logo
Win over Chávez makes Jake Paul feel like a ‘real fighter' and not just a YouTuber

Win over Chávez makes Jake Paul feel like a ‘real fighter' and not just a YouTuber

It took Julio César Chávez Jr. three rounds to throw an accurate punch, three more to show he was awake and three more to remember he could fight. The Mexican boxer's effort was not enough and he lost by unanimous decision to Jake Paul, who showed many defensive deficiencies that Chávez — a former middleweight champion — did not take advantage of.
While Chávez was slowly reacting to his opponent, Paul (12-1, 7 KOs) was scoring points, forcing the son of Mexican legend Julio César Chávez to row against the current in the bout's final rounds. Julio César Chávez Jr. seemed disconnected in the early rounds and spent time complaining to the referee about alleged headbutts and ill-intentioned punches from his opponent.
'I reacted too late,' said Chávez (54-7-1, 34 KOs) after Saturday night's bout at the Honda Center in Anaheim, where his frustrated father was among the fans. Julio César Chávez frequently stood up from his seat and shouted directions to his eldest son.
'He's a strong fighter and after the first three or four rounds, he got tired, so I think he's not ready for championship fights, but he's a good fighter,' Julio César Chávez Jr. said of Paul — a Youtube star turned boxer — after the loss.
Despite his poor start and loss, Chávez was not booed. Paul earned that right from the first moment cameras captured his walk to the ring before the fight began.
The decibels erupted when Paul appeared wearing the colors of the Mexican flag on his robe as he walked to the ring to the rhythm of Kilo's 'Dance like a cholo.'
'It's one of the songs I used to dance to when I was a kid,' Paul said during a news conference after the fight.
Paul did it, he said, in honor of Mexican legend Julio César Chávez.
'It was an ode to his father,' Paul assured. 'I wore the same outfit as his dad every time I walked to the fights. It's a respect to his dad. But also, when I got in the ring, I said, 'I'm going to be your daddy tonight.''
After speaking with reporters, Paul improvised a face-off when he crossed paths with Gilberto Ramirez, the evening's co-main event. Ramirez is the World Boxing Association (WBA) and World Boxing Organization (WBO) cruiserweight champion after defending his belts against Cuba's Yuniel Dorticos.
Ramirez is not exactly a fighter known for creating an intense pre-fight atmosphere, but he presents another opportunity for Paul to cement himself as a legitimate boxer. Paul has said he has faced difficulty scheduling fights after his unconventional move from YouTube stunts to sanctioned boxing.
'I still want to do it. I'm used to these guys not being good promoters and at the end of the day, I'm going to fight these guys,' Paul said. 'Today, I feel like it was the first day of my boxing career, I'm just warming up and this is the second chapter from here on out.'
Paul has been consistently criticized for not facing trained boxers. Chávez was just the third boxer Paul has faced in his 13 fights since debuting in January 2020. In 2024, 58-year-old legend Mike Tyson was the second fighter he faced.
Paul's only loss came at the hands of Tommy Fury in February 2023.
'I don't think I was a fighter at the time, I was barely two and a half years into the sport,' Paul said, reflecting on his start in the sport and loss to Fury. 'I didn't really know what I was doing. I didn't have the right equipment around me, the right conditioning. My lifestyle outside of the ring was still like that of a YouTuber, a famous actor or whatever it was at that point in time. I wasn't completely focused on boxing.
'... Chapter one is over today and now I'm moving on to chapter two. ... People still hold the Tommy Fury fight against me, but now I've beaten a former world champion and I'm coming to collect on that loss to Tommy.'
In the co-feature, Ramirez (48-1, 30 KOs) defended his cruiserweight titles against mandatory challenger Dorticos (27-3, 25 KOs). Ramirez won by unanimous decision after the judges' scorecards read 115-112, 115-112, 117-110.
'I think it was a good performance, he can hit. I don't know why it was so close in the scores, but it is what it is,' Ramírez said.
He is eager to lock in a unification fight against International Boxing Federation (IBF) champion Jai Opetaia.
'We're going to unify titles,' Ramirez said. 'I just had to follow my plan, listen to my corner and get the job done, that's all.'
Although Ramirez entered the fight as the favorite to defend his belts, the Mexican was slow, allowing the scores to be closer than expected. Dorticos was decisive in the early rounds, but as time went on, Ramirez made up ground. Dorticos lost a point after the referee penalized him for connecting consecutive low blows.
Making her return to professional boxing after a 12-year absence, former UFC champion and ring veteran Holly Holm (34-2-3, 9 KOs) faced undefeated Mexican Yolanda Vega Ochoa (10-1, 1 KOs) in a 10-round bout. Holm dominated from the start, setting the pace with her jab, controlling her opponent's attack and using precise combinations. Vega opted to press, but landed constant clean punches and was unable to connect meaningful combinations that would turn the tide of the fight.
Holm won by unanimous decision, with all three judges scoring the fight 100-90. Her performance was resounding because of her tactical control, mobility and ability to neutralize Vega's offense, who was unable to break her strategy or avoid the cleaner punches.
'I love kicking so much that I loved MMA for a while, but then I started to feel a growing pain from wanting to box again, so it's been fun to come back and just get those boxing arms going,' Holm said. 'I only sparred in wrestling shoes twice, I was barefoot the whole camp, I was looking for my groin protector the day I flew in, it was in the dumpsters in my garage. I'm still training with the same team, with the same trainers, I did the whole camp. I haven't sparred in a ring in I don't know how long, so this feels great.'
With a great combination and a powerful uppercut, Mexican Raúl Curiel (16-0-1, 14 KOs) knocked down Uruguayan Victor Rodríguez (16-1-1, 9 KOs) in the fourth round and although the Uruguayan managed to get to his feet, he did not have the power to stop an onslaught from Curiel. The referee stopped the fight at the 2:09 mark during the fourth round.
The fight determined the mandatory challenger for the World Boxing Association (WBA) welterweight title.
'It was an eliminator for the title, so I pushed myself,' said Curiel, a Tampico, Tamaulipas, native. 'I knew it would end in knockout. I didn't know which round, but knockout. I was strong.'
Rodríguez finished the fight in bad shape, with his nose injured and one eye swollen and bleeding.
Now Curiel wants to fight Rolando Romero, the WBA welterweight champion who most recently beat Ryan Garcia by unanimous decision in May.
'With whoever, whatever champion is available,' Curiel said. 'Let's fight Rolly. We fight all the champions.'
Welterweight Julian Rodríguez (24-1, 15 KOs) earned a dramatic win over Avious Griffin (17-1, 16 KOs), who lost his undefeated record and at times appeared to be in control of the bout. With five seconds left in the 10th round, Rodríguez knocked Griffin down in such a way that he almost knocked him out of the ring.
The fight was mostly evenly matched and two of the judges had the bout as a draw, while the third gave Rodríguez the win by two points.
'All the sacrifice, all the pain to get to this point,' Rodriguez, who was clearly exhausted, said in the ring. 'It was pure emotion. Now I'll be back in the gym in the next two or three weeks.'
In a lightweight bout, Floyd Schofield (19-0, 13 KOs) wasted no time and in just 78 seconds of the first round took out veteran Tevin Farmer (33-9-1, 8 KOs). Schofield knocked Farmer down twice and the referee stopped the bout at the 1:18 mark.
In February, Schofield had a fight scheduled against World Boxing Council (WBC) champion Shakur Stevenson in Saudi Arabia, but he was unable to make it because he was hospitalized twice prior to that bout. Schofield has not explained the reasons for his hospitalization.
'I feel like a weight has been lifted off my shoulders,' Schofield said after Saturday's win over Farmer. 'They doubted me since what happened in February, and a lot of people didn't believe I would win this fight. It's just a lot of excitement.'
In a welterweight bout, Joel Iriarte defeated Kevin Johnson by unanimous decision: 78-74, 80-72, 79-74.
Bantamweight Alexander Gueche was the winner against Vincent Avina: 80-72, 80-72, 79-73.
At heavyweight, Joshua Edwards knocked out Dominic Hardy in the first round.
Super featherweight René Alvarado beat Víctor Morales by unanimous decision: 96-94, 99-91, 99-91.
John Ramírez defeated Josué Jesús Morales at bantamweight by unanimous decision: 79-73, 80-72, 80-72.
This article first appeared in Spanish via L.A. Times en Español.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Give up the bleach, embrace the Botox: How to age like 80-year-old Debbie Harry
Give up the bleach, embrace the Botox: How to age like 80-year-old Debbie Harry

Yahoo

timean hour ago

  • Yahoo

Give up the bleach, embrace the Botox: How to age like 80-year-old Debbie Harry

Safe to say, Debbie Harry, who turns 80 today, is as unconventional as ever. At the Gucci show last autumn, she turned up in eight-inch red leather platform loafers, a pencil skirt and a red leather jacket, her upside-down W of a mouth painted to match (she wears lipstick most days). Don't look to her for tips on how to mouse your way apologetically into your later decades. Other clothes she finds herself drawn to include 'rubber hotpants and fishnet stuff' – and the unpredictability of Lady Gaga's style. She still tours (she played Glastonbury in 2023). Millennials and Gen Zs earnestly dissect every step of her make-up routine on YouTube (it involves copious amounts of black kohl and metallic shadow). Fashion designers frequently cite her as an influence and in 2020, Miley Cyrus released a cover of Heart of Glass and spoke of the debt her generation of female singers owes Harry. Last year Gucci anointed her the face of an advertising campaign, shot by Nan Goldin, for a hobo-styled shoulder bag called – what else? – the Blondie. She told me at the time she was flattered (who wouldn't be?), but seemed most excited about working with the experimental Goldin. As for the Blondie Bag, been there, done that. It reminded her of a saddle bag she'd been wearing decades ago when someone tried to mug her in New York, but failed because the straps were so strong. This anecdote is on the tamer side of the biblical horrors that befell her in her first half century – we're literally talking fires and plagues. Not that she's one to dwell. Back in the mid-1970s, when she formed Blondie with her then-partner Chris Stein (who named it after Harry's tousled mane – she put the bed into head) was ascendant, I would have devoured all those 'How To Harry' tutorials. The only style nugget I ever remember her dispensing back then was never to wear those broderie anglaise petticoats that were all the rage one summer. 'Droopy' was the word I recall her using. Not that there was any YouTube to corroborate this. Succinct is the word I'll use to describe her sartorial advice at that time. That's what the 1970s were like before celebrities learnt how to monetise their every nano-thought. She's become more loquacious on the subject in the past decade or so, probably because she's had to work harder to look after those blessed genes, so there's more to share. Back in the day, that famous blonde mane was inspired by the old school Hollywood sirens – particularly Marilyn Monroe, with whom she was obsessed – and it was often a DIY job. 'I'd colour it myself, so couldn't always reach the back,' she said of the dark patches which gave the otherwise pristine silver-screen image a far more rebellious inflection. Sometimes, on a whim, she'd shave the sides. Grace Kelly this was not. Nowadays she has to treat her locks more circumspectly. She no longer uses ammonia to dye them. 'It burns my hair terribly. But I've had to bleach my hair for, well… a very long time, so it's not done too badly considering. I swear by Viviscal hair vitamins and Wen's cream conditioner that doesn't contain soap.' Good tips. Amazingly, there are more where this came from. She avoids red meat, dairy and gluten, performs what she calls old lady exercises most mornings, walks her two dogs (Russian Chins since you ask) every day and gets a reasonable amount of sleep (although she does it in two shifts, which sounds far more sensible than lying awake fretting that she's not getting an eight hour block). Her style might be the definition of specific, but some of her dilemmas, in spirit if not in detail, are universal. Like many women in their seventh and eighth decades, she is challenged by having so few examples to follow. 'I'm sort of at a crossroads right now,' she said in 2013 when she was a mere 68. 'I don't know if I'm making myself look foolish if I wear some of the clothes I feel comfortable wearing. And so that's my predicament'. Often when she's thinking about rubber and fishnets, she'll find herself wondering whether she shouldn't be wearing a Chanel jacket. I for one would love to see how she'd style it. It's this internal tussle that makes her relatable to millions who are also navigating the ageing process. The fact that she seems to have fun – viz. that red outfit she wore to the Gucci show – while trying to work out some kind of route map is encouraging. She knows that punk and ageing are a delicate negotiation – or as she puts it, 'I don't want to look like an idiot, but I love costume. In fact I love clothes'. Her wardrobe sounds major – everything from Saint Laurent to Comme des Garçons to Marc Jacobs and Manolos – and those are just the items she wears on a daily basis. She mentioned to me last year she's archived all her clothes from the past five decades. 'It's surprisingly organised,' she added. She told Elle magazine she finds getting rid of old clothes impossible. 'Vintage pieces like my Stephen Sprouse collection from the Seventies and early Eighties are too special to part with… I still wear a lot of his pieces. The stuff that fits anyway'. If it irks her that her looks are still at least as pored over as her music, she's too pragmatic not to play the game. Hence the facelift she confessed to having in 2019, 'for business reasons'. She also remarked that Botox and filler are akin to having flu jabs, which in some circles they probably are. In Face It, her candid 2019 memoir, she writes, 'getting older is hard on your looks. Like everybody else, I have good days and bad days and those s--t, I-hope-nobody-sees-me days'. Mind you, that's true whatever your age, although possibly not if you were Debbie Harry in the days when she appeared to view her God-given beauty with spectacular throwaway detachment . She was – is – blessed with spectacular genes. What the rest of us can learn from her is a positive, embracing attitude. By Jessica Burrell

After Trying on Over 200 Different Wedding Dresses, the Bride Designed Her Own Gown for Her Chic, Elevated California Nuptials
After Trying on Over 200 Different Wedding Dresses, the Bride Designed Her Own Gown for Her Chic, Elevated California Nuptials

Yahoo

timean hour ago

  • Yahoo

After Trying on Over 200 Different Wedding Dresses, the Bride Designed Her Own Gown for Her Chic, Elevated California Nuptials

A dingy college basement might not sound like the most romantic place to meet your future spouse, but for Solla Park and Paul Seufert, it most certainly was: The two crossed paths at a post-orientation gathering in Toronto, Canada, on September 12, 2014, and though Paul waited exactly 48 hours to text Solla, they were inseparable from that point on. Eight happy years alter, Paul surprised Solla with a trip to White Sands National Park, where he knew his longtime girlfriend had envisioned getting engaged or married since she was a young girl. 'I boarded a flight without knowing the destination,' Solla says. 'Paul had an entire itinerary planned—a waterpark trip, a fancy dinner, a shopping spree, and a night at the opera.' On the last day of their vacation, they drove to the national park, where a photographer Paul had hired was waiting to capture the proposal. The couple spent two years touring over 70 venues for their October 12, 2024, wedding day. In the end, they fell in love with the panoramic views at a private estate in Temecula, California, a venue they found in an unconventional way: Solla stumbled across their TikTok page. 'The design of the property perfectly exemplified the new life that we built for ourselves in California,' she explains. 'Our favorite part is undoubtedly the view, and how cozy we felt with our guests under the stars and among the endless mountains.' The couple invited 90 guests—many from out of the country—to join them for their wedding weekend, so the fact close family members and friends could stay on-site and the couple's welcome party could take place on the property were added bonuses. Guided by Laura Garcia at Moon Velvet Studio, Solla and Paul hosted a chic, elevated weekend packed with interactive moments, including late-night laser tag, an on-site engraver, and a live painter. 'We heard from multiple guests at the end of the weekend that our wedding had so much to do that it 'felt like Disneyland,'' the bride says. 'Truly the highest compliment in our eyes!' Read on for the stunning photos from this couple's wedding weekend, as captured by Kurt Boomer, and see how they their décor was inspired by the transition from summer to autumn. Related: Your Biggest Destination Wedding Etiquette Questions, Answered Solla and Paul worked with Nicolette Sherman of Isidore & Augustine to design a stunning invitation suite with floral envelope liners with a custom illustration of the venue. Their invites introduced guests to the weekend's color palette, which showcased "soft, neutral tones accented by rich espresso browns and subtle hints of lush green,' the couple's planner, Laura, says. "An October wedding in California is still quite warm and sunny, with the beginnings of a fall breeze, so we were excited about embracing a summer-autumnal transition with our touches of brown that evoked fallen leaves," Solla adds. The festivities began with the couple's welcome party, which took place in the estate's courtyard on October 11, 2024. 'Our vision for the wedding was to create a celebration that felt both timeless and elegant, with an emphasis on understated beauty and refined simplicity," Laura says of Solla and Paul's overarching goal. "We aimed for the entire experience to feel like a blend of tradition and contemporary style. We also wanted to honor each of our guests by immersing them in the celebration through meaningful, interactive moments that made them feel truly part of the weekend celebration.' Hosting the welcome party outside was important to the bride and groom. 'We're Canadians and we both grew up embraced in nature, so we wanted to feel intimately surrounded by spectacular landscapes,' Solla says. The couple encouraged guests to wear neutral-toned cocktail attire. 'We encouraged light, airy, natural, linen-like fabrics,' the bride adds. Related: 11 Common Wedding-Related Events and Parties to Know About Before the party started, Solla and Paul spent time with their photographer, Kurt Boomer, taking portraits in traditional Korean Hanboks as a nod to the bride's Korean heritage. "Our Korean traditional Hanboks were deeply meaningful to us," the bride says. "They were a way to cherish and honor my roots as a first-generation immigrant." Later, Solla and Paul changed into a bias-cut Cortana open-back dress with cape-like strands trailing behind her. 'This dress was my favorite dress of the entire weekend,' Solla notes. 'The light Italian silk georgette of my dress rippled in the air like water as I ran through the grass.' Paul wore a custom Perte D'ego suit featuring a cotton blazer with autumnal floral embroidery detailing. A mix of long and round tables were arranged on the property's courtyard; long tables were topped with white linens while green linens were used on the rounds. 'For our florals, we gave our florist, Stephanie Howard of Floraltique, full reign to be creative,' Solla notes. 'She played with shape and created architecture pieces with interesting autumnal, bright colors, adorned with different kinds of fruits.' The couple chose not to map out a strict schedule for the welcome party because they wanted the gathering to have a relaxed and unstructured atmosphere. 'We intentionally didn't have a strict itinerary for our welcome party; we wanted the evening to feel relaxed, unstructured, and candid,' the bride explains. 'Some of our favorite memories are lightly dancing together in front of our live jazz band, seeing people from all chapters of our lives getting along so well, and hugging our guests tightly.' A live jazz band performed throughout the evening. After listening to tunes and taking in the stunning view, guests then moved to the bar for drinks. Inspired by the bride's career in film and television, Solla and Paul served four signature cocktails named after their favorite films. For example, the drink 3683 Days of Solla was a twist on Solla's favorite movie, 500 Days of Summer, marking the exact number of days from when the couple met to the night of the welcome party. Guests enjoyed an artistic grazing table of the couple's favorite fruits and cheeses. For dinner, everyone enjoyed tacos from Taste Nomada, which were made with custom fillings like Korean bulgogi and kimchi. 'It really felt like we were sharing a big family dinner with all our favorite people in a Tuscan villa in the middle of nowhere,' Solla remembers. Loved ones gave speeches during dinner, and Solla and Paul made sure to soak up everything that was happening around them. "Seeing people from all chapters of our lives getting along so well and hugging our guests tightly were some of our favorite memories of the night," the bride notes. "The perfect coziness and peaceful solitude of our venue made our welcome party feel like a place outside time." On their wedding day, Solla and Paul got ready with their respective wedding parties. 'We had bridesmaids and groomsmen, but we chose not to have a maid of honor or a best man,' Solla explains. 'Our closest families and friends all live far from us, so we didn't want to burden them with any responsibilities!' Solla didn't just work with Cortana for her welcome party look: The Spanish designer also created her first look and reception dress. "Each of their pieces are handcrafted from sustainably sourced, all-natural materials, meaning they minimize environmental impact and that was a big consideration of mine," the bride says. Solla chose an A-line gown with cotton tulle and raw silk organza for volume, which she was able to customize to look slightly different during the first look and wedding reception. "A thoughtful feature of all Cortana garments is their ability to mix and match," Solla notes. For the first look and portraits, she wore a high turtleneck top with sheer silk tulle sleeves by the designer as an overlay on top of her ceremony gown. Solla wore two Harriett Falvey veils on the wedding day. The first, a cathedral length veil with scattered French Chantilly lace edges, was worn for the couple's first look and portraits. She accessorized with a Kinn Studio bracelet, a Gorjana necklace, and Bella Belle shoes. She chose a high updo with a middle part curtain bang as her hairstyle to accentuate the length of her neck. As a finishing touch, Solla carried a bridal bouquet of muted nude and white sweet peas, explosion grass, hyacinth, and dancing lady orchids. The couple went shopping for their wedding-day scents together, a clever pre-nuptial date idea. 'It was so fun to make a day out of it, and we spent hours at Jo Malone experiencing all the perfumes they had to offer and learning about layering scents and notes,' she says. Solla chose Jo Malone Red Hibiscus Intense as her fragrance. Solla's bridesmaids wore mismatched dresses in the wedding color palette of neutral tones, rich espresso browns, and subtle hints of green. Instead of a full bouquet, each bridesmaid held a single stem of Cymbidium orchid to make a statement. 'The blooms were ivory cream with beads of brown and to this day, I can't believe how a flower could have captured our wedding vision perfectly in one single stem,' Solla says. Paul wore a custom black wool tuxedo from Hall Madden featuring satin-striped detailing on the pant legs and a matching vest. Solla gifted him a pair of mother-of-pearl cufflinks for their ten year anniversary, so he wore those on their wedding day. 'Mother-of-pearl is a very significant part of a traditional Korean craft called Najeonjang, and this was very personal to me because I always want to celebrate Solla's Korean identity and incorporate many of these traditions into our future family,' he says. For his big-day fragrance, Paul chose Jo Malone's Wood Sage & Sea Salt. 'The sea salt brings a minerality that reminds me of the desert,' he says. 'White Sands where I proposed to Solla, Joshua Tree where we did our engagement shoot, and where we've done some of our favorite hikes.' Solla and Paul shared a first look to celebrate their last moments as fiancés. 'This quiet moment was the perfect prelude to the ceremony we had been building towards for the last 10 years,' Paul says. Solla remembers the moment being so emotional that they spoke in whispers. 'The first look was when the wedding stopped being something abstract and logistical, and instead became real and magical,' the bride says. 'We had made it.' Solla tried over 200 different wedding dresses, and while she loved many of them, she admits that there was always something she wanted to change about each. She impulsively drew a sketch of her dream dress in the middle of the night and sent it to a dressmaker. "I had always envisioned wearing a classic, off-the-shoulder, ivory ballgown for the ceremony ever since I was a young girl," she says, but nothing off-the-rack was living up to the vision inside her head. With the help of a seasoned pro, Solla designed her silk satin wedding dress with a structured neckline, basque waist, gathered skirt, low back, and a thigh high slit. "I took the risk, and I'm so happy I did," the bride notes. "Seeing all the parts come together in one final dress was a wonderfully surreal, emotionally-rewarding creative experience." She accessorized with a lace-trimmed royal length blusher veil in the most sheer lace she could find, which she designed with an Etsy vendor. They added embroidery of the couple's wedding date embroidered on one side of the trim and five flowers representing their relationship on the other side. The flowers were a mix of different blooms that represented Solla's birthplace of Korea, Paul's dual heritage of Hungary and Germany, the place they met, Canada, and an orchid, which was the first flower Paul gifted to Solla after a few weeks of dating (and is still alive today!) 'This veil really completed my ceremony look, enhancing the simplicity of my dress,' she says. "I loved how it flew softly behind me as I walked down the aisle!' Related: How to Create Your Own Custom Wedding Dress The couple's ceremony was designed to take advantage of the venue's sweeping mountain views. Solla, Pual, and their wedding planner worked with their florist to create arrangements that looked as if they were growing naturally from the ground. 'We didn't want the florals to stand out too obviously,' Solla explains. 'The landscape of the venue was already so inviting and grand that we used the florals to simply map out and enhance the ceremony space.' They chose an asymmetrical ground arrangement for the altar and lush aisle arrangements that wrapped around the back of the amphitheater-style seating. A small fan and a cone of flower petals were left on each guest's seat. An opera singer performed live as guests arrived at the ceremony. Once the wedding was about to get underway, a string trio took over; the group was specifically chosen as a nod to Solla's time playing the cello as a child. Solla chose to honor her independence and walk herself down the aisle, but she had a hand-embroidered blue patch featuring both her mother and father's names in Korean stitched into the bodice of her ceremony dress as her "something blue." 'I surprised them on the wedding day with this detail,' she notes. The string trio performed a custom arrangement of 'Time to Say Goodbye' by Andrea Bocelli during her entrance. The couple asked their friend, Cale, to officiate the wedding. After a few readings, they exchanged personal vows they wrote for each other. 'When reading our vows together, it felt like it was just me and Paul, under the warmth of the sunny blue sky and the olive trees bristling next to us,' Solla remembers. 'Paul's vows completely shook me to unstoppable tears.' Paul notes that the vow exchange made him feel incredibly seen by his soon-to-be wife. 'She remembered little details that I had forgotten, and it was incredible getting to see our relationship through her eyes,' he says. After a dramatic first kiss as husband and wife, the newlyweds recessed back up the aisle to an arrangement of Starships' 'Nothing's Gonna Stop Us Now,' a song they love to listen to on road trips. Related: 90 Wedding Recessional Songs You'll Love Before moving into the cocktail hour space, guests stopped by the seating chart display, which consisted of shelving decorated with textured florals and candles. A few Korean wedding ducks were sprinkled into the setup, a tradition that symbolizes an eternal love and fidelity, as a personal touch. 'Entertaining our guests in unique ways was a top consideration!' Solla says, so a jazz trio performed at cocktail hour. Guests enjoyed the couple's signature drinks as they listened to the live music: On offer were a hibiscus paloma called 'The Seoul' (hibiscus is the national flower of Korea), and an Old Fashioned with maple-infused demerarra called 'The Ottawa' (a nod to the couple meeting in Canada). For another fun personalization, the couple downloaded their Facebook Messenger text history from the last 10 years and combed through it to find quotes that captured their growing relationship. They chose 15 statements to print on their cocktail napkins, which were set out on the bar. 'Our guests enjoyed trying to collect them all,' Solla says. Guests were also asked to leave messages on the bride and groom's audio guest book and were encouraged to visit a station where an artist was painting watercolor portraits of each attendee. "Solla works in animation and many of our guests are various kinds of artists so we knew they would have fun with this,' Paul says. 'We also had a live calligrapher who engraved favors for our guests to take home—there was a selection of leather passport covers, luggage tags, and compact mirrors all in different colors for guests to choose from.' For the reception, Solla changed back into her dress from the first look, but she swapped the overlay top with a neck scarf made of English netting. "I was so impressed with the dramatic change that it made and how seamless it looked with the dress," Solla says. It looked drastically different even with a simple neck scarf." The reception décor was designed with minimal lighting to create an intimate, sophisticated, cozy atmosphere. 'We wanted to keep the starry night sky above us unobstructed and open, so we chose to do grounded up-lighting instead of market lighting or chandeliers,' Solla says. 'It allowed the warm, candlelight glow to really shine, and seeing our beloved guests' faces lit up around us was the most comforting feeling.' Guests were seated at two long tables draped in neutral linens. The entrance to the reception space was framed by olive trees illuminated with soft lighting and a canvas welcome sign hung from the branches. Place settings incorporated layered floral-shaped dishware, gold-rimmed smoky brown glassware, and matte silver flatware. The architectural centerpieces contained dancing lady orchids, white hydrangeas, chrysanthemums, sweet peas, and mocha roses. 'Another favorite detail from our reception was our stationery, especially the custom designed menus,' Solla says, which were created by the couple's invitation designer. The menu border matched the envelope liner design, creating a cohesive, connected design. "It was the only intricate detail of our tablescape and we loved the moody dimension it brought to the overall simplicity," the bride notes. When Solla and Paul began planning their wedding, they knew they would share an unforgettable first dance together. They spent six months working with ballroom dancer, Mariia Usanina to choreograph a waltz-salsa fusion dance to Stephen Sanchez's "Evangeline." All that effort paid off. "After countless private classes and practices, we flawlessly executed our three-minute routine for our guests under the sunset sky,' the bride says. 'Our bridal party surprised us with confetti cannons during the final big lift, which was undoubtedly one of the most magical moments of our lives.' The couple chose a menu they described as a "seasonal Californian twist on classic American-French cuisine," which consisted of dishes like spinach gnudi, flat iron chimichurri steak, a buratta salad. "We wanted the food to be filling, familiar, and warm but with sophisticated flare," the bride notes. Solla and Paul admit they're not foodies, but they both love sweets, so they wanted to emphasize the evening's sweet offerings. To that end, they worked with Peggy Liao to create their textural three-tiered wedding cake, which contained vanilla bean cake with passionfruit curd, mascarpone, blueberry sauce, and cream cheese frosting. 'Peggy was also kind enough to experiment on a custom flavor for us, a chocolate cake with a Biscoff butter cream and cookie crumble,' Solla says. 'Biscoff cookies holds a special place in our hearts, as its often served on planes we strongly associate it with our many international adventures.' The couple also selected a variety of different small desserts including earl gray cream puffs, fruit tarts, and raspberry rose lychee macarons. As a late-night snack, they brought out a full Korean barbecue station, which the couple says was the biggest food highlight of the evening. Later in the evening, Paul changed into a Banana Republic white tuxedo jacket and Solla changed into a Danielle Frankel silk slip dress. They hired a mobile vendor to set up a fog machine, rave lights, sound effects, and bunkers for a late-night game of laser tag. 'It was intense, cut-throat—the only way to play laser tag,' Solla says. 'Our guests bonded immediately by playing in teams and it made our hearts full to see our friends who had met on our wedding day make plans to hang out for the weekend after.' Solla and Paul plan to spend their honeymoon in Spain and Tahiti for a combination of history and beach relaxation. To couples planning their wedding, Solla recommends getting creative with your vendors to add personal touches. 'I took inspiration from wanting our wedding to embody a childlike, nostalgic fun; hence why we ended up reaching out to mobile laser tag vendors,' she says. 'All to say, our advice is to first brainstorm what you and your partner love to do without thinking of logistical limitations.'Wedding Photographer Kurt Boomer Wedding Planning and Design Moon Velvet Studio Flowers Floraltique Bride's Hair and Makeup Alisha Hopps Invitations and Paper Products Isidore & Augustine Music Alex Mansour Music, Dart Collective, Stephanie Wright Music Catering Colette's Catering Bar That's The Spirit Cake Peggy Liao Live Artist Mallory Clinger Engraved Leather Good Favors Calligraphy by Michelle T Rentals Found Rental Co., Signature Party Rentals, Casa De Perrin, BBJ La Tavola Transportation Stryder Transportation Videographer Flame Films Wedding Content Creator Content By Kam Laser Tag XP Mobile Laser Tag Photobooth Jupiter Booth Dance Choreography Mariia UsaninaRelated: 50 Small Wedding Ideas Perfect for an Intimate Affair Read the original article on Brides

Vox Announces Christina Vallice Joins as Head of Video
Vox Announces Christina Vallice Joins as Head of Video

Vox

timean hour ago

  • Vox

Vox Announces Christina Vallice Joins as Head of Video

Vox editor-in-chief Swati Sharma and vice president of development Nisha Chittal announced today that veteran video journalist Christina Vallice has joined the brand as head of video. She begins her new role on July 7. 'I'm thrilled to welcome Christina to Vox. She is an exceptionally talented video journalist and newsroom leader who will be instrumental in shaping the next chapter of Vox video,' Chittal said. 'She brings a wealth of experience to the role, and understands how to break down complex topics in an accessible way. I can't wait to see how she will take Vox's explanatory video journalism to new heights.' In her role, Vallice will oversee Vox's award-winning video department, continuing the brand's signature explainer videos as well as leading expansion and experimentation with new formats in vertical shortform video and podcast video. She will oversee video strategy and publishing across all of Vox's platforms, including Vox's flagship YouTube channel with over 12 million subscribers, Instagram, TikTok, and website and owned platforms. Vallice joins Vox after serving in leadership roles at the Wall Street Journal, Yahoo Finance, and Vice, following more than a decade producing at NBC News. Most recently, Vallice was the director of video series and events at Yahoo Finance. There she led a team to deliver in-depth, original reporting on the investments that are leading to advancements in tech, science, and AI, newsmaker interviews with prominent CEOs and business leaders, and spearheaded the cross-newsroom coordination for major coverage events. At the Wall Street Journal, Vallice served as the senior executive producer of news and specials, directing a global team spanning New York, London, and Singapore to produce daily news videos, in-depth explainers, international features, video investigations and documentaries across various platforms. Under Vallice, the Journal earned two national Emmy nominations for its first feature-length documentary and its first video investigation. Before her time at Yahoo Finance and the Journal, Vallice was a supervising producer at Vice, and helped launch the award-winning HBO broadcast, Vice News Tonight. Prior to that, Vallice spent 11 years at NBC Nightly News, delivering fast-turn stories under tight deadlines both in edit and in the field, producing coverage on a wide variety of major news stories. Vallice received her master's degree in broadcast journalism from Syracuse University's Newhouse School of Public Communications after earning her undergraduate degree at Binghamton University.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store