
Pac-Man of porn Bonnie Blue finally crossed the line & got banned – but watch this space on OnlyFans for version 2.0
It has now banned Bonnie Blue, the Pac-Man of porn, after she revealed her next appalling stunt would take place in public at what she called a ' petting zoo '.
6
6
Having almost completed the 1001 Depraved Acts To Do Before You Die, Tia Billinger, as her mother knows her, was due to get into a plastic see-through box on Sunday and invite members of the public to climb in and do 'whatever they wanted' to her.
So far, so typical for a woman who prides herself on making Linda Lovelace look like Mother Teresa.
This Perspex perversion was due to be streamed on her OnlyFans site to all the sex-starved men who pay £5 a month to see her defiled. But the site told her that this particular stomach-churning challenge was dangerous and breached its terms of use.
It then kicked her off. For good.
Bonnie, who claims she has been unfairly 'singled out' by the ban, is now feeling blue as her earnings plummet.
She claimed earlier this year she was making £600,000 a month exhibiting her wares on the site.
While her bank manager might be clutching his collar, one thing for certain is OnlyFans will cope with losing its most notorious 'contributor'.
Because while it may have dispatched Bonnie Blue it has plenty of other sexually adventurous 'stars' to keep it afloat. Blue's comrade in copulation Lily Phillips, for example, who pulls in £200k a month.
The pair are like the Blur and Oasis of pornography, endlessly competing, not for record sales, but for the record number of males they can roll with in a session.
Phillips last week upped the ante, pledging to beat Blue's 1,000 men in a day with 10,000 in a week. Her OnlyFans is still live as I write.
OnlyFans devours porn. It is not the most profitable content subscription service in the world — £4.5billion last year — because it features people making Lego models of their cat.
Its founder, Essex-born Tim Stokely, might suggest sex is not its USP but even its homepage begs to differ.
Packed with promos for 'creators' doing such wholesome pursuits as fishing in Canada or hiking in New Zealand, one thing unites them — they are all attractive women wearing bikinis and offering 'spicy' content.
OnlyFans would be nothing without them. It might as well be called OnanismFans.
How else to explain its screeching U-turn over its decision to ban 'sexually explicit content' four years ago? In a volte-face to make Keir Starmer proud, in August 2021 it pledged to prohibit porn from October. A week on it changed its mind.
The proposed ban was not the result of some soul-searching but a reaction to concerns from banks worried about reputational damage.
OnyFans cleared up that little problem because, well, money talks.
Now, I know what you're thinking. Given the millions of hours of cynical smut coursing through OnlyFans' servers, why the sudden fit of the vapours over Bonnie Blue?
Well, the answer is simple. Bonnie Blue has finally gone too far. She has crossed a line.
Wake-up call
Her antics have now become so perverted and dangerous that even the murky, anything goes, porn-obsessed world of OnlyFans doesn't want her.
How long before all the other websites still hosting content from this moral vacuum of an 'influencer' start to think the same?
Will Elon Musk, apparently so keen to protect women, judging by his recent intervention in the grooming gangs scandal, now kick her off X?
We shall see.
Whatever, this tawdry episode should serve as a wake-up call to Bonnie Blue and all her clones to end this race to the bottom (worryingly there are many similarly dangerous wannabes, like Annie Knight, recently admitted to hospital after sleeping with 583 men in a single day. How long before she is banned too?).
Hopefully they will now realise that the disturbing trend for increasingly extreme sex acts does have a limit.
That offering yourself up to be used and abused by ever more men is not just dangerous, it is also no longer the guaranteed money spinner you think it is.
BECK IN ROYAL FAVOUR
6
THE King 's birthday honours list was quite the lesson in forgiveness.
Sir David of Golden-balls, who famously called the honours committee 'c***s', wasn't the only one granted absolution by The Firm.
There was also TV producer Stephen Lambert, who got an OBE. He makes things like Gogglebox now but he used to run a company called RDF.
You might remember RDF. It hit headlines in 2007 after it doctored documentary footage of the Queen arriving at a photoshoot to give the impression she had stormed out.
'Queengate' gave the BBC a collective cardiac arrest and top brass demanded to know who had tampered with the footage and insulted the monarch.
A probe was launched and eventually the culprit came clean . . . one Stephen Lambert.
MY great colleague, Clemmie Moodie, has been leading the charge for Robbie Williams to get a knighthood. I'm afraid she will have to do this without my, er, highly influential backing.
Anyone who decided the excruciating Rude-box was an acceptable song to inflict on the world's ear drums should be banned from getting any honour – for life.
TRAINS DEJA 2
HS2 has gone so far over budget it's now expected to cost the taxpayer about £100billion and will be delayed beyond 2033.
So a train service that costs an absolute fortune and won't arrive on time.
Nothing new there then.
135-year-old tortoise is becoming a dad after making the beast with two shells with a younger her-toise.
Presumably it wasn't a quickie?
PM ALL TALK ON TROOPS
6
THE sorry saga of Afghanistan war veteran George Ford tells you everything you need to know about our busted benefits system.
He told us this week how he was struggling to get a home because his local council was prioritising those fleeing the Taliban.
His treatment isn't just unfair, it's a grave insult to a man who was prepared to lay down his life for Britain and ended up with PTSD when that nearly happened.
Sir Keir Starmer recently announced he wants to boost the Army by another 3,000 personnel to get us match fit for whatever war we end up fighting next.
I hope enough people come forward – God knows we need them.
But given the shabby way the Government ends up treating some of our veterans, he should not be surprised if he struggles to fill the roles.
QUICK question for you: Is there anywhere better than England on a beautiful summer's day? There isn't, is there?
Sitting outside with a cold beverage on the go, just staring into the middle distance. I absolutely bloody love it. Have a fantastic weekend, folks.
A DOZY PARKER
6
KELSEY PARKER appears to be another gullible celeb who has spent too long reading conspiracy theories online.
She refuses to put SPF suncream on her kids in case it GIVES them cancer.
The 34-year-old pregnant mum-of-two reckons she just keeps her kids out of the sun.
Really?
For any parent with two under-fives – and I have been one – stopping your kids running around in the great outdoors is nigh-on impossible. So I'll be impressed if she has managed that.
I hope she doesn't have the same aversion to After Sun as she's gonna need it this weekend when everyone is inevitably burnt to a crisp.
WILL SMITH – WHAT FRESH HELL IS THIS?
6
WILL SMITH'S fall from grace after that Oscars slap was quite the skydive.
But the old Fresh Prince is back, plugging a cheesy new rap song called Pretty Girls, just the kind of ditty you'd expect from a, er, 56-year-old father of three.
He gave an interview to Radio 1Xtra this week in a bid to talk directly to da kidz and was asked how slapping Chris Rock in 2022 had affected him.
Describing it as 'brutiful' ('brutal and beautiful') he then barfed up a word salad of such utter bollocks it would break Google translate.
This is what he said . . .
'Finding that way to be able to be with my own humanity – be able to not be perfect but be human and find a higher power in my humanity than I found in my constellation of ideas of perfection that we called With Smith.
"The fullness of who I am to allow that to be better than Will Smith. The honesty and the authenticity and the broader spectrum of the possibilities of who I am is actually better than Will Smith.
'Working in that space of authenticity and honesty and imperfection. Allowing that to grow into a higher perfection than the imagery of Will Smith is where I am as an artist and a human right now.'
Got that?
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
34 minutes ago
- Daily Mail
Aimee Lou Wood puts on a cosy display with boyfriend Adam Long as they party together at Glastonbury after romance was revealed
Their romance was first revealed when they were pictured kissing last month. And Aimee Lou Wood 's new romance with boyfriend Adam Long is going from strength to strength, as they partied together at Glastonbury over the weekend. The White Lotus star, 31, joined the crowds to watch live music at Worthy Farm, opting for a casual olive green cap. Adam, 34 - who is best known for his role as convict Lewis Whippey in Happy Valley - was dressed in a blue gingham shirt. The pair - who are starring together in the upcoming BBC series Film Club - were first spotted sharing a kiss last month. Aimee has liked all of Adam's social media posts since their Film Club casting was announced last November. She was also quick to praise the star after he completed a sponsored run in aid of Movember and men's mental health awareness. On a snap of the actor and his running buddies, Aimee penned: 'YOU DID IT!!!!!!! ✨' It's believed the pair met last year working on their upcoming BBC Three series, written by Aimee, in which they play a couple. The pair play lovers in the series, which follows Evie (Aimee) who sets up a film club with her best friend Noa (Nabhaan Rizwaan). A BBC synopsis reads: 'It's Friday night. 7pm. Film Club Week 198. Evie hasn't left the house in six months after a 'wobble', and tonight, things are different. 'Noa's got big news. A dream job is taking him across the other side of the country, which means that all of this is ending. That reality is hitting. That they're going to be forced to consider for the first time they might be more than just friends. 'Neither of them are the best when it comes to emotions but this time those emotions might be impossible to ignore... 'As if life weren't challenging enough already, Evie is going to be navigating this amongst the eccentricity of her family home - living with her fiercely loving single mum Suz (Suranne Jones), sister Izzie (Liv Hill), and handsome boyfriend/sometime man of the house Josh (Adam). 'Film Club is a witty and emotional show about love and family, about whether we should follow our hearts or heads, and being in love with a friend.' Speaking about the series, Aimee - who created the show with Ralph Davies - said in a statement: 'I'm thrilled that our beloved TV series Film Club, a project that Ralph and I have been writing for the past decade, starts shooting this week. 'We couldn't be more excited, and grateful, to the incredible team we have assembled with the BBC. 'To bring this to life with Nabhaan and Suranne, two exceptional actors I have always admired, is a real honour.' The series was filmed in Manchester last year and is set for release on BBC iPlayer and BBC Three later this year. Adam, who also starred in Day Of The Jackal and Waterloo Road, has not spoken publicly about his love life. Aimee's last known relationship was with her Sex Education co-star Connor Swindells, who she split from in 2020 after two years together. Connor, 28, who stars in SAS Rogue Heroes, is now married to the Peaky Blinders star, Amber Anderson, 32, who he wed last year. Discussing the reason behind their split, Aimee noted that relationships don't have to consist of a 'goodie' and a 'baddie', but sometimes the combination of two personalities in a dynamic can result in 'unhealthy themes'. She said in an interview with Grazia: 'We'd had some time apart and then we realised that maybe the relationship wasn't serving us both,' before stating that she and Connor still love each other and respect each other. According to Aimee the breakup was amicable and wasn't dramatic. She compared the moment she became single to a dam bursting wide open. She added: 'When I'm in a relationship I find it hard to maintain my sense of self. I'm very independent but also quite impressionable.' MailOnline has contacted Amy and Adam's representatives for comment. In recent months, the star has catapulted to global fame, owing to her role in HBO hit, The White Lotus. However, the actress' personal life caused more headlines than the series itself, with Aimee hitting out at Saturday Night Live for their 'mean and unfunny' parody of the show that mocked her teeth; as well as being embroiled in claims of a 'feud' with her on-screen lover. The SNL sketch featured comedian Sarah Sherman, 32, parodying Aimee's character Chelsea while using fake teeth to mock her, which prompted in widespread outrage. The sketch poked fun at her Manchester U.K. accent and her teeth, with Sarah exclaiming: 'Fluoride? What's that?' In response, Aimee took aim at the 'cheap' joke, writing on Instagram: 'Such a shame cuz I had such a great time watching it a couple weeks ago. Yes, take the p**s for sure - that's what the show is about- but there must be a cleverer, more nuanced, less cheap way?' She also shared messages of support from her followers and sister Emily, admitting she'd received 'thousands' of messages backing her up. Aimee continued: 'Last thing I'll say on the matter. I am not thin skinned. I actually love being taken the p**s out of when it's clever and in good spirits. But the joke was about fluoride. I have big gap teeth not bad teeth. 'I don't mind caricature - I understand that's what SNL is. But the rest of the skit was punching up and I/ Chelsea was the only one punched down On... Okay end of.' To conclude, she shared a comment from a fan that read: 'It was a sharp and funny skit until it suddenly took a screeching turn into 1970's misogyny', she added: 'This sums up my view'. Aimee's rumoured feud with her White Lotus co-star Walton Goggins has also had fans talking in recent months. The rumours hit an all-time high after they unfollowed each other on Instagram. But last week the onscreen lovers put the rumours to bed, tackling the reports head on in a joint interview with Variety. 'There is no feud. I adore, I love this woman madly, and she is so important to me,' Walton insisted. Aimee proceeded to address the outrage over headlines that Goggins unfollowed her on social media, which fans perceived as a sign they did not get along. 'I think it's such a comment on where we're at culturally,' she said over the online fury. 'Why is everyone obsessing over Instagram? That is irrelevant. We don't give a s**t about Instagram.' She explained she wished more people were having 'conversations about the story' of their White Lotus characters, Rick and Chelsea, and simply enjoying the show. As well as her new role in Film Club, Aimee has been kept busy filming series two of her BBC sitcom Daddy Issues. This year will also see her star in crime-thriller film Sweet Dreams, which has been pitched as 'a British Fargo'. Adam's most recent TV role was in the ITV drama Protection, which saw him reunite with Happy Valley co-star Siobhan Finneran. His most famous role to date was in the BAFTA-winning Happy Valley, in which he played a convict who aided James Norton's Tommy Lee Royce in kidnapping the daughter of a wealthy businessman, for ransom.


The Guardian
40 minutes ago
- The Guardian
Full set of Sean Connery Bond movies heads up Edinburgh film festival programme
Andrea Riseborough, Peter Dinklage, Renée Zellweger and – inevitably – the late Sean Connery will be among the big names on show at the Edinburgh international film festival, which announced its programme today. A clutch of world premieres at the festival includes a remake of trash classic The Toxic Avenger, starring Dinklage alongside Kevin Bacon, Elijah Wood and Julia Davis, while Riseborough appears opposite Brenda Blethyn in Paul Andrew Williams's Tribeca festival hit Dragonfly. Zellweger appears in a behind-the-scenes role, with the world premiere of her directorial debut, an animated short film called They. And in what appears something of a coup, the festival will screen 4K restorations of Connery's six 'official' James Bond films: Dr No, From Russia With Love, Goldfinger, Thunderball, You Only Live Twice and Diamonds Are Forever. Connery's name is now firmly imprinted on the festival, with its main feature-film prize named after him and screenings of short films developed through the Sean Connery Talent Lab, an offshoot of the actor's foundation and the National Film and Television School Scotland. Festival director and CEO Paul Ridd said: 'The legacy of Scotland's biggest global star is central to what we're trying to do, connecting it with the future generation of film talent and all the philanthropic work the Connery Foundation do across film and various other causes is of vital importance to us. To have access to those six wonderful James Bond films and showing them on the big screen is very special.' The 2025 edition marks the third event since the dramatic collapse of the Centre of the Moving Image, the festival's then parent organisation, in October 2022, which also resulted in the closure of Edinburgh's celebrated Filmhouse cinema and its sister cinema in Aberdeen. Helped by the wider international festival that takes over the city every August, a short-notice scratch event was put together for the summer of 2023, while Ridd was installed as the head of a new organisation for 2024, which returned the festival to something comparable to its former status. And in a piece of good news for both the festival and the city itself, the Filmhouse in Edinburgh reopened in June after a high-profile campaign. Ridd says the festival is looking to consolidate its revival. 'We are thinking about this as year one with last year being year zero. We were really pleased with what we brought together last year, so for 2025 we are looking at what worked previously and not deviating really away from that. What's different, I guess, this year is that we've had a significantly higher volume of submissions sent to us, which is fantastic.' This year the festival's competition (for the 'Sean Connery prize for feature film-making excellence') comprises 10 world premieres, including Campbell X's 'queer road movie' Low Rider, Swedish documentary Once You Shall Be One of Those Who Lived Long Ago about a physically collapsing mining town, and In Transit, a drama about an artist and her model starring Jennifer Ehle. An Out of Competition section includes high-profile films such as the Dardenne brothers' Young Mothers, a study of a centre for pregnant teenagers, Jan-Ole Gerster's Islands, with Sam Riley as a washed-up tennis coach, and The Memory Blocks, a new film from experimental documentary-maker Andrew Kötting. The festival is also leaning into a resurgence of interest in archive and back catalogue films; alongside a retrospective of westerns by famed genre director Budd Boetticher (including 1957 classic The Tall T), Edinburgh is staging a series of screenings of films nominated by their in-person guests, all of whom will introduce their picks as well as taking part in an In Conversation event. The Last King of Scotland director Kevin Macdonald, who will appear alongside his brother, Trainspotting producer Andrew Macdonald, has chosen Soviet war classic The Cranes Are Flying; Candyman's Nia DaCosta will talk about Doug Liman's 90s drug deal comedy thriller Go; and Ben Wheatley, whose new film Bulk is leading the festival's Midnight Madness strand, has gone for Ealing comedy classic The Man in the White Suit. Equally as important as the programme was the decision to move the festival back to its August time slot, having been shifted to June in 2008 as a strategic decision by the UK Film Council, then in charge of industry policy, as a way of giving space between the Edinburgh and London film festivals (with the latter taking place in early October). This has reunited the film festival with the energy of the international and fringe festivals, as well as potentially adding some purchase in the autumn awards season. Ridd says: 'I'm very conscious that August is a strategic position for a lot of film distributors to launch their films going into that awards period. So I think August is a pure positive for us.' He adds: 'This is a beautiful city, and you've got all of this other art going on all around you. It's a unique feeling and I know what a big opportunity that represents to us, to emulate that spirit of discovery.' Sign up to Film Weekly Take a front seat at the cinema with our weekly email filled with all the latest news and all the movie action that matters after newsletter promotion Ridd says he is particularly pleased with the reopening of the Filmhouse, even if the umbilical connection between the festival and venue is no longer there. 'We're a completely new organisation, which has emerged Phoenix-like from a difficult situation. But it's obviously had a significant impact on the city, and I think everyone's very, very excited to see it back.' The Edinburgh international film festival, which previously announced Sundance hit Sorry, Baby and Irvine Welsh documentary Reality Is Not Enough as its opening and closing films, runs from 14-20 August.


The Sun
41 minutes ago
- The Sun
Ticketmaster threatened with legal action over Oasis gig ticket sales by UK watchdog
TICKETMASTER is being threatened with legal action over Oasis gig ticket sales by the UK watchdog. More than 900,000 tickets went on sale in August last year via Ticketmaster for the tour, which reunites Noel and Liam Gallagher, and is set to kick off on Friday in Cardiff. 2 2 In March, the Competition and Markets Authority (CMA) said it was worried Ticketmaster may have misled fans over the pricing of tickets when they went on sale. It said it was concerned that it had broken consumer protection law by labelling seats at Platinum despite being in the same area of the stadium and selling them for £350 instead of £150 face value. The CMA also said that Oasis fans were not told about two categories of standing tickets, with cheaper ones sold first before more expensive standing tickets were sold. It means Oasis fans waited in a queue, some for more than 12 hours, for tickets without knowing the price, then having to decide whether to pay a higher amount than expected. It did not find evidence of a 'dynamic pricing' model being used during the sale. Ticketmaster made some changes to its ticket sale process but the CMA said it'does not currently consider these changes are sufficient'. It had been trying to work with them to change their pricing and ticket information - but today in a letter to the business and trade select committee published today, the CMA it wasn't happy and it is seeking legal action. It said: 'Having carefully considered Ticketmaster's response, the CMA's view is that there is a fundamental disagreement between the CMA and Ticketmaster about whether Ticketmaster's practices infringed consumer law.' The CMA will continue to try and resolve the issue with Ticketmaster while it starts legal action. Hayley Fletcher, interim senior director of consumer protection at the CMA, said: 'All ticketing websites should check they are complying with the law and treating their customers fairly. 'When businesses get it right, consumers benefit – and that's the best outcome for everyone.' Last week, Oasis announced that they were releasing more tickets for the summer tour.