Just Biber album review – Podger rises brilliantly to these sonatas' extreme challenges
Ten years ago, Rachel Podger made a fine recording of Heinrich Ignaz Franz von Biber's Rosary Sonatas for solo violin and continuo, each of which portrays an episode in the life of Christ. Now she adds a disc of more sonatas by arguably the most important baroque composer for the violin after JS Bach – five of the collection of eight that Biber published in 1681, as well as the quasi-theatrical Sonata Representivo, which may or may not have been composed by Biber and probably dates from 1669.
The pieces are all characterised by their extreme technical difficulty, and especially by their extensive use of scordatura, when individual violin strings are tuned differently from usual. Podger copes with all these challenges quite brilliantly, including imitating the sounds of animals in the Sonata Representivo; she brings an expressive freedom that never takes too many liberties, but remains true to the spirit of the music. If the works themselves are not quite as startling and vivid as the Rosary Sonatas, anyone who enjoyed Podger's previous encounter with Biber will surely relish this one, too.
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