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JT Releases a Summer-Ready MAC Cosmetics Lip Kit

JT Releases a Summer-Ready MAC Cosmetics Lip Kit

Elle5 days ago
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Jatavia Johnson—known to the world as the rapper JT—has always had a persuasive swing in her delivery, one that commands attention and urges fans to follow her lead. In her latest single 'Ran Out,' she gives clear instructions: My bitches shaking ass with their hands out / Pay up. For naysayers, her tone shifts—it's sharper and more biting. Pretty ass lips make these bitches cop syringes, mwah, she taunts on 2023's scathing freestyle 'No Bars.' It's not exactly a suggestion, but a reminder: in JT's world, influence doesn't beg—it declares. Her lips have long been a fixture of tabloid fodder, whether she's doling out cutting retorts online or debuting a glossy Black ombré at a Mugler show. So what do you do when your name is figuratively on everyone's lips? Give them something tangible to put on it—a MAC Cosmetics lip kit, to be exact.
Her love affair with MAC began like it does for many Black girls—watching her mother get ready in the mirror. 'I remember my mom used to do her whole foundation routine with the [MAC] Studio Fix Powder; it was in a black [compact], and she applied it using this red powder sponge,' she recalls. 'Besides the hair store lip gloss—the one that you squeeze and roll on—that was one of the first MAC products that I actually knew about.'
In high school, JT began experimenting on her own, often with MAC's famously loud Snob lipstick, a hot pinkish neutral shade that announces itself before you could even speak. 'I used to take my Snob and just put it on my lips, no liner, no nothing,' she says. 'That created a bold expression for me. When you look back at my pictures, beyond mugshots, I always had a crazy pink lip on that wouldn't make any sense right now, but it was the shit at the moment.' She often gravitated towards maximalist Y2K beauty (think pink lipstick, bold blue or dark eyeshadow, and glossy lips). Now, her go-to lip is just as expressive, only a bit more refined: a high-shine gloss, a swipe of Snob, and a '90s-style brown liner—all packed into one $52 kit you can buy now.
JT's limited-edition lip kit features the exact combo she rocks both on and off the stage. Versatile and universally flattering, the collab may come in a box, but according to its maker, it's not made for just one type of woman. 'The girl who I see wearing this lip combo can be so many girls,' she says. 'I feel like it represents so many different types of Black girls, from the suburban to the ratchet. But outside of that, I've been seeing so many other women—white, Asian, you name it—in the kit.'
Ahead, JT opens up about curating her MAC Cosmetics kit, why she's drawn to 'controversial beauty,' and her next musical era.
I'm still so much of myself, just older. I'm more mature than I was before, but I was always sassy. I always had a way with words, and I always loved makeup and lip gloss. [I've] always been creative. I actually went to school for fashion merchandising for a short period of time. I was always considered an It girl in my area, because I had a unique identity. I don't really follow trends—I create them. That's what being an It girl is—just doing your own thing and being your own person.
My mom. The first time I ever wanted to wear lip gloss was after watching my mom put it on. When I was in middle school, I was still on my Vaseline and little roll-on lip glosses from Claire's or Limited Too. I would only dream about having MAC in middle school, because that was an adult brand to have. So when I got to high school and was able to do my own thing, I started experimenting, putting different stuff on my lips. That's when I discovered my lips were cute.
MAC Cosmetics means so much to me because it was always with me, from my childhood, when I saw my mom using it, to my aunts and big sister using it. Plus, they always had cool-ass celebrity campaigns. I wanted to be a MAC girl and have a MAC deal because of Teyana Taylor, Nicki Minaj, and everyone else who had one. Now, I am one of the girls who has a MAC collaboration, so I feel like I have definitely accomplished something. It's a very full circle for me. MAC is my childhood. The first makeup memory I have is of my mom doing her whole damn face in Studio Fix Powder. And when I got old enough, I wanted to experiment with foundation, so I used NW45 for a long time. Even though I looked orange as hell, it complemented my skin. I could get away with it at a time when brands didn't have anything for Black skin. So I was the NW45 girl—that was the first Black girl shade to have.
The first actual thing I did with MAC was a performance during New York Fashion Week, which is based around clothes. However, I did this bold beauty look. That was the first time MAC invited me to do something with them, so I didn't show up like I didn't want to be there. I put on my best fucking glam. I went all pink. I didn't go with a nude lip or soft glam. I went straight full-out glam Barbie. That was my MAC interview on the low. I wanted to make sure they would want to work with me again. So I gave them a look. I believe that's how it started.
What's funny, and people probably wouldn't believe me, but one person's makeup I admired growing up was Joseline Hernandez's. Her makeup used to be sick on Love & Hip Hop. She used to have sit-downs with the girls in a dark-ass eye and a pink lip. And she was one of the people I would see and be like, 'Her makeup looks good. Her makeup is done right.' I think her style of makeup is even popular now. Also, I love Donna Summer and Tina Turner's makeup—[Turner] always had that dark cheek.
I've always been a fan of Teyana Taylor. Not too long ago, I sat with her at her place and told her that I wanted a MAC collab. I really do admire her style, from fashion to beauty; she was one of the first It girls I knew of at such a young age, thanks to her Super Sweet 16 episode. The big hair, the lips—everything.
First of all, lip gloss definitely complements my Black skin. My love for lip liner runs deep. Literally, when I put on my lip liner and that gloss, you don't need anything else on that face. It's just going to make you, as a Black woman, stand out. And that's just how I feel. So, when I was creating the lip kit, yes, I was thinking about the people who want to use it every day, like myself. I definitely use the Chestnut and the Lip Glass every single day, but the Snob is when you're going out. I tried to give them the all-in-one.
The one lipstick they didn't let me put in my kit was Frost, because that's my color. I love a chalky, frosty lip. I would have loved to do a Frost lip kit, with a bold, silvery, metallic look. Also, MAC Candy Yum Yum was another favorite. I would have put that in the kit, but I didn't want to hear the girls cry [laughs]. So I wanted to create something for my bold-ass self and my everyday self that you see right now. And that's what Snob is—it meets in the middle.
Oh my God, I cannot believe you liked that! You know what? I loved it. So many people dragged me. But having a sense of freedom to do what the fuck I want to do feels so good. Knowing that nobody can tell me anything or stop me, I do it simply because I know I can. I was paying homage to the dolls and the drag queens, who Viva La Glam is actually for. I was trying to be extra, and people were like, 'That shit was hideous.' I got so many mean comments that day. The people who get it, get it. And people who don't get it will forever be in my business. People are always yapping, and they just have to talk about me. I don't know what they want from me, but they have this lip kit, and it sold out, and it's been a huge success.
My 2022 birthday shoot. I had the blonde eyebrows and the blonde hair—that was the shift that birthed me as this monster for bold, standout looks. It's controversial to people, and I love it. I love it when I do me, and somebody doesn't agree with it. I love controversial beauty. I love when it's going to spark a debate, because if you do everything so right all the time, people just get used that, and they will never talk about you, versus giving them something to talk about. People love a debate. If you don't give them anything to debate about, you're going to fucking die down.
My favorite trick is to use the back of the pencil—my clean pencil, which belongs to me—and smooth and blend the lip liner.
My next project will sound nothing like City Cinderella. It's more so for me, where I am right now. I think City Cinderella was just like a letter to my old self, and I didn't want my very first project to stray too far away from her. When I look back at my projects, I can always know that I have a City Cinderella, something more in-depth, and more southern, slower, or hip-hop, which I enjoy sonically. But my next project is very upbeat; it's up-tempo and cute. I spent all last week in the studio recording. I'm almost done.
She would say, 'You ate that.' She would know that I deserve this, but she would definitely say, 'You ate that, and look at you now.'
This interview has been edited and condensed for clarity.
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31 Pairs Of Comfy Shoes Your Feet Will Love
31 Pairs Of Comfy Shoes Your Feet Will Love

Buzz Feed

time4 hours ago

  • Buzz Feed

31 Pairs Of Comfy Shoes Your Feet Will Love

Floral ballet flats that'll really up your shoe game, thanks to the oh-so-adorable cutouts that also allow your feet to breathe. Plus, they're so darn flexible, you can easily roll them up to pack for your vacays! Vintage Reebok sneakers to add a lil' retro vibe to your OOTD. They're so versatile that you can pair 'em with anything — dresses, skirts, sweats, you name it — and you'll absolutely slay while staying comfy all day. The midsoles are designed to absorb impact, and the padded foam sock liners will keep your feet nice and cushy. New Balance 574 Core Sneakers that are a cult-favorite, and deservedly so. Not only are they incredibly stylish, but they also feel like plush clouds with every step you take, thanks to the EVA midsole. Promising review: "I'm in love with these shoes! I love the look of them which I feel is very retro. The sizing is perfect as described. They are extremely comfortable and durable. I bought them before completing a month of walking 100 miles and they held up perfectly!" —A. WieseGet them from Amazon for $89.99 (available in sizes 5–12, wide sizes, and eight colors). Braided sandals, your new go-to summer shoes because why have flip-flops when you can have a plethora of straps?! The braids may look a lil' scratchy but fear not, they're soft AND adjustable. You can either dress them up for a fancy brunch or down for a walk on the beach — no matter what, you're going to look 🎶 H-O-T-T-O-G-O 🎶 !!! FYI, these are best suited for narrow to medium-sized feet. Promising reviews: "These sandals are like cotton candy clouds for your feet. Basically the Rolls-Royce of sandals." —A. Alphonse"Comfort is a key feature that sets Plaka sandals apart from the rest. The soft and flexible sole provides excellent cushioning and support, making them incredibly comfortable to wear for long periods. The sandals conform to the natural curves of my feet, offering a glove-like fit that feels like walking on clouds. The adjustable straps ensure a customized and secure fit, allowing me to walk with ease and without any discomfort or blisters." —AshleyGet them from Amazon for $34.95+ (available in whole sizes 5–11 and in 24 colors). Sorel wedge sandals with molded platform soles that'll give you the extra height you so desire without the pain. You'll be able to walk for miles without any aches because of the secure straps and molded EVA footbed! Braided heel sandals to rock it out on the dance floor at your bestie's wedding without having to take your shoes off before the "Cupid Shuffle" comes on. Heels that won't make your feet ache and throb? Yes, please!!! Handmade mules if you want to look as chic as possible (ofc you do)! These have pointed toes, gorgeous cutouts, and a slight heel — aren't you obsessed? Because I sure am. Zou Xou Shoes is a Black woman-owned business that has been creating handcrafted shoes by Argentinian shoemakers since 2015. The styles are easy and classic so they can be worn for years. These mules are handmade to order in European sizes, and they suggest sizing up. See the sizing chart (last photo on the listing) for more details!Promising review: "These shoes are very high quality and feel like butter every time I put them on. They only took two wears to break in and are one of the most comfortable shoes I've ever owned. Make sure to size up if you plan on ordering these beautiful shoes!" —gingerbread24Get them from Zou Xou Shoes on Etsy for $254 (available in European sizes 36-42, or US sizes 5.5–11). Mesh sneakers that are sooo comfy, reviewers have run 5Ks, hiked for miles, and stood for up to 18 hours in these bad boys without feeling any pain! Espadrille platform sandals so your feet can stay pain-free during sunshine-filled walks through the streets of Italy. 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They're made with a soft, stretchy material so you don't even have to break them in — I bet you didn't even think that was possible with flats, huh? *Plus* they're machine washable, so when they get sweaty and stinky, just toss 'em in the laundry! Or breathable pointed-toe ballet flats that come in such unique and fun prints and colors! The toe box is five degrees wider than standard pointed flats so your piggies won't feel cramped and suffocated. They have heel padding to prevent blisters (need), arch support (NEED), and a shock-absorbing midsole. (NEEEEED!!!) *Or* some budget-friendly ballet flats with over 48,000 5-star ratings — I mean, it just makes sense. The insoles are padded memory foam AND have a heel pillow to relieve any pressure (thank you, comfort gods). Life hack: Reviewers love keeping these in their purse as a backup shoe whenever they have to wear heels! Sam Edelman loafers guaranteed to girl-bossify you. 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I was afraid because my feet are on the wider side, but oh my do they fit absolutely amazingly well!! Don't hesitate to buy them!! I love them! I love them! I Love them!!" —Jennifer BaezGet them from Macarena Collection on Etsy for $48.74 (originally $64.99; available in sizes 5–10). Lightweight Tioseban sneakers — they're definitely shoes, but they *feel* a bit like socks because the stretchy, breathable mesh top expands with your feet as you walk! Sizing up a half size if you have wide feet is review: "I like these shoes so much, I bought two pairs. My feet are very narrow, and I have trouble finding shoes that fit without coming off my heels. These have the comfort band that makes them very comfortable." —Jane from MAGet them from Amazon for $36.99+ (available in sizes 5–13, wide sizes, and in 32 colors). Lug sole sandals that'll seriously make a statement. They're so cute, so chunky, so lightweight — ugh, I'm obsessed. 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Beyoncé fans are paying close attention to her hair color as tour ends: Here's why
Beyoncé fans are paying close attention to her hair color as tour ends: Here's why

USA Today

time5 hours ago

  • USA Today

Beyoncé fans are paying close attention to her hair color as tour ends: Here's why

Beyoncé Knowles-Carter is about to wrap up her "Cowboy Carter" tour in Las Vegas, and fans are already searching for clues about what's next for the superstar. Their current focus is the hair color of some of Beyoncé's dancers. The Grammy-winning singer kicked off her first concert at Allegiant Stadium in Las Vegas on July 25. The concert marked her first of two shows at the stadium on her Cowboy Carter and the Rodeo Chitlin' Circuit Tour. She is set to perform again July 26. As she took the stage, Beyoncé donned a floor-length American flag coat with a matching bodysuit and white cowboy hat. However, it was her blond hair color that immediately caught the attention of some fans. Prior to Friday's show, rumors began to swirl when fans noticed some of her dancers appearing to change their hair color to jet black. One account wrote on X, "Beyoncé's dancers are reportedly dyeing their hair black, sparking rumors that it's a visual clue for the third installment of her trilogy: act iii." As fans know, Beyoncé released her eighth studio album "Cowboy Carter" March 29. The country album has already made history on multiple fronts and put a spotlight on Black country artists. In July 2022 Beyoncé released her seventh studio album "Renaissance." The project earned her four Grammys in 2023 including best dance/electronic music album, making her the most decorated artist in the awards' history. She later announced the album was the first part of a three-act project, making "Cowboy Carter" Act 2. After releasing albums in the country and dance categories, there has been growing speculation that the last project in the trilogy could be a rock album. Beyoncé only fueled this idea after she posed as funk-rock diva Betty Davis for Halloween — and yes, she was wearing jet black hair. However, during the July 25 performance, not only was Beyoncé's hair not black, but many of her dancers' hair colors also varied from black to red and more. One fan wrote, "And the black hair theories are dismissed." However, others were reluctant to abandon the idea entirely, noting that there's still one more show to go. Some fans even went so far as to point out that last show date falls on Davis' birthday. There are always fan theories floating around, and fans can expect even more as Beyoncé closes out her tour and the Act 2 era leaving them to eagerly await Act 3. As always, only time will tell. Follow Caché McClay, the USA TODAY Network's Beyoncé Knowles-Carter reporter, on Instagram, TikTok and X as @cachemcclay.

A Requiem for Puff Daddy
A Requiem for Puff Daddy

Atlantic

time6 hours ago

  • Atlantic

A Requiem for Puff Daddy

Black cool is one of America's great innovations, right up there with basketball, blue jeans, and the internet. It blends several forms—music, sports, fashion, speech, ways of cutting through space—into a wholly distinctive, globally influential aesthetic. There are French fashion houses in thrall to silhouettes first spotted in Harlem, Japanese men who have devoted their lives to spinning jazz records in Shibuya, and lavish murals of Tupac Shakur as far apart as Sydney and Sierra Leone. Sean Combs, the disgraced record mogul, certainly did not invent Black cool. But like Miles Davis, Muhammad Ali, and Michael Jordan before him—and like Jay-Z, Kanye West, and many others who followed—for a flicker of time he was its most formidable ambassador. That moment coincided with my adolescence, which is why the revelation of Combs's extravagant cruelties —the depravity with which he used all that he'd gained—has left my childhood friends and me feeling so betrayed. We had looked up to Diddy, whom I will always think of as Puff Daddy or Puffy. When we were at our most impressionable, he taught us what to want and gave us a model for how to behave and succeed. Seeing him fall apart in our middle age feels like a kind of heartbreak. The verve and swagger he injected into our childhood dreams have curdled into something rancid. Certain photographs of Puffy are permanently etched into my memory. In 1995, dipped in a flowing black-and-gold Versace Barocco silk chemise, liberally unbuttoned to flex a thick Cuban link anchored by a diamond-encrusted Jesus piece—the definitive signifier of inner-city affluence. September '96, on the cover of Vibe magazine: head peering from behind his greatest protégé, the Notorious B.I.G.; signature blackout shades; a perfect S-curl relaxing the weft of his fade. The cool he exuded in these moments was inspirational, even masterful. My friends and I had never seen anything like it so fully pervade the culture, certainly not from someone we felt we could relate to. I have not admired Combs for decades now, since well before his trial this year. But I will always be partial to the Puff Daddy of the '90s: from 1993, when he founded his record label, Bad Boy Entertainment, through the spectacular rise and death of the Notorious B.I.G., and peaking around 1998 during hip-hop's 'shiny-suit era,' which he pioneered with Ma$e and the Lox. By the time I got to college, Puffy was even wealthier, and my cultural references had begun to change. I vaguely remember the preposterous images of him strolling beneath a blazing Mediterranean sun while his valet spread a parasol over his head. He was mainly in the news because of a shooting at Club New York, which resulted in bribery and gun-possession charges against him and a highly publicized trial (he was acquitted). For my friends and me, his shocking newness had begun to fade. Back in his prime, though, Puffy conveyed a sense of youthful ambition that we revered. He was able to transition from sidekick and hype man to dealmaker and multiplatinum performer. Before turning 25, he had founded his own culture-defining business—soon-to-be empire—and knew precisely how to leverage his growing fortune into social capital. More than his success, we were struck by two qualities that seemed novel to us. The first was the amount of effort he openly displayed, which counterintuitively amplified his cool. Puffy made no pretense of obscuring the maniacal work required to achieve his goals. When he closed a million-dollar deal, he slammed the phone down and screamed. (Years later, he would become one of the original hustle-culture influencers on Twitter.) He showed us that flourishing was not a condition one had to be born into—that luxury and labor were connected. The second quality was his ability to make Black people and Black culture—even its less compromising, more street-inflected iteration—feel at home in places, such as the Hamptons, that had not previously welcomed them. Puffy's motto 'I'ma make you love me' felt innocent and aspirational to us, not least because he actually achieved it. We were still many years away from realizing just what he would do with all the love he was given. Helen Lewis: The non-exoneration of Diddy Puff Daddy seemed to us then like a Black man utterly free in a moment of expanding opportunity. Before the age of social media, before we'd ever stepped on a plane, Puffy represented our first intimation of an unrestricted way of being-for-self in the world. On the one hand, he was the antidote to the soul-crushing squareness of upwardly mobile middle-class life that we so feared—degrees, office jobs, bills. On the other hand, he was perfectly assimilated into the good life of the American mainstream, to which we desperately craved access. This made him dramatically unlike his peers. Tupac and Biggie were confrontational, and look where it got them. Rap entrepreneurs such as Master P and Brian 'Baby' Williams were rich but ghettoized; any number of establishments wouldn't seat them. Puffy, by contrast, looked like a marvelous solution to the problem of success and authenticity that my friends and I had been struggling to solve. Yet we were suffering from a kind of myopia. And it wasn't unique to us. The generation after us put their faith in Kanye West, whose most recent contribution to the culture is a single titled 'Heil Hitler.' Role models are like seasons. One passes irretrievably into the next, but for a moment they might reveal possibilities that outlast and surpass them.

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