 look 8. Dior Cruise 2026 look 9. Dior Cruise 2026 look 10. Dior Cruise 2026 look 11. Dior Cruise 2026 look 12. Dior Cruise 2026 look 13. Dior Cruise 2026 look 14. Dior Cruise 2026 look 15. Dior Cruise 2026 look 16. Dior Cruise 2026 look 17. Dior Cruise 2026 look 18. Dior Cruise 2026 look 19. Dior Cruise 2026 look 20. Dior Cruise 2026 look 21. Dior Cruise 2026 look 22. Dior Cruise 2026 look 23. Dior Cruise 2026 look 24. Dior Cruise 2026 look 25. Dior Cruise 2026 look 26. Dior Cruise 2026 look 27. Dior Cruise 2026 look 28. Dior Cruise 2026 look 29. Dior Cruise 2026 look 30. Dior Cruise 2026 look 31. Dior Cruise 2026 look 32. Dior Cruise 2026 look 33. Dior Cruise 2026 look 34. Dior Cruise 2026 look 35. Dior Cruise 2026 look 36. Dior Cruise 2026 look 37. Dior Cruise 2026 look 38. Dior Cruise 2026 look 39. Dior Cruise 2026 look 40. Dior Cruise 2026 look 41. Dior Cruise 2026 look 42. Dior Cruise 2026 look 43. Dior Cruise 2026 look 44. Dior Cruise 2026 look 45. Dior Cruise 2026 look 46. Dior Cruise 2026 look 47. Dior Cruise 2026 look 48. Dior Cruise 2026 look 49. Dior Cruise 2026 look 50. Dior Cruise 2026 look 51.
Disclosure: LVMH is part of a group of investors who, together, hold a minority interest in The Business of Fashion. All investors have signed shareholders' documentation guaranteeing BoF's complete editorial independence.
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USA Today
40 minutes ago
- USA Today
'Happy Gilmore 2' is absolutely wonderful
The legacy sequel has transformed itself into one of the ugliest reanimations in modern Hollywood, the crass puppetry of a once-beloved corpse dancing to the same song-and-dance that made it so cherished in the first place. Shame-soaked nostalgia dollars flutter about like ugly butterflies in a trash garden, destined to put on the same "dead dog and dead pony" show for fearful audiences afraid of any ounce of originality until the unforgiving entertainment machine runs out of caskets to mine and the whole movie world falls off a cliff. And then there's Happy Gilmore 2. Leave it to Adam Sandler, perhaps the most beloved American entertainer this side of Mickey Mouse and Tom Hanks, to putt the golf ball through the most byzantine mini-golf fun house from Hell and nail the shot to keep himself under par. Happy Gilmore 2 is just baked with too much love to reek of what dooms its colleagues. In one way, you could view Happy Gilmore 2 as a triumph of affable stupidity, a sequel so awash in the hallmark Sandler rage-man physical comedy that it manages to feel fresh... if only because Hollywood has practically abandoned the genre entirely for "comedic" superhero movies that smirk at the screen as if any insinuation of comedy at all is some sort of naughty cooke jar-snatching that big daddy corporation didn't see while reading the newspaper... the kind that would make even Wade Wilson blush. Last summer's Deadpool and Wolverine actually owned its identity of being a straight-up comedy as opposed to something dreadful like Thor: Love and Thunder (shutters in Zeus), but even then, it was still a Deadpool and Wolverine movie. Marvel putting out the biggest comedy of the decade so far just feels wrong, even if the movie was indeed funny. Yes, a Happy Gilmore Netflix movie in 2025 replete with countless cameos from golf professionals, Sandler regulars, podcast hosts and sportscasters plays to the broadest audience possible. The humor is wack-a-mole wide, the callbacks to the original so plentiful and obvious that you can almost count this as a double-bill on Letterboxd with just one sit on the couch. However, everything feels hand-stitched, as if an entire community of people who love Happy got together and crafted a big quilt to wrap themselves in nearly 30 years later. The warmth radiates from the screen. Unlike a big-budget Hollywood legacy blockbuster where nostalgia cuts the checks and the corporate "reverence" for what came before feels AI-generated to appeal to the most shameless part of our brains' art-processors, Happy Gilmore 2 feels pleasantly overstuffed out of adoration. Sure, most of the film is flatly ridiculous, the lowest-hanging fruit basket being passed around for everyone to take one and pass it down. Characters punch and choke each other out of sheer glee; another drinks hand sanitizer to get a buzz. One man on a beach thinks he's watching a Happy Gilmore golf match on television, but in reality, it's just a rock in a makeshift box. One character goes to the bathroom in a mailbox. Like all of Sandler's movies, the cheap joke is the best joke, and the school cafeteria belly laughter is real and wonderful. Think about the star for a moment and where he is now. After years and years of pushing it away, Sandler's recent forays into auteurism have fulfilled the tantalizing promise of Punch-Drunk Love and Funny People. Even in his screwiest of comedies, he showed off the volcanic range and crestfallen heart of a truly generational actor. Uncut Gems in particular felt like an answered prayer. Watching the Sandman getting sandbagged down with heartless 2010s Netflix comedies made you question if he had finally just settled. The grand pleasure is that Happy Gilmore 2 shows that even a new Sandler Netflix comedy can make you scream-laugh to the point of waking up your dog and bothering your neighbors. By plowing shamelessly into the original film beat-for-beat but still awakening something oddly profound on the passage of time with how so many of the 1996 film's actors have departed from this golf course for the other, Happy Gilmore 2 plays as both a Happy Madison fan convention smorgasbord and a group hug for the past, present and future. Happy Gilmore 2 also arrives like a godsend in a world where studio comedies have fallen to the wayside. Consider that modern comedy has mainly shifted into other genres and into the indie space, where witty banter and situational ironies tend to rule the day. They're incredibly funny, but the other side of the spectrum, the kind that studios used to pump out in the summer with the Sandlers of the world for mass appeal, have nearly gone extinct. Perhaps that makes a big, doofy Happy Gilmore sequel all the more commendable with its themes of mourning the people we've lost and saving the traditions we care about while we have them. The film's villain is a tech-bro who wants to turn golf into a glitzy rizz-fest with color-run fireworks and brash stunts to appeal to the TikTokers and Twitch streamers who don't have time for the love of the game. As much as you absolutely cannot read any supremely deep text in a movie where a honey-drenched Travis Kelce gets attacked by a bear in Bad Bunny's "happy place" dream, you feel the Sandler-dad wisdom trying to slap around the young'uns a bit to appreciate the old ways and cherish the familial bonds that keep them aflame. Happy Gilmore 2 is the funniest movie of the year so far by default, if only because no other movies really try to go for laugh-a-minute comedy like this any longer. The new Naked Gun movie will surely challenge it, but why can't the audiences of today get their own Happy Gilmores and Frank Drebins to cherish anew? It's an unfortunate irony that the surest bet at getting a major comedy project off the ground in 2025 is to dust off an old character and put a new shine on them to appeal to nostalgic business sense. No, Happy Gilmore 2 can't stand shoulder-to-shoulder with its predecessor because that's outright impossible. However, it can bundle in the laughter in equal measure and mess around so much with the very nature of a legacy sequel that some of its most shameless callbacks feel inspired, almost a parody of its serious brethren. Yes, there is infinitely more integrity with Chubbs Peterson having a son who works at a mini-golf course who also has a fake hand than whatever the Mission: Impossible – The Final Reckoning hook was with Shea Whigham being Jon Voight's kid out of nowhere. Those two movies mirror each other. Tom Cruise's sacrifice-for-the-movies adrenaline and Christopher McQuarrie's James Cameron/Brian De Palma-tinged set-piece excellence go blow-for-blow with Sandler's ageless comedic timing and immaculate facial expressions and his and co-writer Tim Herlihy's masterful ability to mine nonstop gags out of the most ludicrous visuals. Watching Cruise's underwater submarine ballet in the latest Mission: Impossible is incredible; watching golfer John Daly try to drink booze out of an antique cuckoo clock is, too. Where Happy Gilmore 2 succeeds and the latest Mission: Impossible fails all has to do with the approach. The latter is bound to sincerity in its most cringey throwbacks because it's downright, well, impossible to wink a bit at the audience at how silly this all is. A Sandler comedy has the freedom to have its nostalgia cake and throw it across the room to instigate a food fight. During a scene at a graveyard, headstones of characters long gone from the original start popping up in spades. A few of those would have induced eye-rolls; a bunch of those, even of the most random side characters, makes for great meta-humor. Comedies give you the ability to check yourself a bit, as the wedgie-giving ombudsman comes in to readily acknowledge a lot of this is looney tunes. A streak of sadness dyes the current, as the reason Happy falls off the golfing map is the kind of shock revelation a Happy Madison production probably doesn't aim for 10 years ago. The world kept spinning while Gilmore was swatting golf balls with a hockey goon's might, and it wasn't always kind to our favorite golfer like we might have hoped. Dad-Sandler has always been the most sentimental version of himself, and his kids aging right in front of his eyes and starting to leave the nest seems to weigh on him and his renewed take on Gilmore. This and Wes Anderson's excellent The Phoenician Scheme both dive into similar subject matter with equal gusto, of a father reckoning with his children and his place in providing for them. There's a world-weariness to Happy this time around in the way Sandler carries him that both compels the film's most jarring narrative choice and grounds some of the film's far, far sillier antics. That approach gives Sandler's performance added gravitas and the entire film around him a paternal watchfulness that would've played as unearned earlier in his filmography. There is no doubting Sandler's commitment to the project as you might could have in the past; he's all in, and so is everyone around him. The older Sandler has gotten, the more his traveling-theater approach to making movies has taken on new meaning. Even in his biggest comedic misfires, the community Sandler keeps with him on his Happy Madison projects has always endeared. He takes care of his own, and that love shows through here more so than in any other project he's ever worked on. The rampant cameos would be gratuitous if the people staffing them didn't seem so genuinely thrilled to be there. Christopher McDonald's Shooter McGavin getting dragged back into the fold would feel forced if McDonald didn't treat the role like it was the true opportunity of a lifetime. There's no way in heck Verne Lundquist wears that blazer in the film's third act if he's not tickled to be back in this world. Heck, all of the brand-name golfers in the cast seem to relish the chance to act with Sandler and actually buy into the material. Do you know how much of a comedic achievement it is that three of the funniest people in this movie are Daly, Scottie Scheffler and Will Zalatoris? Daly plays with the kind of comedic fire that we sometimes praise to the extent of pushing them into awards talk; he's really that inspired with his fearlessness to be as zany as possible. Sure, Happy Gilmore 2 is still a legacy sequel at its core, replete with brand endorsements and adorned with Super Bowl-commercial rascality. However, it's the rare legacy sequel that feels purposeful and human-driven. The film reaches for real profundity, as much as you can find in a Happy Madison movie. It's a movie with a good soul, as affably crude and dingy as Sandler's landmark works and operating with the same level of zeal. Does all of it work as well as it could? Nah. Does every joke land? Probably not. Is it messy? Most certainly; all of Sandler's comedies have been to a degree. However, it's still so much better than so many other films like it. The world is a better place when Sandler is making comedies like this. Hubie Halloween felt like a nice change of pace, and Happy Gilmore 2 feels like the grand return to that high-wire fire hydrant style of Sandler funny business. It's painfully fully and surprisingly wistful for its place in time. We need Sandler to keep tapping into his dramatic potential; it's why his decision to work with Noah Baumbach again on Jay Kelly is so encouraging. However, we also need Sandler firmly planting his feet in the comedic worlds where he's the smartest idiot in the room with a heart of gold, and we all love him for it. Watching Sandler succeed with everyone cheering him on as those signature Happy Gilmore needle drops hit might make you just a wee bit misty... and not because it's an uncaring algorithm programming "Nostalgic Feelz" for the most basic audience possible. When it's earned and it's real, there's nothing like going back to your happy place with the people you love.
Yahoo
44 minutes ago
- Yahoo
Actors Who You Forgot Are Singers Too
In the golden days of American cinema, actors were expected to be masters of their crafts — catch that? Not craft, but crafts. If they harbored dreams of seeing their name in lights, then they had better be prepared to act, dance, and sing for their supper. Nowadays, things have definitely changed, and we don't expect our actors to be delivering Grammy-winning performances or our singers to be dipping their toes in the dramatic — which makes it all the more impressive when they do. From Scarlett Johansson to Robert Downey Jr., we'd forgotten these stars had singing talent to match their acting skills, and it's a blast from the past to revisit their musical stylings. There are plenty of working actors today, famous and not-yet-so-famous, who call themselves multi-hyphenates — Lady Gaga has proudly crossed over from singing into acting with her lead role in A Star Is Born, and recent rumblings indicate Selena Gomez is hoping to make a similar transition. Stars like Emily Blunt or Nicole Kidman, on the other hand, seemed perfectly happy to hide their singing talents away for their long, successful acting careers before dazzling us with a final act reveal. It's fun to discover new talents in celebrities we're already excited about watching, and we guarantee you'll want to check out these music careers you forgot existed. Read on for all the actors whose singing skills you may have overlooked. A version of this article was originally published in February 2021. More from SheKnows John Legend, Reese Witherspoon, & More Stars Whose Kids Don't Like Their Parent's Singing Best of SheKnows All About Conor Kennedy, RFK Jr.'s Private Son Who Was Once Linked to Taylor Swift 16 Times the Celebrity Death Rule of Threes Actually Happened The Best Photos of Sharon & Ozzy Osbourne's Kids Growing Up Over the Years Margaret Qualley Margaret Qualley: she can dance, she can act, and yes, she can sing. With the help of her music producer husband Jack Antanoff, QUalley released music in July 2025 under the alter ego of Lace Manhattan. She released the songs 'ODDWADD' and 'In the Sun She Lies,' both of which will be in Ethan Coen's upcoming film Honey Don't! Angelina Jolie Did you know that Angelina Jolie will be singing opera for her role in Maria? This'll be the start of her singing career, and we can't wait. Kristen Wiig For co-writing 'Harper and Will Go West' with Sean Douglas, Kristen Wiig is earning Oscar buzz for being a songwriter, and singer now. Along with that, she's written numerous songs on Barb and Star Go to Vista Del Mar, some of which she sang. Keke Palmer Keke Palmer has shown off her vocal chops in a few movies over the years including her work in Joyful Noise and Grease! Live but fans might still be surprised to know she's released a few albums too. Her first was in 2007 titled So Uncool and it charted at number 85 on the Billboard R&B charts, per NBC. Over the years, she's continued to release new music, including her two EPs in 2020 titled Virgo Tendencies, Pt. 1 and Virgo Tendencies, Pt 2. Most recently, Palmer announced her new girl group, Diva Gurl, alongside three other singers. 'Pre-Save our 1st single #SOB today!' Palmer wrote on Instagram. 'Prepare to be slayed on June 21st #DivaGurl.' Tiffany Haddish Tiffany Haddish surprised her followers this week when she announced her new single, 'Woman Up.' 'Really, it's an all-the-way-around song because everybody has their dual sides,' Haddish told Entertainment Tonight. 'I'm like an onion; sometimes you catch me out in public and put a camera in my face, I'm like, 'La da.' Sometimes you put a camera in my face and catch me outside [and] I'll be like, 'Listen, I'm not in the mood right now.' There's different levels to it.' Haddish has also released a few singles over the years, including 2023's 'Till The Club Close' and 'Too Much' in 2020. Kate Hudson Kate Hudson first dabbled in music in her 2021 appearance in musical-movie Music, which was written by Sia. The actress, who is perhaps best known for her Oscar-nominated performance in Almost Famous or her iconic rom-com hit How to Lose a Guy in 10 Days, officially stepped into music in 2024 with two singles, Talk About Love and Live Forever. Shortly after, on May 18, she released her first-ever album, Glorious. Zendaya Acting, dancing, singing, being a fashion icon; we don't think there's anything Zendaya can't do. Most recently, the Emmy-winning actress made everyone gasp as she surprised fans with a performance of 'All for Us' and 'I'm Tired' with Labrinth at Coachella. She can really do it all! Lily James Lily James, who already showed off her singing chops in Cinderella and Mamma Mia: Here We Go Again, just released a new single for her upcoming movie What's Love Got To Do With It? 'It was an absolute pleasure working in the studio with both [composer] Nitin [Sawhney] and Naughty Boy,' James told Daily Mail. 'Music plays a huge part in the film, and I'm thrilled to contribute to this amazing single alongside some incredible artists.' Could this be the start of a new career direction for James? Jeremy Renner Marvel's very own Hawkeye can do much more than throw arrows, he can sing too! In addition to a few singles, Jeremy Renner's first EP The Medicine dropped in March 2020. Hailee Steinfeld At just 14 years old, we knew Hailee Steinfeld was the real deal when she was nominated for an Oscar for her role in True Grit. Since then, Steinfeld's proved she can do much more than acting and that she's an incredible singer too! In addition to some hit singles like 'Let Me Go,' 'Love Myself' and most recently 'Coast,' she also released her EP, Half Written Story, in 2020. Hugh Laurie After learning how talented Hugh Laurie is, you'll be left wondering why House never had a musical episode. Laurie has released two blues albums over the years: Let Them Talk and Didn't It Rain. Robert Pattinson Following his stint in Harry Potter and the Goblet of Fire, Robert Pattinson was sure he was going to head into the music business. 'I really thought I was gonna do music at that point,' he shared with GQ in 2022. 'I don't know where I had the, kind of, belief in that because there was absolutely no one saying that there's a music career on the table. But I was doing a lot of gigs, constantly doing open mics all the time. And then…I ran out of money, basically.' Fortunately, Pattinson was cast in the Twilight films, for which he got to show off some of his music talents with two songs on the movie's soundtrack. Jared Leto Jared Leto rose to fame on the '90s teen drama My So-Called Life. But once the series wrapped, he and his brother, Shannon, formed the group Thirty Seconds to Mars. The band has put out albums since the early 2000s, all while Leto's been building his impressive acting career, winning an Oscar for his role in Dallas Buyers Club along the way. One of the band's most famous songs is their 2009 single 'Kings and Queens.' Emmy Rossum Long before she was Fiona Gallagher on Shameless, Emmy Rossum was training at Metropolitan Opera Children's Chorus. Once her acting career took off, Rossum was still able to put her singing skills to use with her role as Christine Daaé in the 2004 film adaptation of The Phantom of the Opera. Three years later, she released her first album, followed by another in 2013. Emily Blunt Oppenheimer's Emily Blunt has captivated us with her work in period pieces, modern romances, and adventure films — but where she really shined the brightest is when she sang in the cinematic adaptation of Stephen Sondheim's Into the Woods as the Baker's Wife and as the titular character of our collective youth, Mary Poppins, in Mary Poppins Returns. Eddie Murphy One of, if not the, most successful comedic actor of our time, Eddie Murphy has a repertoire filled with modern day classics. The man who brought us Coming to America, Beverly Hills Cop (I, II, and III), 48 Hours (I and II), Boomerang, the Shrek trilogy, iconic stand-up specials that set the bar for what comedy could be, and years on SNL, can also sing. He's released five (music) albums starting in 1985 with single 'Party All the Time' which reached #2 on the Billboard Hot 100 charts. It's still very much a non-guilty pleasure. Robert Downey Jr. Oscar-winning Oppenheimer star Robert Downey Jr. released an album of eight original compositions and two covers back in 2004. We're partial to the opening track, 'Man Like Me.' Kristen Bell Kristen Bell is really known for her voice (her acting voice, that is), and for good reason. She voiced the hidden narrator on Gossip Girl, she's acted in TV hits like The Good Place and Veronica Mars, and in films like Forgetting Sarah Marshall…but back to that whole voice thing. She's also the voice of Anna from Frozen and Frozen 2, the mega-popular film series that finally brought her singing chops to light. Nicole Kidman This Australian megastar is such a talent that it's really not all that surprising that she can also sing. I mean, we challenge you to name a film or TV mini-series she's been a part of where you weren't blown away by her performance. Go ahead. We'll wait. In her HBO monster hit The Undoing, she sang the theme song, a haunting cover of The Mama and The Papa's 'Dream A Little Dream of Me.' David Hasselhoff No list of actors who sing would be worth its weight in salt without the inclusion of The Hoff. Yes, he's a legend because of The Young and the Restless, Knight Rider, and Baywatch, but with his 1988 single 'Looking for Freedom' he reached new heights of fame, particularly in Germany, with a song so big he performed it live at the Berlin Wall on New Year's Eve in 1989. Rita Wilson Surely you know Rita Wilson as an actor from films such as Sleepless in Seattle, It's Complicated, and Volunteers, or as a one of the producers of the highest grossing independent film of all time, My Big Fat Greek Wedding. She's also a singer-songwriter who's released four country-tinged albums starting with 2012's covers project AM/FM which includes a lovely version of Glen Campbell's 'Wichita Lineman.' Scarlett Johansson She's won a Tony (in 2010 for her performance in the revival of A View From the Bridge), is a bonafide superhero (thanks to her role as Black Widow in the Marvel Cinematic Universe), and has been appearing in critically acclaimed films since she was 12 years old. But did you know she also has two albums? Yup. Her solo LP Anywhere I Lay My Head (an album of Tom Waits covers) came out in 2008 and the following year she and Pete Yorn released their collaborative collection Break Up which is 100% worth checking out. Zooey Deschanel You probably know Zooey Deschanel from her Globe-nominated performance as Jess in the TV hit New Girl and in films such as 500 Days of Summer, Almost Famous and Failure to Launch. But, in addition to acting, Zooey is one half of indie pop band She & Him (She's the She, M. Ward is Him). They've released six albums in total – three original, one of covers, and two for Christmas (A Very She & Him Christmas and Christmas Party). Zoë Kravitz It was inevitable that Zoë Kravitz would become not just a star but a multi-hyphenate by virtue of her parentage (Lisa Bonet and Lenny Kravitz) but she has proven herself to be a formidable actress with commendable performances on TV in Big Little Lies and High Fidelity and in films like the Divergent series. She's also the frontwoman of R&B electropop duo Lolawolf, named for her younger half siblings (awww), Lola and Wolf, who have released two albums, including 2020's Tenderness. Donald Glover From writing on TV for 30 Rock to starring in Community and Atlanta to films such as Magic Mike XXL and a little-known series called Star Wars where he portrayed a young Lando Calrissien, Donald Glover has proven to be a serious talent. He records under the pseudonym Childish Gambino and has released six albums to date. 'This Is America,' his Grammy Award-winning single and music video, is a poignant critique of gun violence and racism in the U.S. that debuted at number 1 on the Billboard charts. Jada Pinkett Smith She's been acting in TV and film for 30 years (Menace to Society, Set It Off, the Madagascar films) and is most recently known for hosting The Red Table Talk on Facebook Watch with her mom and daughter. But did you know she's also the lead singer in a nu metal band? Yup. Jada's band Wicked Wisdom has been around since 2002 and has toured with Britney Spears and Ozzy Osborne. Know anyone else that can say that? William Shatner To one generation, he will always be Captain Kirk. To another, he's Denny Crane of Boston Legal. And yet to another, he's the Priceline spokesman. He is all of these things, but he is also a man who has released what might be the strangest set of spoken word albums ever, starting in 1968 and continuing to his latest album, Blues, which was released in 2021. Included in his catalog are covers of U2's 'In A Little While' with Lyle Lovett, Robert Johnson's classic 'Sweet Home Chicago' with Brad Paisley, and the unforgettable opening to his 2004 William Shatner Has Been LP which opened with Pulp's 'Common People.' Solve the daily Crossword
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3 hours ago
- Buzz Feed
21 Hit Songs You Never Knew Were Actually Covers
Many people prefer certain song covers to the original, which is perfectly fine. On the other hand, there are songs that people are clueless about, even if they are song covers in the first place! Which means I can now rock out to two versions of these classics! Here are 21 songs you didn't know were actually covers: "1985" by Bowling for Soup is a cover of the song by American pop-punk band SR-71, which was released just two months earlier in Japan before the manager believed it was a better fit for Bowling for Soup. Although probably more well-known, the emotional song "Hurt" by Johnny Cash is a cover of the song performed by the rock band Nine Inch Nails. "Respect" by Aretha Franklin is a cover of Otis Redding's 1965 song by the same name. Franklin really flipped the lyrics on their head to create an all-time classic. "Renegades of Funk" by Rage Against the Machine is a cover of the Afrika Bambaataa & The Soul Sonic Force song of the same name. The song "It's My Life" by No Doubt is a cover of the English band Talk Talk's original release in 1984. The iconic "I Will Always Love You" by Whitney Houston is a cover of the 1974 song by Dolly Parton, which was featured on her famous album "Jolene." An absolute shocker to my '90s brain, but the 1997 hit song "Torn" by Australian singer Natalie Imbruglia is actually a cover originally sung by American rock band Ednaswap, which was released in 1995. The popular song "Don't Cha" by The Pussycat Dolls is a cover of the original song by Tori Alamaze. The popular '80s hit "Tainted Love" by Soft Cell is a cover of Gloria Jones's "Tainted Love," released in 1964. The song "Superman" by R.E.M. is a cover of "Superman" by The Clique. A B-Side track on the album "White Tornado," it's an R.E.M. gem. The mega summer hit from 1999 "Mambo No. 5" by Lou Bega is a sample of the original version by Cuban musician Dámaso Pérez Prado from 1950. The 1992 song "Achy Breaky Heart" by Billy Ray Cyrus is a cover of "Don't Tell My Heart," which was first recorded in 1991 by The Marcy Brothers. The song "If I Were A Boy" by Beyoncé was performed initially by BC Jean in 2008. The song "Black Magic Woman" by Santana is a cover of the song by Fleetwood Mac. Mind blown. In my defense, the Santana version has more views on YouTube than any other version by Fleetwood Mac. "Blinded by the Light" by Manfred Mann's Earth Band might be the more popular version, but it was originally written and recorded by Bruce Springsteen. The popular Joan Jett & the Blackhearts song "I Love Rock 'n Roll" is a cover of the British glam band Arrow's song "I Love Rock 'n 'Roll." "Dancing in the Moonlight" by the English band Toploader is a cover of the song originally recorded by Sherman Kelly's band, Boffalongo, which first released it in 1970. Then, Kelly rereleased the song with his new band, King Harvest, in 1972. So, technically, Kelly covered his own song. "Black Betty" by Ram Jam is a cover of a song credited to songwriter Huddie Ledbetter. The oldest recorded version was performed by James "Iron Head" Baker and a group of Texas prisoners in the 1930s. "Take Me to the River" by American rock band Talking Heads is a cover of the 1974 soul song by Al Green. The 1995 hit "Gangster's Paradise" by Coolio (ft. L.V.) is actually a cover of Stevie Wonder's "Pastime Paradise" from 1976. Lastly, and mainly for the youngins, Post Malone's cover of the alternative rock song "Only Wanna Be With You," originally released by Hootie & the Blowfish, is now a pop song featured in the Pokémon 25 soundtrack, which has 18M views on YouTube. Is there a song you were stunned to learn was a cover? Comment below (the song and artists)!
