
Hrithik Roshan's son Hridaan is an artiste, mom Sussanne Khan says many celebs own his work: ‘Ram Charan liked his painting…'
Actor Hrithik Roshan and Sussanne Khan split in 2014, ending their 14 years of marriage. However, the two have always maintained a warm relationship with each other. Besides co-parenting their two sons Hrehaan, 19, and Hridaan, 17, Hrithik and Sussanne are also good friends. During a session at ET Now Reality Conclave and Awards 2025, the interior designer opened up about their sons' careers and creating a safe space for them with the actor.
Praising Hrithik's support in nurturing their sons, she said, 'Our children are very artistic. The support of my family and Hrithik as my co-parent is a very big thing to us. Both of us are artistically inclined. Art, culture and heritage of the way we Indians are as people and what we infuse into our children, no matter what relationship we have with our spouses, that's very important in life.'
During the conversation, Sussanne also talked about her sons and their inclination towards art. 'Hridaan is actually an artiste since he was 5 years old. He used to sit on the dining table and draw a room in perspective. I was shocked, I couldn't understand what this boy was doing. He has got inborn flair for art,' she shared.
ALSO READ | Hrithik Roshan shows up to support ex-wife Sussanne Khan in her new business endeavour, poses with her boyfriend Arslan Goni. See inside photos
The interior designer is a proud mother whose son's art is actually being bought, without revealing his identity. 'In 2020, just out of fun, he was doing a doodle art, he called this The Help series, where he created these animated characters. A friend of mine really put a lot of thought and love, she helped me make all this drawings and sketches into pillow art and canvases,' she said.
Sussanne continued, 'We created duffle bags. They are doing so well. We sold so much of it, whatever we got from that, we gave it to a charitable organisation of his choice. It's been a very heartwarming time for me. People are actually buying his art without knowing that it's his, and appreciating it. I am a very proud mom, he is now 17, he was only 12 years old when he started. Future is yet to see what he would like to do. My older son is a budding musician. He is studying at Berkelee College of Music.'
She recalled how Ram Charan also admired Hridaan's work, 'Ram Charan walked in one day with a close friend. He was so wonderful. Upasana and him also invited us to their home. There was also a painting of Hridaan's that he had really liked. I was very touched. People who are so diverse and travelled the world, seen it all, are appreciating what we did. That was something very heartwarming.
Hrithik Roshan and Sussanne Khan married each other in 2000, after dating for four years. After their divorce in 2014, the former couple has moved on happily. While Hrithik is in a relationship with Saba Azad and Sussanne is dating Arslan Goni.
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News18
4 hours ago
- News18
Milind Soman Covers Mumbai To Goa In Just 3 Days On Foot And Cycle: ‘Feels Amazing'
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Time of India
5 hours ago
- Time of India
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Every actor does. They'd be lying if they say they didn't. The minute you expect to be compensated or remunerated for your work, you belong to somebody else. As simple as that. If you don't need validation from outside, then don't charge for your work. That's my personal view. Every actor lives for the audience. You live for the applause. It's the most important thing. It's food for your soul. So every actor lives for that and I think the day, I hope it never happens, but the day I feel I don't need anybody to tell me I'm a good actor, I'll just walk away. So, it's the people who don't like me or appreciate me that keep me hungry and make me feel, 'I'll win over you as well. My work didn't appeal to you? Okay, let me figure out that and I'm going to try and convince you.' That's my attitude. How's that transition been today for you off-screen, 25 years later, from that boy to this man? You were really shy when you started off. I think with experience you just become comfortable in your skin right? That's perhaps what has happened. Would it be fair to say that you don't express yourself much off-screen? Publicly, yes. I don't express much off-screen. I express on screen. Do you want to know how I feel? Go watch my movie. I don't want to know what actors are like when they're not acting. I genuinely don't. I'm not interested. I'm just interested in what they're doing on screen. Don't shatter that illusion for me. Is that why, you've now limited what you share on social media? Partially yes, and also I feel currently, sadly, and I'm the first person who used to say if you can't handle the heat get out of the kitchen but I just feel a lot of social media is just about baiting. It's not a place where you can have a healthy discussion. When it first started you could have a healthy debate or discourse with somebody. Now it's not that. I use it more professionally now. Does all the misinformation about you — especially with the flip side of fame in the age of social media—ever affect you? And why do you choose not to clarify any of it? Because the person who is putting out the misinformation and the lies is not interested in clarity or in correction. Previously, things that were said about me, didn't affect me. Today, I have a family and it's very upsetting. Even if I clarify something, people will turn it around. Because negative news sells. You're not me. You don't live my life. You're not answerable to the people that I'm answerable to. People who put out such negativity, have to live with their conscience. They need to deal with their conscience and answer to their maker. See, it's not just me. I don't get affected. I know what the rigmarole of this place is. There are families involved. I'll give you a very good example of this whole new fad of trolling. Go on.. It's so convenient to sit anonymously behind a computer screen and write the most nasty things. You do realise you're hurting somebody. No matter how thick-skinned they are, it affects them. How would you like it if somebody did that to you? A couple of years ago, I put out some post and some troll said something very nasty about me. Sikandar (Kher), who's very close to me, he's a very dear friend, felt hurt seeing that comment. So, he replied to the troll saying, 'I dare you to come and say this on my face'. So Sikandar put his address down and said, 'Come, I'm waiting. I dare you Mr Troll to come and tell me on my face, whatever you just wrote here. If you're going to say it on the internet, I dare you to come say it to me on my face.' That person clearly will never have the guts to come and tell me this on my face. If someone comes and tells me things on my face, then I will feel they have conviction. I will respect that. How are you so detached from fame though? Fame is transient. I grew up with examples at home. When my father came home, he wasn't Amitabh Bachchan, he was my father. Fame aayega, jayega and you realise it with just a couple of films. Today 25 years in the industry later, are your parents proud of you? Your father says you are his truest 'uttaradhikari'. I think my father and mother would be proud of anything that I do, provided they know that I've given it my best. People forget he's also a father. For us, Amitabh Bachchan is a hero. So, we never look at it from that lens, but he's also a family man! He's a father, he's a grandfather. For some reason we think, 'Oh no, he's not allowed to be that or be human', but he is. He's also a father, and my mother is also a mother. I'm their child. They're allowed to feel the way every other parent would feel. But when Amitabh Bachchan watches ' Sarkar ' today and says he was nowhere in the film—that it was all you—how do you take that? 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There are some things that we should not say, just hold dear to ourselves and guard them ferociously (smiles).


The Hindu
7 hours ago
- The Hindu
Gender Agenda Newsletter : A third space
Have you been following the conversation around third spaces and the lack of them in India? In the last week, we've encountered several instances of queer people and women — both communities that rarely access third space — creating opportunities and experiences for others like them to access spaces of culture, art, and fitness. A heartening development, indeed. Like Prashanti Ganesh, the founder of Ladies Club, an all-women's gym in Chennai training women to lift heavy and get strong. In this story, she says there is a dramatic spike in the number of women occupying the gym floor — women who seek weight-lifting to get strong, no longer just to lose weight. Through the process, she has fostered the growth of an enriching fitness community, where there is coffee, romantic Tamil music, and deadlifts by women who hit 125 kilograms. There are no mirrors and weighing scales. People from 16 to 65 with different body types work out here. So what is thirdspace? 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'It is rare for the queer community, especially trans people, to sit in such large crowds, truly being themselves. An entry fee cannot be a barrier,' he says. A 2021 global survey by market research and consulting firm Ipsos, four out of 10 urban Indians reported feeling lonely and friendless at most times, especially after the COVID-19 pandemic. Hangout spots (attis or addas) where people usually speak, have shrunk, as most conversations are now online. But many of these addas, usually cinema halls, performance venues, and tea shops, have mostly been inaccessible to women and queer folk, especially those from marginalised communities. If they are, they are only so during the daytime. A 2,000-year-old traditional art form, Koodiyattam has always seen women perform as female characters. Yet, the stage and plays have been largely male centric. In recent years, there have been many firsts for women in this cultural space. Mricchakatikam, a play written in the fifth century, rarely performed by women in the lead, saw Koodiyattam exponent Kapila Venu play the role of an intelligent, generous, cultured, and wealthy woman. 'In my portrayal of her, I want to emphasise her independence and power,' says Venu, speaking of claiming space on a stage that has not always put women in the lead. I've experienced gender euphoria at two of these four feminist third spaces: the gym and the trans theatre festival. The camaraderie and joy of feminine cackling is one that I deeply cherish and would love more of. I'd like to create a petition for more such spaces. Any co-signers? Wordsworth Mankeeping: The labour that women take on to accommodate men who feel a loss of their social networks. While men may believe that unburdening on women is a natural part of their relationship, most women call it work. Mankeeping often includes reducing the burden of men's isolation from families due to their declining social networks and heterosexual bonds. Toolkit Take a look at Super Gay Poems: LGBTQIA+ Poetry after Stonewall by Stephanie Burt, a Harvard University professor. Each of the 51 poems sheds light on the transformation of queerness over the decades since 1969, the year of the Stonewall riots, which marked an important chapter in the history of the gay rights movement both in the U.S. and across the world. In this interview ( with The Hindu, the author says, 'the more visible more of us get, and the clearer it gets — to cisgender people, to straight people, to people in or near positions of power — that we're just living our lives, that we can't go back, that we're not a threat to them.' Ouch! 'If a friend rapes another friend, then how will the government authorities provide protection in such cases? Do you want to deploy police in educational institutions? Police cannot be in every corner.' Trinamool Congress MP Kalyan Banerjee on the rape of a law college student in Kolkata. Women we meet Aruvi is a 30-year-old trans woman teacher who speaks of computer programming to college students and industry freshers. She also is part of Kattiyakkari, a theatre company. This Pride Month, at the Alliance Francaise of Madras, she performed her play Body/Boundaries, adapted from an essay by Professor Susan Stryker, a trans person who retired from the University of Arizona's Gender and Women's Studies department. 'Stryker compares the trans body sympathetically to Frankenstein's monster. Trans people often get the sense, at some point in their lives, that they would feel more comfortable in a body that looks, feels, and behaves differently. For many of us it is a nameless pain, until we see that we can set ourselves free by transitioning,' Aruvi says. She hopes to take Body/Boundaries to many more venues and live out her childhood dream of being a teacher.